@cindex easy notation
@cindex Hal Leonard
-A entirely different type of note head is the "easyplay" note head: a
+An entirely different type of note head is the "easyplay" note head: a
note head that includes a note name. It is used in some publications by
Hal-Leonard Inc. music publishers.
@cindex accent
@cindex marcato
@cindex staccatissimo
-@cindex fermata
-@cindex stopped
+@cindex fermata
+@cindex stopped
@cindex staccato
@cindex portato
@cindex tenuto
@cindex thumb marking
@cindex segno
@cindex coda
+@cindex varcoda
@lilypond[]
\score {
\property Score.LyricText \override #'font-family =#'typewriter
\property Score.LyricText \override #'font-shape = #'upright
\context Staff \notes {
- c''-\accent c''-\marcato c''-\staccatissimo c''^\fermata
- c''-\stopped c''-\staccato c''-\tenuto c''-\portato
- c''-\upbow
- c''-\downbow c''^\lheel c''-\rheel c''^\ltoe
- c''-\rtoe c''-\turn c''-\open c''-\flageolet
- c''-\reverseturn c''-\trill c''-\prall c''-\mordent
- c''-\prallprall c''-\prallmordent c''-\upprall c''-\downprall
- c''-\upmordent c''-\downmordent c''-\pralldown c''-\prallup
- c''-\lineprall c''-\thumb c''-\segno c''-\coda
+ c''-\accent c''-\marcato c''-\staccatissimo
+ c''-\staccato c''-\tenuto c''-\portato
+ c''-\stopped c''-\upbow c''-\downbow
+ c''^\lheel c''-\rheel c''^\ltoe
+ c''-\rtoe c''-\open c''-\flageolet
+ c''-\turn c''-\reverseturn c''-\trill
+ c''-\prall c''-\mordent c''-\prallprall
+ c''-\prallmordent c''-\upprall c''-\downprall
+ c''-\upmordent c''-\downmordent c''-\pralldown
+ c''-\prallup c''-\lineprall c''-\thumb
+ c''-\shortfermata c''-\fermata c''-\longfermata
+ c''-\verylongfermata c''-\segno c''-\coda
+ c''-\varcoda
}
\context Lyrics \lyrics {
- accent__ marcato__ staccatissimo__ fermata
- stopped__ staccato__ tenuto__ portato
- upbow
- downbow__ lheel__ rheel__ ltoe
- rtoe__ turn__ open__ flageolet
- reverseturn__ trill__ prall__ mordent
- prallprall__ prallmordent__ uprall__ downprall
- upmordent__ downmordent__ pralldown__ prallup__
- lineprall__ thumb__ segno__ coda
+ accent__ marcato__ staccatissimo__
+ staccato__ tenuto__ portato__
+ stopped__ upbow__ downbow__
+ lheel__ rheel__ ltoe__
+ rtoe__ open__ flageolet__
+ turn__ reverseturn__ trill__
+ prall__ mordent__ prallprall__
+ prallmordent__ uprall__ downprall__
+ upmordent__ downmordent__ pralldown__
+ prallup__ lineprall__ thumb__
+ shortfermata__ fermata__ longfermata__
+ verylongfermata__ segno__ coda__
+ varcoda__
}
>
\paper {
@c
@lilypond[verbatim, singleline, fragment]
c'4-1 c'4-2 c'4-3 c'4-4
- c^\markup { \fontsize #-3 \number "2-3" }
+ c'^\markup { \fontsize #-3 \number "2-3" }
@end lilypond
@cindex finger change
@cindex mensural
@menu
-* Ancient note heads::
-* Ancient clefs ::
-* Custodes::
-* Ligatures::
-* Figured bass::
+* Ancient note heads::
+* Ancient clefs::
+* Custodes::
+* Divisiones::
+* Ligatures::
+* Figured bass::
@end menu
@node Custodes
@subsection Custodes
-@cindex Custos
-@cindex Custodes
+@cindex custos
+@cindex custodes
A @emph{custos} (plural: @emph{custodes}; latin word for `guard') is a
staff context symbol that appears at the end of a staff line. It
@}
@end example
+@node Divisiones
+@subsection Divisiones
+
+@cindex divisio
+@cindex divisiones
+@cindex finalis
+
+A @emph{divisio} (plural: @emph{divisiones}; latin word for
+`division') is a staff context symbol that is used to structure
+Gregorian music into phrases and sections. The musical meaning of
+@emph{divisio minima}, @emph{divisio maior} and @emph{divisio maxima}
+can be characterized as short, medium and long pause, somewhat like
+@ref{Breath marks}. The @emph{finalis} sign not only marks the end of
+a chant, but is also frequently used within a single
+antiphonal/responsorial chant to mark the end of each section.
+
+To use divisiones, just include the file @code{gregorian-init.ly}. It
+contains definitions that you can apply by just inserting
+@code{\divisiominima}, @code{\divisiomaior}, @code{\divisiomaxima},
+and @code{\finalis} at proper places into your lilypond files.
+
+@lilypond[verbatim]
+\include "gregorian-init.ly"
+\score {
+ \notes {
+ \context Staff = staff \addlyrics \notes \transpose c c' {
+ \property Score.timing = ##f
+ \property Score.barAlways = ##t
+ \property Staff.BarLine \override #'transparent = ##t
+ \property Voice.Stem \override #'transparent = ##t
+ g4( )a g e( )f e
+ ^\markup { "divisio minima" }
+ \divisiominima
+ g4( )a g e( )f e
+ ^\markup { "divisio maior" }
+ \divisiomaior
+ g4( )a g e( )f e
+ ^\markup { "divisio maxima" }
+ \divisiomaxima
+ g4( )a g e( )f e
+ ^\markup { "finalis" }
+ \finalis
+ g4( )a g e( )f e
+ }
+ \context Lyrics = lyrics \lyrics {
+ Blah blub, blah blam.
+ Blah blub, blah blam.
+ Blah blub, blah blam.
+ Blah blub, blah blam.
+ Blah blub, blah blam.
+ }
+ }
+}
+@end lilypond
+
+Some editions use @emph{virgula} or @emph{caesura} instead of divisio
+minima. Therefore, @code{gregorian-init.ly} also defines
+@code{\virgula} and @code{\caesura}.
+
+@lilypond[verbatim]
+\include "gregorian-init.ly"
+\score {
+ \notes {
+ \context Staff = staff \addlyrics \notes \transpose c c' {
+ \property Score.timing = ##f
+ \property Score.barAlways = ##t
+ \property Staff.BarLine \override #'transparent = ##t
+ \property Voice.Stem \override #'transparent = ##t
+ g4( )a g e( )f e
+ ^\markup { "virgula" }
+ \virgula
+ g4( )a g e( )f e
+ ^\markup { "caesura" }
+ \caesura
+ g4( )a g e( )f e
+ }
+ \context Lyrics = lyrics \lyrics {
+ Blah blub, blah blam.
+ Blah blub, blah blam.
+ Blah blub, blah blam.
+ }
+ }
+}
+@end lilypond
+
@node Ligatures
@subsection Ligatures
@menu
* Clusters::
+* Fermatas::
@end menu
@node Clusters
values are @code{leftsided-stairs}, @code{rightsided-stairs},
@code{centered-stairs}, and @code{ramp}.
+@node Fermatas
+@subsection Fermatas
+
+@cindex fermatas
+
+Currently, lilypond supports the following fermata symbols that are
+frequently used in contemporary music notation:
+
+@lilypond[singleline,verbatim]
+\score {
+ \notes {
+ b'1^\shortfermata_\shortfermata^\markup { short fermata }
+ r
+ b'^\fermata_\fermata^\markup { fermata }
+ r
+ b'^\longfermata_\longfermata^\markup { long fermata }
+ r
+ b'^\verylongfermata_\verylongfermata^\markup { very long fermata }
+ r
+ }
+}
+@end lilypond
+
+See @ref{Articulations} for general instructions how to apply scripts
+such as fermatas to a @code{\notes@{@}} block.
+
@c . {Tuning output}
@node Tuning output
@section Tuning output