-
\version "2.3.22"
\header {
-
texidoc = "In french style beaming, the stems do not go between beams."
-
}
-\score {
- \relative c'
- {
- \override Stem #'french-beaming = ##t
- c16[ c c c]
- c8[ c16 c16 c8]
- c8[ c16 e16 g8]
- }
+\layout { raggedright= ##t }
- \layout { raggedright= ##t }
-
- }
+\relative c'
+{
+ \override Stem #'french-beaming = ##t
+ c16[ c c c]
+ c8[ c16 e16 f16 g16 g8]
+}
this does not disrupt the flow of the notes."
}
-\score { \relative c'' <<
-\new Staff { c4 c16[ c c c] c4 c4 }
- \new Staff { \clef bass c,2 \clef treble c'2 }
- >>
+\layout { raggedright = ##t}
- \layout { raggedright = ##t}
- }
+\relative c'' <<
+ \new Staff { c4 c16[ c c c] c4 c4 }
+ \new Staff { \clef bass c,2 \clef treble c'2 }
+>>
\header {
texidoc = "A clef can be folded below notes in a different staff, if
-there is space enough. With @code{Paper_column} stencil callbacks we can
-show where columns are in the score."
+there is space enough. With @code{Paper_column} stencil callbacks we
+can show where columns are in the score."
}
-\score { \relative c'' <<
- \new Staff { c4 c4 c4 \bar "|." }
- \new Staff { \clef bass c,2 \clef treble c'2 }
- >>
+\layout {
+ raggedright = ##t
- \layout { raggedright = ##t
-
- \context { \Score
- \override NonMusicalPaperColumn #'print-function = #Paper_column::print
- \override PaperColumn #'print-function = #Paper_column::print
- \override NonMusicalPaperColumn #'font-family = #'roman
- \override PaperColumn #'font-family = #'roman
-
- }
- }}
+ \context {
+ \Score
+ \override NonMusicalPaperColumn #'print-function = #Paper_column::print
+ \override PaperColumn #'print-function = #Paper_column::print
+ \override NonMusicalPaperColumn #'font-family = #'roman
+ \override PaperColumn #'font-family = #'roman
+ }
+}
+
+\relative c'' <<
+ \new Staff { c4 c4 c4 c \bar "|." }
+ \new Staff { \clef bass c,2 \clef treble c'2 }
+>>
\version "2.3.22"
\header {
- texidoc = "Grace note spacing. Should it be tuned? "
+ texidoc = "Grace note spacing. "
}
\score {
+++ /dev/null
-
-\version "2.3.22"
-\header {
-texidoc = "
- When tightly spaced, the spaces between elements (hinterfleisch?)
- may approach zero. In that case,
- stems may touch the bar lines and opposite stems may touch eachother.
- In these situations,
- a mininum of about a note-width/interline space is needed,
- so that all vertical lines are approximately equally spaced in tightly
- spaced music.
-
- "
-
- }
-\score {
- \relative c''{
- r1 e4 f, e' f,
- }
- \layout {
- linewidth = 25.0 \mm
- indent = 0.0\mm
- }
-}
-
\header{
texidoc="
-Beams, stems and noteheads often have communication troubles, since
-the two systems for y dimensions (1 unit = staffspace, 1 unit = 1
-point) are mixed.
-
Stems, beams, ties and slurs should behave similarly, when placed
on the middle staff line. Of course stem-direction is down for high
notes, and up for low notes.
\header { texidoc = "By setting betweensystempadding to a negative
value, it is possible to eliminate the anti-collision constraints.
Then setting @code{betweensystemspace} to a low (nonzero) value,
-print systems in overstrike. "
+print systems in overstrike.
+
+Unfortunately, this does not show in the colllated texinfo document. Run this example stand-alone to see the effect.
+"
+
}
\paper {
\version "2.3.22"
\header{
texidoc="
-When tying chords, the outer slurs point outwards, the inner slurs
+When tying chords, the outer ties point outwards, the inner ties
point away from the center of the staff. The behavior can be overridden
by setting explicitly the @code{direction} of a @code{TieColumn}.
"