@end lilypond
@noindent
-Note that @code{c:5} is identical to @code{c}; it produces a C major triad.
+Note that @code{c:5} is identical to @code{c} -- both produce a C major triad.
Since an unaltered 11 does not sound good when combined with an
unaltered 13, the 11 is removed from a @code{:13} chord (unless it
alternate Jazz notation is also shown on the chart in @ref{Chord
name chart}.
+@c TODO -- Change this so we don't have a non-verbatim example.
+@c Make short example in docs, then move longer example to
+@c appendix, where the length of the snippet won't matter.
+
In addition to the different naming systems, different note names
are used for the root in different languages. The predefined
variables @code{\germanChords}, @code{\semiGermanChords},
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{chord-name-exceptions.ly}
+@c TODO - tweak snippet to use \blackTriangleMarkup as well
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{chord-name-major7.ly}
@lilypond[verbatim,quote,ragged-right,fragment]
\new FiguredBass {
\figuremode {
- <4 6>2
+ <6 4>2
}
}
@end lilypond
@lilypond[verbatim,quote,ragged-right,fragment]
\figures {
- <4- 6+ 7!> <5++> <3-->
+ <7! 6+ 4-> <5++> <3-->
}
@end lilypond
@lilypond[verbatim,quote,ragged-right,fragment]
\figures {
- <6>
-% broken:
-% <6\\>
+<6>
+% FIXME: broken.
+ %<6\\>
}
@end lilypond
@lilypond[verbatim,quote,ragged-right,fragment]
\figures {
- < [4 6] 8 [_! 12] >
+ <[12 _!] 8 [6 4]>
}
@end lilypond
@lilypond[verbatim,quote,ragged-right,fragment]
\figures {
- < 5 \markup{ \tiny \number 6 \super (1)} >
+ < \markup{ \tiny \number 6 \super (1)} 5 >
}
@end lilypond
}
\figures {
\bassFigureExtendersOn
- <4 6> <3 6> <3 7> <3 7>
+ <6 4> <6 3> <7 3> <7 3>
\bassFigureExtendersOff
- <4 6> <3 6> <3 7> <3 7>
+ <6 4> <6 3> <7 3> <7 3>
}
>>
@end lilypond
<<
\figures {
\bassFigureExtendersOn
- <4 6> <4 6> <4\! 6\!> <4 6>
+ <6 4> <6 4> <6\! 4\!> <6 4>
}
{
\clef bass
@predefined
@cindex figured bass extender lines
-@code{bassFigureExtendersOn}
-@code{bassFigureExtendersOff}
+@code{\bassFigureExtendersOn},
+@code{\bassFigureExtendersOff}.
@snippets
+@c TODO Fix this snippet -- Plus direction should be RIGHT.
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{changing-the-positions-of-figured-bass-alterations.ly}
}
\new FiguredBass {
\figuremode {
- <4>4 <6 10>8 s8
- <4 6>4 <4 6>
+ <4>4 <10 6>8 s8
+ <6 4>4 <6 4>
}
}
>>
<<
\new Staff = myStaff
\figuremode {
- <4>4 <6 10>8 s8
- <4 6>4 <4 6>
+ <4>4 <10 6>8 s8
+ <6 4>4 <6 4>
}
%% Put notes on same Staff as figures
\context Staff = myStaff
<<
\new Staff = myStaff
\figuremode {
- <4>4 <6 10>8 s8
+ <4>4 <10 6>8 s8
\bassFigureStaffAlignmentDown
- <4 6>4 <4 6>
+ <6 4>4 <6 4>
}
%% Put notes on same Staff as figures
\context Staff = myStaff
example, you can write
@example
-<4 6>8 r8
+<6 4>8 r8
@end example
@noindent
@predefined
@cindex figured bass alignment
-@code{bassFigureStaffAlignmentDown},
-@code{bassFigureStaffAlignmentUp},
-@code{bassFigureStaffAlignmentNeutral}.
+@code{\bassFigureStaffAlignmentDown},
+@code{\bassFigureStaffAlignmentUp},
+@code{\bassFigureStaffAlignmentNeutral}.
@snippets