which was made by a computer, and in the center is the flat from a
B@"{a}renreiter edition of the same music. The symbols have noticeable
differences: the left image is much lighter, the staff lines are
-thinner, and the glyph has straight layout with sharp corners. We have
-designed our flat symbol after this one, among others, and have tuned
-it to harmonize with the thickness of our staff lines.
+thinner, and the glyph has straight layout with sharp corners. By
+contrast, the B@"{a}renreiter has a bold and almost voluptuous rounded
+look. Our flat symbol is designed after, among others, this one. It
+is tuned it to harmonize with the thickness of our staff lines, which
+are also much thicker than Henle's lines.
-@iftex
@multitable @columnfractions .4 .3 .3
@item
+@iftex
@image{henle-flat-bw,4cm}
-@tab
-@image{baer-flat-bw,4cm}
-@tab
-@image{lily-flat-bw,4cm}
-@end multitable
@end iftex
-
-
-@ifhtml
@html
<p>
<a href=henle-flat-bw.png>
<img width=300 src=henle-flat-bw.png>
</a>
+@end html
+
+@tab
+@iftex
+@image{baer-flat-bw,4cm}
+@end iftex
+@html
<a href=baer-flat-bw.png>
<img width=300 src=baer-flat-bw.png></a>
+@end html
+@tab
+@iftex
+@image{lily-flat-bw,4cm}
+@end iftex
+@html
<a src=lily-flat-bw.png>
<img width=300 src=lily-flat-bw.png>
</a>
-<p>
@end html
-@end ifhtml
+
+@item
+Henly (2000)
+@tab
+B@"{a}renreiter (1950)
+@tab
+LilyPond Feta font (2003)
+
+@end multitable
+
@cindex musical symbols
@cindex font