design, and how this approach affects you as a user.
@menu
-* Batch processing::
-* Music engraving::
-* Music representation::
-* About this manual::
+* Batch processing::
+* Music engraving::
+* Music representation::
+* Program design::
+* Example applications::
+* About this manual::
@end menu
@node Batch processing
@comment @c -*-texinfo-*-
+
+@node Preface
+@unnumbered Preface
+
+@menu
+* Preface to version 1.8::
+* Preface to version 1.6::
+@end menu
+
@node Preface to version 1.8
-@unnumbered Preface to version 1.8
+@unnumberedsec Preface to version 1.8
The 1.8 release brings old thing, in new, flashier
clothes. Previously, the program used to have half-baked solutions to
[wie meer?]
-@end ignore
-
-@node Preface
-@unnumbered Preface
+@node Preface to version 1.6
+@unnumberedsec Preface to version 1.6
It must have been during a rehearsal of the EJE (Eindhoven Youth
Orchestra), somewhere in 1995 that Jan, one of the cranked violists