+2006-10-08 Graham Percival <gpermus@gmail.com>
+
+ * Docuemntation/user/page.itely: clarify two-pass vs. ragged-bottom.
+
+ * ly/property-init.ly: fix sacred harp notehead shapes (bug 96).
+
+ * scm/define-context-properties.scm: clarified docs (bug 91).
+
+ * Documentation/user/basic-notation.itely: document volta brackets
+ not aligning (bug 63).
+
2006-10-08 John Mandereau <john.mandereau@free.fr>
* po/fr.po: update translation.
is assumed to be played more than once.
Standard repeats are used like this
+
@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
c1
\repeat volta 2 { c4 d e f }
@end lilypond
With alternative endings
+
@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
c1
\repeat volta 2 {c4 d e f}
example, by setting @code{Score.measurePosition} or entering
@code{\partial}. Similarly, slurs or ties are also not repeated.
+Volta brackets are not vertically aligned.
+
@node Repeats and MIDI
@subsection Repeats and MIDI
@enumerate
@item In the first pass, the amount of vertical space used to increase
the height of each system is computed and dumped to a file.
-@item In the second pass, the systems are stretched according to the
-data in the page layout file.
+@item In the second pass, spacing inside the systems are
+stretched according to the data in the page layout file.
@end enumerate
+The @code{ragged-bottom} property adds space between systems, while
+the two-pass technique adds space between staffs inside a system.
+
To allow this behaviour, a @code{tweak-key} variable has to be set in
each score @code{\layout} block, and the tweaks included in each score
music, using the @code{\scoreTweak} music function.
aikenHeads = \set shapeNoteStyles = ##(do re mi fa #f la ti)
sacredHarpHeads =
- \set shapeNoteStyles = ##(#f #f mi #f fa la #f)
+ \set shapeNoteStyles = ##(fa #f la fa #f la mi)
dynamicUp = {
\override DynamicText #'direction = #UP