\header {
- texidoc = "Chords can be produced with the new chordname entry
+ texidoc = "Chords can be produced with the chordname entry
code (@code{\chordmode} mode), using a pitch and a suffix. Here,
the suffixes are printed below pitches.
"
\header {
texidoc ="Lyric syllables without note attachment are not
centered. Centering may cause unintended effects when the
-papercolumn is very wide."
+paper column is very wide."
}
\layout{ ragged-right = ##t }
\header
{
-texidoc = "Music function are generic music transformation functions,
+texidoc = "Music functions are generic music transformation functions,
which can be used to extend music syntax seamlessly. Here we
demonstrate a @code{\myBar} function, which works similar to
@code{\bar}, but is implemented completely in Scheme."
\header {
- texidoc ="The new part combiner detects a2, solo1 and solo2, and prints
+ texidoc ="The part combiner detects a2, solo1 and solo2, and prints
texts accordingly.
"
\header {
texidoc = "Horizontal spacing works as expected on tied notes with
accidentals. No space is reserved for accidentals that end up not being printed,
-but accindentals that are printed don't collide with anything."
+but accidentals that are printed don't collide with anything."
}
\paper { ragged-right = ##t }
cis cis cis cis~ \break
cis
-}
\ No newline at end of file
+}
are then printed at minimum distance. This is mostly useful
for ancient notation, but may also be useful for some flavours
of contemporary music. If not in raggedright mode, lily will
- pack as much bars of music as possible into a line, but the
+ pack as many bars of music as possible into a line, but the
line will then be stretched to fill the whole linewidth.
"
}
\header {
texidoc = "New sections for spacing can be started with
-@code{@\newSpacingSection}. In this example, a section is started at
+@code{\newSpacingSection}. In this example, a section is started at
the 4/16, and a 16th in the second section takes as much space as a
8th in first section."