@Book {read-notation,
- note = {(Out of print) This is as close to the ``standard'' reference
-work for music notation issues as one is likely to get. MB},
+
+ note = {This is as close to the ``standard''
+ reference work for music notation issues as one is likely to get.
+ [Available at amazon]},
+
title = {Music Notation: a Manual of Modern Practice},
author = {Gardner Read},
totalentry = {(2nd edition)},
@Book {wanske,
- note = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN},
+
+note = {I. A very thorough overview of engraving practices of various
+craftsmen. It includes detailed specs of characters, dimensions
+etc. II. a thorough overview of a anonymous (by now antiquated)
+automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
+electronic data processing HWN. Available at amazon.de},
+
year = {1988},
title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
author = {Helene Wanske},
TO_TOP_FILES=$(addprefix $(outdir)/, $(README_TOP_FILES))
PLAIN_FILES=angels.ly guile.patch
+EXTRA_DIST_FILES += $(PLAIN_FILES)
+
include $(depth)/make/stepmake.make
--news=$(depth)/NEWS $@
dist-plain:
- cp $(PLAIN_FILES) $(out-dir)
+ cp $(PLAIN_FILES) $(outdir)
local-WWW:
--- /dev/null
+\header{
+filename = "angles.ly";
+title = "Angels We Have Heard on High";
+description = "Christmas Carol.";
+
+composer = "French Carol, 1854";
+enteredby = "Jeffrey B. Reed";
+copyright = "public domain";
+}
+
+global = \notes {
+ \time 2/2;
+ \keysignature bes;
+ \tempo 2=60;
+}
+\version "1.1.52";
+% \include "score-paper.ly"
+
+flute1 = \notes \relative c'' {
+ \clef violin;
+ \property Staff.instrument = "flute"
+
+ a'4 a a c |
+ c4. bes8 a2 |
+ a4 g a c |
+
+ a4. g8 f2 |
+ a4 a a c |
+ c4. bes8 a2 |
+
+ a4 g a c |
+ a4. g8 f2 |
+ c'2( [ d8 c8 bes8 a8 ] |
+
+ bes2 [ c8 bes8 a8 g8 ] |
+ a2 [ bes8 a8 g8 f8 ] |
+ )g4. c,8 c2 |
+
+ f4 g a bes |
+ a2 g2 |
+ c2( [ d8 c8 bes8 a8 ] |
+
+ bes2 [ c8 bes8 a8 g8 ] |
+ a2 [ bes8 a8 g8 f8 ] |
+ )g4. c,8 c2 |
+
+ f4 g a bes |
+ a2( )g2 |
+ f1 \bar "|.";
+}
+
+flute2 = \notes \relative c'' {
+ \clef violin;
+ \property Staff.instrument = "oboe"
+
+ f4 f e e |
+ g4 e f2 |
+ f4 e f f |
+
+ f4 e f2 |
+ f4 f e e |
+ f4 g f2 |
+
+ f4 e f f |
+ f4 e f2 |
+ f4 ( [a8 g8 ] f2( |
+
+ )f4 [g8 f8] e2( |
+ )e4 [f8 e8] d2 |
+ )c4.c8 c2 |
+
+ c4 e f f |
+ f2 e2 |
+ f4 ( [a8 g8 ] f2( |
+
+ )f4 [g8 f8] e2( |
+ )e4 [f8 e8] d2 |
+ )c4.c8 c2 |
+
+ c4 e f f |
+ f2( )e2 |
+ c1 \bar "|.";
+}
+
+$flute1_staff = \context Staff = flute1_group <
+ \global
+ \flute1
+>
+
+$flute2_staff = \context Staff = flute2_group <
+ \global
+ \flute2
+>
+
+$flutes = \context StaffGroup <
+ \$flute1_staff
+ \$flute2_staff
+>
+
+
+\score{
+ <
+ \$flutes
+ >
+ \paper{}
+ \midi{
+ \tempo 2 = 60 ;
+ }
+}
--- /dev/null
+diff -urN ../guile-core/libguile/Makefile.am ./libguile/Makefile.am
+--- ../guile-core/libguile/Makefile.am Sat Oct 10 13:00:59 1998
++++ ./libguile/Makefile.am Wed Oct 21 10:58:56 1998
+@@ -10,7 +10,7 @@
+ ETAGS_ARGS = --regex='/SCM_\(GLOBAL_\)?\(PROC\|PROC1\|SYMBOL\|VCELL\|CONST_LONG\).*\"\([^\"]\)*\"/\3/'
+
+ lib_LTLIBRARIES = libguile.la
+-bin_PROGRAMS = guile
++bin_PROGRAMS = guile.exe
+
+ guile_SOURCES = guile.c
+ guile_LDADD = libguile.la ${THREAD_LIBS_LOCAL}
+diff -urN ../guile-core/libguile/Makefile.in ./libguile/Makefile.in
+--- ../guile-core/libguile/Makefile.in Sat Oct 10 13:00:59 1998
++++ ./libguile/Makefile.in Wed Oct 21 10:59:02 1998
+@@ -94,7 +94,7 @@
+ ETAGS_ARGS = --regex='/SCM_\(GLOBAL_\)?\(PROC\|PROC1\|SYMBOL\|VCELL\|CONST_LONG\).*\"\([^\"]\)*\"/\3/'
+
+ lib_LTLIBRARIES = libguile.la
+-bin_PROGRAMS = guile
++bin_PROGRAMS = guile.exe
+
+ guile_SOURCES = guile.c
+ guile_LDADD = libguile.la ${THREAD_LIBS_LOCAL}
+diff -urN ../guile-core/libguile/dynl-dl.c ./libguile/dynl-dl.c
+--- ../guile-core/libguile/dynl-dl.c Mon Mar 30 23:03:30 1998
++++ ./libguile/dynl-dl.c Wed Oct 21 09:41:55 1998
+@@ -45,8 +45,6 @@
+ Author: Aubrey Jaffer
+ Modified for libguile by Marius Vollmer */
+
+-#include <dlfcn.h>
+-
+ #ifdef RTLD_LAZY /* Solaris 2. */
+ # define DLOPEN_MODE RTLD_LAZY
+ #else
+diff -urN ../guile-core/libguile/filesys.c ./libguile/filesys.c
+--- ../guile-core/libguile/filesys.c Fri Oct 09 20:51:15 1998
++++ ./libguile/filesys.c Wed Oct 21 10:18:12 1998
+@@ -138,15 +138,19 @@
+ if (fdes == -1)
+ scm_syserror (s_chown);
+ }
++#if 0
+ SCM_SYSCALL (rv = fchown (fdes, SCM_INUM (owner), SCM_INUM (group)));
++#endif
+ }
+ else
+ {
+ SCM_ASSERT (SCM_NIMP (object) && SCM_ROSTRINGP (object),
+ object, SCM_ARG1, s_chown);
+ SCM_COERCE_SUBSTR (object);
++#if 0
+ SCM_SYSCALL (rv = chown (SCM_ROCHARS (object),
+ SCM_INUM (owner), SCM_INUM (group)));
++#endif
+ }
+ if (rv == -1)
+ scm_syserror (s_chown);
+@@ -557,14 +561,18 @@
+ if (fdes == -1)
+ scm_syserror (s_truncate_file);
+ }
++#if 0
+ SCM_SYSCALL (rv = ftruncate (fdes, csize));
++#endif
+ }
+ else
+ {
+ SCM_ASSERT (SCM_NIMP (object) && SCM_ROSTRINGP (object),
+ object, SCM_ARG1, s_chown);
+ SCM_COERCE_SUBSTR (object);
++#if 0
+ SCM_SYSCALL (rv = truncate (SCM_ROCHARS (object), csize));
++#endif
+ }
+ if (rv == -1)
+ scm_syserror (s_truncate_file);
\font\fetanumber = feta-nummer12
\font\fetafinger = feta-nummer5
\font\fetadyn = feta-din10 scaled \magstep 2
-\font\title = cmbx12 scaled \magstep 4
+\font\titlefont = cmbx12 scaled \magstep 4
\font\subtitle = cmr9
\def\lilyfooter{Lily was here}
{\setchar{#1}{\number\n}}
\repeat}}}}\repeat}
+\def\title#1{\centerline{\titlefont #1}}
+\def\author#1{\centerline{#1}}
-\centerline{\title FETA}
+\title{FETA}
\centerline{\subtitle (definitely not an abbreviation for Font-En-Tja)}
+\author{Han-Wen Nienhuys and Jan Nieuwenhuizen}
+
+
\vskip5mm
\listfont{\fetatwenty}{0}{105}
dit(code(articulationScriptPadding)) Determines the extra space added
between articulation marks, such as staccato, tenuto, trill, up/down
bow or fermata, and the closest staff line or note.
+
+
+dit(code(articulationScriptVerticalDirection)) Determines the location
+of articulation marks. Set to code(\up) to print marks above the
+staff; set to code(\down) to print marks below the staff. This
+property does not override explicit directions marked with code(^) or
+code(_) in the mudela file.
)
subsubsubsect(Staff properties)
verb(% lines preceded by a percent are comments.)COMMENT(
-)The percent sign, `code(%)', introduces a line comment. If you want
+)The percent sign, `code(%)', introduces a line comment. If you want to
make larger comments, you can use block comments. These are delimited
-by `code(%{)' and `code(%})'
+by `code(%{)' and `code(%})'COMMENT(
-verb(\input "paper16.ly")
+)verb(\input "paper16.ly")COMMENT(
-By default, LilyPond will use definitions for a staff of 20
+)By default, LilyPond will use definitions for a staff of 20
nop(point)footnote(A point is the standard measure of length for
printing. One point is 1/72.27 inch.)
high. If you want smaller output (e.g., 16 point), you have to import
the settings for that size. You can do this by including a file.
code(\include "file") is replaced by the contents of code(file).
-LilyPond will inspect the standard search to look for the requested
+LilyPond will inspect the standard search path to look for the requested
file.COMMENT(
)verb(\score {
notes that are to be played and printed after each other. This is in
contrast with simultaneous music: notes that are to be played like a
chord. You should be careful not to confuse this brace with the one
-coming after code(\score).
+coming after code(\score).COMMENT(
-
-verb(
+)verb(
\time 3/4; % set the time signature.
) COMMENT(
)These are notes with pitch code(a') and code(b'). Because their
duration is the same as the code(g), there is no need to enter the
duration (It is not illegal to enter it anyway. You would then enter
-code(a8 b8)) COMMENT(
+code(a4 b4)) COMMENT(
)verb(
d4 g, g |
) Three more notes: The code(|) is a ``barcheck''. When processing the
music, LilyPond will check that barchecks are found at the start of
-a bar. This can help you track down notes you forgot to enter.
+a measure. This can help you track down notes you forgot to enter.
verb(
e'4 c8 d e fis
) COMMENT(
c4 d8( )c b a( )b4 c8 b a g |
) COMMENT(
-) The next line shows something new: In mudela, one enters a slur by
-marking the beginning and ending note of the slur with an opening and
+) The next line shows how to make a slur:
+the beginning and ending note of the slur is marked with an opening and
closing parenthesis respectively. In the line shown above this is
done for two slurs. Note that parentheses (slur markers) are between
-the notes. As you can see, parentheses do not have to nest.
+the notes. COMMENT(As you can see, parentheses do not have to nest.)
verb(
a4 b8 a g fis g2. |
) COMMENT(
needed: the first C sharp will be printed with an accidental, the
second one without. COMMENT(
-)verb( a8-. b-. cis-. d-. e-. fis-. % try some super and subscripts.)COMMENT(
+)verb( a8-. b-. cis-. d-. e-. fis-. )COMMENT(
-)There is more to music than pitches and rhythms. An important
-aspect is articulation. You can enter articulation signs either in an
-abbreviated form, by a dash and the the character for the
-articulation to use, e.g. code(-.) for staccato as shown above.
-COMMENT(
+)There is more to music than pitches and rhythms. An important aspect
+is articulation. You can enter articulation signs either in a verbose
+in abbreviated for. Here we demonstrate the abbreviated form: it is
+formed by a dash and the the character for the articulation to use,
+e.g. code(-.) for staccato as shown above. COMMENT(
)verb(
fis a, r8 cis8
This ends the sequential music.
verb(\paper {
- linewidth = 10.0\cm;
+ linewidth = 14.0\cm;
})
This specifies a conversion from music to notation output. Most of
the details of this conversions (font sizes, dimensions, etc.) have
been taken care of, but to fit the output in this document, it has
-to be smaller. We do this by setting the line width to 10 centimeter
+to be smaller. We do this by setting the line width to 10 centimeters
(approximately 4 inches).
+COMMENT(
-verb(
+)verb(
}
)COMMENT(
)The last brace ends the code(\score) block.
-
-
There are a couple of things to note here. The input format tries to
capture the meaning of em(music), and not notation. Therefore the
format contains musical concepts like pitches and durations, instead
sect(Notation context)
-COMMENT(This section is about translation contexts, a topic of LilyPond that
-is advanced. You don't have to understand this to use
-LilyPond to print simple music. If you don't want to typeset fancy
-polyphonic music or tweak the LilyPond notation engine, you can skip
-the next two sections.)
-
In bind(Section)ref(tutorial:more-staffs) it was explained that there
are more ways to notate a simple chord: as a single voice on a single
staff or in multiple staffs (and we'll soon see, that you can typeset
)
If you want to switch staffs you are in the middle of a slur or a
-beam, you should take special precautions. In the paper block,
-you must tell how far the staffs will be apart:
+beam, the staffs should have a fixed distance. You do this by using the PianoStaff context.
mudela(verbatim,center)(
\score{
- \context GrandStaff <
+ \context PianoStaff <
\context Staff=one \notes{ s2 }
\context Staff=two \notes\relative c{
\time 4/8;
>
\paper {
linewidth=-1.0;
- % slur damping gets confused
- slur_slope_damping = 100.0;
- \translator{
- % we're using a grand staff
- \GrandStaffContext
- minVerticalAlign = 3.0*\staffheight;
- maxVerticalAlign = 3.0*\staffheight;
- }
}
}
)
-as LilyPond cannot determine the interstaff distance.
sect(Tuplets)
}
)
+sect(Grace notes)
+
+sect(\rhythm)
- slur height damping based on bow height
- don't typeset unfinished (auto) beams
+pl 60.jbr1
+ - Documentation/ntweb/angels.y,Documentation/ntweb/guile.patch: added
+ - Documentation/ntweb/GNUmakefile: add above to EXTRA_DIST_FILES
+
+pl 59.mb2
+ - Tempo changes in MIDI output!
+ - gallina.ly:auto-beaming
+ - added property articulationScriptVerticalDirection
+ (useful in N.W.Gade/score.ly)
+ - bf, N.W.Gade: removed some more misprints
+
+pl 60.uu1
+ - bf: hara-kiri.ly
+
pl 60.jcn1
- interstaff slur tuning
- added some regtests
- removed now silly check in encompass-info
+**********
+
pl 59.uu1
- papervar loose_column_distance
- scripts don't collide.
- - midi2ly outputs \context iso \type
+ - bf: midi2ly outputs \context iso \type
pl 59.jbr1
- lily/colhpos.cc: fixed typo
- The paper11/13/26 files have to be updated.
. * Grace_slur_engraver.
+. * (gulp-file-to-str) for LilyPond
. * input/star-spangled-banner.ly: fold for lyrics?
. * don't create $srcdir/share/
. * Break_req handling is silly (break_forbid () + \break fucks up.)
.* BUGS
. * [c8. c16 c16 c16] in 6/8 timesig.
+. *
+> \context Staff <
+> {\voiceone c''4. r8}
+> {\voicetwo c,4 r4}
+> >
.* STUFF
. * break priority setting from SCM.
. * add to MIDI output:
. * sharp / flat on trills (in MIDI ??)
-. * tempo change
. * ornaments (and trills?)
. * slurs
. * accents
PACKAGE_NAME=LilyPond
MAJOR_VERSION=1
MINOR_VERSION=1
-PATCH_LEVEL=60
-MY_PATCH_LEVEL=jcn2
+PATCH_LEVEL=61
+MY_PATCH_LEVEL=
# use the above to send patches: MY_PATCH_LEVEL is always empty for a
# released version.
dnl do not edit! this is aclocal.m4, generated from stepmake/aclocal.m4
dnl WARNING WARNING WARNING WARNING
dnl do not edit! this is aclocal.m4, generated from stepmake/aclocal.m4
+dnl WARNING WARNING WARNING WARNING
+dnl do not edit! this is aclocal.m4, generated from stepmake/aclocal.m4
dnl aclocal.m4 -*-shell-script-*-
dnl StepMake subroutines for configure.in
fi
-echo $ac_n "checking links for running from sourcetree""... $ac_c" 1>&6
-echo "configure:3273: checking links for running from sourcetree" >&5
-LILYPONDPREFIX=$absolute_builddir
-LOCALES="it nl"
-for i in $LOCALES; do
- dir=$LILYPONDPREFIX/share/locale/$i/LC_MESSAGES
- if test ! -x $dir ; then
- mkdir -p $dir
- fi
- rm -f $dir/lilypond.mo
- ln -sf $LILYPONDPREFIX/po/out/$i.mo $dir/lilypond.mo
-done
-rm -f afm; ln -sf $LILYPONDPREFIX/mf/out afm
-rm -f tfm; ln -sf $LILYPONDPREFIX/mf/out tfm
-rm -f cmtfm; ln -sf $TEX_TFMDIR cmtfm
-echo "$ac_t""ok" 1>&6
-
trap '' 1 2 15
cat > confcache <<\EOF
--- /dev/null
+
+\include "deutsch.ly"
+
+global = \notes {
+ \time 2/2; \partial 2*1;
+ \key g;
+
+ s2 | s1 | s1 |
+ \time 3/2;
+ s1. | s1. |
+ \time 2/2;
+ s1 | s1 | s1 | s2
+
+ s2 | s1 | s1 |
+ \time 3/2;
+ s1. | s1. |
+ \time 2/2;
+ s1 | s1
+ \time 3/2;
+ s1. \bar "||";
+
+ s1. | s1. | s1. | s1. |
+ s1. | s1. | s1. | s1. \bar "||";
+
+ \key es;
+ s1. | s1. | s1. | s1. |
+ s1. | s1. | s1. | s1 \bar "||";
+
+ \key g;
+ s2 |
+ \time 2/2;
+ s1 | s1 |
+ \time 3/2;
+ s1. | s1. |
+ \time 2/2;
+ s1 | s1 | s1 | s2
+
+ s2 | s1 | s1 |
+ \time 3/2;
+ s1. | s1. |
+ \time 2/2;
+ s1 | s1 | s1 \bar "|.";
+}
+
+themeMelody = \notes \relative c'' {
+ g2 | g d' | h a |
+ g fis g | a ~ a \breathe b |
+ d b | a a | g ~ g ~ | g \breathe
+
+ g2 | g d' | h a |
+ g fis g | a ~ a \breathe b |
+ d b |
+}
+
+themeBeforeBreak1EndMelody = \notes \relative c'' {
+ a2 a | g ~ g ~ g4 r4
+}
+
+themeFinalEndMelody = \notes \relative c'' {
+ a2 a ~ | a1^\fermata
+}
+
+themeRightHand = \notes \relative c' {
+ d2 | c <e g> | <e g> <d fis> | d2 es es4 c4 |
+ <d1 e1> <d2 f2> | <g2 b2> f2 | <cis2 e2> <e2 g2> |
+ <d2 f2> <c4 f4> cis4 | <dis2 fis2>
+
+ <c2 e2> | <c e> <e g> | <e g> <d fis> | d2 es es4 c4 |
+ <d1 e1> <d2 f2> | <g2 b2> f2 |
+}
+
+themeBeforeBreak1EndRightHand = \notes \relative c' {
+ <cis2 e2> <e2 g2> | <d2 f2> <c4 f4> cis4 <dis4 fis4> r4 |
+}
+
+themeFinalEndRightHand = \notes \relative c' {
+ <cis2 e2> <e2 g2> | <d1 f1>
+}
+
+themeLeftHand = \notes \relative c {
+ < \context Voice = one { \stemup
+ h'2 | h c | cis c | a4 c c2 b4 a ~ | a1 \breathe
+ b2 | e d | h cis | b a | h \breathe
+
+ g | a c | cis c | a4 c c2 b4 a ~ | a1 \breathe
+ b2 | e d |
+ }
+ \context Voice = two { \stemdown
+ <d,2 g> | <f a> g ~ | g c | g a g | <a,1 fis'>
+ <d2 g> | <g b> <f a> | a a | g a | h
+
+ g | g g ~ | g c | g a g | <a,1 fis'>
+ <d2 g> | <g b> <f a> |
+ }
+ >
+}
+
+themeBeforeBreak1EndLeftHand = \notes \relative c' {
+ <a2 h2> <a2 cis2> | <g2 b2> a2 h4 r4 |
+}
+
+themeFinalEndLeftHand = \notes \relative c' {
+ <a2 h2> <a2 cis2> | <g1 b1>
+}
+
+themePedal = \notes \relative c' {
+ g4 fis | f2 c | a' d, |
+ h c es | d ~ d \breathe b |
+ e, g | a a | d, f4 a | h2 \breathe
+
+ c2 | e2 c | a' d, |
+ h c es | d ~ d \breathe b |
+ e, g |
+}
+
+themeBeforeBreak1EndPedal = \notes \relative c {
+ a2 a | d,2 f4 a h4 r4 |
+}
+
+themeFinalEndPedal = \notes \relative c {
+ a2 a | d,1_\fermata
+}
+
+break1Melody = \notes \relative c'' {
+ g4( fis e fis d' h | )a1. |
+ g4( es g b es g | <fis1. )a1.> |
+ b,2 g es | d1. |
+ b'2 g d' | a1 r2 |
+}
+
+break1RightHand = \notes \relative c' {
+ e1. | g4( fis e fis g fis |
+ )es1. | dis'2 d4 c b a \breathe |
+ s1. | s1. |
+ es1 <es2 g2> | <dis1 fis1 > r2 |
+}
+
+break1LeftHand = \notes \relative c {
+ <
+ \context Voice = oben {
+ \stemup
+ c'1. | d2. c4 h a | b1. | d1. |
+ }
+ \context Voice = unten {
+ \stemdown
+ <c,1. g'1.> | <d1. a'1.> | <es1. g1.> | d2. e4 fis d |
+ }
+ >
+ r4 b2( g4 b c | d c b g fis d |
+ <)es1 c'1> <c2 c'2> | <h1 h'1> r2 |
+}
+
+break2RightHand = \notes \relative c'' {
+ g8 r8 c,8 r8 <fis8 g8> r8 c r g' r c, r |
+ <fis8 g8> r c r b' r es, r <es g> r es r |
+ b' r es, r <es g> r es r d' r <d, g> r |
+ d' r f, r <f b> r f r d' r <fis, a> r |
+ d' r g, r <g b> r g r d' r g, r |
+ es' r g, r <g b> r g b es r <a, c> r |
+ d8 r b r d8 f d b a4-. <a-. cis-.> |
+ <fis1 a d1> \breathe
+}
+
+break2LeftHand = \notes \relative c' {
+ r8 g r g r g r g r g r g |
+ r8 g r g r b r b r b r b |
+ r c r c r c r c r h r h |
+ r d r d r d r d r d r d |
+ r d r d r d r d r c r c |
+ r <b es> r <b es> r <b es> r <g es'> r f' r <a, f'> |
+ r <b f'> r <b f'> r4 <g4-. f'-.> <a4-. e'-.> <a-. e'-.> |
+ <d,1 d'1> \breathe
+}
+
+break2Pedal = \notes \relative c {
+ c2 c g' | es1 d2 | c1 h2 |
+ b1 d2 \breathe | g2 g f2 | es1 f2 |
+ b,2 g a | d1 \breathe
+}
+
+\score {
+ <
+ \context PianoStaff <
+ \property PianoStaff.instrument = "Manual"
+ \context Staff = treble <
+ \global
+ \context Voice = melody {
+ \stemup \themeMelody \themeBeforeBreak1EndMelody
+ \break1Melody
+ \stemboth \break2RightHand
+ \stemup \themeMelody \themeFinalEndMelody
+ }
+ \context Voice = righthand {
+ \stemdown \themeRightHand \themeBeforeBreak1EndRightHand
+ \break1RightHand
+ \notes {
+ s1. | s1. | s1. | s1. |
+ s1. | s1. | s1. | s1
+ }
+ \themeRightHand \themeFinalEndRightHand
+ }
+ >
+ \context Staff = bass <
+ \clef "bass";
+ \global
+ \context Voice = lefthand {
+ \themeLeftHand \themeBeforeBreak1EndLeftHand
+ \break1LeftHand
+ \break2LeftHand
+ \themeLeftHand \themeFinalEndLeftHand
+ }
+ >
+ >
+ \context Staff = pedal {
+ \property Staff.instrument = "Pedal"
+ \clef "bass";
+ <
+ \global
+ \context Voice = pedal {
+ \themePedal \themeBeforeBreak1EndPedal
+ \notes {
+ R1. R1. R1. R1. R1. R1. R1. R1.
+ }
+ \break2Pedal
+ \themePedal \themeFinalEndPedal
+ }
+ >
+ }
+ >
+
+ \header {
+ tagline = "";
+ }
+
+ \paper {
+ linewidth = 18.8 \cm;
+ textheight = 28.0 \cm;
+
+ \translator { \OrchestralScoreContext }
+% \translator { \StaffContext \consists "Staff_margin_engraver"; }
+% \translator { \PianoStaffContext \consists "Staff_margin_engraver"; }
+ }
+}
Axis_group_element::extra_extent (Axis a )const
{
Interval g;
+ purge_extra ();
for (int i=0; i < extra_elems_.size (); i++)
{
Interval ge = extra_elems_[i]->extent (a);
while (e && e != this)
{
se.push (e);
- e = dynamic_cast<Score_element*> (e->dim_cache_[Y_AXIS]->parent_l_ ? e->dim_cache_[Y_AXIS]->parent_l_->element_l() : 0);
+ e = dynamic_cast<Score_element*> (e->parent_l (Y_AXIS));
}
if (1) // e == this)
}
}
+
+/*
+ UGH GUH
+ */
+void
+Axis_group_element::purge_extra ()
+{
+ for (int i=0; i < extra_elems_.size ();)
+ {
+ Score_element *e = extra_elems_[i];
+ while (e && e != this)
+ {
+ e = dynamic_cast<Score_element*> (e->parent_l (Y_AXIS));
+ }
+ if (e != this)
+ extra_elems_.del (i);
+ else
+ i++;
+ }
+}
staffline_p_->add_element (elts_[i]);
/* UGH UGH UGH */
- else if (elts_[i]->get_elt_property (ly_symbol ("Axis_group_element::add_extra_element")) == SCM_BOOL_F)
+ else if (elts_[i]->get_elt_property (ly_symbol ("Axis_group_element::add_extra_element")) == SCM_BOOL_F
+ && ! dynamic_cast<Axis_group_element*> (elts_[i]->parent_l (Y_AXIS)))
+
{
staffline_p_->add_extra_element (elts_[i]);
}
protected:
virtual void do_print() const;
virtual Link_array<Score_element> get_extra_dependencies() const;
+ void purge_extra ();
virtual void do_substitute_element_pointer (Score_element*,Score_element*);
virtual Link_array<Score_element> elem_l_arr() const;
midi_track.add (Moment (0), &track_name);
- Audio_tempo tempo_a (midi_l_->get_tempo_i (Moment (1, 4)));
- Midi_tempo tempo (&tempo_a);
- midi_track.add (Moment (0), &tempo);
+ // Some sequencers read track 0 last.
+ // Audio_tempo tempo_a (midi_l_->get_tempo_i (Moment (1, 4)));
+ // Midi_tempo tempo (&tempo_a);
+ // midi_track.add (Moment (0), &tempo);
midi_stream << midi_track;
}
else
ss->dir_ = force_dir;
+ Scalar dir_prop (get_property ("articulationScriptVerticalDirection", 0));
+ if (dir_prop.isnum_b () && (int) dir_prop != CENTER)
+ ss->dir_ = (int) dir_prop;
+
if (l->dir_)
ss->dir_ = l->dir_;
/*
- time_signature-performer.cc -- implement Time_signature_performer
+ time-signature-performer.cc -- implement Time_signature_performer
source file of the GNU LilyPond music typesetter
time9_8beamAutoEnd_8 = "3/8";
time9_8beamAutoEnd_16 = "3/8";
-time6_8beamAutoEnd_32 = "1/8";
+time9_8beamAutoEnd_32 = "1/8";
+
+time12_8beamAutoEnd_8 = "3/8";
+time12_8beamAutoEnd_16 = "3/8";
+time12_8beamAutoEnd_32 = "1/8";
%{
\consists "Key_performer";
\consists "Time_signature_performer";
+ \consists "Tempo_performer";
};
\translator { \StaffContext }
\accepts LyricVoice;
\name Lyrics;
\consists "Time_signature_performer";
+ \consists "Tempo_performer";
}
\translator {
\type Performer_group_performer;
Begin3
Titel: LilyPond
-Versie: 1.1.60
-Inschrijf datum: 15JUL99
+Versie: 1.1.61
+Inschrijf datum: 16JUL99
Beschrijving: @FLAPTEKST@
Trefwoorden: muziek typezetten midi notatie
Auteur: hanwen@stack.nl (Han-Wen Nienhuys)
janneke@gnu.org (Jan Nieuwenhuizen)
Onderhouden door: hanwen@cs.ruu.nl (Han-Wen Nienhuys)
Voornaamste plek: sunsite.unc.edu /pub/Linux/apps
- 770k lilypond-1.1.60.tar.gz
+ 770k lilypond-1.1.61.tar.gz
Oorspronkelijke plek: ftp.cs.uu.nl /pub/GNU/LilyPond/development/
- 770k lilypond-1.1.60.tar.gz
+ 770k lilypond-1.1.61.tar.gz
Copi-eer voorwaarden: GPL
End
Begin3
Title: LilyPond
-Version: 1.1.60
-Entered-date: 15JUL99
+Version: 1.1.61
+Entered-date: 16JUL99
Description:
LilyPond is the GNU Project music typesetter. It transforms a musical
janneke@gnu.org (Jan Nieuwenhuizen)
Maintained-by: hanwen@stack.nl (Han-Wen Nienhuys)
Primary-site: sunsite.unc.edu /pub/Linux/apps/sound/convert
- 770k lilypond-1.1.60.tar.gz
+ 770k lilypond-1.1.61.tar.gz
Original-site: ftp.cs.uu.nl /pub/GNU/LilyPond/development/
- 770k lilypond-1.1.60.tar.gz
+ 770k lilypond-1.1.61.tar.gz
Copying-policy: GPL
End
Name: lilypond
-Version: 1.1.60
+Version: 1.1.61
Release: 1
Copyright: GPL
Group: Applications/Publishing
-Source0: ftp.cs.uu.nl:/pub/GNU/LilyPond/development/lilypond-1.1.60.tar.gz
+Source0: ftp.cs.uu.nl:/pub/GNU/LilyPond/development/lilypond-1.1.61.tar.gz
Summary: A program for printing sheet music.
URL: http://www.cs.uu.nl/~hanwen/lilypond
Packager: Han-Wen Nienhuys <hanwen@cs.uu.nl>
d4 () g r |
r r [d16 \f ( g, e' d ] |
[g, d' e ) d ] g,4 r |
-r \grace g8 \f d'2 \> (|
+r \grace g8 d'2 \f \> (|
[g,8. a16 g8. a16 \! g8. ) a16 ] |
g4 r r |
R2. |
) e8 r d4_"dim." ( |
) c8 r g4 |
g8 r [g'8.^""^"solo" ( \< \! a16 ] |
-g4. \> \! ) e8 |
-c4 ( d |
+g4. \> \! e8 |
+c4 d |
e d |
) c [g'8. ( \< \! a16 ] |
-g4. \> \! ) e8 |
-c4 ( d |
+g4. \> \! e8 |
+c4 d |
e d |
) c [c8. ( d16 ] |
) c2 ( |
\property Staff."midiInstrument" = "french horn"
R2.*19 |
-r4 r [g8^"solo" \p (\< \! ) e'] |
-\grace d8 g2 \> ( [e8. ) \! c16 ] |
+r4 r [g8^"solo" \p (\< ) e'] |
+\grace d8 \! g2 \> ( [e8. ) \! c16 ] |
g2 r 4 |
r r \times 2/3 {[e'8 \p ( g, ) g' ]} |
g4 \> () \! e r |
c,4. \f c8 ( |
)c,4. r8 |
R2*2 |
-c'4. \f c8 ( |
+c'4. c8 ( |
)c,4. c''8 |
c,4. c'8 |
c,4. r8 |
R2 |
d4 r |
R2*2 |
-e8 r r4 |
+e8 \f r r4 |
R2*19 |
c4. \f r8 |
c4. r8 |
R2*8 |
e4. \f r8 |
e4. r8 |
-r4 g4 ( |
-) fis8 r g4 ( |
+r4 g4-> ( | % added >
+) fis8 r g4-> ( | % added >
) fis8 r d'4 ( |
) e8 r r4 |
r g, ( |
[e8 e e g,,] | % In reality: e e e e | e
g8 r r4 }
{\voicetwo r2 | r |
- r4_" Timp." r8 \clef bass; c, |
+ r4_" Timp." r8 \clef bass; c, \p |
[c-. \< c-. c-. \! c-.] |
c4.:8 \f r8 |
R2 |
R2*4 |
c4 \f r |
c4 r |
-c2:32 |
+c2:32 ~ | % Added tie
c8 r r4 |
c4 r |
c4_"dim." r |
globalNoKey=\notes {
\time 3/4;
+\tempo 4=100; % My own suggestion, M.B.
\skip 2.*31;
s4 s4^\fermata s8^\fermata \bar "||"; \break
s8
\time 2/4;
+\tempo 4=130; % My own suggestion, M.B.
\skip 2*224;
s4 s4^\fermata
\bar "|.";
textScriptPadding = 5.0;
textStyle = "italic";
textEmptyDimension = 1;
+ beamAuto = 0; % Beams inserted explicitly as in the original.
}
}
\context Voice = corI <
\globalNoKey
\stemup \property Voice.dynamicDir = \up
+ \property Voice.articulationScriptVerticalDirection = \up
\corI
>
\context Voice = corII {
\stemdown \property Voice.dynamicDir = \down
+ \property Voice.articulationScriptVerticalDirection = \down
\corII
}
>
\context Voice = trpI <
\globalNoKey
\stemup \property Voice.dynamicDir = \up
+ \property Voice.articulationScriptVerticalDirection = \up
\trpI
>
\context Voice = trpII {
\stemdown \property Voice.dynamicDir = \down
+ \property Voice.articulationScriptVerticalDirection = \down
\trpII
}
>
>
\context StaffGroup = percussion <\context Voice = timpani <
\property Staff.instrument = "Timp. \& Triang."
- \property Staff.instr = "Tmp \& Trg"
+ \property Staff.instr = "Tmp\&{}Trg"
\global
\timpani
>
>
\paper {
% \paper_sixteen;
- linewidth = 185.\mm;
+ linewidth = 180.\mm;
textheight = 260.\mm;
\translator {
\OrchestralScoreContext
minVerticalAlign = 2.5*\staffheight;
barNumberScriptPadding = "12.0";
+ markScriptPadding = "20.0";
}
\translator { \StaffContext
\consists "Staff_margin_engraver";
textStyle = "italic";
textScriptPadding = 5.0;
textEmptyDimension = 1;
+ beamAuto = 0; % Beams inserted explicitly as in the original.
}
}
}
\score{
- \context StaffGroup <
+ \context StaffGroup < \global
\context Staff = oboe \oboe
\context Staff = flauto \flauto
\context Staff = clarinetsInBes {\notes \transpose bes <\clarI \clarII >}
\context Staff = contrabass \cb
>
\midi {
- \tempo 4=120;
}
}
[c16 ( \pp d c a][f a c d] |
[f8 d ) c d ( ] |
[ ) a bes () g d' ( ] |
-[ a ) bes g ] [d'16 ( es ] |
+[ ) a bes () g ] [d'16 ( es ] |
[ d es d bes][g bes d es] |
[ g8 es ) d bes ( ] |
[) g a () f c' ( ] |
\! d2 ~ |
d4 \> c |
\! d2 |
-[d8 c][bes g] |
+[d8_"dim." c][bes g] |
[e c] \grace e8 [d ) c ] |
R2 |
r4 r8 d' \mf |
b4:16 \p \< \! c4:16 \> |
\! b2:16 |
b4:16 \p \< \! c4:16 \> |
-\! b2:16 |
-\grace d8 f2 ( \> | % grace note c8 corrected to d8
+b2:16 |
+\grace d8 \! f2 ( \> | % grace note c8 corrected to d8
\! ) e |
b-> ( |
) e4 r |
) c4 r |
r r8 d' ( |
[ ) a bes () g d' ( ] |
-[ a ) bes g ] r |
+[ ) a bes () g ] r |
R2 |
r4 r8 bes ( |
[) g a () f c' ( ] |
[f g f e][ ) d8 d,16 ( e ] |
[ ) f8 e16 ( f][ ) g8 f16 ( g ] |
[as bes as g][ ) f8 g'16 ( a! ] | % misprint fz to early
-[bes! \fz c bes a][g a g ) f ] |
-e r r8 r4 |
+[bes! \fz c bes a][g a g f ] |
+) e r r8 r4 |
<{e,2 \p ~ |
e4 \< \! f |
e2 \> |
< \! g4 bes! \f > r8 a ( |
<c4._> ) a'> a8 ( |
<c4._> ) a'> f,8 \p |
-[fis-. g-. a-. bes-.] |
+[fis-. \< g-. a-. \! bes-.] | % cresc. added
bes4. a8 ( \f |
<c4._> ) a'> a8 ( |
<c4._> ) a'> f,8 \p |
[fis-. \< g-. a-. \! bes-.] |
[bes \f c16 ( d][)c8 c, \p ] |
-c4^\trill ( d^\trill |
-e^\trill \grace{[d16 e]} [ f8 ) c ] |
+c4^\trill ( \< \! d^\trill |
+e^\trill \> \grace{[d16 e]} [ \! f8 ) c ] |
c4^\trill ( d^\trill |
e^\trill \grace{[d16 e]} [ ) f8 a ( \f ] |
<a4. ) c4.> d8 |
\! c |
a4 ( \< c |
d \! des |
-c \f \> \! ) bes |
-a ( \> g |
+c \f \> ) bes |
+a ( g |
\! ) a r |
R2 |
c8 \p r r4 |
e f4 c8 ~ |
c d4 e8 ~ |
e \< e4 \! e8 ( |
-) bes'!4. \fz \> \! a8 |
-[g-. f-. e-.] r |
+) bes'!4. \fz \> a8 |
+[ \! g-. f-. e-.] r |
R2 |
r4 r8 es \p ~ |
es es4 es8 ~ |
[f! ( g f g][e g e ) g] |
[d ( g d g ][d g d g ] |
[d g d g ] [c, g' c, g' ]
-) d4 r |
+) d4 \p r |
r r8 <c \p g'> |
<c2:8 g'2:8 > |
<c2:8 g'2:8 \< > |
[c-. \< bes-. a-. \! g-. ] |
<{c,4. f,8 \f |
f'4._> f,8 |
- f'4. }
+ f'4._> } % added >
{e4. c8 ( |
) c'4. c,8 ( |
) c'4. }> d'8 \p | % \p added
g \> ) \! f r |
e'2 ( f4 |
g ) f f, ( \< | % added slur
-) \! e2 f'4 ( |
+) \! e2 f'4 \pp ( |
) e2 dis4 ( \< |
\! ) e2 dis4 ( \pp |
) e2. ~ |
[cis-. \< d-. e-. \! f-. ] |
g,4. c8 \f ( |
< ) c4. f,_> > c8 ( | % slur added
-< ) c4. f,> c8-> |
-[cis-. \p \< d-. e-. \! f-. ] |
+< ) c4.-> f,> c8 \p | % > and \p moved one quaver backwards
+[cis-. \< d-. e-. \! f-. ] |
g,4 r8 <{ c8 \p |
c2:8 |
c2:8 \< |
g2:8 |
g2:8 |
g2:8 |
- [g8 g c cis] |
- e,4.-> }> a8 |
+ [g8 g c cis (] | % added slur
+ ) e,4.-> }> a8 |
[d-. e-. f-. b ( ] |
) b,4. \f b'8 ( |
< ) d,4. \f g,> g8 ( |
[e ( g fis ) g][c, ( a' gis ) a] |
[b ( c d ) b][g ( a f )d ] |
[c ( g' fis ) g][c, ( g' fis ) g] |
-[c, ( g' fis ) g][c, ( g' fis ) g] |
-c,4_"dim." r |
+[c,_"dim." ( g' fis ) g][c, ( g' fis ) g] |
+c,4 r |
c4 r |
-c8 r8 r4 |
+c8 \p r8 r4 |
R2 |
r8 [c-.^"solo" \p d-. dis-. ] |
e r e, r |
c'4:16 \p d4:16 |
e4:16 \< \! fis4:16 |
-g!2:16 \> |
+g2:16 \> |
g4:16 \! a4:16 |
g4:16 \< \! a4:16 |
g4:16 \> \! a4:16 |
[e8 d c ) b ] |
c4:16 \p d4:16 |
e4:16 \< \! fis4:16 |
-g!2:16 \> |
-\! g4:16 \p \< \! a4:16 |
-g4:16 \> \! a4:16 |
+g2:16 \fz \> |
+\! g4:16 \p \< a4:16 |
+\! g4:16 \> \! a4:16 |
g4:16 \< \! a4:16 |
g4:16 \> a4:16 |
g4:16 \! a4:16 |
) e4 r |
[f16 ( g f_"dim." g][f g f8 ] |
) e4 r |
-[c'16 ( d c a][f a c ) d] |
+[c'16 \pp ( d c a][f a c ) d] |
[f8 ( d ) c] r |
fis,8-. r g-. r |
d r [g d'16 ( es] |
[g8 es ) d] r |
c, r f-. r |
c r [f-. c'-. ] |
-[bes-. a-. g-. f-.] |
-[e d][c a'16 \f ( f] |
+[bes-. \< a-. g-. \! f-.] |
+[e-. d-.][c-. a'16 \f ( f] |
[a f a f][a f a ) f] | % Misprint trem 8
[bes ( f bes f][a f a ) f] |
[bes ( f bes f][) a8 f-.] |
R2 |
r4 r8 f'' (|
) f,4.-> f8 ( |
-) f,4.-> f'8 (|
+) f,4. f'8 (|
<) c4. f, > f8 ( |
<) c4. f,> f8 \p |
[fis-. \< g-. a-. \! bes-. ] |
c,4. f8 \f ( |
<) f4. bes,_> > f8 (|
-<) f4. bes,> f8 \p | % \p added
+<) f4. bes,_> > f8 \p | % \p added
[fis-. \< g-. a-. \! bes-. ] |
c,4 r8 <{ f8 \p |
f2:8 \< |
[f16 ( c' b ) c][f,16 ( c' b ) c] |
[f,16 ( c' b ) c][f,16 ( c' b ) c] |
f,8 r e'4 ( |
-) f8 r bes,4 ( |
+) f8 r bes,4 \p ( |
) a2 ( |
) bes |
a4 \< ( \! bes |
<c f,> r <c f,> r |
e, r e r |
e r [e () c] |
-c'4. \f \> \! d8 |
-[e-._"dim." f-. g-.] r |
+c'4. \f \> d8 |
+[\! e-._"dim." f-. g-.] r |
<c,8 \p f,> r <c f,> r |
<c f,> r <c f,> r |
<c f,> r <c f,> r |
\version "1.1.52";
+flauto=\notes\relative c''' {
+\clef "treble";
+\property Staff."midiInstrument" = "flute"
+
+[c8. \f ( d16] c2 |
+)c,8 r r4 r |
+R2.*4 |
+[c8. \p ( d16] c4. ) a8 |
+[f8. ( e16 ] f4. ) a8 |
+[c8. ( d16] c4. ) a8 |
+[a8. ( g16 ] ) f4 r |
+R2.*4 |
+[c'8. ( d16] c4. ) a8 |
+[g8. ( a16 ] f4. ) a8 |
+[c8. ( d16] c4. ) a8 |
+[a8. ( g16 ] ) f4 r |
+R2.*13 |
+r4 r4 r8 r8 \time 2/4;
+R2*4 |
+a'8-. \pp r g-. r |
+a8-. r g-. r |
+R2*2 |
+g8-. r f-. r |
+g8-. r f-. r |
+R2 |
+r4 r8 [c'16 \f ( d] |
+[c d c a][f a c d] |
+[f8 d ) c] f, ( |
+[f'8 d ) c] a ( |
+[a'8 f ) e] a ( |
+dis,2 |
+) e4 r8 a8 ( |
+dis,2 |
+) e4 r8 a ( |
+) es r d r |
+c r d r |
+g, r r4 |
+R2*10 |
+r4 r8 e' \p |
+e [es-. es-.] d-. |
+d-. [cis-. cis-.] c-. |
+c \f [c16 ( d] [es8 d16 c] | % slur and \f added
+) d4 r8 e!-. \p |
+e-. [es-. es-.] d-. |
+d-. [cis-. cis-.] c |
+c-. \f [c16 ( d][es8 d16 c] | % \f added
+) d4 r8 e,! ( |
+)e'4.-> e,8 ( |
+)e'4.-> a8 \p |
+[g-. f-. e-. d-.] |
+[cis16 ( \< e d \! b ] ) g8 e \f ( |
+)e'4.-> e,8 ( |
+)e'4.-> a8 \p |
+[g-. \< f-. e-. \! d-.] |
+g r r e-. \p |
+e-. [es-. \< es-.] d-. |
+d-. [c-. \! c-.] g-. |
+g-. [fis-. \< fis-.] f-. |
+f-. [e-. \! e-.] bes \f ( |
+) bes'4.-> a8-. |
+[f'-. e-. d-.] f, ( |
+) f'4. \fz g,8 ( |
+) g'4. \fz g,8 ( |
+) e' r g4-> ( |
+) e8 r g4-> ( |
+) e8 r es4-> ( |
+) d8 r r g, ( |
+) e'! r g4 ( |
+) e8 r g4 ( |
+) e8 r es4-> ( |
+) d8 r r g, ( |
+) e'! r g4 ( |
+) e8 r d4 ( |
+) e8 r r4 |
+R2*27 |
+d2 ( \p |
+) gis, |
+R2*2 |
+d'2 ( \p |
+) gis, |
+a ( |
+) gis |
+a_"dim." ( |
+) gis ( |
+) a ( |
+bes!4 ) a8 r |
+a r bes r |
+fis r g r |
+bes2 ( |
+c4 ) bes8 r |
+bes r a r |
+e! r f r |
+R2 |
+r4 r8 [c'16 \f ( d] | % \f added
+[c d c a][f a c d] |
+[f8 d ) c] f, ( |
+[f'8 d ) c] f,-. |
+[g-. a-. bes-. a-. ] |
+bes4 r8 bes,8 ( |
+[bes' g ) f] bes,8 ( |
+[bes' g ) f] bes,8 ( |
+[d' g ) f! ] d ( |
+gis,2 |
+) a4. d8 ( |
+gis,2 |
+) a4. d,8 ( |
+) d' r d-. r |
+d-. r d-. r |
+c r r4 |
+R2*10 |
+r4 r8 [c16^""^"solo" \p ( d] |
+) c8-. [b16 ( c ] ) b8-. [bes16 \< ( c ] |
+)bes8-. [a16 ( \! bes ] ) a8-. [as16 ( bes ] |
+) as8-. \f [f16 ( g][as8 g16 f ] |
+) g4 r8 [c16 ( d] |
+) c8-. [b16 ( c ] ) b8-. [bes16 \< ( c ] |
+)bes8-. [a16 ( \! bes ] ) a8-. [as16 bes ] |
+as8 \f [f16 ( g][as8 g16 f ] |
+) g4 r8 es ( |
+)es'4.-> es,8 ( |
+)es'4.-> d8 \p |
+[c8-. \< bes-. a \! g ] |
+[fis16 ( a g e! ] ) c8 es ( \f |
+) es'4.-> es,8 ( |
+) es'4.-> d8 \p |
+[c8-. \< bes-. a \! g ] |
+c r r a'-. \p |
+a-. [gis-. \< gis-.] \! g-. |
+g-. [f-. f-.] c-. |
+c-. [b-. \< b-.] bes-. |
+bes-. [a-. \! a-.] a( \f |
+) es'4.-> d8 |
+[bes-. a-. g-.] bes, ( |
+) d'4. \fz c,8 ( |
+) c'4. \fz c,8 ( |
+) a' r c4-> ( |
+) a8 r c4-> ( |
+) a8 r as4-> ( |
+) g8 r r c ( |
+) a! r c4 ( |
+) a8 r c4 ( |
+) a8 r as4-> ( |
+) g8 r r c, ( |
+) a'! r c4_"dim." ( |
+) a8 r g4 ( |
+) f8 r c4 ( |
+) a8 r r4 |
+R2*19 |
+r4 r8 [c'16 \p ( d] |
+) c8-. [b16 ( c ] ) b8-. [bes16 ( c ] |
+)bes8-. [a16 ( bes ] ) a8-. [c16 ( d] |
+) c8-. [b16 ( c ] ) b8-. [bes16 \< ( c ] |
+)bes8-. [a16 ( \! bes ] ) a8-. bes ( \f |
+) bes,4. d8 ( |
+) d'4. c8 ( |
+) c,4. e8 ( |
+) e'4. c8 ( |
+) a'4 r |
+[f8 ( d ) c ] c ( |
+) a'4 r |
+[f8 ( d ) c ] f, ( |
+) f'4. e,8 ( |
+) e'4. e8 |
+[f-. e-. f-. e-.] |
+[f-. e-. f-. e-.] |
+f r e r |
+f r e r |
+f r a, r |
+c r a r |
+f4 r8 c' ( |
+) a4 r8 c ( |
+) f4 r8 c ( |
+) a4 r8 c ( |
+) f4 r |
+R2 |
+f4 \fz r
+
+}
+
oboe=\notes\relative c'' {
\clef "treble";
\property Staff."midiInstrument" = "oboe"
r8 [g,-.^""^"solo" \p a-. b-. ] |
c r r4 |
R2*10 |
-\grace d8 \fz f2 \> ( |
+\grace d8 f2 \fz \> ( |
\! b,4 [c8 b] |
a2-> |
) gis |
\! e ) b |
\grace e8 g4 ( \> dis |
\! e_"dim." ) b |
-\grace d!8 \fz f2 ( \> |
+\grace d!8 f2 \fz ( \> |
b,4 [ \! c8 b] |
a2 \p |
) gis |
) a8 r g4 ( |
) f8 r r4 |
R2*7 |
-\grace f8 \f a4 \> ( e |
+\grace f8 a4 \f \> ( e |
f \! b, |
) c r |
R2*7 |
R2 |
c8-. \p r b-. r |
bes!-. r a-. r |
-c-. \p r b-. r |
+c-. r b-. r |
bes!-. r a-. bes \f ( |
) bes'4. bes,8 ( |
) bes'4. bes,8 ( |
f4-. \fz r
}
-
-flauto=\notes\relative c''' {
-\clef "treble";
-\property Staff."midiInstrument" = "flute"
-
-[c8. \f ( d16] c2 |
-)c,8 r r4 r |
-R2.*4 |
-[c8. \p ( d16] c4. ) a8 |
-[f8. ( e16 ] f4. ) a8 |
-[c8. ( d16] c4. ) a8 |
-[a8. ( g16 ] ) f4 r |
-R2.*4 |
-[c'8. ( d16] c4. ) a8 |
-[g8. ( a16 ] f4. ) a8 |
-[c8. ( d16] c4. ) a8 |
-[a8. ( g16 ] ) f4 r |
-R2.*13 |
-r4 r4 r8 r8 \time 2/4;
-R2*4 |
-a'8-. \pp r g-. r |
-a8-. r g-. r |
-R2*2 |
-g8-. r f-. r |
-g8-. r f-. r |
-R2 |
-r4 r8 [c'16 \f ( d] |
-[c d c a][f a c d] |
-[f8 d ) c] f, ( |
-[f'8 d ) c] a ( |
-[a'8 f ) e] a ( |
-dis,2 |
-) e4 r8 a8 ( |
-dis,2 |
-) e4 r8 a ( |
-) es r d r |
-c r d r |
-g, r r4 |
-R2*10 |
-r4 r8 e' \p |
-e [es-. es-.] d-. |
-d-. [cis-. cis-.] c-. |
-c [c16 ( d] [es8 d16 c] | % slur added
-) d4 r8 e!-. \p |
-e-. [es-. es-.] d-. |
-d-. [cis-. cis-.] c |
-c-. [c16 ( d][es8 d16 c] |
-) d4 r8 e,! ( |
-)e'4.-> e,8 ( |
-)e'4.-> a8 \p |
-[g-. f-. e-. d-.] |
-[cis16 ( \< e d \! b ] ) g8 e \f ( |
-)e'4.-> e,8 ( |
-)e'4.-> a8 \p |
-[g-. \< f-. e-. \! d-.] |
-g r r e-. \p |
-e-. [es-. \< es-.] d-. |
-d-. [c-. \! c-.] g-. |
-g-. [fis-. \< fis-.] f-. |
-f-. [e-. \! e-.] bes \f ( |
-) bes'4.-> a8-. |
-[f'-. e-. d-.] f, ( |
-) f'4. \fz g,8 ( |
-) g'4. \fz g,8 ( |
-) e' r g4-> ( |
-) e8 r g4-> ( |
-) e8 r es4-> ( |
-) d8 r r g, ( |
-) e' r g4 ( |
-) e8 r g4 ( |
-) e8 r es4-> ( |
-) d8 r r g, ( |
-) e' r g4 ( |
-) e8 r d4 ( |
-) e8 r r4 |
-R2*27 |
-d2 ( \p |
-) gis, |
-R2*2 |
-d'2 ( \p |
-) gis, |
-a ( |
-) gis |
-a_"dim." ( |
-) gis ( |
-) a ( |
-bes!4 ) a8 r |
-a r bes r |
-fis r g r |
-bes2 ( |
-c4 ) bes8 r |
-bes r a r |
-e! r f r |
-R2 |
-r4 r8 [c'16 \f ( d] | % \f added
-[c d c a][f a c d] |
-[f8 d ) c] f, ( |
-[f'8 d ) c] f,-. |
-[g-. a-. bes-. a-. ] |
-bes4 r8 bes,8 ( |
-[bes' g ) f] bes,8 ( |
-[bes' g ) f] bes,8 ( |
-[d' g ) f! ] d ( |
-gis,2 |
-) a4. d8 ( |
-gis,2 |
-) a4. d,8 ( |
-) d' r d-. r |
-d-. r d-. r |
-c r r4 |
-R2*10 |
-r4 r8 [c16^""^"solo" \p ( d] |
-) c8-. [b16 ( c ] ) b8-. [bes16 \< ( c ] |
-)bes8-. [a16 ( \! bes ] ) a8-. [as16 ( bes ] |
-) as8-. \f [f16 ( g][as8 g16 f ] |
-) g4 r8 [c16 ( d] |
-) c8-. [b16 ( c ] ) b8-. [bes16 \< ( c ] |
-)bes8-. [a16 ( \! bes ] ) a8-. [as16 bes ] |
-as8 \f [f16 ( g][as8 g16 f ] |
-) g4 r8 es ( |
-)es'4.-> es,8 ( |
-)es'4.-> d8 \p |
-[c8-. \< bes-. a \! g ] |
-[fis16 ( a g e! ] ) c8 es ( \f |
-) es'4.-> es,8 ( |
-) es'4.-> d8 \p |
-[c8-. \< bes-. a \! g ] |
-c r r a'-. \p |
-a-. [gis-. \< gis-.] \! g-. |
-g-. [f-. f-.] c-. |
-c-. [b-. \< b-.] bes-. |
-bes-. [a-. \! a-.] a( \f |
-) es'4.-> d8 |
-[bes-. a-. g-.] bes, ( |
-) d'4. \fz c,8 ( |
-) c'4. \fz c,8 ( |
-) a' r c4-> ( |
-) a8 r c4-> ( |
-) a8 r as4-> ( |
-) g8 r r c ( |
-) a! r c4 ( |
-) a8 r c4 ( |
-) a8 r as4-> ( |
-) g8 r r c, ( |
-) a'! r c4_"dim." ( |
-) a8 r g4 ( |
-) f8 r c4 ( |
-) a8 r r4 |
-R2*19 |
-r4 r8 [c'16 \p ( d] |
-) c8-. [b16 ( c ] ) b8-. [bes16 ( c ] |
-)bes8-. [a16 ( bes ] ) a8-. [c16 ( d] |
-) c8-. [b16 ( c ] ) b8-. [bes16 \< ( c ] |
-)bes8-. [a16 ( \! bes ] ) a8-. bes ( \f |
-) bes,4. d8 ( |
-) d'4. c8 ( |
-) c,4. e!8 ( |
-) e'4. c8 ( |
-) a'4 r |
-[f8 ( d ) c ] c ( |
-) a'4 r |
-[f8 ( d ) c ] f, ( |
-) f'4. e,8 |
-e'4. e8 |
-[f-. e-. f-. e-.] |
-[f-. e-. f-. e-.] |
-f r e r |
-f r e r |
-f r a, r |
-c r a r |
-f4 r8 c' ( |
-) a4 r8 c ( |
-) f4 r8 c ( |
-) a4 r8 c ( |
-) f4 r |
-R2 |
-f4 \fz r
-
-}
-
clarI=\notes\relative c'' {
\key G;
\clef "treble";
[fis8. \> e16 ] \! d4 ) a |
b2. \pp \< ( |
\! ais4 ) b2 |
-a4 \p ( [g8. a16 ] g4 |
+a!4 \p ( [g8. a16 ] g4 |
fis ) g8 r r4 |
a4 ( [g8. a16 ] g4 |
-fis ) g8 r [d^""^"solo" \mf \< () \! b' ] |
-\grace a8 d2 ( \> [b8. \! g16] |
+fis ) g8 r [d^""^"solo" \mf \< () b' ] |
+\grace a8 \! d2 ( \> [b8. \! g16] |
) d2 r4 |
R2. |
r4 r \times 2/3 { [b'8^""^"solo" ( \ff d, ) d' ] } |
[d e d b][g b d e] |
[g8 e ) d ] g, ( |
[g' e ) d ] b ( |
-[b' g ) fis] b |
-f2 ( |
+[b' g ) fis] b ( | % slur added
+) f2 ( |
) fis!4 r8 b ( |
) f2 ( |
) fis!4 r8 b |
[e-. dis-. dis-. d-. ] |
d r b4 \f ( |
) cis8 [a'16-> ( b] ) a8 r |
-d,4. r8 |
+d,4.-> r8 | % added >
d4.-> r8 |
R2*2 |
d4. \f r8 |
) fis8 r e4 \p ( |
) fis8 r r4 |
R2*3 |
-fis,2 \pp ~ |
-fis ~ |
-fis ~ |
-fis4 r |
+fis,2 \pp \< ~ |
+\! fis ~ |
+fis \> ~ | % cresc. added
+\! fis4 r | % dim. added
R2*4 |
e'2 \fz \> ( |
) \! fis,4 r |
[a8. ( \> g16 ] \! ) fis4 r |
b2. \pp \< ( |
\! ais4 ) b2 |
-a4 \p ( [g8. a16 ] g4 |
+a!4 \p ( [g8. a16 ] g4 |
fis ) g8 r r4 |
a4 ( [g8. a16 ] g4 |
-fis ) g8 r [d^""^"solo" \mf \< () \! b' ] |
-\grace a8 d2 ( \> [b8. \! g16] |
+fis ) g8 r [d^""^"solo" \mf \< () b' ] |
+\grace a8 \! d2 ( \> [b8. \! g16] |
) d2 r4 |
R2. |
r4 r \times 2/3 { [b'8 ( \f d, ) d' ] } |
a8 r a4-> ~ |
a8 r gis4 ( |
[ ) g!8 g-. g-. g ( ] |
-) fis! r a4 ~ |
+) fis! r a4-> ~ | % added >
a8 r a4-> ~ |
a8 r gis4 ( |
) g!8 [g-. g-.] g ( |
a8 r r4 |
R2*3 |
fis2 \pp \< ~ |
-fis ~ |
-\! fis \>~ |
+\! fis ~ |
+fis \>~ |
\! fis4 r |
R2*4 |
g2 \f \> ( |
b2 \> ( |
) \! ais4 r |
fis2 \pp \< ~ |
-fis ~ |
-\! fis \>~ |
+\! fis ~ |
+fis \>~ |
\! fis4 r |
R2*16 |
f2 \pp ( |
d ~ |
d4. r8 |
R2*6 |
-fis4. \fz \> \! g8 |
-[a-. b-. c-. ] r |
+fis4. \fz \> g8 |
+[ \! a-. b-. c-. ] r |
R2*3 |
r4 r8 e, \f ( |
) e'4. a,8 ( |
) a'4. fis,8 ( |
) d'4. c8 ( |
) b4 r8 g ( |
-e'4 [d8 ) c ] |
-b4 r8 g ( |
-e'4 () ) d8 g, |
-cis4. fis,8 ( |
+e'4 [ ) d8 c ( ] |
+) b4 r8 g ( |
+e'4 () ) d8 g, ( | % ending slur added
+) cis4. fis,8 ( |
) c'!4. c8 |
[b-. c-. b-. c-. ] |
[b-. c-. b-. c-. ] |
\! e \> ~ |
\! e \< ~ |
\! e \> |
-\grace \! d'8 \fz ( ) f2 \> ( |
+\grace d'8 ( ) \! f2 \fz \> ( |
) \! e4. r8 |
f,2 \> ( ( |
[ ) \! e8 d c ) b ] |
e ~ |
e ~ |
e |
-\grace d'8 \fz ( ) f2 \> ( |
+\grace d'8 ( ) f2 \fz \> ( |
) \! e4. r8 |
f,2 \p ( |
) e4 r |
[c c c ] f ( |
) c4.-> f8 ( |
) c4.-> r8 |
-r4 r8 f8 ( |
+r4 r8 d8 ( |
) e!4. c8 \f ( |
) f4.-> c8 ( | % slur added
) f4.-> r8 |
global = \notes {
\property StaffGroup.timeSignatureStyle = "old"
\time 4/4;
- \tempo 4=80;
+ \tempo 4=100;
\skip 1*31;
\property StaffGroup.timeSignatureStyle = "1"
\time 3/2;
\skip 1.*15;
\property StaffGroup.timeSignatureStyle = "old"
\time 4/4;
- \tempo 4=80;
+ \tempo 4=100;
}
vi1=\context Staff = vi1 <
\global
\notes \relative c'' {
+\property Staff.instrument = "Violin 1"
+\property Staff.midiInstrument = "recorder" % The default midi violin is terrible
- [d8 d d d] d4 [a16 b c a] |
- [b8 g ][ g g16 a][ b8 g ][ g g16 a] |
- [b8 g ][ g a16 b] c4 b |
- [a8 d,] g2 fis4 |
+ d8 d d d d4 a16 b c a |
+ b8 g g g16 a b8 g g g16 a |
+ b8 g g a16 b c4 b |
+ a8 d, g2 fis4 |
g2 r2 |
r1 |
- [d'8 d d d] d4 [a16 b c a] |
- [b8 g ][ g g16 a][ b8 g ][ g g16 a] |
- [b8 g ][ g a16 b][ c8 e d c] |
- [b g] c2 b4 |
+ d'8 d d d d4 a16 b c a |
+ b8 g g g16 a b8 g g g16 a |
+ b8 g g a16 b c8 e d c |
+ b g c2 b4 |
c2 r |
r1 |
- [g'8 g g g] g4 [d16 e f d] |
- [e8 c ][ c c16 d][ e8 c ][ c c16 d] |
- [e8 c ][ c d16 e] f4 e |
- [d8 g,] c2 b4 |
- [c8 g ][ g g16 a] b4 g |
- r8 g [g g16 a] b4 g |
- r8 [e16 fis ][ g8 g] [ fis! g g fis!] |
+ g'8 g g g g4 d16 e f d |
+ e8 c c c16 d e8 c c c16 d |
+ e8 c c d16 e f4 e |
+ d8 g, c2 b4 |
+ c8 g g g16 a b4 g |
+ r8 g g g16 a b4 g |
+ r8 e16 fis g8 g fis! g g fis! |
g2 r |
r1 |
- r16 [d' c b ][ a g fis e] [d8 d' ][ d d16 c] |
- [b8 d ][ d d16 c][ b8 d ][ d d16 e] |
+ r16 d' c b a g fis e d8 d' d d16 c |
+ b8 d d d16 c b8 d d d16 e |
fis4 g2 fis!4 |
- r16 [g f e ][ d c b a][ g8 g' ][ g g16 f] |
- [e8 g ][ g g16 f][ e8 g ][ g g16 a] |
+ r16 g f e d c b a g8 g' g g16 f |
+ e8 g g g16 f e8 g g g16 a |
b4 c2 b4 |
- [c8 g ][ g g16 f] e4 d |
- r8 g [g g16 f] e4 d |
- r8 [d16 a ][ b8 b16 c] a2 |
+ c8 g g g16 f e4 d |
+ r8 g g g16 f e4 d |
+ r8 d16 a b8 b16 c a2 |
b1 |
\repeat "semi" 2 {
e1. |
r4 c c c c c |
d1. |
- r4 [d8 c] b4 [c8 d] g,4 [a8 b] |
+ r4 d8 c b4 c8 d g,4 a8 b |
e,1. |
- r4 [e'8 d] cis4 [d8 e] a,4[ b8 cis!] |
+ r4 e'8 d cis4 d8 e a,4 b8 cis! |
fis,1. |
r4 d' d d d d |
- e [e8 d] c4 [d8 e] a,4 [b8 c] |
- fis,4 [fis'8 e] d4 [e8 fis!] b,4 [c8 d] |
+ e e8 d c4 d8 e a,4 b8 c |
+ fis,4 fis'8 e d4 e8 fis! b,4 c8 d |
g,4 g' g g g g |
- a4 [c8 b] a4 [b8 c] f,4 [g8 a] |
+ a4 c8 b a4 b8 c f,4 g8 a |
d,4 g g g g g |
- a [d,8 c] b4 [c8 d] a2 |
+ a d,8 c b4 c8 d a2 |
}
\repeat "semi" 2 {
b1 |
- [d8 d d d] d4 [a16 b c a] |
- [b8 g ][ g g16 a] [b8 g ][ g g16 a] |
- [b8 g] c2 b4 |
+ d8 d d d d4 a16 b c a |
+ b8 g g g16 a b8 g g g16 a |
+ b8 g c2 b4 |
c2 r |
- [g'8 g g g] g4 [d16 e f d] |
- [e8 g, ][ g g16 a] [b8 d ][ d d16 e] |
+ g'8 g g g g4 d16 e f d |
+ e8 g, g g16 a b8 d d d16 e |
fis4 g2 fis!4 |
- r16 [g f e ][ d c b a] [g8 g' ][ g g16 f] |
- e2 r8 d [d d16 e] |
- [fis a g fis ][ e d c b] [a8 d ][ d d16 e] |
+ r16 g f e d c b a g8 g' g g16 f |
+ e2 r8 d d d16 e |
+ fis a g fis e d c b a8 d d d16 e |
fis4 g2 fis!4 |
\cadenza 1;
g\breve
vi2=\context Staff = vi2 <
\global
\notes \relative c'' {
+\property Staff.instrument = "Violin 2"
+\property Staff.midiInstrument = "recorder" % The default midi violin is terrible
r1 | r | r |
- [d8 d d d] d4 [a16 b c a] |
- [b8 g ][ g g16 a] [b8 g ][ g g16 a] |
- [b8 g ][ g a16 b] c4 b |
- [a8 d,] g2 fis4 |
+ d8 d d d d4 a16 b c a |
+ b8 g g g16 a b8 g g g16 a |
+ b8 g g a16 b c4 b |
+ a8 d, g2 fis4 |
g2 r2 |
r1 |
- [g'8 g g g] g4 [d16 e f d] |
- [e8 c ][ c c16 d] [e8 c ][ c c16 d] |
- [e8 c ][ c d16 e] f4 e |
- [d8 g,] c2 b4 |
+ g'8 g g g g4 d16 e f d |
+ e8 c c c16 d e8 c c c16 d |
+ e8 c c d16 e f4 e |
+ d8 g, c2 b4 |
c2 r |
r1 |
- [g'8 g g g] g4 [d16 e f d] |
- e2 r8 g, [g g16 a] |
- b4 g r8 g [g a16 b] |
+ g'8 g g g g4 d16 e f d |
+ e2 r8 g, g g16 a |
+ b4 g r8 g g a16 b |
c4 b a2 |
- g r16 [d' c b ][ a g fis e] |
- [d8 d' ][ d d16 c] [b8 d ][ d d16 e] |
+ g r16 d' c b a g fis e |
+ d8 d' d d16 c b8 d d d16 e |
fis4 g g4. fis!8 |
g2 r |
- r16 [d c b ][ a g fis e] [d8 d' ][ d d16 c] |
+ r16 d c b a g fis e d8 d' d d16 c |
b4 c2 b4 |
c d g,2 |
- r16 [g' f e ][ d c b a] [g8 g' ][ g g16 f] |
- e4 d r8 g [g g16 f] |
- e4 d r8 [c16 g ][ b8 b16 c] |
+ r16 g' f e d c b a g8 g' g g16 f |
+ e4 d r8 g g g16 f |
+ e4 d r8 c16 g b8 b16 c |
a4 g2 fis4 |
g1 |
\repeat "semi" 2 {
r1. |
- r4 [g'8 f] e4 [f8 g] c,4 [d8 e] |
+ r4 g'8 f e4 f8 g c,4 d8 e |
a,1. |
- r4 [a'8 g] fis4 [g8 a] d,4 [e8 fis!] |
+ r4 a'8 g fis4 g8 a d,4 e8 fis! |
b,1. |
r4 g' g g g g |
a1. |
r4 a a a a a |
- b [d,8 c] b4 [c8 d] g,4 [a8 b] |
- e,4 [g'8 f] e4 [f8 g] c,4 [d8 e] |
- a,4 [a'8 g] fis4 [g8 a] d,4 [e8 fis!] |
- b,4 [b'8 a] g4 [a8 b] e,4 [fis8 g] |
+ b d,8 c b4 c8 d g,4 a8 b |
+ e,4 g'8 f e4 f8 g c,4 d8 e |
+ a,4 a'8 g fis4 g8 a d,4 e8 fis! |
+ b,4 b'8 a g4 a8 b e,4 fis8 g |
c,4 a a a a a |
- b [d8 c] b4 [c8 d] d,4 e |
+ b d8 c b4 c8 d d,4 e |
fis2 g fis! |
}
\repeat "semi" 2 {
g1 |
r1 | r1 |
- [g'8 g g g] g4 [d16 e f d] |
- [e8 c ][ c c16 d] [e8 g, ][ g g16 a] |
- [b8 g] c2 b4 |
+ g'8 g g g g4 d16 e f d |
+ e8 c c c16 d e8 g, g g16 a |
+ b8 g c2 b4 |
c2 r |
- r16 [d c b ][ a g fis e] [d8 d' ][ d d16 c] |
+ r16 d c b a g fis e d8 d' d d16 c |
b4 c2 b4 |
- [c8 g ][ g g16 a] [b d c b ][ a g fis e] |
- [d8 d' ][ d d16 e] [fis16 a g fis ][ e d c b] |
- [a d c b ][ a g fis e] d4 d' |
+ c8 g g g16 a b d c b a g fis e |
+ d8 d' d d16 e fis16 a g fis e d c b |
+ a d c b a g fis e d4 d' |
\cadenza 1;
b\breve
}
\global
\notes\transpose c'{
\clef "bass";
+\property Staff.instrument = "Basso Continuo"
+\property Staff.midiInstrument = "bassoon" % The default midi violin is terrible
+
G2 d^"4 3" | G1 |
g2 c4 G | d1^"3 4 3" |
\bc
>
\paper{
- gourlay_maxmeasures=7.;
-
\translator { \VoiceContext
-
+ textScriptPadding = 3;
%% Uncomment to get the original layout without beams.
-%%%% Compare to the definition in init/engraver.ly.
% \remove "Beam_engraver";
% \remove "Auto_beam_engraver";
}
}
\midi{
- \tempo 4=80;
}
}
(("Clef_item" "Span_bar") . (minimum_space 3.7))
(("Time_signature" "Span_bar") . (minimum_space 2.0))
(("Key_item" "Span_bar") . (minimum_space 2.5))
- (("Staff_bar" "Time_signature") . (minimum_space 1.5)) ;double check this.
+ (("Staff_bar" "Time_signature") . (minimum_space 2.0)) ;double check this.
(("Time_signature" "begin-of-note") . (extra_space 2.0)) ;double check this.
(("Key_item" "begin-of-note") . (extra_space 2.5))
(("Staff_bar" "begin-of-note") . (extra_space 1.0))
\\end{document}
""")
this.__fd.close()
+ if os.path.isfile(outfile):
+ os.remove(outfile)
if ( os.name == 'posix' ):
stat = os.system('latex \'\\nonstopmode \\input %s\'' %
(this.__outfile))
(this.__outfile))
if stat:
sys.exit('ExitBadLatex')
- if os.path.isfile(outfile):
- os.remove(outfile)
- os.rename(this.__base + '.' + str(os.getpid()) + '.dvi', outfile)
- sys.stderr.write( '\n' + program_id() + ': dvi file name is %s\n\n'
- % (outfile))
+ if not os.path.isfile(outfile):
+ os.rename(this.__base + '.' + str(os.getpid()) + '.dvi', outfile)
+
+ sys.stderr.write('\n' + program_id() + ': dvi file name is %s\n\n'
+ % (outfile))
if Props.get('postscript'):
psoutfile=this.__base + '.ps'
dnl do not edit! this is aclocal.m4, generated from stepmake/aclocal.m4
dnl WARNING WARNING WARNING WARNING
dnl do not edit! this is aclocal.m4, generated from stepmake/aclocal.m4
+dnl WARNING WARNING WARNING WARNING
+dnl do not edit! this is aclocal.m4, generated from stepmake/aclocal.m4
dnl aclocal.m4 -*-shell-script-*-
dnl StepMake subroutines for configure.in
projects / lilypond.git / commitdiff