sect(Installing)
-question(If I install the .exe file on my DOS/windows 3.11 machine, it
-doesn't work.)
+COMMENT(look out: can't have line breaks in subsect() macro)
+question(If I install the .exe file on my DOS/windows 3.11 machine, it doesn't work)
The DOS port is done with the cygnus gnu/windows32 port of the GNU utils.
It does em(not) work with windows 3.x; you need Windows-NT (95/98?). This
See file(lilyponddefs.tex), it has some comments. Or use file(ly2dvi).
-question(How do I place lyrics under em(each) of the staves in a
-score, as choral music. I can work out how to put lyrics for each line
-all under the top line, or at the bottom but not between!)
+COMMENT(look out: can't have line breaks in subsect() macro)
+question(How do I place lyrics under em(each) of the staves in a score, as choral music. I can work out how to put lyrics for each line all under the top line, or at the bottom but not between!)
You change the order lyrics and staves. You have to name all
staves (lyric and melodic), otherwise they will end up in the same
sect(Development)
-question(Could you implement feature XXXX? It is really easy, just extend
-the syntax to allow YYYY!)
+COMMENT(look out: can't have line breaks in subsect() macro)
+question(Could you implement feature XXXX? It is really easy, just extend the syntax to allow YYYY!)
If it is reasonable, I'll add XXXX to the TODO list. In general
finding a cute syntax (such as YYYY) isn't very hard. The complicated
issue how to adapt the internals to do XXXX. The parser is really a
simple front end to the complicated internals.
-
question(Can I join in on LilyPond development? How do I do this?)
LilyPond development is open for anyone who wants to join. We try
environment probably is indispensable.
In any case email(Derek Wyatt)(wyatt@scar.utoronto.edu) is working on
-GTK based editor, but that is still in an embryonal stage (see
-lurl(http://harmonia.scar.utoronto.ca). There is also a GUI package
-RoseGarden that could be extended to output mudela.
+GTK based editor, but that effort practically died. (see
+lurl(http://harmonia.scar.utoronto.ca).
+
+Matthew Hiller is working on extending Midiscore to handle mudela.
+lurl(http://zoo.cs.yale.edu/~meh25/MISClily/MISClily-0.0.3.tar.gz)
+
+
+There is also a GUI package RoseGarden that could be extended to
+output mudela.
If you want to work on this, please send e-mail to the mailing list
email(gnu-music-discuss@gnu.org).
+
question(I want to implement XXXX! How should I do this?)
Your best bet of getting us to include code, is to present it as a
Yes.
-question(Your make system does not adhere to GNU coding standards, could you
-please fix it?)
+COMMENT(look out: can't have line breaks in subsect() macro)
+question(Your make system does not adhere to GNU coding standards, could you please fix it?)
No. We have evaluated the standard GNU combination for compiling
programs (autoconf, automake, libtool) and found to be inadequate in
sect(Running)
-question(I use dvilj4, and there are lots of warning messages for the
-printing)
+question(I use dvilj4, and there are lots of warning messages for the printing)
You should use dvips and ghostscript to print the code(dvi) output:
the slurs and beams are PS code(\special) commands.
-question(My symbols are all messed up after I upgraded, I get the
-wrong symbols and dvi-checksum errors!)
+COMMENT(look out: can't have line breaks in subsect() macro)
+question(My symbols are all messed up after I upgraded, I get the wrong symbols and dvi-checksum errors!)
We obviously mucked with the fonts in the upgrade. Remove em(all)
previous fonts, including the file(.pk) and file(.tfm) fonts in
file(/var/lib/texmf). A script automating this has been included, see
file(buildscripts/clean-fonts.sh).
-question(all the pk and tfm
-fonts are created in the directory where the mudela file is, not in
-"/var/spool/texmf" where I think they should be.)
+COMMENT(look out: can't have line breaks in subsect() macro)
+question(all the pk and tfm fonts are created in the directory where the mudela file is, not in "/var/spool/texmf" where I think they should be.)
Mats Bengtsson <mats.bengtsson@s3.kth.se> writes:
The bf(-M) option was added to LilyPond because processing the \paper
block is so slow.
-question(A lot of musical stuff doesn't make it to the MIDI file, eg.
-dynamics, articulation, etc.)
+COMMENT(look out: can't have line breaks in subsect() macro)
+question(A lot of musical stuff doesn't make it to the MIDI file, eg. dynamics, articulation, etc.)
The MIDI output was originally put in as a proof that MIDI could be
done, and as a method of proof"reading" the input. The MIDI support
sect(Copyright)
-question(How does copyright for sheet music work? Can I enter and
-spread my newly bought Bach urtext?)
+COMMENT(look out: can't have line breaks in subsect() macro)
+question(How does copyright for sheet music work? Can I enter and spread my newly bought Bach urtext?)
Silas S. Brown <ssb22@hermes.cam.ac.uk>:
question(But i want a native DOS/Windows-NT/95 port)
Reconsider. Try Linux. It's fun!
-
mail with subject "subscribe" to
email(gnu-music-discuss-request@gnu.org)
This list is archived at
- lurl(http://www.mail-archive.org/gnu-music-discuss@gnu.org)
+ lurl(http://www.mail-archive.com/gnu-music-discuss@gnu.org)
)
Announces of new versions will be sent to info-gnu-music and
The initialisation file with symbol tables etc. It
includes files from the directory
file(PREFIX/share/lilypond/ly/). (file(PREFIX) typically is file(/usr/local)
-)
+))
manspagesection(environment)
Please consult the documentation file file(AUTHORS) for more detailed
information, and small contributions.
-
}
-@Book{banter,
- author = {Harald Banter},
- title = {Akkord Lexikon},
- publisher = {Schott's S\"ohne},
- year = {1987},
- isbn = {ISBN 3-7957-2095-8},
- note = {Comprehensive overview of commonly used
- chords. Suggests (and uses) a unification for all different kinds
- of chord names.},
- address = {Mainz, Germany},
-}
-
@Book {read78,
note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
%\sloppy
\def\postMudelaExample{\setlength{\parindent}{3.25ex}}
\title{Mudela-book tutorial}
+\author{TCA}
\begin{document}
\maketitle
%\printparam
COMMENT(redef(includefile)(1)(INCLUDEFILE(man/ARG1)))
includefile(programs.yo)
+nodeprefix()
redef(article)(3)(nodeprefix()chapter(ARG1)nodeprefix(Tutorial ))
COMMENT(yodl2texinfo should be able to cope now, although ugly...)
redef(article)(3)(chapter(ARG1))
COMMENT(yodl2texinfo should be able to cope now, although ugly...)
redef(article)(3)(chapter(ARG1))
+COMMENT(
+
+dropped? --jcn
+
redef(includefile)(1)(INCLUDEFILE(ARG1))
includefile(mutopia.yo)
+)
+
nchapter(Concept Index)
COMMENT( urg makeindex())
printindex()
#include "lily-version.hh"
#include "atom.hh"
+// urg
+static SCM port = 0;
+
Paper_outputter::Paper_outputter (Paper_stream *s)
{
+ port = 0;
outstream_l_ = s;
output_header ();
}
{
SCM scm = gh_list (ly_symbol ("end-output"), SCM_UNDEFINED);
output_scheme (scm);
+
+ if (String (output_global_ch) == "scm")
+ {
+#if 1
+ scm_display (gh_str02scm (")))\n"), port);
+ scm_fflush (port);
+#else
+ *outstream_l_->os << ")";
+#endif
+ }
}
void
// gh_eval_str ("(set! security-paranoia #t)");
}
String s = String ("(eval (") + output_global_ch + "-scm 'all-definitions))";
- gh_eval_str (s.ch_C());
+ gh_eval_str (s.ch_C ());
String creator;
if (no_timestamps_global_b)
{
if (String (output_global_ch) == "scm")
{
- static SCM port = 0;
+#if 1
+ /*
+ we'd rather use C++ i/o iso Guile's, but how?
+ and: they can't be mixed (or synchronised) easily?
+ */
// urg
if (!port)
fd = of->rdbuf()->fd();
FILE *file = fdopen (fd, "a");
port = scm_standard_stream_to_port (file, "a", "");
- scm_display (gh_str02scm ("(load 'lily.scm)\n"), port);
+ scm_display (gh_str02scm (
+ "(primitive-load-path 'lily.scm)\n"
+ "(eval (tex-scm 'all-definitions))\n"
+ ";(eval (ps-scm 'all-definitions))\n"
+ "(display (map (lambda (x) (string-append (eval x) \"%\\n\")) '(\n"
+ ), port);
}
- scm_display (gh_str02scm ("("), port);
scm_write (scm, port);
- scm_display (gh_str02scm (")\n"),port);
+ // duh
+ scm_display (gh_str02scm ("\n"), port);
scm_fflush (port);
+#else
+ static bool first = true;
+ if (first)
+ {
+ *outstream_l_->os << ""
+ "(primitive-load-path 'lily.scm)\n"
+ "(eval (tex-scm 'all-definitions))\n"
+ ";(eval (ps-scm 'all-definitions))\n"
+ "(display (map (lambda (x) (string-append (eval x) \"\\n\")) '(\n"
+ ;
+ }
+
+ /*
+ why doesn't this work?
+
+ ERROR: In procedure gh_scm2newstr:
+ ERROR: Wrong type argument in position 3:
+ (header "GNU LilyPond 1.1.49.jcn1" ", at Tue Jun 22 20:58:17 1999")
+
+ or:
+
+ ERROR: In procedure symbol->string:
+ ERROR: Wrong type argument in position 1:
+ (header "GNU LilyPond 1.1.49.jcn2" ", at Wed Jun 23 18:42:14 1999")
+
+ eg, two ways to print '(foo bar)'
+
+ SCM scm = gh_list (ly_symbol ("foo"), gh_str2scm ("bar"), SCM_UNDEFINED);
+ scm_write (scm, port);
+ puts (gh_xxx2newstr (scm, 0));
+ */
+
+ char* p;
+ //p = gh_scm2newstr (scm, 0);
+ //p = gh_symbol2newstr (scm, 0);
+ //p = gh_scm2newstr (scm_symbol_to_string (scm), 0);
+ //p = gh_symbol2newstr (scm_symbol_to_string (scm), 0);
+ //*outstream_l_->os << p << endl;
+ *outstream_l_->os << symbol_to_string (scm) << endl;
+#endif
}
else
{
}
%{
- Tested Features: cross staff beams and slurs, grace notes, no bars
+ Tested Features: cross staff auto beams and slurs, grace notes, no bars
%}
-\version "1.0.21";
+\version "1.0.20";
\include "nederlands.ly"
\bar ".|";
}
+x = \context Voice=x \notes {
+ % no beams in grace notes
+ \property Voice.beamAuto = "0"
+}
+
upper = \context Staff=treble \notes\relative c''{
\clef violin;
\stemup
\context Voice=one
r2 r r
r2 r r
- r4 [a'8--(\< a--] [a-- a-- c-- \!b--] [a--\> gis f \!e]
+ r4 a'8--(\< a-- a-- a-- c-- \!b-- a--\> gis f \!e
% grace hack
- < { [es8 )c] } \context Voice=x { \stemup s8*1/2 \tiny b8*1/2 ~ } > r4 r2 r
+ < { es8 )c } \context Voice=x { \stemup s8*1/2 \tiny b8*1/2 ~ } > r4 r2 r
r2 r r
- r4 [a'8--(\< a--] [a-- a-- c-- \!b--] [a--\> gis f \!e]
- < { [es8 )c] } \context Voice=x { \stemup s8*1/2 \tiny b8*1/2 ~ } > r4 r2 r
- r4 [g16( a bes a] [g a bes a g a bes a] [g a bes a g fis es fis]
- )d4 \tiny fis8*1/2 ~ \normalsize gis4*3/4 ~ gis8 r r4 r2
- r4 [g16( a bes a] [g a bes a g a bes a] [g a bes a g fis es fis]
- )d4 \tiny fis8*1/2 ~ \normalsize gis4*3/4 ~ gis8 r r4 r2
- \tiny a8*1/2 ~ \normalsize f4*3/4 ~ f8 r r2 r
- r2 r4 [a8( b][c d c b] \tiny b8*1/2 ~ \normalsize
- < { [e8*1/2 )g,8] } \context Voice=x { \stemup s8*1/4 \tiny a8*1/2 ~ } > r4 r2 r
- r2 r4 [a8( b][c d c b] [a b c d][c b a b][c d c b]
- \tiny b8*1/2 ~ \normalsize
- < { [e8*1/2 )g,8] } \context Voice=x { \stemup s8*1/4 \tiny a8*1/2 ~ } > r4 r2 r
- a2( \tiny e'8*1/2 ~ \normalsize f4*3/4 ~ )f8 r r2
+ r4 a'8--(\< a-- a-- a-- c-- \!b-- a--\> gis f \!e
+ < { es8 )c } \context Voice=x { \stemup s8*1/2 \tiny b8*1/2 ~ } > r4 r2 r
+ r4 g16( a bes a g a bes a g a bes a g a bes a g fis es fis
+ % urg, what a syntax
+ )d4 \tiny fis8 ( *1/2 \normalsize ) gis4*3/4 ~ gis8 r r4 r2
+ r4 g16( a bes a g a bes a g a bes a g a bes a g fis es fis
+ )d4 \tiny fis8(*1/2 \normalsize )gis4*3/4 ~ gis8 r r4 r2
+ \tiny a8(*1/2 \normalsize )f4*3/4 ~ f8 r r2 r
+ r2 r4 a8( b c d c b \tiny b8(*1/2 \normalsize
+ < { )e8*1/2 )g,8 } \context Voice=x { \stemup s8*1/4 \tiny a8*1/2 ~ } > r4 r2 r
+ r2 r4 a8( b c d c b a b c d c b a b c d c b
+ \tiny b8(*1/2 \normalsize
+ < { )e8*1/2 )g,8 } \context Voice=x { \stemup s8*1/4 \tiny a8*1/2 ~ } > r4 r2 r
+ a2( \tiny e'8(*1/2 \normalsize )f4*3/4 ~ )f8 r r2
r2 r r
fis,4( \tiny dis8*1/2 \normalsize <)cis4*3/4 ais> r2 r
- \tiny b'8*1/2 ~ \normalsize
- < { [a8*1/2 a8] } \context Voice=x { \stemup s8*1/4 \tiny b8*1/2 ~ } > r4 r2 r
- r4 [a'8--(\< a--] [a-- a-- c-- \!b--] [a--\> gis f \!e]
- < { [es8 )c] } \context Voice=x { \stemup s8*1/2 \tiny b8*1/2 ~ } > r4 r2 r
- d,4( \tiny fis8*1/2 ~ \normalsize gis4*3/4 ~ )gis8 r r4 r2
+ \tiny b'8(*1/2 \normalsize
+ < { )a8*1/2 a8 } \context Voice=x { \stemup s8*1/4 \tiny b8*1/2 ~ } > r4 r2 r
+ r4 a'8--(\< a-- a-- a-- c-- \!b-- a--\> gis f \!e
+ < { es8 )c } \context Voice=x { \stemup s8*1/2 \tiny b8*1/2 ~ } > r4 r2 r
+ d,4( \tiny fis8(*1/2 \normalsize )gis4*3/4 ~ )gis8 r r4 r2
f4 ~ f8 r r2 r
- [f'8( g a b][a g f g][a b a g]
- \tiny f8*1/2 ~ \normalsize
- < { [g8*1/2 )e8] } \context Voice=x { \stemup s8*1/4 \tiny d8*1/2 ~ } > r4 r2 r
- [f8( g a b][a g f g][a b a g]
- \tiny f8*1/2 ~ \normalsize
- < { [g8*1/2 )e8] } \context Voice=x { \stemup s8*1/4 \tiny d8*1/2 ~ } > r4 r2 r
- a,2( \tiny e'8*1/2 ~ \normalsize f4*3/4 ~ )f8 r r2
+ f'8( g a b a g f g a b a g
+ \tiny f8(*1/2 \normalsize
+ < { )g8*1/2 )e8 } \context Voice=x { \stemup s8*1/4 \tiny d8*1/2 ~ } > r4 r2 r
+ f8( g a b a g f g a b a g
+ \tiny f8(*1/2 \normalsize
+ < { )g8*1/2 )e8 } \context Voice=x { \stemup s8*1/4 \tiny d8*1/2 ~ } > r4 r2 r
+ a,2( \tiny e'8(*1/2 \normalsize )f4*3/4 ~ )f8 r r2
r2 r r
fis,4( \tiny dis8*1/2 \normalsize <)cis4*3/4 ais> r2 r
<e1 g b e> ~ <e g b e>
}
basloopje = \notes\relative c{
- d,8( a' d f a d f d a f d )a
+% \property Voice.beamAutoEnd = "1/2"
+% d,8( a' d f a d f d a f d )a
+ d,8( a' d f a \translator Staff=treble d f d \translator Staff=bass a f d )a
}
+%{
bassbeam = \notes{
[s2] [s8 \translator Staff=treble s s s] [\translator Staff=bass s2]
% [s2] [s2] [s2]
}
+%}
+
lower = \context Voice=two \notes \relative c{
\stemdown
\property Staff.slurVerticalDirection = 1
% snapnie, hoevaak relative c heeft ze nodig?
- < \notes\relative c \basloopje \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \transpose bes \notes\relative c{ \basloopje } \bassbeam >
- < \transpose bes \notes\relative c{ \basloopje } \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \transpose bes \notes\relative c{ \basloopje } \bassbeam >
- < \transpose bes \notes\relative c{ \basloopje } \bassbeam >
- < \transpose a \notes\relative c{ \basloopje } \bassbeam >
- < \transpose bes \notes\relative c{ \basloopje } \bassbeam >
- < \transpose a \notes\relative c{ \basloopje } \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
+ \notes\relative c \basloopje
+ \notes\relative c \basloopje
+ \notes\relative c \basloopje
+ \transpose bes \notes\relative c{ \basloopje }
+ \transpose bes \notes\relative c{ \basloopje }
+ \notes\relative c \basloopje
+ \transpose bes \notes\relative c{ \basloopje }
+ \transpose bes \notes\relative c{ \basloopje }
+ \transpose a \notes\relative c{ \basloopje }
+ \transpose bes \notes\relative c{ \basloopje }
+ \transpose a \notes\relative c{ \basloopje }
+ \notes\relative c \basloopje
+ \notes\relative c \basloopje
% huh? d'
- < \transpose d' \notes\relative c{ \basloopje } \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \transpose d' \notes\relative c{ \basloopje } \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \transpose e' \notes\relative c{ \basloopje } \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \transpose bes \notes\relative c{ \basloopje } \bassbeam >
- < \transpose a \notes\relative c{ \basloopje } \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \transpose d' \notes\relative c{ \basloopje } \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \transpose d' \notes\relative c{ \basloopje } \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \notes\relative c \basloopje \bassbeam >
- < \transpose e' \notes\relative c{ \basloopje } \bassbeam >
+ \transpose d' \notes\relative c{ \basloopje }
+ \notes\relative c \basloopje
+ \notes\relative c \basloopje
+ \transpose d' \notes\relative c{ \basloopje }
+ \notes\relative c \basloopje
+ \notes\relative c \basloopje
+ \transpose e' \notes\relative c{ \basloopje }
+ \notes\relative c \basloopje
+ \notes\relative c \basloopje
+ \transpose bes \notes\relative c{ \basloopje }
+ \transpose a \notes\relative c{ \basloopje }
+ \notes\relative c \basloopje
+ \notes\relative c \basloopje
+ \transpose d' \notes\relative c{ \basloopje }
+ \notes\relative c \basloopje
+ \transpose d' \notes\relative c{ \basloopje }
+ \notes\relative c \basloopje
+ \notes\relative c \basloopje
+ \transpose e' \notes\relative c{ \basloopje }
< e1 b' e> ~ < e b' e>
}
\score {
- \context GrandStaff <
+ \context PianoStaff <
\context Staff = treble <
\global
\upper
% no slur damping
slur_slope_damping = 100.0;
- \translator{ \OrchestralScoreContext }
- \translator{
- \GrandStaffContext
- minVerticalAlign = 3.0*\staffheight;
- maxVerticalAlign = 3.0*\staffheight;
+ \translator{
+ \VoiceContext
+ beamAutoEnd = "1/2";
}
\translator{
\StaffContext
# ...
#
# (not finished.)
+# ABC standard v1.6: http://www.gre.ac.uk/~c.walshaw/abc2mtex/abc.txt
#
program_name = 'abc-to-ly'
import sys
import re
import string
-import mpz
+try:
+ import mpz
+except:
+ sys.stderr.write ("This script needs Python 1.5.1\n")
+ sys.exit (1)
header = {}
print '\\header {'
for k in hdr.keys ():
print '%s = "%s";\n'% (k,hdr[k])
- print '};'
+ print '}'
def set_default_length (s):
m = re.search ('1/([0-9]+)', s)
tup_lookup = {
'3' : '2/3',
'4' : '4/3',
+ '5' : '4/5',
'6' : '4/6',
}
print '}'
return str
+def header_append (key, a):
+ s = ''
+ if header.has_key (key):
+ s = header[key] + "\n"
+ header [key ] = s + a
+
def try_parse_header_line (ln):
m = re.match ('^(.): *(.*)$', ln)
if m:
g =m.group (1)
a = m.group (2)
+ a = re.sub ('"', '\\"', a)
if g == 'T':
header['title'] = a
if g == 'M':
header ['origin'] = a
if g == 'X':
header ['crossRefNumber'] = a
-
if g == 'A':
header ['area'] = a
if g == 'H':
- header ['history'] = a
+ header_append ('history', a)
if g == 'B':
header ['book'] = a
if g == 'S':
return chr (name + ord('c')) + s * acc
def octave_to_mudela_quotes (o):
+ o = o + 2
s =''
if o < 0:
o = -o
if str:
str = str[1:]
- print "guitar chord: %s\n" % gc
+ sys.stderr.write ("warning: ignoring guitar chord: %s\n" % gc)
return str
return str
+#
+# |] thin-thick double bar line
+# || thin-thin double bar line
+# [| thick-thin double bar line
+# :| left repeat
+# |: right repeat
+# :: left-right repeat
+#
def try_parse_bar (str):
if str and str[0] == '|':
bs = '|.'
if str[0] == '|':
bs = '||'
-
+ if str[0] == '|:':
+ sys.stderr.write ("warning: repeat kludge\n")
+ bs = '|:'
if bs:
print '\\bar "%s";' % bs
+ str = str[1:]
+
+ if str and str[:2] == '[|':
+ sys.stderr.write ("warning: thick-thin bar kludge\n")
+ print '\\bar "||";'
+ str = str[2:]
+
+ if str and str[:2] == ':|':
+ sys.stderr.write ("warning: repeat kludge\n")
+ print '\\bar ":|:";'
+ str = str[2:]
+
+ if str and str[:2] == '::':
+ sys.stderr.write ("warning: repeat kludge\n")
+ print '\\bar ":|:";'
+ str = str[2:]
+
return str
return str
+# urg, hairy to compute grace note hack using \times{}
+def try_parse_grace_delims (str):
+ if str and str[0] == '{':
+ str = str[1:]
+ sys.stderr.write ("warning: expanding grace notes\n")
+ print '\\tiny '
+
+ if str and str[0] == '}':
+ str = str[1:]
+ print '\\normalsize '
+
+ return str
+
# Try nibbling characters off until the line doesn't change.
def try_parse_body_line (ln, state):
prev_ln = ''
ln = try_parse_guitar_chord (ln)
ln = try_parse_tuplet_begin (ln, state)
ln = try_parse_group_end (ln, state)
+ ln = try_parse_grace_delims (ln)
ln = junk_space (ln)
if ln:
- print 'Huh? Don\'t understand `%s\'' % ln
-
-
-
+ sys.stderr.write ("Huh? Don't understand `%s'\n" % ln)
def identify():
- print '%s from LilyPond %s' % (program_name, version)
+ sys.stderr.write ("%s from LilyPond %s\n" % (program_name, version))
def help ():
print r"""
if f == '-':
f = ''
+ print ("\\score{")
+ print (" <")
+ print (" \\context Staff=one \\notes {")
parse_file (f)
+ print (" }")
+ print (" >")
dump_header (header)
- print global_voice_stuff, 1
+ print "%%%s" % global_voice_stuff, 1
+ print ("}")
projects / lilypond.git / commitdiff