Spacing rests are often used to avoid too many rests, as seen in the
example above.
-The method exposed creates two new voices when the @code{<<@{...@} \\
-@{...@}>>} construction is found in the code; to temporally add only
-one additional voice to an existing one, it is necessary to
-instantiate that voice explicitly. For these purposes, the
-@code{\voiceOne} ... @code{\voiceFour}, and @code{\oneVoice} commands
-can be used:
+Each music expression in the @code{<<{...} \\ {...}>>} construct
+is placed in a new voice, distinct from the voice for single-voice
+music; to temporarily add only one additional voice to an existing
+one, it is necessary to instantiate that voice explicitly. For
+these purposes, the @code{\voiceOne} ... @code{\voiceFour}, and
+@code{\oneVoice} commands can be used:
@example
<< @{ \voiceOne ... @} \new Voice @{ \voiceTwo ... @} >> \oneVoice
@end example
-This is a better construction to keep the control of the voices, for
+This is a better construct to keep the control of the voices, for
example, to ease a consistent assign of lyrics to the proper voice
context.
automatic beaming. You can override this by switching off
automatic beaming and beaming the notes manually. Where matching
existing typeset music is not an issue, you may still want to
-adjust the beaming behaviour and/or using compound time
-signatures.
+adjust the beaming behaviour and/or use compound time signatures.
@snippets