daughter to Jan 'Janneke' Nieuwenhuizen and Han-Wen 'Wendy'
Nienhuys
-Lily is a healthy, bouncing baby weighing 340 kilobytes
+Lily is a healthy, bouncing baby weighing 345 kilobytes
Visiting hours: 24hrs a day at
ftp://pcnov095.win.tue.nl,
-you can see some diapers and pictures at
+you can see some babyfood, diapers and pictures at
http://www.stack.nl/~hanwen/lilypond/index.html
Those deserving special mention (in no particular order):
Esther, Marijke, Heike, Inge, Judith, Hannah, Auke, Ilse, Evelyn,
-Maartje, Suzanne, Ilse (gee, again?), most members of the Eindhovens
-Jongeren Ensemble and last (but certainly not least) Janneke!
+Maartje, Suzanne, Ilse (gee, again?), my friends in the
+Eindhovens Jongeren Ensemble and last (but certainly not least)
+Janneke!
HW
title: Das Wohltemperirte Clavier I, Fuga II (c-minor)
description: following Henle's Urtext
composer(s): JS Bach
- entered-by: HWN
- corrected-by: Werner Lemberg (tested with pl 64; 1997-05-17)
+ entered-by: HWN and Werner Lemberg
copyright: Public Domain
Tested Features: stem direction, multivoice, forced accidentals.
- Remarks: the stem direction algorithm is severely broken (look at the
-bass dux) with pl64. [this is supposedly fixed in pl68, can anybody
-knowledgeable remove this comment if it's not appropriate anymore?]
-
-
-
%}
\version "0.0.60";
[es c' b a] [g f! es d] [c8 es' d' c'] |
[bes a bes c'] [fis g a fis] |
%% 5
- g4 r16 [c d es] [f g as8~] [as16 d es f]|
- [g a bes8~] [bes16 es f g] [as g f es] [d8 c'16 b]|
- c'4 r4 r8 [f' es' d']
+ g4 r16 [c d es] [f g as8~] [as16 d es f] |
+ [g a bes8~] [bes16 es f g] [as g f es] [d8 c'16 b!] |
+ % forced accident!
+ c'4 r4 r8 [f' es' d'] |
r8 [as g f] [g f16 es] [f8 d] |
g4 r8 b [c' c'16 b] [c'8 g] |
%% 10
[bes8 c' bes as] [bes g f es] |
[f des' c' bes] [c' as g f] |
%% 15
- g8 \octave c'; [g16 fis] [g8 c] [es g16 fis] [g8 a] |
-% [d g16 fis] [g8 a] [c16 d] es4 [d16 c] |
- [d g16 fis] [g8 a] [c16 d] es4 [d16 c] |
- % wouldn't it be better if I can write
- % `a' instead of `a!' here to get really
- % an `a natural'? Processing this melody
- % alone (only having `a') would yield a
- % different result! (WL)
-%% I don't understand the complaint. The ! makes no difference in output. HWN
-
+ g8 \octave c'; [g16 fis] [g8 c] [es g16 fis!] [g8 a] |
+ [d g16 fis] [g8 a!] [c16 d] es4 [d16 c] |
+ % forced accident!
'bes8 r8 r16 [d e fis] [g a bes8~] [bes16 e f g] |
[a bes c'8~] [c'16 fis16 g a] [bes8 es!16 d] [es8 'g] |
['as f16 es] [f8 'a8] ['bes g16 f] [g8 'b] |
[f16 d es c]~ [c8 B] c4 r8 e |
%% 30
f4 r8 f [f es16 d] [es8 <f as]> |
-% f4 r8 <f as b> [f es16 d] [es8 <f as]> |
- % bug! if you say
- % f4 r8 <f as b> ...
- % the chord overlaps. WL
-%% confirmed. added to TODO. HWN
- <B d> r <B d> r <G2 c> |
+ <B d> r <B d> r <G2 c> |
}
%% 5
['bes8 es16 d] [es8 'g8] ['as f16 es] [f8 'a]
['bes8 g16 f] [g8 'b] [c8 d16 es] f4~ |
- [f8 es16 d] [c16 'bes 'as 'g] ['f8 as g f]
+ [f8 es16 d] [c16 'bes! 'as 'g] ['f8 as g f]
[es d es f] ['b c d 'b] |
[c g16 fis] [g8 d] es4 r8 e8 |
%% 10
[G16 Es F G] [As Bes c d] [es d c d] [es f g a] |
[bes F G As] [Bes c d e] [f es d es] [ f g a b] |
%% 15
- [c'8 b16 a] [g f es d] [c8 es d c] |
+ [c'8 b16 a] [g f! es d] [c8 es d c] |
[Bes A Bes c] [Fis! G A Fis] |
- % see comment above about forced acc.
+ % forced accident
[G8 d16 c] d8 r8 r8 [e16 d] e8 r8 |
r [fis16 e] fis8 r r [G16 F] G8 r8 |
r8 [A16 G] A8 r r [B16 A] B8 r |
r8 [c16 B] [c8 G] [As c16 B] [c8 d] |
[G c16 B] [c8 d] [F16 G] As4 [G16 F] |
\octave c; [es c' b a] [g f es d] [c d es d] [c Bes! As! G] |
- % I think we shouldn't need to force
- % accidents here because they are in
- % another octave range. WL
-
-%% I don't understand the complaint. Accidentals are valid for one octave range
-%% only. Without ! (and printed flat), this still is valid. HWN
-
+ % -> \classic_accidentals
%% 10
[F bes as g] [f es d c] [Bes c d c] [Bes As G F] |
[Es as g f] [es des c Bes] [As8 c' bes as] |
[f d'16 c'] [d'8 fis] g4 r16 [G A B] |
[c16 d es8~] [es16 A Bes c] [d es f8~] [f16 'b c d] |
%% 20
- es8 r r e [f F Es! D] | % see comment above about octave range
+ es8 r r e [f F Es! D] | % -> \classic_accidentals
r [As G F] [G F16 Es] [F8 G] |
[c16 d es d] [c Bes As G] [F bes as g] [f es d c] |
[Bes c d c] [Bes As G F] [Es as g f] [es d c Bes] |
[As Bes c Bes] [As G F Es] [D g f es] [d c B A] |
%% 25
- g4 r4 r16 [G A B] [c d es f] |
+ G4 r4 r16 [G A B] [c d es f] |
[g f as g] [f es d c] [B8 c16 B] [c8 G] |
[As c16 B] [c8 d] [G c16 B] [c8 d] |
[F16 G] As4 [G16 F] Es4 r8 es |
>
}
-
-
\score {
- \melodic < \multi 1;
- < \multi 2;
- \global
- \dux
- \comes
- >
- < \multi 2;
- \global
- \bassdux
- >
-
- >
+ \melodic < \multi 1;
+ < \multi 2;
+ \global
+ \dux
+ \comes
+ >
+ < \multi 2;
+ \global
+ \bassdux
+ >
+ >
+
\paper{}
\midi {
\tempo 4:84;
}
% EOF
-
-