This also removes excess spaces at line ends in the affected files.
@seealso
Glossar:
@rglos{ligature}.
-
+
Notationsreferenz:
@ref{Weiße Mensuralligaturen},
@ref{Ligaturen der gregorianischen Quadratnotation}.
@seealso
Glossar:
@rglos{ligature}.
-
+
Notationreferenz:
@ref{ Ligaturen der gregorianischen Quadratnotation},
@ref{Weiße Mensuralligaturen},
@c try Till Rettig
@c Add example of white noteheads:
@c In the french baroque some composers used white noteheads in slow pieces,
-@c mainly in 3/2-time. A quarter looks there like a eighth with a white
+@c mainly in 3/2-time. A quarter looks there like an eighth with a white
@c notehead. (Franz-Rudolf Kuhnen)
@c TODO Add example of this:
}
@Article{blostein91,
- note = {This paper provides a overview of the algorithm used in LIME
+ note = {This paper provides an overview of the algorithm used in LIME
for spacing individual lines. HWN},
year = {1991},
title = {Justification of Printed Music},
@Book{wanske88,
annote = {I. A very thorough overview of engraving practices of various
craftsmen. It includes detailed specs of characters, dimensions
-etc. II. a thorough overview of a anonymous (by now antiquated)
+etc. II. a thorough overview of an anonymous (by now antiquated)
automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
electronic data processing HWN.},
year = {1988},
@code{Voice} approprié, le graveur @code{Ligature_bracket_engraver} par
le graveur de ligature qui convient -- voir les rubriques
@ref{Ligatures mensurales} et @ref{Neumes et ligatures grégoriennes} à
-ce sujet.
+ce sujet.
@seealso
Glossaire musicologique :
de la portée. Le chiffre porté en suffixe permet alors de les
différencier. Vous pouvez forcer le positionnement du glyphe sur une
ligne, comme expliqué à la section @ref{Clefs}. Dans la colonne
-exemple, la note suivant la clé est un do médium.
+exemple, la note suivant la clé est un do médium.
Les clés d'ut de Petrucci avaient une hampe gauche différente selon
leur ligne de rattachement.
@end lilypond
La rubrique @ref{Métrique} expose les principes généraux sur
-l'utilisation des indications de métrique.
+l'utilisation des indications de métrique.
@seealso
Glossaire musicologique :
Pour de la musique ancienne, vous disposez de plusieurs styles de tête
de note, en plus du style par défaut @code{default}. Vous pouvez
affecter à la propriété @code{style} de l'objet @code{NoteHead}
-les valeurs @code{baroque}, @code{neomensural}, @code{mensural},
+les valeurs @code{baroque}, @code{neomensural}, @code{mensural},
@code{petrucci}, @code{blackpetrucci} ou @code{semipetrucci}.
Le style @code{baroque} diffère du style @code{default} par
@knownissues
L'espacement des ligatures n'est pas des meilleurs.
-
+
@node Réédition de musique ancienne
@subsection Réédition de musique ancienne
@c try Till Rettig
@c Add example of white note heads:
@c In the french baroque some composers used white note heads in slow pieces,
-@c mainly in 3/2-time. A quarter looks there like a eighth with a white
+@c mainly in 3/2-time. A quarter looks there like an eighth with a white
@c note head. (Franz-Rudolf Kuhnen)
@c TODO Add example of this:
@code{\context} block within a @code{\layout} block. Each
@code{\context} block will affect all contexts of the type specified
throughout the @code{\score} or @code{\book} block in which the
-@code{\layout} block appears. Here is a example to show the format:
+@code{\layout} block appears. Here is an example to show the format:
@lilypond[verbatim,quote]
\score {
correct processing. For example, errors will be generated if the
@code{stencil} property of the @code{NoteHead} object is set to
@code{#f}. If this is the case, you can instead use the
-@code{point-stencil} function, which sets the stencil to a object
+@code{point-stencil} function, which sets the stencil to an object
with zero size:
@lilypond[quote,verbatim,relative=2]
handle_broken_smobs (); should conserve a little memory.
* Fixed handling of orphaned score-elements. Any element that does
-not have its Line_of_score as a ancestor in both directions, is silently
+not have its Line_of_score as an ancestor in both directions, is silently
removed from the output. This guarantees that programming errors
don't result in coredumps from Dimension_cache::common_refpoint ():
element->line_l () is always a common reference point.
S: ?,
FI: nousu.
-Indicator for a indeterminately rising pitch bend. Compare with
+Indicator for an indeterminately rising pitch bend. Compare with
@emph{glissando}, which has determinate starting and ending pitches.
@seealso
S: ?,
FI: lasku.
-Indicator for a indeterminately falling pitch bend. Compare with
+Indicator for an indeterminately falling pitch bend. Compare with
@emph{glissando}, which has determinate starting and ending pitches.
@seealso
@code{\context} block within a @code{\layout} block. Each
@code{\context} block will affect all contexts of the type specified
throughout the @code{\score} or @code{\book} block in which the
-@code{\layout} block appears. Here is a example to show the format:
+@code{\layout} block appears. Here is an example to show the format:
@lilypond[verbatim,quote]
\score {
correct processing. For example, errors will be generated if the
@code{stencil} property of the @code{NoteHead} object is set to
@code{#f}. If this is the case, you can instead use the
-@code{point-stencil} function, which sets the stencil to a object
+@code{point-stencil} function, which sets the stencil to an object
with zero size:
@lilypond[quote,verbatim,relative=2]
@c try Till Rettig
@c Add example of white note heads:
@c In the french baroque some composers used white note heads in slow pieces,
-@c mainly in 3/2-time. A quarter looks there like a eighth with a white
+@c mainly in 3/2-time. A quarter looks there like an eighth with a white
@c note head. (Franz-Rudolf Kuhnen)
@c TODO Add example of this:
else if (!r && !l)
{
/*
- This is a isolated dynamic apparently, and does not even have
+ This is an isolated dynamic apparently, and does not even have
any interesting support item.
*/
Grob *cc = unsmob_grob (get_property ("currentMusicalColumn"));
#include <set>
/*
- The definition of a interpretation context as given in the
+ The definition of an interpretation context as given in the
input. The lists are stored in order of definition.
*/
struct Context_def
#include "simple-music-iterator.hh"
/**
- Walk through a Event_chord
+ Walk through an Event_chord
*/
class Event_chord_iterator : public Simple_music_iterator
{
#include "grob-info.hh"
#include "translator.hh"
-/* Convert a music definition into a audio representation.
+/* Convert a music definition into an audio representation.
A baseclass. */
class Performer : public Translator
{
}
/**
- Item copy ctor. Copy nothing: everything should be a elt property
+ Item copy ctor. Copy nothing: everything should be an elt property
or a special purpose pointer (such as broken_to_drul_[]) */
Item::Item (Item const &s)
: Grob (s)
/*
TODO:
- Should insert a adjustable space here? For excercises, you might want to
+ Should insert an adjustable space here? For exercises, you might want to
use a staff without a clef in the beginning.
*/
{
if (prev_prefix_set & VIRGA)
/*
- * After a virga, make a an additional small space such that the
+ * After a virga, make an additional small space such that the
* appendix on the right side of the head does not touch the
* following head.
*/
if ((context_info & FLEXA_LEFT) && ! (context_info & PES_UPPER))
/*
- * Before a flexa (but not within a torculus), make a an
+ * Before a flexa (but not within a torculus), make an
* additional small space such that the appendix on the left side
* of the flexa does not touch the this head.
*/
;; the size of the staff lines is evaluated as 0, which results in a
;; solid span bar line with faulty y coordinate.
;;
-;; This routine was originally by Juergen Reuter, but it was a on the
+;; This routine was originally by Juergen Reuter, but it was on the
;; bulky side. Rewritten by Han-Wen. Ported from c++ to Scheme by Marc Hohl.
(define-public (ly:span-bar::print grob)
"The print routine for span bars."
"
@cindex drawing oval around text
-Draw a oval around @var{arg}. Use @code{thickness},
+Draw an oval around @var{arg}. Use @code{thickness},
@code{x-padding}, @code{x-padding} and @code{font-size} properties to determine
line thickness and padding around the markup.
(lambda (x) (apply music-property-description x))
`(
(absolute-octave ,integer?
- "The absolute octave for a octave check note.")
+ "The absolute octave for an octave check note.")
(alteration ,number? "Alteration for figured bass.")
(alternative-dir ,ly:dir? "Indicates if an AlternativeMusic is the
First (-1), Middle (0), or Last (1) of group of alternate endings.")
(pitch ,ly:pitch? "The pitch of this note.")
(pitch-alist ,list? "A list of pitches jointly forming the scale
of a key signature.")
- (pop-first ,boolean? "Do a revert before we try to do a override
+ (pop-first ,boolean? "Do a revert before we try to do an override
on some grob property.")
(prob-property ,symbol? "The symbol of the prob property to set.")
(procedure ,procedure? "The function to run with @code{\\applycontext}.
))
(AlternativeEvent
- . ((description . "Create a alternative event.")
+ . ((description . "Create an alternative event.")
(types . (general-music event alternative-event))
))
;;; Commentary:
;;; This file provides the support routines for a guile debugger called
-;;; from a environment controlled by LilyPond. It works in conjunction
+;;; from an environment controlled by LilyPond. It works in conjunction
;;; with file guile-debugger.ly.
;;; Code:
pred))
(cons type signature)))
(if (and (pair? body) (pair? (car body)) (eqv? '_i (caar body)))
- ;; When the music function definition contains a i10n doc string,
+ ;; When the music function definition contains an i10n doc string,
;; (_i "doc string"), keep the literal string only
(let ((docstring (cadar body))
(body (cdr body)))
(make-vcenter-markup
(format #f "~a" fret-number)))
-;; The 5-string banjo has got a extra string, the fifth (duh), which
+;; The 5-string banjo has got an extra string, the fifth (duh), which
;; starts at the fifth fret on the neck. Frets on the fifth string
;; are referred to relative to the other frets:
;; the "first fret" on the fifth string is really the sixth fret
projects / lilypond.git / commitdiff