Doc: slight policy-compliance rewrites.

diff --git a/Documentation/notation/pitches.itely b/Documentation/notation/pitches.itely
index bfe45043fbd1912d038e05f963d837aa692873d7..8bb544a431631b3381c4094a0087706b26fc11f9 100644 (file)
--- a/Documentation/notation/pitches.itely
+++ b/Documentation/notation/pitches.itely
@@ -1128,18 +1128,18 @@ Internals Reference:
 @notation{Ottava brackets} introduce an extra transposition of an
 octave for the staff:
 
-@lilypond[verbatim,quote,relative=1]
-a'2 b
+@lilypond[verbatim,quote,relative=2]
+a2 b
 \ottava #-2
-a b
+a2 b
 \ottava #-1
-a b
+a2 b
 \ottava #0
-a b
+a2 b
 \ottava #1
-a b
+a2 b
 \ottava #2
-a b
+a2 b
 @end lilypond
 
 @snippets

diff --git a/Documentation/notation/rhythms.itely b/Documentation/notation/rhythms.itely
index 02f49f6d25855618e8efbd80f676578d24daacca..96a8f6e071d6078c3802e2379e6c1d0e7a52bd15 100644 (file)
--- a/Documentation/notation/rhythms.itely
+++ b/Documentation/notation/rhythms.itely
@@ -2516,9 +2516,8 @@ See @ref{The Feta font}, for a list of symbols which may be
 printed with @code{\musicglyph}.
 
 For common tweaks to the positioning of rehearsal marks, see
-@ref{Formatting text}.
-For more precise control, see the @code{break-alignable-interface}
-under 5.5.1 of @ref{Aligning objects}.
+@ref{Formatting text}.  For more precise control, see
+@code{break-alignable-interface} in @ref{Aligning objects}.
 
 
 @seealso