The new input/lsr revision already contains these files.
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-The default font families for text can be overridden with
-@code{make-pango-font-tree}.
-" }
-
-\paper {
- % change for other default global staff size.
- myStaffSize = #20
- %{
- run
- lilypond -dshow-available-fonts blabla
- to show all fonts available in the process log.
- %}
-
- #(define fonts
- (make-pango-font-tree "Times New Roman"
- "Nimbus Sans"
- "Luxi Mono"
-;; "Helvetica"
-;; "Courier"
- (/ myStaffSize 20)))
-}
-
-\relative {
- c'^\markup {
- roman: foo \bold bla \italic bar \italic \bold baz
- }
- c'_\markup {
- \override #'(font-family . sans)
- {
- sans: foo \bold bla \italic bar \italic \bold baz
- }
- }
- c'^\markup {
- \override #'(font-family . typewriter)
- {
- mono: foo \bold bla \italic bar \italic \bold baz
- }
- }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-The \\markup command is quite versatile. In this snippet, it contains a
-\\score bloc instead of texts or marks.
-" }
-
-tuning = \markup {
- \score {
- \new Staff \with {
- \remove Time_signature_engraver
- } {
- \clef bass <c, g, d g>1
- }
- \layout { ragged-right = ##t }
- }
-}
-
-
-\header {
- title = "Solo Cello Suites"
- subtitle = "Suite IV"
- subsubtitle = \markup { "Originalstimmung:" \tuning }
-}
-
-\relative {
- \time 4/8
- \times 2/3 { c'8 d e } \times 2/3 {c d e}
- \times 2/3 { c8 d e } \times 2/3 {c d e}
- g8 a8 g8 a
- g8 a8 g8 a
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-Use a glissando without final note. Contemporary glissando !
-" }
-
-\relative c'' {
- \override Glissando #'style = #'zigzag
- \time 3/4
- c4 c
- \cadenzaOn c\glissando \hideNotes c,, \unHideNotes \cadenzaOff
- \bar "|"
- }
-
-\addlyrics { Use cadenzaOn glissando hideNotes }
-\addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4 }
-\layout{raggedright = ##t}
-\header { tagline="" }
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-Though the set-time-signature thing was not the most essential here, it
-has been included to show the beat of this piece (which is a template
-of a real balkan song!).
-" }
-
-#(define (compound-time one two three four five six seven eight nine ten num)
- (markup #:override '(baseline-skip . 0) #:number
- (#:line ((#:column (one num)) #:vcenter "+" (#:column (two num)) #:vcenter "+" (#:column (three num)) #:vcenter "+" (#:column (four num)) #:vcenter "+" (#:column (five num)) #:vcenter "+" (#:column (six num)) #:vcenter "+" (#:column (seven num)) #:vcenter "+" (#:column (eight num)) #:vcenter "+" (#:column (nine num)) #:vcenter "+" (#:column (ten num))))))
-
-
-melody =
-{ \relative c'' {
- \set Staff.instrumentName = "Bb Sop."
- \key g \major \time 25/8
- \override Staff.TimeSignature #'stencil = #ly:text-interface::print
- \override Staff.TimeSignature #'text = #(compound-time "3" "2" "2" "3" "2" "2" "2" "3" "2" "2" "8" )
- c8[ c c] d4 c8[ c] b[ c b] a4 g fis8[ e d c] b'[ c d] e4-^ fis8[ g] | \break
- c,4. d4 c4 d4. c4 d c2 d4. e4-^ d4 |
- c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | \break
- c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 |
- c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | \break }
-}
-drum = {
- \new DrumStaff \drummode
- {
- \bar "|:" bd4. ^\markup { "Drums" } sn4 bd \bar ":" sn4. bd4 sn \bar ":"
- bd sn bd4. sn4 bd \bar ":|"
- }
-}
-
-{
- \melody
- \drum
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-Use a glissando without final note. Contemporary glissando !
-" }
-
-\relative c'' {
- \override Glissando #'style = #'zigzag
- \time 3/4
- c4 c
- \cadenzaOn c\glissando \hideNotes c,, \unHideNotes \cadenzaOff
- \bar "|"
- }
-
-\addlyrics { Use cadenzaOn glissando hideNotes }
-\addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4 }
-\layout{raggedright = ##t}
-\header { tagline="" }
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-If you want to place an exiting segno sign and add text like \"D.S. al
-Coda\" next to it where usually the staff lines are you can use this
-snippet. The coda will resume in a new line. Theres a variation
-documented in this snippet, where the coda will remain on the same
-line.
-" }
-
-{
- \clef treble
- \key g \major
- \time 4/4
- \relative c'' {
- \repeat unfold 2 {
- | c4 c c c
- }
-
- % Set segno sign as rehearsal mark and adjust size if needed
- % \once \override Score.RehearsalMark #'font-size = #3
- \mark \markup { \musicglyph #"scripts.segno" }
- \repeat unfold 2 {
- | c4 c c c
- }
-
- % Set coda sign as rehearsal mark and adjust size if needed
- \once \override Score.RehearsalMark #'font-size = #4
- \mark \markup { \musicglyph #"scripts.coda" }
- \repeat unfold 2 {
- | c4 c c c
- }
-
- % Should Coda be on anew line?
- % Coda NOT on new line: use \nobreak
- % Coda on new line: DON'T use \nobreak
- % \noBreak
-
- \bar "||"
-
- % Set segno sign as rehearsal mark and adjust size if needed
- \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
- % \once \override Score.RehearsalMark #'font-size = #3
- \mark \markup { \musicglyph #"scripts.segno" }
-
- % Here begins the trickery!
- % \cadenzaOn will suppress the bar count and \stopStaff removes the staff lines.
- \cadenzaOn
- \stopStaff
- % Some examples of possible text-displays
-
- % text line-aligned
- % ==================
- % Move text to the desired position
- % \once \override TextScript #'extra-offset = #'( 2 . -3.5 )
- % | s1*0^\markup { D.S. al Coda } }
-
- % text center-aligned
- % ====================
- % Move text to the desired position
- % \once \override TextScript #'extra-offset = #'( 6 . -5.0 )
- % | s1*0^\markup { \center-align { D.S. "al Coda" } }
-
- % text and symbols center-aligned
- % ===============================
- % Move text to the desired position and tweak spacing for optimum text alignment
- \once \override TextScript #'extra-offset = #'( 8 . -5.5 )
- \once \override TextScript #'word-space = #1.5
- | s1*0^\markup { \center-align { "D.S. al Coda" \line { \musicglyph #"scripts.coda" \musicglyph #"scripts.tenuto" \musicglyph #"scripts.coda"} } }
-
- % Increasing the unfold counter will expand the staff-free space
- \repeat unfold 4 {
- s4 s4 s4 s4
- \bar ""
- }
- % Resume bar count and show staff lines again
- \startStaff
- \cadenzaOff
-
- % Should Coda be on new line?
- % Coda NOT on new line: DON'T use \break
- % Coda on new line: use \break
- \break
-
- % Show up, you clef and key!
- \once \override Staff.KeySignature #'break-visibility = #end-of-line-invisible
- \once \override Staff.Clef #'break-visibility = #end-of-line-invisible
-
- % Set coda sign as rehearsal mark and adjust size and position
-
- % Put the coda sign ontop of the (treble-)clef dependend on coda's line-position
-
- % Coda NOT on new line, use this:
- % \once \override Score.RehearsalMark #'extra-offset = #'( -2 . 1.75 )
-
- % Coda on new line, use this:
- \once \override Score.RehearsalMark #'extra-offset = #'( -8.42 . 1.75 )
-
- \once \override Score.RehearsalMark #'font-size = #5
- \mark \markup { \musicglyph #"scripts.coda" }
-
- % The coda
- \repeat unfold 5 {
- | c4 c c c
- }
- \bar"|."
- }
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-The \\markup command is quite versatile. In this snippet, it contains a
-\\score bloc instead of texts or marks.
-" }
-
-tuning = \markup {
- \score {
- \new Staff \with {
- \remove Time_signature_engraver
- } {
- \clef bass <c, g, d g>1
- }
- \layout { ragged-right = ##t }
- }
-}
-
-
-\header {
- title = "Solo Cello Suites"
- subtitle = "Suite IV"
- subsubtitle = \markup { "Originalstimmung:" \tuning }
-}
-
-\relative {
- \time 4/8
- \times 2/3 { c'8 d e } \times 2/3 {c d e}
- \times 2/3 { c8 d e } \times 2/3 {c d e}
- g8 a8 g8 a
- g8 a8 g8 a
-}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-The default font families for text can be overridden with
-@code{make-pango-font-tree}.
-" }
-
-\paper {
- % change for other default global staff size.
- myStaffSize = #20
- %{
- run
- lilypond -dshow-available-fonts blabla
- to show all fonts available in the process log.
- %}
-
- #(define fonts
- (make-pango-font-tree "Times New Roman"
- "Nimbus Sans"
- "Luxi Mono"
-;; "Helvetica"
-;; "Courier"
- (/ myStaffSize 20)))
-}
-
-\relative {
- c'^\markup {
- roman: foo \bold bla \italic bar \italic \bold baz
- }
- c'_\markup {
- \override #'(font-family . sans)
- {
- sans: foo \bold bla \italic bar \italic \bold baz
- }
- }
- c'^\markup {
- \override #'(font-family . typewriter)
- {
- mono: foo \bold bla \italic bar \italic \bold baz
- }
- }
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-This can be achieved by separating those syllables by tildes.
-" }
-
-\lyrics {
- wa~o~a
-}
projects / lilypond.git / commitdiff