@c awkward name; awkward section name.
@c still, the Basic "chords" seems like a good name... :(
@menu
+* A lead sheet::
* Introducing chord names::
* Chords mode::
* Printing chord names::
@end menu
+@c really awkward; I just shoved this in here from the tutorial.
+@node A lead sheet
+@unnumberedsubsubsec A lead sheet
+
+@cindex Lead sheets
+@cindex chords
+@cindex chord names
+
+In popular music it is common to denote accompaniment with chord
+names. Such chords can be entered like notes,
+
+@lilypond[verbatim,quote,ragged-right]
+\chordmode { c2 f4. g8 }
+@end lilypond
+
+Now each pitch is read as the root of a chord instead of a note.
+This mode is switched on with @code{\chordmode}. Other chords can
+be created by adding modifiers after a colon. The following
+example shows a few common modifiers:
+
+@lilypond[verbatim,quote,ragged-right]
+\chordmode { c2 f4:m g4:maj7 gis1:dim7 }
+@end lilypond
+
+For lead sheets, chords are not printed on staves, but as names on
+a line for themselves. This is achieved by using @code{\chords}
+instead of @code{\chordmode}. This uses the same syntax as
+@code{\chordmode}, but renders the notes in a @code{ChordNames}
+context, with the following result:
+
+@lilypond[verbatim,quote,ragged-right]
+\chords { c2 f4.:m g4.:maj7 gis8:dim7 }
+@end lilypond
+
+@cindex lead sheet
+When put together, chord names, lyrics and a melody form a lead
+sheet,
+
+@lilypond[verbatim,quote,ragged-right]
+<<
+ \chords { c2 g:sus4 f e }
+ \relative c'' {
+ a4 e c8 e r4
+ b2 c4( d)
+ }
+ \addlyrics { One day this shall be free __ }
+>>
+@end lilypond
+
+
+@seealso
+@quotation
+A complete list of modifiers and other options for layout can be
+found in @ruser{Chords}.
+@end quotation
+
+
@node Introducing chord names
@unnumberedsubsubsec Introducing chord names
@cindex chord names
* Setting simple songs::
* Aligning lyrics to a melody::
* Lyrics to multiple staves::
-* A lead sheet::
@end menu
@end quotation
-@node A lead sheet
-@subsection A lead sheet
-
-@cindex Lead sheets
-@cindex chords
-@cindex chord names
-
-In popular music it is common to denote accompaniment with chord
-names. Such chords can be entered like notes,
-
-@lilypond[verbatim,quote,ragged-right]
-\chordmode { c2 f4. g8 }
-@end lilypond
-
-Now each pitch is read as the root of a chord instead of a note.
-This mode is switched on with @code{\chordmode}. Other chords can
-be created by adding modifiers after a colon. The following
-example shows a few common modifiers:
-
-@lilypond[verbatim,quote,ragged-right]
-\chordmode { c2 f4:m g4:maj7 gis1:dim7 }
-@end lilypond
-
-For lead sheets, chords are not printed on staves, but as names on
-a line for themselves. This is achieved by using @code{\chords}
-instead of @code{\chordmode}. This uses the same syntax as
-@code{\chordmode}, but renders the notes in a @code{ChordNames}
-context, with the following result:
-
-@lilypond[verbatim,quote,ragged-right]
-\chords { c2 f4.:m g4.:maj7 gis8:dim7 }
-@end lilypond
-
-@cindex lead sheet
-When put together, chord names, lyrics and a melody form a lead
-sheet,
-
-@lilypond[verbatim,quote,ragged-right]
-<<
- \chords { c2 g:sus4 f e }
- \relative c'' {
- a4 e c8 e r4
- b2 c4( d)
- }
- \addlyrics { One day this shall be free __ }
->>
-@end lilypond
-
-
-@seealso
-@quotation
-A complete list of modifiers and other options for layout can be
-found in @ruser{Chords}.
-@end quotation
-
-
@node Final touches
@section Final touches