lilypond-1.1.14

diff --git a/Documentation/tex/computer-notation.bib b/Documentation/tex/computer-notation.bib
index b5d801d4319386f87c3cf0bce83ea91f5682bab6..eaa4ba804310fecc1e4aaad0077e7f6b1da92f6b 100644 (file)
--- a/Documentation/tex/computer-notation.bib
+++ b/Documentation/tex/computer-notation.bib
@@ -24,6 +24,7 @@
   year =       1986
 }
 
+% byrd
 @PhdThesis {byrd85,
   year =  {1985},
   title = {Music Notation by Computer},
@@ -31,6 +32,15 @@
   school = {Indiana University},
 }
 
+@Article {byrd74,
+  year =  {1974},
+  title = {A System for Music Printing by Computer},
+  author = {Donald Byrd},
+  journal = {Computers and the Humanities},
+  volume ={8},
+  pages ={161-72},
+}
+
 @Article{byrd94,
   author =      {Donald Byrd},
   title =       {Music Notation Software and Intelligence},
@@ -43,22 +53,24 @@ pages = {17--20},
   note = {Byrd (author of Nightinggale) shows four problematic
 fragments of notation, and rants about notation programs that try to
 exhibit intelligent behaviour. HWN}
-
 }
 
 
 
-@Article{erickson75,
-  author =      {R. F. Erickson},
+@Article{ericson75,
+  author =      {R. F. Ericson},
   title =       {The DARMS Project: A status report},
   journal =     {Computing in the humanities},
   year =        1975,
   volume =      9,
   number =      6,
   pages =       {291--298}
+
+  note = {Gourlay\cite{gourlay86} writes: A discussion of the design
+  and potential uses of the DARMS music-description language.}
 }
 
-c
+
 @Article{field-richards93,
   author =      {H.S. Field-Richards},
   title =       {Cadenza: A Music Description Language},
@@ -70,7 +82,6 @@ c
   note = {A description through examples of a music entry language.
 Apparently it has no formal semantics.  There is also no
 implementation of notation convertor. HWN}
-  
 }
 
 
@@ -156,30 +167,17 @@ note = {A no-science-here review of Encore. HWN}
 
 }
 
-@Article {byrd74,
-  year =  {1974},
-  title = {A System for Music Printing by Computer},
-  author = {Donald Byrd},
-  journal = {Computers and the Humanities},
-  volume ={8},
-  pages ={161-72},
-}
-
-
 @Book {smith73,
-  note = {If I remember correctly, this was concerned more with an input language than with the typography. SP},
   year =  {1973},
   title = {Editing and Printing Music by Computer},
   author = {Leland Smith},
   totalentry = {Journal of Music Theory},
   volume={17},
   pages ={292-309},
+  note = {Gourlay\cite{gourlay86} writes: A discussion of Smith's music-printing system}
 }
 
 
-
-
-
 @InProceedings{montel97,
   author =      {Dominique Montel},
   title =       {La gravure de la musique, lisibilit\'e esth\'etique, respect de l'oevre},
@@ -189,6 +187,8 @@ note = {A no-science-here review of Encore. HWN}
   editors ={Genevois \& Orlarey}
 }
 
+
+% Gomberg
 @PhdThesis {gomber75,
   year =  {1975},
   title = {A Computer-Oriented System for Music Printing},
@@ -196,6 +196,21 @@ note = {A no-science-here review of Encore. HWN}
   school = {Washington University},
 }
 
+@Book {gomberg,
+  title = {A Computer-oriented System for Music Printing},
+  author = {David A.  Gomberg},
+  journal  = CitH,
+  volume={11},
+  month = {march},
+  year = {1977},
+  pages = {63-80},
+  note = {Gourlay \cite{gourlay86} writes: "A discussion of the
+  problems of representing the conventions of musical notation in
+  computer algorithms."}
+
+}
+
+
 
 @Book {CASR,
   note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
@@ -205,14 +220,41 @@ note = {A no-science-here review of Encore. HWN}
 }
 
 
-@Book {gomberg,
-  title = {A Computer-oriented System for Music Printing},
-  author = {David A.  Gomberg},
-  journal  = CitH,
-  volume={11},
-  pages = {63-80},
+
+% LIME
+@Article {haken93,
+  note = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN},
+  year =  {1993},
+  title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
+  author = {Lippold Haken and Dorothea Blostein},
+  journal = {Computer Music Journal},
+  volume= {17},
+  number={3},
+  pages = {43--58},
+}
+
+@InProceedings{haken95,
+  year =  {1995},
+  title = {A New Algorithm for Horizontal Spacing of Printed Music},
+  author = {Lippold Haken and Dorothea Blostein},
+  booktitle = {International Computer Music Conference},
+  address={Banff},
+  month={Sept},
+  pages = {118-119},
+  note = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN},
 }
 
+@Article {blostein91,
+  note = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN},
+  year =  {1991},
+  title = {Justification of Printed Music},
+  author = {Dorothea Blostein and Lippold Haken},
+  journal   = {Communications of the ACM},
+  volume= {J34},
+  number= {3},
+  month= {March},
+  pages = {88-99},
+}
 
 
 @Article{blostein94,
@@ -225,7 +267,8 @@ note = {A no-science-here review of Encore. HWN}
   number =      {3},
   month =       {march},
   pages =       {289--306},
-  note = {A description of various conversions, decisions and issues relating to this interactive editor HWN},
+  note = {A description of various conversions, 
+decisions and issues relating to this interactive editor HWN},
 }
 
 @InProceedings{bouzaiene98:_une,
@@ -257,6 +300,9 @@ year = 1997,
   organization = {International Computer Music Association}
 }
 
+%
+% MusiCopy
+%
 @TechReport {gourlay87-spacing,
   note = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it (as of pl 76) HWN},
   year =  {1987},
@@ -278,11 +324,9 @@ year = 1997,
 
 
 @TechReport {gourlay87-formatting,
-
 note = {This paper discusses the development of algorithms for the
 formatting of musical scores (from abstract). It also appeared at
 PROTEXT III, Ireland 1986},
-
   year =  {1987},
   title = {Computer Formatting of Music},
   author = {John S. Gourlay and A. Parrish
@@ -390,39 +434,6 @@ surprising that LilyPond is more mature.
   pages = {388--401},
 }
 
-@Article {haken93,
-  note = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN},
-  year =  {1993},
-  title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
-  author = {Lippold Haken and Dorothea Blostein},
-  journal = {Computer Music Journal},
-  volume= {17},
-  number={3},
-  pages = {43--58},
-}
-
-@InProceedings{haken95,
-  year =  {1995},
-  title = {A New Algorithm for Horizontal Spacing of Printed Music},
-  author = {Lippold Haken and Dorothea Blostein},
-  booktitle = {International Computer Music Conference},
-  address={Banff},
-  month={Sept},
-  pages = {118-119},
-  note = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN},
-}
-
-@Article {blostein91,
-  note = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN},
-  year =  {1991},
-  title = {Justification of Printed Music},
-  author = {Dorothea Blostein and Lippold Haken},
-  journal   = {Communications of the ACM},
-  volume= {J34},
-  number= {3},
-  month= {March},
-  pages = {88-99},
-}
 
 
 @Article {rader96,
@@ -570,6 +581,20 @@ basically say: "You can embed a NIFF or MIDI file") HWN}
   year={1983}
 }
 
+
+
+@Article{Ornstein84,
+  author={Ornstein, Severo M. and John Turner Maxwell III},
+  title={Mockingbird: A Composer's Amanuensis},
+  journal= {Byte},
+  volume= 9,
+  month = {January},
+  year= { 1984},
+  note={A discussion of an interactive and graphical computer system for
+music composition}
+
+}
+
 @PhdThesis{mueller90:_inter_bearb_musik,
   author =      {Giovanni M\"uller},
   title =       {Interaktive Bearbeitung konventioneller Musiknotation},
@@ -586,6 +611,9 @@ chapters on engraving and notation are well structured and clear,
 though.}
 }
 
+
+%
+% three part study by John Gr/over
 @TechReport{grover89-symbols,
   author =      {John Gr\/over},
   title =       {A computer-oriented description of Music Notation.  Part I. The Symbol Inventory},

diff --git a/NEWS b/NEWS
index 9a22a07baef923c661a0d0f3186059b05d92fc46..ff5f32efab4127f092c29e9dd1a487ada6a46522 100644 (file)
--- a/NEWS
+++ b/NEWS
@@ -1,3 +1,38 @@
+pl 14
+
+pl 13.hwn1
+       - tutorial fixes.
+       - junked find-quarts
+       - junked various plet goryness.
+       - preps for <c e> ~ <c e> syntax
+       - bib fixes 
+
+pl 12.jcn3
+       - bf's: standchen
+       - added repeat, chord stuff to website
+       - bf: dashed slur
+       - hacks for barlines, dynamics
+
+pl 12.jcn2
+       - bf: package-diff
+       - new chord syntax, again: TONIC [DURATION] ['-' MODIFIERS/ADDITIONS]
+       - shorthand prefix for note-mode: '@', no shorthand for notes in chord
+           mode...
+ 
+pl 11.jcn6
+       - bf: ly2dvi: better guess LILYPONDPREFIX: <bin>../share/lilypond
+       - chord-table; urg bugs:
+          * note-collisions
+          * accidental-placement
+       - bf: cis m (\textsharpm, urg)
+  
+pl 11.jcn5
+       - bib entry, twinkle-pop
+       - bf's: chords
+
+pl 11.jcn4
+
+**********
 pl 13
        - mutopia stuff (thanks, Peter)
        - bugfix : \maininput