\version "2.11.42"
-\layout { ragged-right = ##t }
\header {
lsrtags = "rhythms,tweaks-and-overrides"
texidoc = "
\version "2.11.47"
-\layout { ragged-right = ##t }
\header {
lsrtags = "rhythms,tweaks-and-overrides"
texidoc = "
}
\relative c'' {
- \set crescendoText = \markup { \italic { cresc. poco } }
- \set crescendoSpanner = #'text
- \override DynamicTextSpanner #'style = #'dotted-line
- a2\< a
- a2 a
- a2 a
- a2 a\mf
+ \set crescendoText = \markup { \italic { cresc. poco } }
+ \set crescendoSpanner = #'text
+ \override DynamicTextSpanner #'style = #'dotted-line
+ a2\< a
+ a2 a
+ a2 a
+ a2 a\mf
}
\header {
lsrtags = "rhythms,contexts-and-engravers"
texidoc = "The @code{measureLength} property, together with
-@code{measurePosition}, determines when a bar line is needed. However,
+@code{measurePosition}, determines when a bar line is needed. However,
when using @code{\\scaleDurations}, the scaling of durations makes it
-difficult to change time signatures without making a mess of it.
-Therefore, @code{measureLength} has to be set manually, using the
-@code{ly:make-moment} callback. The second argument must be the same as
-the second argument of @code{\\scaleDurations}."
+difficult to change time signatures. In this case, @code{measureLength}
+should be set manually, using the @code{ly:make-moment} callback. The
+second argument must be the same as the second argument of
+@code{\\scaleDurations}."
doctitle = "Changing time signatures inside a polymetric section using @code{\\scaleDurations}"
}
\version "2.10.0"
-\layout { ragged-right= ##t }
\header {
lsrtags = "paper-and-layout" % a new tag like "Mixing text and music" or
% "Special output" might be more adequate -jm
\relative c' {
\set Staff.instrumentName = #"bla"
c1
- d
+ d1
\grace c16 e1
\key d \major
- f \break
+ f1 \break
\clef bass
- g,
- fis
+ g,1
+ fis1
}
}
doctitle = "Creating simultaneous rehearsal marks"
}
-% Thanks to Risto Vääräniemi for this snippet
+% LSR: Thanks to Risto Vääräniemi for this snippet
{
\key a \major
\once \override Score.RehearsalMark #'outside-staff-priority = #5000
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\once \override Score.RehearsalMark #'break-align-symbols = #'(key-signature)
- \mark \markup { \bold "Senza denti" }
+ \mark \markup { \bold { Senza denti } }
% the hidden measure and bar line
\once \override Score.TimeSignature #'stencil = ##f
\time 4/4
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\once \override Score.RehearsalMark #'break-align-symbols = #'(bar-line)
- \mark \markup { \box \bold "Intro" }
+ \mark \markup { \box \bold Intro }
d'1
\mark \default
d'1
c'1
}
>>
- \layout {}
+ \layout { }
}
\score {
\new PianoStaff <<
c'1
}
>>
- \layout {}
+ \layout { }
}
}
\header {
lsrtags = "expressive-marks"
texidoc = "Arrows can be applied to text-spanners and line-spanners
-(such as the Glissando)"
+(such as the Glissando)."
doctitle = "Line arrows"
}
lsrtags = "pitches"
texidoc = "Makam is a type of melody from Turkey using 1/9th-tone
microtonal alterations. Consult the initialization file
-@code{makam-init.ly} (in @code{/usr/share/lilypond/current/ly})
-for details of pitch names and alterations.
-"
+@code{makam-init.ly) (see the `Learning Manual @version{},
+4.6.3 Other sources of information' for the location of this file)
+for details of pitch names and alterations."
doctitle = "Makam"
}
'extra-offset '(-3.5 . -4.5))
a^2^"m.d."
}
- \layout { ragged-right = ##t}
+ \layout { }
}
}
\score {
- \context Lyrics {
+ \new Lyrics {
\override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark #(ly:export (string-append "Processed with LilyPond version "
(lilypond-version)))
\new Staff = "upper" << \upper \dynamics \pedal >>
\new Staff = "lower" << \lower \dynamics \pedal >>
>>
- \midi {}
+ \midi { }
}
\addQuote clarinet {
\transposition bes
- \repeat unfold 8 { d'16 d'16 d'8 }
+ \repeat unfold 8 { d'16 d' d'8 }
}
\addQuote sax {
<<
\new Staff {
- \set Staff.instrumentName = "quoteMe"
+ \set Staff.instrumentName = #"quoteMe"
\quoteMe
}
\new Staff {
- \set Staff.instrumentName = "orig"
+ \set Staff.instrumentName = #"orig"
\original
}
\new Staff \relative c'' <<
- \set Staff.instrumentName = "orig+quote"
+ \set Staff.instrumentName = #"orig+quote"
\set Staff.quotedEventTypes = #'(note-event articulation-event)
\original
\new Voice {
\header {
lsrtags = "paper-and-layout"
texidoc = "A table of contents is included using
-@code{\\markuplines \\table-of-contents}. The TOC items are added with
-the @code{\\tocItem} command."
+@w{@code{\\markuplines \\table-of-contents}}. The TOC items are
+added with the @code{\\tocItem} command."
doctitle = "Table of contents"
}
(ly:music?)
(naturalize m))
-music = \relative c' { c4 d e g }
+music = \relative c' { c4 d e g }
\score {
\new Staff {
\transpose c deses \music
\naturalizeMusic \transpose c deses \music
}
- \layout {}
+ \layout { }
}
\version "2.11.23"
-\layout { ragged-right= ##t }
\header {
lsrtags = "tweaks-and-overrides"
texidoc = "
With the @code{\\tweak} command, every grob can be tuned directly. Here
are some examples of available tweaks.
"
- doctitle = "Using the @code{\tweak} command to tweak individual grobs"
+ doctitle = "Using the @code{\\tweak} command to tweak individual grobs"
}
\relative c' {
-\version "2.11.36"
-\layout { ragged-right= ##t }
+\version "2.11.47"
\header {
lsrtags = "repeats,staff-notation,chords"
texidoc = "By adding the @code{Volta_engraver} to the relevant
doctitle = "Volta under chords"
}
-% chords above volta
\score {
<<
\chords {
c1
- c
- }
- \new Staff \with { \consists Volta_engraver } {
- \repeat volta 2 { c'1 }
- \alternative { c' }
- }
+ c1
+ }
+ \new Staff \with { \consists "Volta_engraver" } {
+ \repeat volta 2 { c'1 }
+ \alternative { c' }
+ }
>>
\layout {
\context {
\Score
- \remove Volta_engraver
+ \remove "Volta_engraver"
}
}
}
-
}
voltaMusic = \relative c'' {
- \repeat volta 2
+ \repeat volta 2 {
c1
- \alternative {
+ }
+ \alternative {
d1
e
- }
+ }
}
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