Precautions for lilypond-book:

don't use spaces after @lilypond options.

diff --git a/ChangeLog b/ChangeLog
index 5abe4c85425978bf16854c0bce5112a434d22120..2cd994f4590a4d43a7850c774c60d3c0ed273fcc 100644 (file)
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,5 +1,8 @@
 2002-07-01  Jan Nieuwenhuizen  <janneke@gnu.org>
 
+       * Documentation/user/glossary.tely: Precautions for lilypond-book:
+       don't use spaces after @lilypond options.
+
        * Documentation/topdocs/INSTALL.texi (Top): Remove generic Guile
        threads warning.
 

diff --git a/Documentation/user/glossary.tely b/Documentation/user/glossary.tely
index bbb9caa00ef373cef45c2d8746502afab813a262..b4ea48003d14b4e58e50500f9543ba857c7589af 100644 (file)
--- a/Documentation/user/glossary.tely
+++ b/Documentation/user/glossary.tely
@@ -76,7 +76,7 @@ accidental.
 
 @
 
-@lilypond[13pt,eps]
+@lilypond[13pt,eps[]]
 \property Score.barNonAuto = ##t
 \property Voice.TextScript \set #'font-style = #'large
 \notes\relative c'' {
@@ -131,7 +131,7 @@ mode hell@'enique D: reines Moll, NL: , DK: ren mol, S: ren mollskala, N: .
 
 @
 
-@lilypond[13pt,eps]
+@lilypond[13pt,eps[]]
 \property Score.barNonAuto = ##t
 \notes\relative c'' {
 a1 b c d e f g a }
@@ -155,7 +155,7 @@ the duration of the long a. is proportionate to that of the main note.
 
 @
 
-@lilypond[13pt,eps]
+@lilypond[13pt,eps[]]
 \context Voice\notes\relative c'' {
 \key d \major
 \time 4/4
@@ -180,7 +180,7 @@ An appoggiatura may have more notes preceding the main note.
 
 @
 
-@lilypond[13pt,eps]
+@lilypond[13pt,eps[]]
 \notes\relative c'' {
   \key as \major
   \time 2/4
@@ -201,7 +201,7 @@ Akkord, NL: gebroken akoord, DK: arpeggio, akkordbrydning, S: arpeggio, N:
 
 @
 
-@lilypond[13pt,eps]
+@lilypond[13pt,eps[]]
   \notes \context PianoStaff <
   \context Staff = SA \relative c'' { 
     \time 4/4
@@ -340,7 +340,7 @@ orchestral or choral score.
   \relative c \context Staff = SB { \clef bass c1 \bar "|." } > 
 @end lilypond
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \context StaffGroup < 
 %  \property StaffGroup.minVerticalAlign = #12
   \notes\relative c'' \context Staff = SA { \clef treble g4 e c2 }
@@ -370,7 +370,7 @@ in pre-1650 music.
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 \notes\relative c'' { g\breve } 
 @end lilypond
@@ -387,7 +387,7 @@ lines.
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 \property Score.Clef \override #'full-size-change = ##t
 \property Score.LyricText \set #'font-style = #'large
@@ -446,7 +446,7 @@ chords are denoted open chords
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 \property Voice.TextScript \set #'font-style = #'large
 \time 4/4
@@ -468,7 +468,7 @@ A scale consisting of all 11 @w{@ar{}@strong{semitone}}s.
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \notes\relative c' { c1 cis d dis e f fis g gis a ais b c }
 @end lilypond
@@ -523,7 +523,7 @@ Melody moving in the narrow steps of the scale;
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \key g \major \time 4/4
 \notes\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||" }
 @end lilypond
@@ -612,7 +612,7 @@ abbreviation "cresc.".
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \key g \major \time 4/4
 \notes\relative c'' { g4 \< a b c | \! d1 \bar "|." }
 @end lilypond
@@ -643,7 +643,7 @@ frequently near the beginning marked by a sign:
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Voice.TextScript \set #'font-style = #'large
 \key g \major \time 4/4
 \notes\relative c'' { d1 | g,4^\segno  a b c | b a g2_"d.s." \bar "|." }
@@ -658,7 +658,7 @@ or the abbreviation "decresc.".
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \context Staff \notes\relative c'' {\key g \major \time 4/4
  d4 \> c b a | \! g1 \bar "|." }
 @end lilypond
@@ -683,7 +683,7 @@ also to some extent in newer jazz music.
  
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -697,7 +697,7 @@ also to some extent in newer jazz music.
   \context Lyrics \lyrics { Ionian }
 @end lilypond
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -712,7 +712,7 @@ also to some extent in newer jazz music.
   \context Lyrics \lyrics { Dorian }
 @end lilypond
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -726,7 +726,7 @@ also to some extent in newer jazz music.
   \context Lyrics \lyrics { Phrygian }
 @end lilypond
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -740,7 +740,7 @@ also to some extent in newer jazz music.
   \context Lyrics \lyrics { Lydian }
 @end lilypond
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -754,7 +754,7 @@ also to some extent in newer jazz music.
   \context Lyrics \lyrics { Mixolydian }
 @end lilypond
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -773,7 +773,7 @@ compositional music are primarily the major and the minor scales. In the
 harmonic minor scale type an augmented second (A) occurs between the 6th and
 7th tone.
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -787,7 +787,7 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and
   \context Lyrics \lyrics { Major }
 @end lilypond
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -801,7 +801,7 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and
   \context Lyrics \lyrics { "ancient minor" }
 @end lilypond
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -819,7 +819,7 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and
   \context Lyrics \lyrics { "Harmonic minor" }
 @end lilypond
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -1047,7 +1047,7 @@ example bass recorder) while 8 below the clef symbol indicates playing an
 octave lower (for example on double bass @w{@ar{}@strong{strings}}).
 
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Staff.Clef \override #'full-size-change = ##t
 \property Score.LyricText \set #'font-style = #'large
@@ -1160,7 +1160,7 @@ of the base chords.
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -1186,7 +1186,7 @@ that).
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Staff.Clef \set #'full-size-change = ##t
 \property Score.LyricText \set #'font-style = #'large
@@ -1257,7 +1257,7 @@ section. @ar{}@w{}@strong{functional harmony}
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \notes\context PianoStaff < 
   \context Staff = SA \relative c'' { 
     \time 4/4
@@ -1283,7 +1283,7 @@ Consonances:
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 \property Score.TextScript \set #'font-style = #'large
 \context Voice \notes\relative c'' {
@@ -1301,7 +1301,7 @@ Dissonances:
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 \property Score.TextScript \set #'font-style = #'large
 \context Voice  \notes\relative c'' {
@@ -1332,7 +1332,7 @@ forms an octave.
 
 @ 
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -1353,7 +1353,7 @@ forms an octave.
 
 @ 
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -1374,7 +1374,7 @@ forms an octave.
 
 @ 
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 \property Score.LyricText \set #'font-style = #'large
 \property Score.TextScript \set #'font-style = #'large
@@ -1401,7 +1401,7 @@ The difference between an interval and an octave.
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 \property Score.TextScript \set #'font-style = #'large
 \context Staff \notes\relative c'' {
@@ -1457,7 +1457,7 @@ A ledger line is an extension of the staff.
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \notes\relative c'' { a,1 s c'' } 
 @end lilypond
@@ -1515,7 +1515,7 @@ note value: double length of @w{@ar{}@strong{brevis}}. @w{@ar{}@strong{note valu
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \notes\relative c'' { 
   \property Voice.NoteHead \set #'style = #'mensural
@@ -1630,7 +1630,7 @@ First C below the 440 Hz A.
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Staff.Clef \set #'full-size-change = ##t
 \notes\relative c' { 
@@ -1680,7 +1680,7 @@ subject.
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.TimeSignature \override #'style = #'C2/2
 \property Score.TextScript \set #'font-style = #'large
 \notes\relative c'' { 
@@ -2004,7 +2004,7 @@ the same @w{@ar{}@strong{signature}}.
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.TextScript \set #'font-style = #'large
 \notes\relative c' { 
@@ -2076,7 +2076,7 @@ sub@-do@-mi@-nant (S) and V = dominant (D).
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.LyricText \set #'font-style = #'large
 %\property Lyrics.minVerticalAlign = #8
@@ -2119,7 +2119,7 @@ semitones. @w{@ar{}@strong{interval}} @w{@ar{}@strong{chromatic scale}}
 
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \notes\relative c'' { g1 gis s a bes s b c }
 @end lilypond
@@ -2529,7 +2529,7 @@ a @w{@ar{}@strong{chord}}, usually in the distance of a third
  
 @
 
-@lilypond[13pt,eps] 
+@lilypond[13pt,eps]
 \property Score.barNonAuto = ##t 
 \property Score.TextScript \set #'font-style = #'large
 \notes\relative c' {