localkeyitem.hh localkeyreg.hh lookup.hh \
lyriccolumn.hh lyricitem.hh lyricstaff.hh lyricwalker.hh\
main.hh meter.hh misc.hh\
- molecule.hh moment.hh notehead.hh notename.hh offset.hh paper.hh\
+ molecule.hh moment.hh notehead.hh notename.hh offset.hh paperdef.hh\
parseconstruct.hh pcol.hh proto.hh pscore.hh pstaff.hh qlp.hh\
qlpsolve.hh register.hh request.hh rest.hh \
sccol.hh score.hh\
lyriccolumn.cc lyricitem.cc lyricstaff.cc lyricwalker.cc\
main.cc meter.cc\
misc.cc molecule.cc mylexer.cc note.cc notehead.cc notename.cc\
- paper.cc pcol.cc pscore.cc pstaff.cc qlp.cc qlpsolve.cc\
+ paperdef.cc pcol.cc pscore.cc pstaff.cc qlp.cc qlpsolve.cc\
register.cc request.cc rest.cc sccol.cc score.cc\
scoreline.cc scores.cc script.cc scriptdef.cc scriptreg.cc \
slur.cc\
stablecc=request.cc bar.cc boxes.cc break.cc clef.cc getcommands.cc grouping.cc\
item.cc keyword.cc leastsquares.cc \
linepstaff.cc linespace.cc lookup.cc molecule.cc meter.cc\
- paper.cc parser.cc lexer.cc pstaff.cc qlp.cc qlpsolve.cc\
+ paperdef.cc parser.cc lexer.cc pstaff.cc qlp.cc qlpsolve.cc\
template1.cc template2.cc template3.cc template4.cc\
template5.cc template6.cc version.cc tstream.cc tex.cc\
voice.cc wordwrap.cc spanner.cc
--- /dev/null
+% Ludwig van Beethoven (1770-1792)
+%
+% Opus 62
+% Ouverture zu Collins Trauerspiel "Coriolan"
+%
+% a 5 bar fragment of the alto part
+%
+% Copyright (c) 1997 Jan Nieuwenhuizen <jan@digicash.com>
+%
+% when lily can handle this, i-ll type the other 304 bars
+% (maybe even sooner :-)
+%
+
+alto = music {
+ $
+ \duration{ 8 }
+
+ % these are chords (i.e. non-divisi)
+ % that-s why i-d rather type chords,
+ % but how to type slurs?
+%30
+ {
+ \music{
+ [ c c-. ] c2.( |
+%31
+ [ ) c c-. ] c2.( |
+%32
+ [ ) c c-. ] c4. c-. c4( |
+%33
+ [ ) c c-. ] c4. c-. c4
+ }
+%30:2
+ \music{
+ \octave{ ` }
+ \textstyle "italic"
+ % this should be a dynamic, rather than text
+ [ c c_"cresc. \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
+ - \ \ \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
+ - \ \ \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
+ - \ \ \ \ - \ \ \ \ -" ] c2.( |
+ \textstyle "roman"
+%31:2
+ [ ) c c-. ] c2.( |
+%32:2
+ [ ) c c-. ] c4. c-. c4( |
+%33:2
+ [ ) c c-. ] c4. c-. c4 |
+ \octave{ }
+ }
+ }
+%34
+ % these are two voices (i.e. divisi)
+ % the c4 and c2, however are really 16th...
+ % e.g.: c16*4 and c16*8 or
+ % [ c4 c2 ]*16 ?
+ % we-ll say "simile" for now...
+ %
+ { \multivoice
+ \music{ \stem{ 1 }[ c16^"div." c16 c16 c16 ] c4 c2 }
+ \music {
+ \octave{ ` }
+ \textstyle "italic"
+ \stem{ -1 } [ as16_"\ff" as16 as16 as16 ] as4_"simile" as2
+ \textstyle "roman"
+ }
+ }
+ $
+}
+
+score {
+ staff { melodic music { alto }
+ commands {
+ clef "alto"
+ key $c es as$ % c ???
+ }
+ }
+ commands {
+ meter 4*4
+ skip 5:0
+ }
+ paper {
+ unitspace 14mm
+ geometric 1.4
+ }
+}
%
% a 7 bar fragment
%
-% Public Domain -- by HWN
+% Public Domain -- typed by by HWN
%
dux = music { $
$}
bassdux = music { $
- r1 r1 r1 r1 r1 r1
+ r1 r r r r r
\octave { }
r8 [c16 B] [c8 G] [As c16 B] [c8 d] |
[G c16 B] [c8 d] [F16 G] As4 [G16 F] | $
paper { %unitspace 2.5cm
%geometric 1.4
}
-}
\ No newline at end of file
+}
+