version that you are working on. See TRANSLATION for details.
@end ignore
- @c \version "2.11.51"
+ @c \version "2.11.61"
@ignore
GDP TODO list
@end menu
@node Durations
- @subsubsection Durations
+ @unnumberedsubsubsec Durations
@cindex durations, of notes
@cindex note durations
@node Tuplets
- @subsubsection Tuplets
+ @unnumberedsubsubsec Tuplets
@cindex tuplets
@cindex triplets
@node Scaling durations
- @subsubsection Scaling durations
+ @unnumberedsubsubsec Scaling durations
@cindex scaling durations
@cindex durations, scaling
@node Ties
- @subsubsection Ties
+ @unnumberedsubsubsec Ties
@cindex tie
@funindex ~
@end menu
@node Rests
- @subsubsection Rests
+ @unnumberedsubsubsec Rests
@cindex rest
@cindex rest, entering durations
@cindex maxima
@node Invisible rests
- @subsubsection Invisible rests
+ @unnumberedsubsubsec Invisible rests
@cindex skip
@cindex invisible rest
@node Full measure rests
- @subsubsection Full measure rests
+ @unnumberedsubsubsec Full measure rests
@cindex multi-measure rests
@cindex full-measure rests
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{positioning-multi--measure-rests.ly}
-@c TODO -- convert to snippet -- submitted to Neil
-Markups attached to a multi-measure rest will be centered above or
-below it. Long markups attached to multi-measure rests do not cause
-the measure to expand. To expand a multi-measure rest to fit the markup,
-use a spacer rest with an attached markup before the multi-measure rest:
-
-@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
-\compressFullBarRests
-\textLengthOn
-s1*0^\markup { [MAJOR GENERAL] }
-R1*19
-s1*0_\markup { \italic { Cue: ... it is yours } }
-s1*0^\markup { A }
-R1*30^\markup { [MABEL] }
-\textLengthOff
-c4^\markup { CHORUS } d f c
-@end lilypond
-
-@noindent
-Note that the spacer rest causes a bar to be inserted.
-Text attached to a spacer rest in this way is left-aligned to the
-position where the note would be placed in the measure, but if the
-measure length is determined by the length of the text, the text will
-appear to be centered.
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{multi--measure-rest-markup.ly}
@seealso
@end menu
@node Time signature
- @subsubsection Time signature
+ @unnumberedsubsubsec Time signature
@cindex time signature
@cindex meter
and whenever the time signature changes. If a change takes place
at the end of a line a warning time signature sign is printed
there. This default behavior may be changed, see
-@ref{Visibility of objects}.
+@c ref{Controlling visibility of objects}.
@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
\time 2/4
@end lilypond
- Ancient time signatures are covered in
- @ref{Ancient time signatures}.
+ Mensural time signatures are covered in
+ @ref{Mensural time signatures}.
@predefined
value of @code{timeSignatureFraction} causes the new time
signature symbol to be printed without changing the other
properties. The property @code{measureLength} determines where
-bar lines should be inserted and, with @code{beatLength}, how
+bar lines should be inserted and, with @code{beatLength}
+and @code{beatGrouping}, how
automatic beams should be generated.
-TODO Add example of using beatLength.
-@c beatLength is broken - see bug 511
+@lilypond[quote,verbatim,relative=2]
+\time 3/4 % auto beam on 1/4 note groups
+a16 a a a a a a a a a a a a a a a
+\time 12/16 % no defined auto-beaming for this time sig
+a16 a a a a a a a a a a a a a a a
+\time 3/4
+a16 a a a a a a a a a a a a a a a
+\set Score.timeSignatureFraction = #'(12 16) %keep 3/4 beaming
+ % due to beatLength
+a16 a a a a a a a a a a a a a a a
+\set Score.beatLength = #(ly:make-moment 1 8) %beam on 1/8 notes
+a16 a a a a a a a a a a a a a a a
+\set Score.beatLength = #(ly:make-moment 1 16)
+\set Score.beatGrouping = #'(3 4 2 3) %beam on 3/16, 7/16, 9/16, 12/16
+a16 a a a a a a a a a a a a a a a
+@end lilypond
+
@c End of snippet
@rglos{time signature}
Notation Reference:
- @ref{Ancient time signatures},
+ @ref{Mensural time signatures},
@ref{Time administration}.
Snippets:
@rinternals{Timing_translator}.
-@knownissues
-
-Automatic beaming does not use the measure grouping specified with
-@code{set-time-signature}.
-
-
@node Upbeats
- @subsubsection Upbeats
+ @unnumberedsubsubsec Upbeats
@cindex anacrusis
@cindex upbeat
@seealso
-Music Glossary: @rglos{anacrusis}
+Music Glossary:
+@rglos{anacrusis}.
-Notation Reference: @ref{Grace notes}
+Notation Reference:
+@ref{Grace notes}.
Snippets:
@rlsr{Rhythms}.
Internal Reference:
-@rinternals{Timing_translator}
+@rinternals{Timing_translator}.
@knownissues
-@cindex grace notes, in anacruses
-
The @code{\partial} command is intended to be used only at the
beginning of a piece. If you use it after the beginning, some
odd warnings may occur.
@node Unmetered music
- @subsubsection Unmetered music
+ @unnumberedsubsubsec Unmetered music
@funindex \cadenzaOn
@funindex \cadenzaOff
@seealso
Music Glossary:
-@rglos{cadenza}
+@rglos{cadenza}.
Notation Reference:
-@ref{Visibility of objects}
+@c ref{Controlling visibility of objects}.
Snippets:
@rlsr{Rhythms}.
@node Polymetric notation
- @subsubsection Polymetric notation
+ @unnumberedsubsubsec Polymetric notation
@cindex double time signatures
@cindex signatures, polymetric
@snippets
-@c TODO -- Convert to snippet. -- Sent to Neil 8/14/08
-
-@strong{Alternating time signatures}
-
-Regularly alternating double time signatures are not supported
-explicitly, but they can be faked. In the next example, the
-double time signature is created with markup text, while the
-real time signature is set in the usual way with @code{\time}.
-
-@lilypond[verbatim,ragged-right]
-% Create 9/8 split into 2/4 + 5/8
-tsMarkup = \markup {
- \override #'(baseline-skip . 2) \number {
- \column { "2" "4" }
- \vcenter "+"
- \bracket \column { "5" "8" }
- }
-}
-
-{
- \override Staff.TimeSignature #'stencil =
- #ly:text-interface::print
- \override Staff.TimeSignature #'text = #tsMarkup
- \time 9/8
- c'2 \bar ":" c'4 c'4.
- c'2 \bar ":" c'4 c'4.
-}
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{compound-time-signatures.ly}
@seealso
Snippets:
@rlsr{Rhythms}.
-@c Is this still permitted?
-@c @lsr{contemporary,compound-time-signature}
Internals Reference:
@rinternals{TimeSignature},
time signatures.
@node Automatic note splitting
- @subsubsection Automatic note splitting
+ @unnumberedsubsubsec Automatic note splitting
@cindex notes, splitting
@cindex splitting notes
@node Showing melody rhythms
- @subsubsection Showing melody rhythms
+ @unnumberedsubsubsec Showing melody rhythms
Sometimes you might want to show only the rhythm of a melody. This
can be done with the rhythmic staff. All pitches of notes on such a
@end menu
@node Automatic beams
- @subsubsection Automatic beams
+ @unnumberedsubsubsec Automatic beams
By default, beams are inserted automatically:
@node Setting automatic beam behavior
- @subsubsection Setting automatic beam behavior
+ @unnumberedsubsubsec Setting automatic beam behavior
@funindex autoBeamSettings
@funindex (end * * * *)
@node Manual beams
- @subsubsection Manual beams
+ @unnumberedsubsubsec Manual beams
@cindex beams, manual
@funindex ]
}
@end lilypond
-@funindex \noBeam
Individual notes may be marked with @code{\noBeam} to prevent them
from being beamed:
@snippets
@node Feathered beams
- @subsubsection Feathered beams
+ @unnumberedsubsubsec Feathered beams
@cindex beams, feathered
@funindex \featherDurations
@end menu
@node Bar lines
- @subsubsection Bar lines
+ @unnumberedsubsubsec Bar lines
@cindex bar lines
@funindex \bar
point in the printed output. Such insertions do not affect
the calculation and placement of subsequent automatic bar lines.
- The simple bar line and four types of double bar line are available
+ The simple bar line and five types of double bar line are available
for manual insertion:
@lilypond[quote,ragged-right,fragment,relative=1,verbatim]
- f1 \bar "|" g \bar "||" a \bar ".|" b \bar ".|." c \bar "|." d
+ f1 \bar "|" g \bar "||" a \bar ".|" b \bar ".|." c \bar "|.|" d \bar "|." e
@end lilypond
@noindent
@end lilypond
@noindent
- and three types of repeat bar line:
+ and five types of repeat bar line:
@lilypond[quote,ragged-right,fragment,relative=1,verbatim]
- f1 \bar "|:" g \bar ":|:" a \bar ":|" b
+ f1 \bar "|:" g \bar ":|:" a \bar ":|.|:" b \bar ":|.:" c \bar ":|" d
@end lilypond
@cindex repeats
@node Bar numbers
- @subsubsection Bar numbers
+ @unnumberedsubsubsec Bar numbers
@cindex bar numbers
@cindex measure numbers
@node Bar and bar number checks
- @subsubsection Bar and bar number checks
+ @unnumberedsubsubsec Bar and bar number checks
@cindex bar check
@funindex barCheckSynchronize
@node Rehearsal marks
- @subsubsection Rehearsal marks
+ @unnumberedsubsubsec Rehearsal marks
@cindex rehearsal marks
@cindex mark, rehearsal
@end menu
@node Grace notes
- @subsubsection Grace notes
+ @unnumberedsubsubsec Grace notes
@funindex \grace
@cindex ornaments
\new Staff { c4 \bar "|:" \grace s16 d2. } >>
@end lilypond
-Predefined commands, like @code{\voiceOne}, which are intended to
-change the behaviour of the notation after a grace note, may not
-be effective if placed immediately before the grace note -- they
-should be placed after it.
-
Grace sections should only be used within sequential music
expressions. Nesting or juxtaposing grace sections is not
supported, and might produce crashes or other errors.
@node Aligning to cadenzas
- @subsubsection Aligning to cadenzas
+ @unnumberedsubsubsec Aligning to cadenzas
@cindex cadenza
@cindex cadenza, aligning to
@node Time administration
- @subsubsection Time administration
+ @unnumberedsubsubsec Time administration
@cindex time administration
@cindex timing (within the score)
projects / lilypond.git / commitdiff