lilypond-0.1.64

diff --git a/Documentation/vocabulary-data b/Documentation/vocabulary-data
deleted file mode 100644 (file)
index fb42e71..0000000
--- a/Documentation/vocabulary-data
+++ /dev/null
@@ -1,252 +0,0 @@
-:engraving:notenstechen::steken::
-Francais:US English:Deutsch:UK English:Nederlands:Italiaans:
-:Grand staff:::Piano systeem::A combination of two staffs with a brace.  Usually used for piano music.
-:system:::systeem::
-accentuation:accentuation:::accent::
-accolade:brace:::::
-accord:chord:::akkoord::
-accord de neuvième dominante:chord of the dominant ninth:::dominant akkoord::
-accord de septième dominante:chord of the dominant seventh:::septiem akkoord::
-accord parfait majeur:perfect major chord:::::
-accord parfait mineur:perfect minor chord:::::
-alto:alto:::alt::
-altération accidentelle:accident; accidental alteration:::toevallig teken::
-altération essentielle:essential alteration:::::
-appogiature:appoggiatura:::::
-appogiature brève:short appoggiatura:::::
-appogiature double:double appoggiatura:::::
-appogiature longue:long appoggiatura:::::
-appogiature simple:simple appoggiatura:::::
-armature [de la clé]:key signature:::toonsoort (voortekens)::
-armure [de la clé]:key signature:::toonsoort::
-arpège:arpeggio:::gebroken akoord::
-augmenté (intervalle):augmented (interval):::overmatig interval::
-bariton:baritone:::bariton::
-barre de mesure:bar line:::maatstreep::
-:beam:Balk::waardestreep/balk::
-barre de reprise:repeat:::herhaling::
-basse:bass:::bas::
-blanche:half note:::halve noot::
-bâton de pause:(arbitrary number of bars' rest):::::
-bâton de pause:four-bar rest:::::
-bâton de pause:two-bar rest:::::
-bécarre:natural sign:::herstellingsteken::
-bémol:flat:::mol::
-cadence:cadence:::cadens::
-cadence harmonique:harmonic cadence:::cadens::
-cadence mélodique:melodic cadence:::cadens::
-:cue-notes:Stichnoten::stichnoten::
-caractère:character:::::
-chaîne de trilles:chain of trills:::triller::
-chevron:chevron:::::
-chiffrage (chiffres indicateurs):time signature:::maatsoort::
-chiffre inférieur:lower number:::::
-chiffre supérieur:upper number:::::
-clé:clef:::sleutel::
-clé d'octave:octave line:::::
-clé d'ut:middle C clef:::C sleutel, alt sleutel::
-clé de fa:bass clef:::F sleutel::
-clé de sol:treble clef:::G sleutel, viool sleutel::
-comma:comma:::::
-comma enharmonique:::::
-comma pythagoricien:::::
-comma syntonique: : : : : :
-consonance:consonant interval; consonance:::consonant::
-contralto:contralto:::::
-contre-temps:contro-time:::::
-contre-temps irrégulier:irregular contro-time:::::
-contre-temps régulier:regular contro-time:::::
-coulé:slur:::binding, bindingsboog::
-courbe rythmique:rythmic curve:::::
-:opening angular bracket::::crescendo:
-croche:eighth note:::achtste noot::
-:closing angular bracket::::decrescendo:
-degré [de la gamme]:degree [of the scale]:::trap [van de toonladder]::
-demi-pause:half rest:::halve rust::
-demi-soupir:eighth rest:::achtste rust::
-demi-ton:semitone:::halve toon::
-demi-ton chromatique:chromatic semitone:::chromatische halve toon::
-demi-ton diatonique:diatonic semitone:::diatonische halve toon::
-diapason:pitch pipe; tuning fork:::stemfluitje; stemvork::
-diminué (intervalle):diminished (interval):::verminderd (interval)::
-dissonance:dissonant interval; dissonance:::dissonant interval; dissonant::
-dièse:sharp:::kruis::
-do:C:::C::
-do central:middle C:::centrale C:::
-doigté::::::
-doigté de pédale::::::
-dominante:dominant:::dominant::
-double barre:double bar line:::dubbele streep::
-double bémol:double flat:::dubbelmol::
-double croche:sixteenth note:::zestiende noot::
-double dièse:double sharp:::dubbelkruis::
-double triolet:double triplet:::dubbele triool::
-duolet:duplet:::duool::
-durée:duration:::duur, lengte::
-échelle d'octave:octave line:::::
-échelle musicale:Musical Ladder:::::
-enharmonie:enharmony:::::
-espace:space:::::
-extension d'intervalle:extension of interval:::::
-fa:F:::::
-figure de note:kind of note:::::
-figure de silence:kind of rest:::::
-fioriture::::cadens:cadenza:
-forme du mode mineur ancien:ancient form (diatonic minor scale):::::
-forme harmonique:harmonic form (diatonic minor scale):::::
-forme mélodique:melodic form (diatonic minor scale):::::
-gamme:scale:::toonladder::
-gamme chromatique:chromatic scale:::chromatische toonladder::
-gamme diatonique majeure:diatonic major scale:::diatonische majeur toonladder::
-gamme diatonique mineure:diatonic minor scale:::::
-gammes enharmoniques:enharmonic scales:::::
-gammes relatives:relative scales:::::
-genre chromatique:chromatic type:::::
-genre diatonique:diatonic type:::::
-genre enharmonique:enharmonic type:::::
-groupe irrégulier:irregular group:::::
-grupetto:turn; gruppetto:::dubbelslag::
-hauteur:pitch:::toonhoogte::
-huitième de soupir:thirty-second rest:::32e rust::
-incise:motive:::motief::
-indication de pédale:::::
-indication métronomique:metronomic indication:::::
-intervalle:interval:::interval::
-intervalle ascendant:ascending interval:::::
-intervalle composé:compound interval:::::
-intervalle descendant:descending interval:::dalend interval::
-intervalle harmonique:harmonic interval:::::
-intervalle simple:simple interval:::::
-intervalles enharmoniques:enharmonic intervals:::::
-juste (intervalle):perfect (interval):::rein (interval)::
-la:A:::::
-liaison:tie:::overbinding::
-liaison rythmique:legato curve:::::
-ligne:line:::::
-ligne supplémentaire:ledger line:::hulplijntje::
-étang de lis:lilypond:lilyteich:lily pond:lelievijver:stagno del giglio:
-majeur (intervalle):major (interval):::groot (interval)::
-membre de phrase:phrase member:::::
-mesure:bar; measure:::maat, maatstreep::
-mesure artificielle:artificial measure:::::
-mesure composée:compound measure:::::
-mesure incomplète:incomplete measure:::::
-mesure irrégulière:irregular measure:::::
-mesure simple:simple measure:::::
-mezzo-soprano:mezzo-soprano:::::
-mi:E:::::
-mineur (intervalle):minor (interval):::::
-mode:mode:::::
-mode ecclésiastique:::::
-mode majeur:major mode:::::
-mode mineur:minor mode:::::
-modulation:modulation:::modulatie::
-mordant:mordent:::mordent::
-::::::
-mouvement:tempo; movement:::deel::
-mouvement conjoint:conjunct movement:::::
-mouvement disjoint:disjunct movement:::::
-mouvement lent:slow tempo:::::
-mouvement modéré:moderate tempo:::::
-mouvement rapide:fast tempo:::::
-médiante:mediant:::::
-métronome:metronome:::metronoom::
-noire:quarter note:::kwartnoot::
-note:note:::noot::
-note doublement pointée:double dotted note:::::
-note modale:modal note:::::
-note pointée:dotted note:::::
-note tonale:tonal note:::::
-notes enharmoniques:enharmonic notes:::enharmonische noot::
-nuance:shading:::::
-octave:octave:::octaaf::
-ornement:embellishment; accessory:::::
-:part:::partij::
-partition:score:::partituur::
-pause:whole rest:::::
-phrase:phrase:::::
-phrasé:phrasing:::::
-pizzicato:dash over/below:::::
-point:dot:::punt::
-point d'orgue:pause:::::
-point et liaison combinés:dot and curved line combined:::::
-pointillés:::::
-portamento:underline over/below:::::
-portée:staff:::(noten)balk; partij::
-portées:staves:::::
-quadruple croche:sixty-fourth note:::::
-quart de soupir:sixteenth rest:::::
-quarte:fourth:::kwart::
-quartolet:quadruplet:::kwartool::
-quinte:fifth:::kwint::
-registre:register:::register::
-renversement d'intervalle:inversion of interval:::inversie::
-renvoi:return sign:::herstellingsteken::
-respiration:artificial rest:::::
-:double whole note::breve:brevis:breve:
-ronde:whole note:::hele noot::
-rythme:rythm:::ritme::
-ré:D:::::
-seconde:second::::secunde:
-seizième de soupir:sixty-fourth rest:::::
-sensible:leading note:::::
-septième:seventh:::septiem:septime:
-sextolet:sextuplet:::::
-si:B:::::
-signes indicateurs de nuance:shading signs:::::
-silence:rest:::::
-sixain:sextuplet:::sextool::
-sixte:sixth:::::
-sol:G:::::
-soprano:soprano:::sopraan::
-soupir:quarter rest:::::
-sous-dominante:subdominant:::::
-sous-tonique:subtonic:::::
-:dot over/below:::staccato:staccato:
-sus-dominante:superdominant:::::
-sus-tonique:supertonic:::::
-syncope:syncopation; upbeat:::syncope::
-syncope irrégulière:irregular syncopation:::onregelmatige syncope::
-syncope régulière:regular syncopation:::::
-temps:beat:::tel::
-temps binaire:binary beat:::::
-temps faible:weak beat:::::
-temps fort:strong beat:::::
-temps ternaire:ternary beat:::::
-tempérament mésotonique:meantone tuning:::::
-tempérament égal:tempered tuning:::getempereerde stemming::
-tierce:third:::terts::
-ton:tone:::toon::
-tonalité:tonality:::tonaliteit::
-tonique:tonic:::::
-tons relatifs:relative scales:::::
-tons voisins:adjacent keys:::::
-transposition:transposition:::::
-transposition chromatique:chromatic transposition:::::
-transposition enharmonique:enharmonic transposition:::::
-trille:trill; shake:::::
-trille double:double trill:::::
-triolet:triplet:::::
-triple croche:thirty-second note:::::
-triton:tritone:::::
-ténor:tenor:::::
-tétracorde:tetrachord:::::
-unisson:unison:::::
-unité de mesure:unit of measure:::::
-unité de temps:unit of beat:::::
-ut:C:::::
-voix:voice:::stem::
-:quarter note::crotchet:::
-:quarter rest::crotchet rest:::
-:thirty-second note::demisemiquaver:::
-:thirty-second rest::demisemiquaver rest:::
-:sixty-fourth note::hemidemisemiquaver:::
-:sixty-fourth rest::hemidemisemiquaver rest:::
-:half note::minim:::
-:half rest::minim rest:::
-:eighth note::quaver:::
-:eighth rest::quaver rest:::
-:whole note::semibreve:::
-:whole rest::semibreve rest:::
-:sixteenth note::semiquaver:::
-:sixteenth rest::semiquaver rest:: :

diff --git a/mutopia/J.S.Bach/preludes-3.ly.m4 b/mutopia/J.S.Bach/preludes-3.ly.m4
deleted file mode 100644 (file)
index fc91c68..0000000
--- a/mutopia/J.S.Bach/preludes-3.ly.m4
+++ /dev/null
@@ -1,177 +0,0 @@
-\header{
-filename =      "preludes-3.ly";
-title =         "3";
-opus =         "BWV 999";
-piece = "\\numfont 3";
-% Pr"aludum in C Moll f"ur Laute
-% blz 16
-% Six Petits Pr'eludes
-% Collection Johann Peter Kellner
-% ca 1703 - 1707
-composer =      "Johann Sebastian Bach (1685-1750)";
-enteredby =     "jcn";
-copyright =     "public domain";
-}
-
-define(comma, r16 [$1$4 $2 $3] [$2 $1 $2 $6$1] r $1$7 r $5$1 |)
-define(s, `comma(translit($*,` ', `,'))')
-define(t, r16 [$1$4 $2 $3] [$2 $1 $2 $6$1] r $1$7 r $5$1 |)
-
-one = \melodic{
-       \octave c';
-       \textstyle "italic";
-%#     s(`c' `es' `g' `\p(\<' `\!' `)\!' `\>')
-       t(c,es,g,`\p(\<',\!,`)\!',\>)
-%#     s(c es g `(' `' `)')
-       t(c,es,g,`(',`',`)')
-%#     s(c f as `(' `' `)')
-       t(c,f,as,`(',`',`)')
-       s(c f as)
-       s('b d f \< \!)
-       s('b d f)
-       s('g c es \> \!)
-       s('g c es)
-       s('g c es \< \!)
-       s('g c es)
-       s('a c es)
-       s('a c es)
-       s('a 'bes d \> \!)
-       s('g 'bes d)
-       s('bes d g)
-       s('a es g \mf)
-       s('a c fis)
-       s('a c fis)
-       s('bes d g)
-
-
-%#     s(c fis a -"poco a poco cresc.")
-       t(c,fis,a,-"poco a poco cresc.")
-       s(d g bes)
-       s(d fis c')
-
-       s(cis g bes)
-       s(c es a !-"dim.")
-       s('bes e g)
-       s('a c g)
-
-       s('a c fis)
-       s('g 'bes e)
-       s('fis 'a es)
-
-       s('g 'bes d -"dim.")
-       s('g 'a c)
-       s('fis 'a c)
-       s('fis 'a c)
-       r16\p ['g 'a c] ['b 'g 'b 'g] r 'g r 'g
-%#     s('a c fis -"poco cresc.")
-       t('a,c,fis,-"poco cresc.")
-       s(c fis a)
-       s('b d g)
-       s('b d f -"dim.")
-       s('g c es)
-       s('fis c es)
-       s('fis c es)
-       r16 ['g(\< 'b d] ['b 'g 'b d] [es c 'a )\!fis] |
-       \multi 2 <
-               {\stemup; g2.-\fermata\mf}
-               {\stemdown; <'b2. d>}
-       >
-       \stemboth;
-       \bar "|.";
-}
-
-two = \melodic{
-       \octave c;
-       \clef bass;
-       % c4 r [g8-.(\ped )es-.\*] |
-       c4 r [g8-.( )es-.] |
-       c4 r [g8-.( )es-.] |
-       c4 r [as8-.( )f-.] |
-
-       c4 r [as8-.( )f-.] |
-       c4 r [as8-.( )f-.] |
-       c4 r [as8-.( )f-.] |
-
-       c4-- r [es8 c] |
-       'bes!4-- r [es8 c] |
-       'as!4-- r [es8 c] |
-
-       'g4-- r [es8 c] |
-       'fis4-- r [es8 c] |
-       'fis4 r [fis8 d] |
-
-       'g4 r [d8 'bes] |
-       'g4 r ['bes8 'g] |
-       'es4 r [g8 es] |
-
-       c4 r [c8 'a] |
-       'd4 r [d8 'a] |
-       'd4 r [d8 'a] |
-       'd4 r [d8 'bes] |
-
-
-       'd4 r [es8 c] |
-       'd4 r [g8 d] |
-       'd4 r [a8 fis] |
-
-       'd4 r [g8 es] |
-       'd4 r [fis8 d] |
-       'd4 r [e8 cis] |
-       'd4 r [es8 c] |
-
-       'd4 r [d8 'a] |
-       'd4 r [cis8 'bes] |
-       'd4 r [c!8 'a] |
-
-       'd4 r ['bes8 'g] |
-       'd4 r [es8 c] |
-       'd4 r [d8 a] |
-
-       'g4 r [es8 c] |
-       'g4 r [d8 'b] |
-       'g4 r [es8 c] |
-       
-       'g4 r [es8 c] |
-       'g4 r [g8 d] |
-       'g4 r [as8 f] |
-       'g4 r [es8 c] |
-
-       'g4 r [es8 c] |
-       'g4 r [es8 c] |
-       'g4 r r |
-       'g2._\fermata 
-       \bar "|.";
-}
-
-global  = \melodic{
-       \meter 3/4;
-       \key bes es as;
-}
-
-treble_staff = \type Staff = treble <
-       \global
-       \one
->
-
-bass_staff = \type Staff = bass <
-% bass = Staff <
-       \clef "bass";
-       \global
-       \two
->
-
-grand_staff = \type Grand_staff <
-       \treble_staff
-       \bass_staff
->
-
-a4 = \paper{
-       linewidth= 193.\mm;
-}
-
-\score{
-       % Semplice e non troppo legato
-       \grand_staff
-       \paper{ \a4 }
-       \midi{ \tempo 4 = 100; }
-}

diff --git a/mutopia/J.S.Bach/preludes.tex b/mutopia/J.S.Bach/preludes.tex
deleted file mode 100644 (file)
index b1680f9..0000000
--- a/mutopia/J.S.Bach/preludes.tex
+++ /dev/null
@@ -1,63 +0,0 @@
-\documentclass{article}         %UGH
-\usepackage{a4}
-
-% UGH UGH
-\advance\oddsidemargin-30mm
-\evensidemargin\oddsidemargin
-% ugh, centre
-\advance\textwidth60mm
-\advance\topmargin-20mm
-\addtolength{\textheight}{40mm}
-\footskip5mm
-
-\usepackage{fancyheadings}
-\lhead{}
-\rhead{}
-\chead{}
-\lfoot{}
-\cfoot{\ifnum\thepage=1{\hfill\LilyIdString}\fi}
-\rfoot{\ifnum\thepage>1{\hfill\thepage\hfill}\fi}
-
-\headrulewidth0mm
-\pagestyle{fancy}
-\thispagestyle{fancy}
-
-\input titledefs
-\input lilyponddefs
-\def\interscoreline{\vskip2mm}
-%ugh
-\staffheight=20pt
-
-\font\numfont=feta-nummer10 scaled \magstep2
-\def\piece#1#2#3{%
-%  \hbox to0pt{\vbox to\staffheight{\vss}}
-%  \nopagebreak
-  \vbox to 0pt{\large\bf#3\vss}
-  \nopagebreak
-  \vbox to0pt{\vbox to4.5\staffheight{\vss\numfont#1}\vss}
-  \nopagebreak
-  \input#2%
-}
-
-\begin{document}
-
-\title{DOUZE PETITS PR\'ELUDES\\
-       TWAALF KLEINE PRELUDI\"EN}
-\composer{J.S.\ Bach (1685-1750)}
-
-\makelilytitle
-\kern-\staffheight
-
-\piece{1}{preludes-1}{Moderato}
-\piece{2}{preludes-2}{Moderato}
-\newpage
-\piece{3}{preludes-3}{Semplice e non troppo legato}
-\newpage
-\piece{4}{preludes-4}{Allegretto}
-\newpage
-\piece{5}{preludes-5}{Moderato}
-\newpage
-\piece{6}{preludes-6}{Andante espressivo}
-
-\end{document}
-