@cindex Petrucci
@cindex mensural
+@menu
+* Introduction to ancient notation::
+* Alternative note signs::
+* Additional note signs::
+* Pre-defined contexts::
+* Transcribing ancient music::
+* Editorial markings::
+@end menu
+
+@node Introduction to ancient notation
+@subsection Introduction to ancient notation
+
+@menu
+* Ancient notation supported::
+@end menu
+
+@node Ancient notation supported
+@subsubsection Ancient notation supported
+
Support for ancient notation includes features for mensural notation
and Gregorian Chant notation. There is also limited support for
figured bass notation, see @ref{Figured bass}.
@c Here are all subtopics at a glance:
-@menu
-* Alternative note signs for ancient music::
-* Additional note signs for ancient music::
-* Pre-defined contexts::
-* Musica ficta accidentals::
-@end menu
-
-@node Alternative note signs for ancient music
-@subsection Alternative note signs for ancient music
+@node Alternative note signs
+@subsection Alternative note signs
@menu
-* Ancient note heads::
-* Ancient accidentals::
-* Ancient rests::
-* Ancient clefs::
-* Ancient flags::
-* Ancient time signatures::
+* Ancient note heads::
+* Ancient accidentals::
+* Ancient rests::
+* Ancient clefs::
+* Ancient flags::
+* Ancient time signatures::
@end menu
@node Ancient note heads
Use the @code{glyph-name-alist} property of grob
@internalsref{Accidental} and @internalsref{KeySignature} to select
-ancient accidentals.
+ancient accidentals.
@lilypond[quote,ragged-right,staffsize=26]
\score {
addressable with @code{\time}. Use a @code{\markup} instead
-@node Additional note signs for ancient music
-@subsection Additional note signs for ancient music
+@node Additional note signs
+@subsection Additional note signs
@menu
-* Ancient articulations::
-* Custodes::
-* Divisiones::
-* Ligatures::
-* White mensural ligatures::
-* Gregorian square neumes ligatures::
+* Ancient articulations::
+* Custodes::
+* Divisiones::
+* Ligatures::
+* White mensural ligatures::
+* Gregorian square neumes ligatures::
@end menu
with the same effect and is believed to be stable.
@menu
-* White mensural ligatures::
-* Gregorian square neumes ligatures::
+* White mensural ligatures::
+* Gregorian square neumes ligatures::
@end menu
@node White mensural ligatures
@subsection Pre-defined contexts
@menu
-* Gregorian Chant contexts::
-* Mensural contexts::
+* Gregorian Chant contexts::
+* Mensural contexts::
@end menu
}
@end lilypond
-@node Musica ficta accidentals
-@subsection Musica ficta accidentals
+@node Transcribing ancient music
+@subsection Transcribing ancient music
+
+@menu
+* Ancient and modern from one source::
+* Incipits::
+* Mensurstriche layout::
+* Transcribing Gregorian chant::
+@end menu
+
+
+@node Ancient and modern from one source
+@subsubsection Ancient and modern from one source
+
+@c TODO Add text
+@c Here among others the snippets about reducing note length
+TBC
+
+
+@node Incipits
+@subsubsection Incipits
+
+@c TODO Add text
+@c clefs, mensuration signs etc from lsr and -user
+TBC
+
+
+@node Mensurstriche layout
+@subsubsection Mensurstriche layout
+
+@c TODO Add text
+@c from lsr and -user
+TBC
+
+
+@node Transcribing Gregorian chant
+@subsubsection Transcribing Gregorian chant
+
+@c TODO Add text
+@c extract from 1.6.1.1
+TBC
+
+
+@node Editorial markings
+@subsection Editorial markings
+
+@menu
+* Annotational accidentals::
+* Baroque rhythmic notation::
+@end menu
+
+
+@node Annotational accidentals
+@subsubsection Annotational accidentals
In European music from before about 1600, singers were often
expected to chromatically alter notes at their own initiative.
the @internalsref{AccidentalSuggestion} object.
+@node Baroque rhythmic notation
+@subsubsection Baroque rhythmic notation
+
+@c TODO Add text
+@c try Till Rettig
+TBC
\ No newline at end of file