+++ /dev/null
-; Music vocabularies are Copyright (C) 1993 Free Software Foundation, Inc.
-; Francois Pinard <pinard@iro.umontreal.ca>,
-; Neil Jerram <nj104@cus.cam.ac.uk>.
-; Forms by Han-Wen Nienhuys
-
-(setq forms-file "vocabulary.data")
-(setq forms-number-of-fields 7)
-(setq forms-read-only nil) ; to make sure
-(setq forms-field-sep ":")
-(setq forms-multi-line nil)
-
-(setq forms-format-list
- (list
- "*** Musical vocabulary ***\n"
- "\nItaliano: " 6
- "\nFrancais: " 2
- "\nUS English: " 1
- "\nDeutsch: " 3
- "\nBritish English: " 4
- "\nNederlands: " 5
- "\n\nExplanation\n\n" 7
-
- ))
+++ /dev/null
-:comma enharmonique:::::
-:doigté de pédale:::::
-:doigté:::::
-:indication de pédale:::::
-:pointillés:::::
-A:la:::::
-accent:accent:Akzent::accent:accento:
-accidental:altération accidentelle:Vorzeichen::toevallig teken:accidento:
-adjacent keys:tons voisins:::::
-alto:alto:::alt::
-ancient form??? (diatonic minor scale):forme du mode mineur ancien:::::
-appoggiatura:appogiature, ports de voix, notes d'agr\'ement:langer Vorschl\"age:::appogiature:
-arbitrary number of bars' rest):bâton de pause:::::
-arpeggio:arpège, arpègement:Brechungen::gebroken akoord:arpeggio:
-artificial measure:mesure artificielle:::::
-artificial rest:respiration:::::
-ascending interval:intervalle ascendant:::::
-augmented (interval):augmenté (intervalle):::overmatig interval::
-B:si:::::
-backfall, forefall:accent, chute, port de voix:Vorschlag::korte voorslag:appogiature:
-bar line:barre (de mesure):Taktstrich::maatstreep:stanghetta:
-bar; measure:mesure:::maat, maatstreep::
-baritone:bariton:::bariton::
-bass clef:clé de fa:F Schl\"ussel::F sleutel, bas sleutel:chiave di basso:
-bass:basse:::bas::
-beam:barre:Balken::waardestreep/balk:barra:
-beat:temps:::tel::
-brace:accolade:Klammer:::accolada:Symbol at the start of a system that connects staffs.
-brass::::koper (blazers)::
-C clef:clé d'ut:::C sleutel, alt sleutel:chiave di tenore:
-C:do:::C::
-C:ut:::::
-cadence:cadence:::cadens::
-cadenza:fioriture:::cadens:cadenza:
-cent::::::1/1200 of an octave (1/100 of an equally tempered semitone)
-chain of trills:chaîne de trilles:::triller::
-character:caractère:::::
-chevron:chevron:::::
-chord:accord:::akkoord::
-chromatic scale:gamme chromatique:::chromatische toonladder::
-chromatic semitone:demi-ton chromatique:::chromatische halve toon::
-chromatic transposition:transposition chromatique:::::
-chromatic type:genre chromatique:::::
-church mode, ecclesiastical mode:mode ecclésiastique:::::
-clef:clé:Schl\"ussel::Sleutel:la chiave (pl. le chiavi):
-comma:comma:::::Difference in pitch of a note when the note is derived from a different tuning system.
-compound interval:intervalle composé:::::
-compound measure:mesure composée:::::
-conjunct movement:mouvement conjoint:::::
-consonant interval; consonance:consonance:::consonant::
-contralto:contralto:::::
-contro-time:contre-temps:::::
-crescendo:crescendo::::crescendo:written with an extended opening angular bracket, indicates increasing volume
-cue-notes::Stichnoten::stichnoten::
-D:ré:::::
-dash over/below:pizzicato:::::
-decrescendo:::::decrescendo:written with an extended closing angular bracket, indicates decreasing volume
-degree [of the scale]:degré [de la gamme]:::trap [van de toonladder]::
-descending interval:intervalle descendant:::dalend interval::
-diatonic major scale:gamme diatonique majeure:::diatonische majeur toonladder::
-diatonic minor scale:gamme diatonique mineure:::::
-diatonic semitone:demi-ton diatonique:::diatonische halve toon::
-diatonic type:genre diatonique:::::
-diatonic:diatonique:::diatonisch::A diatonic scale is a scale consisting of whole and half tones.
-diminished (interval):diminué (intervalle):::verminderd (interval)::
-disjunct movement:mouvement disjoint:::::
-dissonant interval; dissonance:dissonance:::dissonant interval; dissonant::
-dominant ninth chord:accord de neuvième dominante:::dominant noon akkoord::
-dominant seventh chord:accord de septième dominante:::dominant septiem akkoord::
-dominant:dominante:::dominant::A tone that creates tension;the fifth degree of the scale.
-dorian mode::::::Mode obtained by raising the sixth in minor mode. A Dorian scale can be played from D to D with no sharps or flats.
-dot (augmentation dot) :point:Punkt::punt:punto:
-dot and curved line combined:point et liaison combinés:::::
-dot over/below::::staccato:staccato:
-dot:point:::punt::
-dotted note:note pointée:::::
-double appoggiatura:appogiature double:::::
-double bar line:double barre:Doppeltaktstrich::dubbele streep:doppia barra:
-double dotted note:note doublement pointée:::::
-double flat:double bémol:Doppel-Be::dubbelmol:doppio bemolle:
-double sharp:double dièse:Doppelkreuz::dubbelkruis:doppio diesis:
-double trill:trille double:::::
-double triplet:double triolet:::dubbele triool::
-double whole note:::breve:brevis:breve:
-duple meter:temps binaire:::tweedelige maatsoort::
-duplet:duolet:::duool::
-duration:durée:::duur, lengte::
-E:mi:::::
-eighth note:croche::quaver:achtste noot::
-eighth rest:demi-soupir::quaver rest:achtste rust::
-engraving::notenstechen::steken::
-enharmonic:enharmonique:::enharmonisch::Two notes, intervals, or scales are enharmonic if they have different names but sound the same. Examples: C sharp and D flat, diminished fourth and major third
-equal temperament:tempérament égal:::getempereerde stemming::Tuning system in which each semitone is precisely 100 cents.
-essential alteration:altération essentielle:::::
-expression mark:signe d'expressoin:Vortragszeichen::voordrachtsteken:segno d'espressione:
-extension of interval:extension d'intervalle:::::
-F:fa:::::
-fermata:pauses:Fermate::fermate:fermata:Prolonged sound or silence of indefinite duration
-fifth:quinte:::kwint::
-flag, hook, tail, pennant:crochet:F\"anchen::vlaggetje:coda uncinata:
-flat:bémol:Be::mol:bemolle:
-four-bar rest:bâton de pause:::::
-fourth:quarte:::kwart::
-G:sol:::::
-glissando:glissement:Glissando::glissando:glissando:
-graces:petites notes:kurz Vorschl\"age, Manieren (?)::versieringen:appogiature:
-grand staff::::piano systeem::A combination of two staffs with a brace. Usually used for piano music.
-half note:blanche::minim:halve noot::
-half rest:demi-pause::minim rest:halve rust::
-harmonic cadence:cadence harmonique:::cadens::
-harmonic form (diatonic minor scale):forme harmonique:::::
-harmonic interval:intervalle harmonique:::::
-incomplete measure:mesure incomplète:::::
-interval:intervalle:::interval::Difference in pitch between two notes
-inversion of interval:renversement d'intervalle:::inversie::
-irregular contro-time:contre-temps irrégulier:::::
-irregular group:groupe irrégulier:::::
-irregular measure:mesure irrégulière:::::
-irregular syncopation:syncope irrégulière:::onregelmatige syncope::
-just intonation::::::Tuning system in which the notes are obtained by adding and subtracting natural fifths and thirds.
-key signature:armure, armature [de la clé], signes des accidentals:Vorzeichen::toonsoort (voortekens):segni di chiave:
-kind of note:figure de note:::::
-kind of rest:figure de silence:::::
-leading note:sensible:::::
-ledger line, leger line:ligne supplémentaire:Hilfslinien, Kopfstriche (?)::hulplijntje:lineette:A ledger line is an extension of the staff.
-legato curve:liaison rythmique:::legato boog::
-lilypond:étang de lis:lilyteich:lily pond:lelievijver:stagno del giglio:
-line:ligne:::lijn::
-long appoggiatura:appogiature longue:::::
-lower number:chiffre inférieur:::::
-major (interval):majeur (intervalle):::groot (interval)::
-major mode:mode majeur:::::
-meantone temperament:tempérament mésotonique:::::Tuning based on a fifth that is 16 cents smaller than the natural fifth.
-mediant:médiante:::mediant::The third degree of a scale
-melodic cadence:cadence mélodique:::cadens::
-melodic form (diatonic minor scale):forme mélodique:::::
-meter, time:m\`etre:Takt, Metrum::maatsoort::A recurring pattern of stress
-metronome:métronome:::metronoom::
-metronomic indication:indication métronomique:::::
-mezzo-soprano:mezzo-soprano:::::
-middle C:do central:::centrale C::
-minor (interval):mineur (intervalle):::::
-minor mode:mode mineur:::::
-modal note:note modale:::::
-mode:mode:::::
-modulation:modulation:::modulatie::
-mordent:mordant, pinc\'e:Pralltriller, Mordent::mordent:mordente:
-motive:incise:::motief::
-musical ladder:échelle musicale:::::
-mixolydian mode::::::Mode obtained by lowering the seventh in major. A mixolydian scale can be obtained by playing G to G with no sharps or flats.
-natural sign:bécarre:Aufl\"osungszeichen::herstellingsteken:bequadro:
-ninth::::noon::
-note head::Notenkopf::noot balletje::
-note:note:Note::noot:nota:
-octave line:échelle d'octave:::::
-octave line:clé d'octave:::::
-octave sign:octave:Oktave:::ottava:
-octave:octave:::octaaf::
-ornament, embellishment; accessory:agr\'ement, ornement:Verzierungen:::fiorette, fioriture, abbellimenti:
-part::::partij::
-pause:pause:Luftpause::::
-pause:point d'orgue:::::
-perfect (interval):juste (intervalle):::rein (interval)::
-perfect major chord:accord parfait majeur:::::
-perfect minor chord:accord parfait mineur:::::
-phrase member:membre de phrase:::::
-phrase:phrase:::::
-phrasing:phrasé:::::
-pitch pipe; tuning fork:diapason:::stemfluitje; stemvork::
-pitch:hauteur:::toonhoogte::
-Pythagorean comma:comma pythagoricien:::komma van Pythagoras::A sequence of fifths starting on C eventually circles back to C (B sharp), but this B sharp is 24 cents higher than C. This gap is the Pythagorean comma.
-quadruplet:quartolet:::kwartool::
-quarter note:noire::crotchet:kwartnoot::
-quarter rest:soupir::crotchet rest:kwart rust::
-register:registre:::register::
-regular contro-time:contre-temps régulier:::::
-regular syncopation:syncope régulière:::::
-relative scales:gammes relatives, tons relatifs:::::
-repeat:barre de reprise:::herhaling::
-rest:silence:::::
-rest:soupir:Pause::rust:pausa:
-return sign:renvoi:::herstellingsteken::
-rhythm:rythme:Rhythmus::ritme::
-rhythmic curve:courbe rythmique:::::
-scale:gamme:::toonladder::
-score:partition:::partituur::
-second:seconde::::secunde:
-semitone:demi-ton:::halve toon::
-seventh:septième:::septiem:septime:
-sextuplet:sextolet:::sextool::
-sextuplet:sixain:::sextool::
-shading signs:signes indicateurs de nuance:::::
-shading:nuance:::::
-sharp:dièse:::kruis::
-short appoggiatura:appogiature brève:::::
-simple appoggiatura:appogiature simple:::::
-simple interval:intervalle simple:::::
-simple measure:mesure simple:::::
-sixteenth note:double croche::semiquaver:zestiende noot::
-sixteenth rest:quart de soupir::semiquaver rest:zestiende rust::
-sixth:sixte:::sext::
-sixty-fourth note:quadruple croche::hemidemisemiquaver:vierenzestigste noot::
-sixty-fourth rest:seizième de soupir::hemidemisemiquaver rest:::
-slur:liason, coulé:Bindungzeichen, Bindebogen::binding, bindingsboog:legatura:
-soprano:soprano:::sopraan::
-space:espace:::::
-staff:portée:::(noten)balk; partij::pl staves or staffs
-stem:queue:Stiel, Hals::stok:asta, gamba:
-strings::::strijkers::
-strong beat:temps fort:::thesis::
-subdominant:sous-dominante:::::The fourth degree of the scale
-submediant::::::The sixth scale degree
-subtonic:sous-tonique:::::The seventh degree of the scale
-superdominant:sus-dominante:::::The sixth scale degree
-supertonic:sus-tonique:::::The second scale degree
-syncopation; upbeat:syncope:::syncope::
-syntonic comma:comma syntonique:::komma van Didymos, syntonische komma::Difference between the natural third and the third obtained by Pythagorean tuning, euqal to 22 cents.
-system:syst\`eme:System::systeem:sitema:
-tempo indication:signes de temps:Zeitmasse, Tempobezeichnung::tempo aanduiding:segno di tempo:
-tempo; movement:mouvement:::::
-tenor:ténor:::::
-tenth::::deciem:decime:
-tetrachord:tétracorde:::::
-third:tierce:::terts::
-thirty-second note:triple croche::demisemiquaver:32e noot::
-thirty-second rest:huitième de soupir::demisemiquaver rest:32e rust::
-tie:liaison:Bindung::overbinding:legatura:A curve that shows the prolongation (as opposed to the repetition fo a note)
-time signature:chiffrage (chiffres indicateurs), signe de valeur:Taktvorzeichnung, Taktvorzeichen::maatsoort:segni di tempo:
-tonal note:note tonale:::::
-tonality:tonalité:::tonaliteit::
-tone:ton:::toon::
-tonic:tonique:::tonica::
-transposition:transposition:::transpositie::
-treble clef:clé de sol:G Schl\"ussel::G sleutel, viool sleutel:chiave di violino:
-tremolo:tr\'emolo:Tremolo::tremolo:tremolo:
-trill; shake:trille, tremblement, battement (cadence):Triller::triller:trillo:
-triple meter:temps ternaire:::driedelige maatsoort::
-triplet:triolet:::::
-tritone:triton:::::
-turn; gruppetto:bris\'e, groupe, doubl\'e, grupetto:Doppelschlag::dubbelslag:grupetto:
-two-bar rest:bâton de pause:::::
-underline over/below:portamento:::::
-unison:unisson::::unisono:
-unit of beat:unité de temps:::::
-unit of measure:unité de mesure:::::
-upper number:chiffre supérieur:::::
-voice:voix:::stem::
-weak beat:temps faible:::arsis::
-whole note:ronde::semibreve:hele noot::
-whole rest:pause::semibreve rest:::
-woodwind::::houtblazers::
+++ /dev/null
-/*
- tie-engraver.hh -- declare Tie_engraver
-
- source file of the GNU LilyPond music typesetter
-
- (c) 1997--1998 Han-Wen Nienhuys <hanwen@cs.uu.nl>
-*/
-
-
-#ifndef TIE_GRAV_HH
-#define TIE_GRAV_HH
-
-#include "engraver.hh"
-
-
-/**
- Make a (one) tie from a request. To be used in conjunction with
- the Note_head_engraver. Obsolete now that Thread context is junked.
- */
-class Tie_engraver : public Engraver {
- Tie * end_tie_p_;
- Tie * tie_p_;
- Moment end_mom_;
- Tie_req * req_l_;
- Direction dir_;
- Tie_req *end_req_l_;
- Melodic_req * end_melodic_req_l_;
- Melodic_req * melodic_req_l_;
-
-protected:
- virtual void do_removal_processing ();
- virtual void acknowledge_element (Score_element_info);
- virtual bool do_try_request (Request*);
- virtual void do_process_requests();
- virtual void do_post_move_processing();
- virtual void do_pre_move_processing();
-public:
- TRANSLATOR_CLONE(Tie_engraver);
- Tie_engraver();
- DECLARE_MY_RUNTIME_TYPEINFO;
-};
-
-#endif // TIE_GRAV_HH
+++ /dev/null
-/*
- tie-reg.cc -- implement Tie_engraver
-
- source file of the GNU LilyPond music typesetter
-
- (c) 1997--1998 Han-Wen Nienhuys <hanwen@cs.uu.nl>
-
-
- essentially obsolete.
-*/
-
-#include "tie-engraver.hh"
-#include "tie.hh"
-#include "note-head.hh"
-#include "musical-request.hh"
-#include "music-list.hh"
-
-Tie_engraver::Tie_engraver()
-{
- end_tie_p_ = 0;
- tie_p_ = 0;
- req_l_ =0;
- end_req_l_ =0;
- end_mom_ = -1;
- melodic_req_l_ = 0;
- end_melodic_req_l_ =0;
- dir_ = CENTER;
-}
-
-void
-Tie_engraver::do_post_move_processing()
-{
- if (tie_p_ && now_moment () == end_mom_)
- {
- end_tie_p_ = tie_p_;
- end_req_l_ = req_l_;
- end_melodic_req_l_ = melodic_req_l_;
- tie_p_ =0;
- req_l_ =0;
- end_mom_ = -1;
- }
-}
-
-bool
-Tie_engraver::do_try_request (Request*r)
-{
- if (! (r->access_Musical_req () && r->access_Musical_req ()->access_Tie_req ()))
- return false;
-
- if (req_l_)
- {
- return false;
- }
- req_l_ = r->access_Musical_req ()->access_Tie_req ();
- end_mom_ = r->parent_music_l_->time_int().length ()
- + now_moment ();
- return true;
-}
-
-void
-Tie_engraver::do_process_requests()
-{
- Scalar dir (get_property ("tieydirection"));
- Scalar dir2 (get_property ("ydirection"));
- if (!dir.length_i () && dir2.length_i ())
- {
- dir_ = (Direction) int(dir2);
- }
- else if (dir.length_i ())
- dir_ = (Direction) int (dir);
-
- if (req_l_ && ! tie_p_)
- {
- tie_p_ = new Tie;
- Scalar prop = get_property ("tiedash");
- if (prop.isnum_b ())
- tie_p_->dash_i_ = prop;
- }
-}
-
-void
-Tie_engraver::acknowledge_element (Score_element_info i)
-{
- if (i.elem_l_->is_type_b (Note_head::static_name ()))
- {
- if (tie_p_)
- {
- tie_p_->set_head (LEFT, (Note_head*)i.elem_l_->access_Item ());
- melodic_req_l_ = i.req_l_->access_Musical_req ()->access_Melodic_req ();
- }
-
- if (end_tie_p_)
- {
- end_tie_p_->set_head (RIGHT, (Note_head*)i.elem_l_->access_Item ());
- if (!Melodic_req::compare (*end_melodic_req_l_, *melodic_req_l_))
- end_tie_p_->same_pitch_b_ = true;
- announce_element (Score_element_info (end_tie_p_,end_req_l_));
- }
- }
-}
-
-void
-Tie_engraver::do_pre_move_processing()
-{
- if (end_tie_p_)
- {
- if (dir_)
- end_tie_p_->dir_ = dir_;
-
- typeset_element (end_tie_p_);
- end_tie_p_ =0;
- end_req_l_ =0;
- }
-}
-
-void
-Tie_engraver::do_removal_processing ()
-{
- do_pre_move_processing ();
- if (tie_p_)
- {
- req_l_->warning (_ ("lonely tie"));
- tie_p_->unlink ();
- delete tie_p_;
- tie_p_ =0;
- }
-}
-
-
-
-IMPLEMENT_IS_TYPE_B1(Tie_engraver,Engraver);
-ADD_THIS_TRANSLATOR(Tie_engraver);
+++ /dev/null
-\header {
- filename = "";
- title = "Partita II";
- description = "6 Partite per il clavicembalo, Partita II (c-minor)";
- opus = "BWV 826";
- source = "Editio Musica Budapest (Urtext)";
- composer = "Johann Sebastian Bach (1685-1750)";
- enteredby = "Tom Cato Amundsen";
- copyright = "Public Domain";
-}
-
-\version "1.0.1";
-\include "a4.ly";
-global = \melodic {
- \time 4/4;
- \key es;
- \skip 1*7;
- \bar "||";
- \skip 1*22;
- \time 3/4;
- \skip 2.*62;
- \bar "|.";
-}
-
-hoyreOpp = \melodic \relative c'' {
- \stemup
- es4 r16 [es d. es32] f4 r16 [f16 f. g32] |
- [as8. as16] [as16 g32 f g16. d32] es4 r16 [g g. as32] |
-%3
- bes4 r16 [bes,16 bes. c32] [des8. des16]
- \type Staff <
- { \stemup e4 }
- { \stemup \property Voice.hshift = 1 [des16 c32 bes c16. g32] }
- >
-%4
- f4 \stemboth r16 [f g. as32] \stemup d,4 r16 [d g. es32] |
- c4 ~ [c32 es des c des16. f32] [b,16. c32 b16. c32] d4 ~ |
- d2 ~ [d16. g,32 a16. b32] [c16. <b32 g> <c16. a> <d32 b]> |
- <[es8. c> <es16 c]>
- \type Staff <
- { \stemup fis4 }
- { \stemup \property Voice.hshift = 1 [es16 d32 c d16. a32] }
- > g2
-}
-
-hoyreNed = \melodic \relative c'' {
- \clef violin;
- \stemdown
- <c4 g> r16 [c b. c32] d4 r16 [d d. es32] |
- [f8. f16] f8 r <c4 g> r16 [es16 es. f32] |
- <c4 g' > r16 [g16 g16. as32] [bes8. bes16] bes8 r |
- <c4 as> r16 s16*3 r16 [f, f. g32] g4 |
-%5
- r16 [es es. f32] f4 [g16. a32 g16. a32] b4 ~ |
- [b8. d,16] [f8. as16] [g16. f32 es16. d32] [es16. d32 es16. f32] |
- g4 <c8 a> r <d2 b>
-}
-
-venstreOpp = \melodic \relative c' {
- \clef bass;
- \stemup
- <c4 g es> r <b as f d> r |
- r <b f d> <c g es> r |
- <c g e> r r <c g> |
- <c as f> r r16 <[as d,><as. d,><g32 d]> <g4 d> |
-%5
- r16 <[g c,><g. c,><f32 c]>
-%{ \type Voice <
- {f4() f}
- {c4 d}
- >
-%}
- <f4-"ikke bue c-d" ~ c><f d> r16 [f f. g32] |
- [as8. as16]~ [as g32 f g16 d] <es4 c> r |
- r <a es c> <g2 d>
-}
-
-venstreNed = \melodic{ \relative c{
- \stemdown
- c4 r c r | r c c r | c r r c | c r r16 [c c. bes32] bes4 |
- r16 [bes bes. as32] as4 g r16 [d' d. es32] |
- \type Staff <
- { \stemdown \property Voice.hshift = 1 [f8. f16] [b,8. b16] g4 r | }
- { \stemdown r4 g}
- >
- r g g2
-}}
-
-andanteEn = \melodic \relative c''{
- [g16 c32 d es8~] [es16 d32 c es d c b] [c16 g as f] [g c g f] |
- [es16 c'32 d es d c16] [g' c, as' c,] [b c d b] g16 r16 r8 |
-%10
- \stemup [g'32 f es d c16 bes~] [bes des8 c16]
- [as'32 g f e f8~] [f32 g as g f es d es] |
- [f es d c bes16 as~] [as c8 bes16]
- [g'32 f es d es8~] [es32 f g f es d c b]
-%12
- \stemboth
- [c bes as g f16 es'~] [es d32 c es d c b]
- [c d es f g16 c,~] [c b32 c d c b c] |
- [as'32 g f e f16 des~] [des c32 des es des c des]
- [g f es d es16 c~] [c b32 c d c b c]
-%14
- [f c b a b16 d] [f32 bes, as g as16 c]
- [f32 as, g f g8~] [g32 f' g as g16 f] |
- [g16 b,8 c16~] [c16 bes32 as g f es d] [es g f es f es d es] [d8 c] |
-%16
- r8 g'~ [g32 as g f g16 as] [bes16 d es8~] [es32 bes es f g16 es] |
- [des16 c f8~] [f32 c f g as16 f] [es c d8~] [d32 f g as bes as g as] |
-%18
- [bes32 as g16~] [g32 f e16~] [e32 d c16~] [c32 g' as bes]
- [as g f16~] [f32 es des16~] [des32 c bes16] [bes32 f' g as] |
-%19
- [g f e f bes f e f] [as f e f g f e f] f4~ [f32 es d es f d es f] |
- [bes,32 d f g as8~] [as32 g f as g f es d]
- [es bes es f g8~] [g32 f es g f es d c] |
-%21
- [c'32( a g )fis es16 d~] [d32 g a bes cis,16 d] ~
- [d32 fis g a c, es d c] [fis d e fis g a bes c] |
-%22
- [bes32 a g fis ~ fis16 g~] [g d8 es16~]
- [es16 b8 c16~] [c32 bes as g as16 c]
-%23
- [fis,32 es' d c bes'16. a32] [g8( )fis16.-\prall g32] g4~
- [g32 f g as g f es d ] |
- [f32 es d c g'8~] [g32 es f g f es d c] [es d c bes g'8~]
- [g32 d es f es d c bes] |
-%25
- [d c bes a g'8~] [g32 c, d es d c bes a] [c bes a g g'8~]
- [g32 bes, c d c bes a g] |
- as4~ [as32 as g as bes as g as] es'4~ [es32 c b c d c b c] |
- [fis16 es8 d16] [g16 d8 c16] [a'16 c,8 bes16~] [bes32 d c bes g' bes, a g]
-%28
- [bes'8-\fermata~ bes32 a g f] [g bes a g fis e d c] [bes d c es d g fis e]
- [d c bes a bes d bes g] |
- r16 [e'32 fis fis16.-\prall \[2/3 e64 fis g\]1/1 ]
- \type Staff <
- { \stemup
- [bes,32 a g fis g32 bes16.~] [bes16 c32 bes a bes c a] [fis8. g16] }
- { \stemdown s8 g8 ~ g4 d}
- >
-}
-andanteTo = \melodic \relative c{
-%8
- \clef "bass";
- [c8 c'] [f, g] [es c] [es g] |
- [c as] [es f] [g g,]
- \stemdown \translator Staff = treble r16 [f''16 es d] |
-%10
- [es8 g] [e c] [f as] [f c] | [d f] [d bes] [es g] [es c] |
- \stemboth \translator Staff = bass
- [as c] [f as,] [g c] [es g,] | [f as] [g f] [es g] [f es] |
-%14
- [d f] [as c,] [b d] [g d] |
- [es as,] [f g] c,4~ [c16 d32 es f g a b] |
- [c8 c'] [bes as] [g bes] [g es] |
- [as c] [as f] [bes as] [g f] |
- [e g] [c e,] [f as] [f des] |
- [bes g] [c c,] [f16 g32 as bes c d e] [f8 es] |
- [d f] [d bes] [g' bes] [es, g] |
- [a, fis'] [g g,] [d' a'] [c d,] |
-%22
- [g a] [bes b] [c d] [es c] |
- [a g] [d' d,] [g a] [b g] |
- [c es] [c a] [bes d] [bes g] |
- [a c] [a fis] [g bes] [g es] |
-%26
- [c16 d32 es f g as bes] [c16 c, c'8~] [c32 c, d es f g as bes][c16 c, c'8~]|
- [c c,] [bes bes'] [fis d] [g es] |
- \type Staff <
- { \stemup <g4 e> r <d'2 bes g> |
- cis4~ [cis8. cis16] [d8 c16 bes]
- \type Staff <
- { \stemup [a bes c8] }
- { \stemdown a4 } >
- | }
- { \slurdown \stemdown cis,4 r d2( | )d1 \slurboth }
- >
-}
-
-allegroEn = \melodic \relative c''{
-%30
- [g8 g16 a] [b8 c d es] |
- [f16 es d es] [f8 g as d,] |
- [f b, d g,] [g'16 f es d] |
- es8 c'4 [bes16 as] [g f es d] |
- c4~ [c16 d e f] [g as bes g] |
- [e8 des'~] [des16 g, as bes] [as g f e] |
- [f g as8~] [as16 g f es] [d c d f] |
-%37
- [es f g8~] [g16 f es d] [c b c es] |
- [d as' d, c] [d es f g] [ f es d c] |
- [b g' f es] [d f d c] [b d b a] |
- [g a b c] [d c b c] [d es f d] |
- [b c d es] [f as g f] [es d c b] |
- [c d es c] [a8 c] [f, es'] |
-%43
- [bes16 c d bes] [g8 bes] [es, d'] |
- [a16 bes c a] [fis8 a] [d, c'] |
- [g16 a b g] [es g d g] [cis, bes' a g] |
- [fis e d e] [fis8 g a bes] |
- [c16 bes a bes] [c8 d] [es a,] |
- [c fis,] [a d,] [d'16 c bes a]
-%49
- [bes a g a] [bes8 c d es] |
- [f16 es d c] [bes f' c bes] [as f' bes, as] |
- [g16 f es f] [g8 a b c] |
- [d16 c b a] [g d' as g] [f d' g, f] |
- [es c' g f] [es f g as] [g c g f] |
- [es c' g f] [es f g as] [g c g f]
-%55
- [e bes' g f] [e f g as] [g bes g f] |
- [e bes' g f] [e g bes des] [c bes as g]|
- [as f' c bes] \stemup [as bes c des] [ c f c bes] |
- [as f' c bes] \stemboth [as bes c des] [c f c bes] |
- [a es' c bes] \stemup [a bes c des] [c es c bes] |
- [a es' c bes] \stemboth [a c es ges] [f es des c] |
-%61
- [des8 bes c des es des] |
- [c as bes c des c] [bes as bes g as bes] |
- [e,16 d c d] [e8 f g as] |
- [bes16 as g as] [bes8 c] [des g,] |
- [bes e,] [g c,] [c'16 bes as g]
-%67
- [as g f8~] [f16 as g f] [es d c bes] |
- [g' f es8~] [es16 g f es] [d c b c] |
- [f es d8~] [d16 f es d] [c b a g] |
- [es' f g8~] [g f16 es] [d a' b c] |
- [d c b c] [d g f es] [d c b a] |
- g4~ [g16 a b c] [d es f d]
-%73
- [b8 as'~] [as16 d, es f] [es d c b] |
- c4~ [c16 g' des c] [bes es bes as] |
- [g as bes c] [des8 bes] g'4~ |
- [g8 c,16 bes] [as f' bes, as] [g des' g, f] |
- [e f g as] [bes8 g] [e'.-\prallprall d32 e] |
-%78
- [f8 f,16 g] [as8 bes c d] |
- [es16 d c d] [es8 f g as] |
- [b,16 g' d c] \stemup [b c d es] [d g d c] |
- [b g' d c] [b c d es] [d g d c] |
- [b f' d c] [b c d es] [d f d c] |
- [b f' d c] [b d f as] [g f es d] |
-%84
- [es f g es] [c g' f es] [d c bes as] |
- \stemboth [g as bes8~] [bes16 c bes as] [g f e d] |
- [c g' c, bes] [c d e f] [es g c, bes] |
- [c g' f e] [f c f g] [as bes c d] | [es d c d] [es8 f16 g] [as8 des,] |
- [f b,] [d g,] [g'16 f es d] |
- \type Staff <
- { \stemup [es8. c16] c4 ~ [b8.-\prall c16] | c2-\fermata }
- { \stemdown r8 r16 <a16 es> <g2 d> | <g es> }
- >
-}
-allegroTo = \melodic \relative c'{
- \clef bass;
-%30
- \type Staff <
- { \stemup <b8 g> r r4 r }
- { \stemdown g,8 r8 r4 r }
- >
- r2. | r2. |
- \clef treble; r8 [c16 d] [es8 f] [g as] |
- [bes16 as g as][bes8 c] [des g,]
- [bes e,][g c,][c'16 bes as g] | [as8 f g as][bes as] |
- [g es f g as g] | [f es f d es f] | [g g,16 a] [b8 c] [d es] |
- [f16 es d es][f8 g][as d,] |
- [f b,][d g,][g'16 f es d] | \clef bass;
- [es d c8~][c16 es d c][bes a g f] |
-%43
- [d' c bes8~][bes16 d c bes][a g fis g] |
- [c bes a8~][a16 c bes a][g fis e d] | [bes'8 d][g, bes][e, cis'] |
- [d8 d,~][d c16 bes][a g fis e] | d4~ [d16 e fis g][a bes c a]
-%48
- [fis8 es'~][es16 a, bes c][bes a g fis] |
- g4 r16 [g' as bes][as g f es] | [d8 f][d bes][c d] |
- [es es,] r16 [es' f g][f es d c] | [b8 d][b g][a b] |
- [c c,] r16 [d''16 es f][es8 d] | [c c,] r16 [as' bes c][bes8 as] |
- [g c,] r16 [d' e f][e8 d] | [c c,] r16 [d e f][e8 c]
-%57
- [f f,] \stemdown \translator Staff = treble r16 [g'' as bes][as8 g] |
- [f \stemboth \translator Staff = bass f,] r16 [des'16 es f][es8 des] |
- [c f,] \stemdown \translator Staff = treble r16 [g' a bes][a8 g] |
- [f \stemdown \translator Staff = bass f,] \stemboth r16 [g a bes][a8 f] |
- [bes16 c des8~][des16 c bes as][g f g bes] |
-%62
- [as bes c8~][c16 bes as g][f e f as] |
- [g des' g, f][g as bes c][bes as g f] |
- [c'8 bes16 as][g c bes as][g f e d] |
- c4~ [c16 d e f][g as bes g] |
- [e8 des'~][des16 g, as bes][as g f e] |
-%67
- [f g as f][d8 f][bes, as'] |
- [es16 f g es][c8 es][as, g'] |
- [d16 es f d][b8 d][g, f'] |
- [c16 d es c][as c g c][fis, es' d c] |
- [b a g a][b8 c d es] |
- [f16 es d es][f8 g as d,] |
-%73
- [f b,][d g,][g'16 f es d] |
- [es d c d][es8 f g as] |
- [bes16 as g f][es bes' f es][des bes' es, des] |
- [c bes as bes][c8 d e f] |
- [g16 f e d][c g' des c][bes g' c, bes] |
- [as f' as, g][f c' des g,][a es' f b,]
-%79
- [c f es d][c g' as d,][es b' c f,] |
- [g8 g,] \stemdown \translator Staff = treble r16 [a'' b c][b8 a] |
- [g \translator Staff = bass g,] \translator Staff = treble
- r16 [es' f g][f8 es] |
- [d \stemboth \translator Staff = bass g,] r16 [a b c][b8 a] |
- [g8 g,] \stemdown \translator Staff = treble r8 [g''16 f][es d c b] |
- [c8 \stemboth \translator Staff = bass c,16 d][es8 f g as] |
- [bes16 as g as][bes8 c des g,] |
-%86
- [bes e,][g c,][c'16 bes as g] | as4~ [as16 bes as g][f g as f] |
- [g f es d][c bes as g][f f' e f] | [as f e f][b, f' es d][es g c, es] |
- [fis,8. fis'16] g4 g, | c,2-\fermata
-}
-a4 = \paper{
-% linewidth= 80.\mm;
- Staff = \translator {
- \type "Engraver_group_engraver";
- defaultclef = violin;
- \consists "Bar_engraver";
- \consists "Clef_engraver";
- \consists "Key_engraver";
-% \consists "Meter_engraver";
- \consists "Local_key_engraver";
- \consists "Staff_sym_engraver";
- \consists "Collision_engraver";
- \consists "Rest_collision_engraver";
- \consists "Bar_column_engraver";
- \consists "Bar_number_engraver";
- \consists "Separating_line_group_engraver";
-% \consists "Line_group_engraver";
- \accepts "Voice";
- \accepts "Staff";
- \accepts "GrandStaff";
- }
-}
-\score {
- \type GrandStaff <
- \type Staff = treble <
- \global
- { \hoyreOpp \andanteEn \allegroEn }
- \hoyreNed
- >
- \type Staff = bass <
- \global
- { \venstreOpp \andanteTo \allegroTo }
- \venstreNed
- >
- >
-
- \paper {
-% \a4
-% gourlay_maxmeasures =5.;
-% castingalgorithm = \Wordwrap;
-
- }
-}
-
-% EOF
projects / lilypond.git / commitdiff