LY_HEADER_LSR = '''%%%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%%%% This file is in the public domain.
-%%%% Tags: %s
+%%%% Tags: %(tags)s
'''
LY_HEADER_NEW = '''%%%% Do not edit this file; it is auto-generated from input/new
-%%%% Tags: %s
'''
DEST = os.path.join ('input', 'lsr')
# other
TAGS.extend (['contexts-and-engravers', 'tweaks-and-overrides',
-'paper-and-layout', 'breaks', 'spacing', 'midi', 'titles', 'template', 'other'])
+'paper-and-layout', 'breaks', 'spacing', 'midi', 'titles', 'template'])
def exit_with_usage (n=0):
sys.stderr.write (USAGE)
unsafe = []
unconverted = []
+notags_files = []
# mark the section that will be printed verbatim by lilypond-book
end_header_re = re.compile ('(\\header {.*?}\n)\n', re.M | re.S)
if e:
unsafe.append (dest)
-def read_source (src):
+def read_source_with_dirs (src):
s = {}
l = {}
for tag in TAGS:
s[f] = (srcdir, [tag])
return s, l
+
+tags_re = re.compile ('lsrtags\\s*=\\s*"(.+?)"')
+
+def read_source (src):
+ s = {}
+ l = dict ([(tag, set()) for tag in TAGS])
+ for f in glob.glob (os.path.join (src, '*.ly')):
+ m = tags_re.search (open (f, 'r').read ())
+ if m:
+ file_tags = [tag.strip() for tag in m.group (1). split(',')]
+ s[f] = (src, file_tags)
+ [l[tag].add (f) for tag in file_tags if tag in TAGS]
+ else:
+ notags_files.append (f)
+ return s, l
+
+
def dump_file_list (file, list):
f = open (file, 'w')
f.write ('\n'.join (list) + '\n')
map (os.remove, glob.glob (os.path.join (DEST, '*.ly')) +
glob.glob (os.path.join (DEST, '*.snippet-list')))
-# read LSR source
-snippets, tag_lists = read_source (in_dir)
-# read input/new
+# read LSR source where tags are defined by subdirs
+snippets, tag_lists = read_source_with_dirs (in_dir)
+# read input/new where tags are directly
s, l = read_source (NEW_LYS)
snippets.update (s)
for t in TAGS:
if unconverted:
sys.stderr.write ('These files could not be converted successfully by convert-ly:\n')
- sys.stderr.write ('\n'.join (unconverted))
+ sys.stderr.write ('\n'.join (unconverted) + '\n\n')
+
+if notags_files:
+ sys.stderr.write ('No tags could be found in these files:\n')
+ sys.stderr.write ('\n'.join (notags_files) + '\n\n')
dump_file_list ('lsr-unsafe.txt', unsafe)
sys.stderr.write ('''
+++ /dev/null
-@node Other
-@unnumbered Other
-
-@lysnippets
-
+++ /dev/null
-applying-noteheads-styles-depending-on-the-step-of-the-scale.ly
-using-the--tweak-command-to-tweak-individual-grobs.ly
-drawing-circles-around-various-objects.ly
-making-an-object-invisibile-with-the-transparent-property.ly
-drawing-boxes-around-grobs.ly
-outputting-the-version-number.ly
* Spacing::
* MIDI::
* Templates::
-* Other::
@end menu
@include midi.itely
@include template.itely
-@c temporary input/new tag, will be deleted
-@include other.itely
-
@bye
-depth = ../../
-
-# NR 1
-SUBDIRS = pitches rhythms expressive-marks repeats simultaneous-notes staff-notation editorial-and-educational-use text
-# NR 2
-SUBDIRS += vocal-music chords piano-music percussion guitar strings bagpipes ancient-notation
-
-
-SUBDIRS += other
-
-
-# old
-SUBDIRS += parts spacing schemelanguage
-SUBDIRS += real-music paper-and-layout
-
+depth = ../..
STEPMAKE_TEMPLATES=documentation
EXTRA_DIST_FILES=README
+EXTRA_DIST_FILES+=$(call src-wildcard,*.ly)
include $(depth)/make/stepmake.make
-
unstable development series. These snippets will be added to LSR
when it supports a version of LilyPond that includes these features.
+When adding a file to this directory, please start the file with
+
+\version "2.x.y"
+\header {
+ doctitle = "Snippet title"
+ lsrtags = "rhythms,expressive-marks" % use existing LSR tags other than
+% 'docs'; see makelsr.py for the list of tags used to sort snippets.
+ texidoc = "This code demonstrates ..." % this will be formated by Texinfo
+}
+
+
+and name the file snippet-title.ly.
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Sample snippets from LSR')
-
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
--- /dev/null
+\version "2.10.0"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Clip systems"
+ lsrtags = "paper-and-layout" % a new tag like "Mixing text and music" or
+% "Special output" might be more adequate -jm
+ texidoc = "
+This code shows how to clip (extracts) snippets from a full score.
+
+This file needs to be run separately with @code{-dclip-systems}; the
+snippets page may not adequately show the results.
+
+The result will be files named
+@file{@var{base}-from-@var{start}-to-@var{end}[-@var{count}].eps}.
+
+@itemize @bullet
+@item If system starts and ends are included, they include extents of the System grob, eg. instrument names.
+@item Grace notes at the end point of the region are not included.
+@item Regions can span multiple systems. In this case, multiple EPS files are generated.
+@end itemize
+"
+}
+
+#(ly:set-option 'clip-systems)
+
+#(set! output-count 1)
+
+origScore = \score{
+ \relative {
+ \set Staff.instrumentName = #"bla"
+ c1
+ d
+ \grace c16
+ e1
+ \key d\major
+
+ f
+ \break \clef bass
+ g,
+ fis
+ }
+}
+
+\book {
+ \score {
+ \origScore
+ \layout {
+
+ %% each clip-region is a (START . END) pair
+ %% where both are rhythmic-locations.
+
+ %% (make-rhythmic-locations BAR-NUMBER NUM DEN)
+ %% means NUM/DEN whole-notes into bar numbered BAR-NUMBER
+
+ clip-regions
+ = #(list
+ (cons
+ (make-rhythmic-location 2 0 1)
+ (make-rhythmic-location 4 0 1))
+
+ (cons
+ (make-rhythmic-location 0 0 1)
+ (make-rhythmic-location 4 0 1))
+
+ (cons
+ (make-rhythmic-location 0 0 1)
+ (make-rhythmic-location 6 0 1))
+ )
+ }
+ }
+}
+
+#(set! output-count 0)
+#(ly:set-option 'clip-systems #f)
+
+\book {
+ \score { \origScore }
+ \markup { \bold \fontsize #6 clips }
+ \score {
+ \lyrics {
+ \markup { from-2.0.1-to-4.0.1-clip.eps }
+ \markup { \epsfile #X #30.0 #(format #f "~a-1-from-2.0.1-to-4.0.1-clip.eps" (ly:parser-output-name parser)) }
+ }
+ }
+}
--- /dev/null
+\version "2.11.35"
+\header {
+ doctitle = "Creating music with Scheme music box"
+ lsrtags = "pitches"
+ texidoc = "
+This example shows prelude in C major of Bach's Well-Tempered Klavier
+1, but coded using Scheme functions to avoid typing work.
+
+BROKEN (?) IN 2.11, COMMENTED OUT.
+"
+}
+
+{ c'4 }
--- /dev/null
+\version "2.11.23"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Drawing boxes around grobs"
+ lsrtags = "tweaks-and-overrides"
+ texidoc = "
+The @code{print-function} can be overridden to draw a box around an
+arbitrary grob.
+"
+}
+
+\relative c'' {
+ \override TextScript #'stencil =
+ #(make-stencil-boxer 0.1 0.3 ly:text-interface::print)
+
+ c'4^"foo"
+
+ \override Stem #'stencil =
+ #(make-stencil-boxer 0.05 0.25 ly:stem::print)
+
+ \override Score.RehearsalMark #'stencil =
+ #(make-stencil-boxer 0.15 0.3 ly:text-interface::print)
+ b8
+ \revert Stem #'stencil
+
+ c4. c4 \mark "F" c1
+}
--- /dev/null
+\version "2.11.23"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Drawing circles around various objects"
+ lsrtags = "tweaks-and-overrides"
+ texidoc = "
+The @code{\circle} command allows you to draw circles around various objects,
+for example fingering indications. However, some objects require
+specific tweaks: rehearsal marks depend on the @code{Score.markFormatter}
+context, bar numbers on the @code{Score.BarNumber} context, and so on.
+
+You can tweak the printing of your circles by setting some properties
+such as @code{#'thickness}, @code{#'circle-padding} or @code{#'font-size}.
+" }
+
+\relative c'{
+c1
+\set Score.markFormatter
+ = #(lambda (mark context)
+ (make-circle-markup (format-mark-numbers mark context)))
+\mark \default
+c2 d^\markup{\circle \finger "2"}
+\override Score.BarNumber #'break-visibility = #all-visible
+\override Score.BarNumber #'stencil
+ = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
+}
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Sample snippets from LSR')
-
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-\header {
- texidoc = "Arrows can be applied to text-spanners and line-spanners (such as the Glissando)"
-}
-
-\version "2.10.0"
-
-\paper {
- ragged-right = ##t
-}
-
-\relative c'' {
- \override TextSpanner #'bound-padding = #1.0
- \override TextSpanner #'dash-fraction = #'()
- \override TextSpanner #'bound-details #'right #'arrow = ##t
- \override TextSpanner #'bound-details #'left #'text = #"fof"
- \override TextSpanner #'bound-details #'right #'text = #"gag"
- \override TextSpanner #'bound-details #'right #'padding = #0.6
-
- \override TextSpanner #'bound-details #'right #'stencil-align-dir-y = #CENTER
- \override TextSpanner #'bound-details #'left #'stencil-align-dir-y = #CENTER
-
- \override Glissando #'bound-details #'right #'arrow = ##t
- \override Glissando #'arrow-length = #0.5
- \override Glissando #'arrow-width = #0.25
-
- a8\startTextSpan gis8 a4 b4\glissando
- b,4 | g' c\stopTextSpan c
-}
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-You can format a tablature with letters instead of numbers - so that
-0->a, 1->b, 2->c, etc.
-
-BROKEN IN 2.11, COMMENTED OUT.
-" }
-{ c'4 }
--- /dev/null
+\version "2.11.35"
+
+\header {
+ doctitle = "Letter tablature formatting"
+ lsrtags = "guitar"
+ texidoc = "
+You can format a tablature with letters instead of numbers - so that
+0->a, 1->b, 2->c, etc.
+
+BROKEN IN 2.11, COMMENTED OUT."
+}
+{ c'4 }
--- /dev/null
+\version "2.10.0"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Line arrows"
+ lsrtags = "expressive-marks"
+ texidoc = "Arrows can be applied to text-spanners and line-spanners (such as the Glissando)"
+}
+
+\relative c'' {
+ \override TextSpanner #'bound-padding = #1.0
+ \override TextSpanner #'dash-fraction = #'()
+ \override TextSpanner #'bound-details #'right #'arrow = ##t
+ \override TextSpanner #'bound-details #'left #'text = #"fof"
+ \override TextSpanner #'bound-details #'right #'text = #"gag"
+ \override TextSpanner #'bound-details #'right #'padding = #0.6
+
+ \override TextSpanner #'bound-details #'right #'stencil-align-dir-y = #CENTER
+ \override TextSpanner #'bound-details #'left #'stencil-align-dir-y = #CENTER
+
+ \override Glissando #'bound-details #'right #'arrow = ##t
+ \override Glissando #'arrow-length = #0.5
+ \override Glissando #'arrow-width = #0.25
+
+ a8\startTextSpan gis8 a4 b4\glissando
+ b,4 | g' c\stopTextSpan c
+}
--- /dev/null
+\version "2.11.6"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Makam"
+ lsrtags = "pitches"
+ texidoc = "Makam is Turkish type of melody that uses 1/9 tone
+ microtonal alterations."
+}
+
+% Define 1/9 alterations.
+
+#(define-public KOMA 1/9)
+#(define-public BAKIYE 4/9)
+#(define-public KUCUK 5/9)
+#(define-public BUYUKMUCENNEB 8/9)
+
+
+% Define pitch names
+
+makamPitchNames = #`(
+ (c . ,(ly:make-pitch -1 0 NATURAL))
+ (d . ,(ly:make-pitch -1 1 NATURAL))
+ (e . ,(ly:make-pitch -1 2 NATURAL))
+ (f . ,(ly:make-pitch -1 3 NATURAL))
+ (g . ,(ly:make-pitch -1 4 NATURAL))
+ (a . ,(ly:make-pitch -1 5 NATURAL))
+ (b . ,(ly:make-pitch -1 6 NATURAL))
+
+ (cc . ,(ly:make-pitch -1 0 KOMA))
+ (dc . ,(ly:make-pitch -1 1 KOMA))
+ (ec . ,(ly:make-pitch -1 2 KOMA))
+ (fc . ,(ly:make-pitch -1 3 KOMA))
+ (gc . ,(ly:make-pitch -1 4 KOMA))
+ (ac . ,(ly:make-pitch -1 5 KOMA))
+ (bc . ,(ly:make-pitch -1 6 KOMA))
+
+ (cb . ,(ly:make-pitch -1 0 BAKIYE))
+ (db . ,(ly:make-pitch -1 1 BAKIYE))
+ (eb . ,(ly:make-pitch -1 2 BAKIYE))
+ (fb . ,(ly:make-pitch -1 3 BAKIYE))
+ (gb . ,(ly:make-pitch -1 4 BAKIYE))
+ (ab . ,(ly:make-pitch -1 5 BAKIYE))
+ (bb . ,(ly:make-pitch -1 6 BAKIYE))
+
+ (ck . ,(ly:make-pitch -1 0 KUCUK))
+ (dk . ,(ly:make-pitch -1 1 KUCUK))
+ (ek . ,(ly:make-pitch -1 2 KUCUK))
+ (fk . ,(ly:make-pitch -1 3 KUCUK))
+ (gk . ,(ly:make-pitch -1 4 KUCUK))
+ (ak . ,(ly:make-pitch -1 5 KUCUK))
+ (bk . ,(ly:make-pitch -1 6 KUCUK))
+
+ (cbm . ,(ly:make-pitch -1 0 BUYUKMUCENNEB))
+ (dbm . ,(ly:make-pitch -1 1 BUYUKMUCENNEB))
+ (ebm . ,(ly:make-pitch -1 2 BUYUKMUCENNEB))
+ (fbm . ,(ly:make-pitch -1 3 BUYUKMUCENNEB))
+ (gbm . ,(ly:make-pitch -1 4 BUYUKMUCENNEB))
+ (abm . ,(ly:make-pitch -1 5 BUYUKMUCENNEB))
+ (bbm . ,(ly:make-pitch -1 6 BUYUKMUCENNEB))
+
+ ;; f for flat.
+ (cfc . ,(ly:make-pitch -1 0 (- KOMA)))
+ (dfc . ,(ly:make-pitch -1 1 (- KOMA)))
+ (efc . ,(ly:make-pitch -1 2 (- KOMA)))
+ (ffc . ,(ly:make-pitch -1 3 (- KOMA)))
+ (gfc . ,(ly:make-pitch -1 4 (- KOMA)))
+ (afc . ,(ly:make-pitch -1 5 (- KOMA)))
+ (bfc . ,(ly:make-pitch -1 6 (- KOMA)))
+
+ (cfb . ,(ly:make-pitch -1 0 (- BAKIYE)))
+ (dfb . ,(ly:make-pitch -1 1 (- BAKIYE)))
+ (efb . ,(ly:make-pitch -1 2 (- BAKIYE)))
+ (ffb . ,(ly:make-pitch -1 3 (- BAKIYE)))
+ (gfb . ,(ly:make-pitch -1 4 (- BAKIYE)))
+ (afb . ,(ly:make-pitch -1 5 (- BAKIYE)))
+ (bfb . ,(ly:make-pitch -1 6 (- BAKIYE)))
+
+ (cfk . ,(ly:make-pitch -1 0 (- KUCUK)))
+ (dfk . ,(ly:make-pitch -1 1 (- KUCUK)))
+ (efk . ,(ly:make-pitch -1 2 (- KUCUK)))
+ (ffk . ,(ly:make-pitch -1 3 (- KUCUK)))
+ (gfk . ,(ly:make-pitch -1 4 (- KUCUK)))
+ (afk . ,(ly:make-pitch -1 5 (- KUCUK)))
+ (bfk . ,(ly:make-pitch -1 6 (- KUCUK)))
+
+ (cfbm . ,(ly:make-pitch -1 0 (- BUYUKMUCENNEB)))
+ (dfbm . ,(ly:make-pitch -1 1 (- BUYUKMUCENNEB)))
+ (efbm . ,(ly:make-pitch -1 2 (- BUYUKMUCENNEB)))
+ (ffbm . ,(ly:make-pitch -1 3 (- BUYUKMUCENNEB)))
+ (gfbm . ,(ly:make-pitch -1 4 (- BUYUKMUCENNEB)))
+ (afbm . ,(ly:make-pitch -1 5 (- BUYUKMUCENNEB)))
+ (bfbm . ,(ly:make-pitch -1 6 (- BUYUKMUCENNEB)))
+
+)
+
+%% set pitch names.
+pitchnames = \makamPitchNames
+#(ly:parser-set-note-names parser makamPitchNames)
+
+makamGlyphs = #'((1 . "accidentals.doublesharp")
+ (8/9 . "accidentals.sharp.slashslashslash.stemstem")
+ (5/9 . "accidentals.sharp.slashslashslash.stem")
+ (4/9 . "accidentals.sharp")
+ (1/9 . "accidentals.sharp.slashslash.stem")
+ (0 . "accidentals.natural")
+ (-1/9 . "accidentals.mirroredflat")
+ (-4/9 . "accidentals.flat.slash")
+ (-5/9 . "accidentals.flat")
+ (-8/9 . "accidentals.flat.slashslash")
+ (-1 . "accidentals.flatflat")
+ )
+
+\relative {
+
+ %{ define alteration <-> symbol mapping. The following glyphs are available.
+ accidentals.sharp
+ accidentals.sharp.slashslash.stem
+ accidentals.sharp.slashslashslash.stemstem
+ accidentals.sharp.slashslashslash.stem
+ accidentals.sharp.slashslash.stemstemstem
+ accidentals.natural
+ accidentals.flat
+ accidentals.flat.slash
+ accidentals.flat.slashslash
+ accidentals.mirroredflat.flat
+ accidentals.mirroredflat
+ accidentals.flatflat
+ accidentals.flatflat.slash
+ accidentals.doublesharp
+ %}
+
+ \override Accidental #'glyph-name-alist = \makamGlyphs
+
+ \override Staff.KeySignature #'glyph-name-alist = \makamGlyphs
+ \set Staff.keySignature = #'(
+ (3 . 4/9)
+ (6 . -1/9))
+
+ c cc db fk gbm gfc gfb efk dfbm
+}
--- /dev/null
+\version "2.11.23"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Making an object invisible with the transparent property"
+ lsrtags = "rhythms,tweaks-and-overrides"
+ texidoc = "
+Setting the @code{transparent} property will cause an object to be
+printed in `invisible ink': the object is not printed, but all its
+other behavior is retained. The object still takes up space, it takes
+part in collisions, and slurs, and ties and beams can be attached to it.
+
+
+The snippet demonstrates how to connect different voices using ties.
+Normally, ties only connect two notes in the same voice. By
+introducing a tie in a different voice, and blanking the first up-stem
+in that voice, the tie appears to cross voices.
+" }
+
+\relative c'' <<
+ {
+ \once \override Stem #'transparent = ##t
+ b8~ b8\noBeam
+ } \\ {
+ b[ g8]
+ }
+>>
--- /dev/null
+\version "2.11.25"
+
+\header {
+ doctitle = "Markup lines"
+ lsrtags = "text"
+ texidoc = "Text that can spread over pages is entered with the
+@code{\\markuplines} command."
+}
+
+#(set-default-paper-size "a6")
+
+#(define-markup-list-command (paragraph layout props args) (markup-list?)
+ (interpret-markup-list layout props
+ (make-justified-lines-markup-list (cons (make-hspace-markup 2) args))))
+
+%% Candide, Voltaire
+\markuplines \override-lines #'(baseline-skip . 2.5) {
+ \paragraph {
+ Il y avait en Westphalie, dans le château de M. le baron de
+ Thunder-ten-tronckh, un jeune garçon à qui la nature avait donné
+ les mœurs les plus douces. Sa physionomie annonçait son âme.
+ Il avait le jugement assez droit, avec l'esprit le plus simple ;
+ c'est, je crois, pour cette raison qu'on le nommait Candide. Les
+ anciens domestiques de la maison soupçonnaient qu'il était fils
+ de la sœur de monsieur le baron et d'un bon et honnête
+ gentilhomme du voisinage, que cette demoiselle ne voulut jamais
+ épouser parce qu'il n'avait pu prouver que soixante et onze
+ quartiers, et que le reste de son arbre généalogique avait été
+ perdu par l'injure du temps.
+ }
+ \paragraph {
+ Monsieur le baron était un des plus puissants seigneurs de la
+ Westphalie, car son château avait une porte et des fenêtres. Sa
+ grande salle même était ornée d'une tapisserie. Tous les chiens
+ de ses basses-cours composaient une meute dans le besoin ; ses
+ palefreniers étaient ses piqueurs; le vicaire du village était
+ son grand-aumônier. Ils l'appelaient tous monseigneur, et ils
+ riaient quand il faisait des contes.
+ }
+}
--- /dev/null
+\version "2.10.0"
+% possible rename to scheme- or something like that. -gp
+\header {
+ doctitle = "Move specific text"
+ lsrtags = "tweaks-and-overrides"
+ texidoc = "@cindex Scheme Move Text
+Objects of the same type, like text, can be moved around by using some Scheme code.
+" }
+
+#(define (make-text-checker text)
+ (lambda (grob) (equal? text (ly:grob-property grob 'text))))
+
+\score {
+ \relative c''' {
+ \stemUp
+ \applyOutput #'Voice
+ #(outputproperty-compatibility
+ (make-text-checker (make-simple-markup "m.d."))
+ 'extra-offset '(-3.5 . -4.5))
+ a^2^"m.d."
+ }
+ \layout { ragged-right = ##t}
+}
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Sample snippets from LSR')
-
+++ /dev/null
-\version "2.11.23"
-
-\header { texidoc = "
-The shapeNoteStyles property gives you the ability to define various
-note heads styles for each step of the scale (as defined by the key
-signature or the \"tonic\" property).
-
-This property requires a set of symbols, which can be purely arbitrary
-(geometrical expressions such as triangle, cross, xcircle etc. are
-allowed) or based on old American engraving tradition (you can use some
-latin note names as well).
-
-That said, if you're trying to imitate old American song books, you may
-also want to try LilyPond's predefined note heads styles, through
-shortcut commands such as \aikenHeads or \sacredHarpHeads.
-
-This exemple shows different ways to obtain shape note heads, and
-demonstrates the ability to transpose a melody without losing the
-correspondance between harmonic functions and note heads styles.
-" }
-
-fragment = {
- \key c \major
- c1 d e f g a b c
- \break
-}
-
-\relative {
- \set shapeNoteStyles = ##(do re mi fa #f la ti)
- \fragment
-}
-
-% temporary change help LSR integration -gp
-%{
-\transpose c d
- \relative {
- \set shapeNoteStyles = ##(do re mi fa #f la ti)
- \fragment
-}
-
-\relative {
- \set shapeNoteStyles = ##(cross triangle fa #f mensural xcircle diamond)
- \fragment
-}
-%}
-
+++ /dev/null
-\version "2.11.23"
-
-\header { texidoc = "
-The @code{print-function} can be overridden to draw a box around an
-arbitrary grob.
-" }
-
-\relative c'' {
-
- \override TextScript #'stencil =
- #(make-stencil-boxer 0.1 0.3 ly:text-interface::print)
-
- c'4^"foo"
-
- \override Stem #'stencil =
- #(make-stencil-boxer 0.05 0.25 ly:stem::print)
-
- \override Score.RehearsalMark #'stencil =
- #(make-stencil-boxer 0.15 0.3 ly:text-interface::print)
- b8
- \revert Stem #'stencil
-
-
- c4. c4 \mark "F" c1
-}
-
-
+++ /dev/null
-\version "2.11.23"
-
-\header { texidoc = "
-The \circle command allows you to draw circles around various objects
-(for example fingering indications). However, some objects require
-specific tweaks: rehearsal marks depend on the Score.markFormatter
-context, bar numbers on the Score.BarNumber context, and so on.
-
-You can tweak the printing of your circles by setting some properties
-such as #'thickness, #'circle-padding or #'font-size.
-" }
-
-\relative c'{
-c1
-\set Score.markFormatter
- = #(lambda (mark context)
- (make-circle-markup (format-mark-numbers mark context)))
-\mark \default
-c2 d^\markup{\circle \finger "2"}
-\override Score.BarNumber #'break-visibility = #all-visible
-\override Score.BarNumber #'stencil
- = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
-}
+++ /dev/null
-\version "2.11.23"
-
-\header { texidoc = "
-Setting the @code{transparent} property will cause an object to be
-printed in `invisible ink': the object is not printed, but all its
-other behavior is retained. The object still takes up space, it takes
-part in collisions, and slurs, and ties and beams can be attached to it.
-
-
-The snippet demonstrates how to connect different voices using ties.
-Normally, ties only connect two notes in the same voice. By
-introducing a tie in a different voice, and blanking the first up-stem
-in that voice, the tie appears to cross voices.
-" }
-
-\relative c'' {
-<< {
- \once \override Stem #'transparent = ##t
- b8~ b8\noBeam
-} \\ {
- b[ g8]
-} >>
-}
+++ /dev/null
-\version "2.11.23"
-
-\header { texidoc = "
-By putting the output of
- @code{lilypond-version} into a lyric, it is possible to print the
- version number of LilyPond in a score, or in a document generated
- with @code{lilypond-book}. Another possibility is to append the
- version number to the doc-string, in this manner:
-" }
-
-\score { \context Lyrics {
- \override Score.RehearsalMark #'self-alignment-X = #LEFT
- \mark #(ly:export (string-append "Processed with LilyPond version " (lilypond-version)))
- s2
- }
-}
-
-
-
+++ /dev/null
-\version "2.11.23"
-
-\header { texidoc = "
-With the @code{\tweak} command, you can tune every grob directly. Here
-are some examples of available tweaks.
-
-
-" }
-
-\paper {
- ragged-right = ##t
-}
-
-{
- \set fingeringOrientations = #'(right)
- <
- \tweak #'font-size #3 c
- \tweak #'color #red d-\tweak #'font-size #8 -4
- \tweak #'style #'cross g
- \tweak #'duration-log #1 a
- >4
-}
--- /dev/null
+\version "2.11.23"
+
+\header {
+ doctitle = "Outputting the version number"
+ lsrtags = "text"
+ texidoc = "
+By putting the output of @code{lilypond-version} into a lyric or a
+text markup, it is possible to print the version number of LilyPond in
+a score, or in a document generated with @code{lilypond-book}.
+"
+}
+
+\score { \context Lyrics {
+ \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \mark #(ly:export (string-append "Processed with LilyPond version " (lilypond-version)))
+ s2
+ }
+}
--- /dev/null
+\version "2.11.26"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Page label"
+ lsrtags = "spacing"
+ texidoc = "Page labels may be placed inside music or at top-level,
+and refered to in markups."
+}
+
+#(set-default-paper-size "a6")
+
+#(define-markup-command (toc-line layout props label text) (symbol? markup?)
+ (interpret-markup layout props
+ (markup #:fill-line (text #:page-ref label "8" "?"))))
+
+\book {
+ \markup \huge \fill-line { \null "Title Page" \null }
+
+ \pageBreak
+
+ \label #'toc
+ \markup \column {
+ \large \fill-line { \null "Table of contents" \null }
+ \toc-line #'toc "Table of contents"
+ \toc-line #'firstScore "First Score"
+ \toc-line #'markA "Mark A"
+ \toc-line #'markB "Mark B"
+ \toc-line #'markC "Mark C"
+ \toc-line #'unknown "Unknown label"
+ }
+
+ \pageBreak
+
+ \label #'firstScore
+ \score {
+ { c'2 c'
+ \mark \markup { A (page \concat { \page-ref #'markA "0" "?" ) }} \label #'markA
+ c' c'
+ \pageBreak
+ \mark "B" \label #'markB
+ d' d'
+ d' d'
+ \once \override Score . RehearsalMark #'break-visibility = #begin-of-line-invisible
+ \mark "C" \label #'markC
+ }
+ \header { piece = "First score" }
+ }
+}
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-\header {
- texidoc = "Clipping snippets from a finished score
-
-Notes:
-
-@itemize @bullet
-@item If system starts and ends are included, they include extents of the System grob, eg. instrument names.
-@item Grace notes at the end point of the region are not included
-@item Regions can span multiple systems. In this case, multiple EPS files are generated.
-@end itemize
-
-This file needs to be run separately with @code{-dclip-systems}; the
-collated-files.html of the regression test does not adequately show
-the results.
-
-The result will be files named
-@file{@var{base}-from-@var{start}-to-@var{end}[-@var{count}].eps}.
-"
-
-}
-
-\version "2.10.0"
-
-#(ly:set-option 'clip-systems)
-
-#(set! output-count 1)
-
-origScore = \score{
- \relative {
- \set Staff.instrumentName = #"bla"
- c1
- d
- \grace c16
- e1
- \key d\major
-
- f
- \break \clef bass
- g,
- fis
- }
-}
-
-\book {
- \score {
- \origScore
- \layout {
-
- %% each clip-region is a (START . END) pair
- %% where both are rhythmic-locations.
-
- %% (make-rhythmic-locations BAR-NUMBER NUM DEN)
- %% means NUM/DEN whole-notes into bar numbered BAR-NUMBER
-
- clip-regions
- = #(list
- (cons
- (make-rhythmic-location 2 0 1)
- (make-rhythmic-location 4 0 1))
-
- (cons
- (make-rhythmic-location 0 0 1)
- (make-rhythmic-location 4 0 1))
-
- (cons
- (make-rhythmic-location 0 0 1)
- (make-rhythmic-location 6 0 1))
- )
- }
- }
-}
-
-#(set! output-count 0)
-#(ly:set-option 'clip-systems #f)
-
-\book {
- \score { \origScore }
- \markup { \bold \fontsize #6 clips }
- \score {
- \lyrics {
- \markup { from-2.0.1-to-4.0.1-clip.eps }
- \markup { \epsfile #X #30.0 #(format #f "~a-1-from-2.0.1-to-4.0.1-clip.eps" (ly:parser-output-name parser)) }
- }
- }
-}
+++ /dev/null
-\version "2.11.26"
-
-\header {
- texidoc = "A table of contents is included using
-@code{\\markuplines \\table-of-contents}. The toc items are added with
-the @code{\\tocItem} command."
-}
-
-#(set-default-paper-size "a6")
-
-\book {
- \markuplines \table-of-contents
- \pageBreak
-
- \tocItem \markup "The first score"
- \score {
- {
- c'1 \pageBreak
- \mark "A" \tocItem \markup "Mark A"
- d'
- }
- }
- \pageBreak
- \tocItem \markup "The second score"
- \score {
- { e' }
- \header { piece = "Second score" }
- }
-}
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-\header
-{
-
- texidoc = "Quotations take into account the transposition of both
-source and target. In this example, all instruments play sounding
-central C, the target is a instrument in F. The target part may be
-@code{\\transpose}d. In this case, all the pitches (including the
-quoted ones) will transposed as well. "
-
-}
-
-\version "2.11.10"
-
-\layout { ragged-right = ##t }
-
-
-\addQuote clarinet {
- \transposition bes
- d'16 d'16 d'8
- d'16 d'16 d'8
- d'16 d'16 d'8
- d'16 d'16 d'8
-}
-
-\addQuote sax {
- \transposition es'
- a8 a a a a a a a
-}
-
-quoteTest = {
- \transposition f % french horn
-
- g'4
- << \quoteDuring #"clarinet" { \skip 4 } s4^"clar" >>
- << \quoteDuring #"sax" { \skip 4 } s4^"sax" >>
-}
-
-
-<< \quoteTest
- \new Staff
- << \transpose c' d' \quoteTest
- s4_"up 1 tone"
- >>
->>
+++ /dev/null
-\header
-{
-
- texidoc = "With @code{\\quote}, fragments of previously entered
-music may be quoted. @code{quotedEventTypes} will determines what
-things are quoted. In this example, a 16th rests is not quoted, since
-@code{rest-event} is not in @code{quotedEventTypes}."
-
-}
-\version "2.11.10"
-\layout {
- ragged-right = ##t
-}
-
-
-quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
-
-\addQuote quoteMe \quoteMe
-original = \relative c'' { c8 d s2 es8 gis8 }
-
-<<
- \new Staff {
- \set Staff.instrumentName = "quoteMe"
- \quoteMe
- }
- \new Staff {
- \set Staff.instrumentName = "orig"
- \original
- }
- \new Staff \relative c'' <<
- \set Staff.instrumentName = "orig+quote"
- \set Staff.quotedEventTypes = #'(note-event articulation-event)
- \original
- \new Voice {
- s4
- \set fontSize = #-4
- \override Stem #'length-fraction = #(magstep -4)
- \quoteDuring #"quoteMe" { \skip 2. }
- }
- >>
->>
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Sample snippets from LSR')
-
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR!
-\version "2.11.35"
-
-\header { texidoc = "
-This example shows prelude in C major of Bach's Well-Tempered Klavier
-1, but coded using Scheme functions to avoid typing work.
-
-BROKEN (?) IN 2.11, COMMENTED OUT.
-" }
-
-{ c'4 }
+++ /dev/null
-\header {
-
- texidoc = "Makam is Turkish type of melody that uses 1/9 tone
- microtonal alterations."
-
-}
-
-
-\version "2.11.6"
-
-%{
-
-Define 1/9 alterations.
-
-%}
-
-
-#(define-public KOMA 1/9)
-#(define-public BAKIYE 4/9)
-#(define-public KUCUK 5/9)
-#(define-public BUYUKMUCENNEB 8/9)
-
-%{
-
-Define pitch names
-
-%}
-
-makamPitchNames = #`(
- (c . ,(ly:make-pitch -1 0 NATURAL))
- (d . ,(ly:make-pitch -1 1 NATURAL))
- (e . ,(ly:make-pitch -1 2 NATURAL))
- (f . ,(ly:make-pitch -1 3 NATURAL))
- (g . ,(ly:make-pitch -1 4 NATURAL))
- (a . ,(ly:make-pitch -1 5 NATURAL))
- (b . ,(ly:make-pitch -1 6 NATURAL))
-
- (cc . ,(ly:make-pitch -1 0 KOMA))
- (dc . ,(ly:make-pitch -1 1 KOMA))
- (ec . ,(ly:make-pitch -1 2 KOMA))
- (fc . ,(ly:make-pitch -1 3 KOMA))
- (gc . ,(ly:make-pitch -1 4 KOMA))
- (ac . ,(ly:make-pitch -1 5 KOMA))
- (bc . ,(ly:make-pitch -1 6 KOMA))
-
- (cb . ,(ly:make-pitch -1 0 BAKIYE))
- (db . ,(ly:make-pitch -1 1 BAKIYE))
- (eb . ,(ly:make-pitch -1 2 BAKIYE))
- (fb . ,(ly:make-pitch -1 3 BAKIYE))
- (gb . ,(ly:make-pitch -1 4 BAKIYE))
- (ab . ,(ly:make-pitch -1 5 BAKIYE))
- (bb . ,(ly:make-pitch -1 6 BAKIYE))
-
- (ck . ,(ly:make-pitch -1 0 KUCUK))
- (dk . ,(ly:make-pitch -1 1 KUCUK))
- (ek . ,(ly:make-pitch -1 2 KUCUK))
- (fk . ,(ly:make-pitch -1 3 KUCUK))
- (gk . ,(ly:make-pitch -1 4 KUCUK))
- (ak . ,(ly:make-pitch -1 5 KUCUK))
- (bk . ,(ly:make-pitch -1 6 KUCUK))
-
- (cbm . ,(ly:make-pitch -1 0 BUYUKMUCENNEB))
- (dbm . ,(ly:make-pitch -1 1 BUYUKMUCENNEB))
- (ebm . ,(ly:make-pitch -1 2 BUYUKMUCENNEB))
- (fbm . ,(ly:make-pitch -1 3 BUYUKMUCENNEB))
- (gbm . ,(ly:make-pitch -1 4 BUYUKMUCENNEB))
- (abm . ,(ly:make-pitch -1 5 BUYUKMUCENNEB))
- (bbm . ,(ly:make-pitch -1 6 BUYUKMUCENNEB))
-
- ;; f for flat.
- (cfc . ,(ly:make-pitch -1 0 (- KOMA)))
- (dfc . ,(ly:make-pitch -1 1 (- KOMA)))
- (efc . ,(ly:make-pitch -1 2 (- KOMA)))
- (ffc . ,(ly:make-pitch -1 3 (- KOMA)))
- (gfc . ,(ly:make-pitch -1 4 (- KOMA)))
- (afc . ,(ly:make-pitch -1 5 (- KOMA)))
- (bfc . ,(ly:make-pitch -1 6 (- KOMA)))
-
- (cfb . ,(ly:make-pitch -1 0 (- BAKIYE)))
- (dfb . ,(ly:make-pitch -1 1 (- BAKIYE)))
- (efb . ,(ly:make-pitch -1 2 (- BAKIYE)))
- (ffb . ,(ly:make-pitch -1 3 (- BAKIYE)))
- (gfb . ,(ly:make-pitch -1 4 (- BAKIYE)))
- (afb . ,(ly:make-pitch -1 5 (- BAKIYE)))
- (bfb . ,(ly:make-pitch -1 6 (- BAKIYE)))
-
- (cfk . ,(ly:make-pitch -1 0 (- KUCUK)))
- (dfk . ,(ly:make-pitch -1 1 (- KUCUK)))
- (efk . ,(ly:make-pitch -1 2 (- KUCUK)))
- (ffk . ,(ly:make-pitch -1 3 (- KUCUK)))
- (gfk . ,(ly:make-pitch -1 4 (- KUCUK)))
- (afk . ,(ly:make-pitch -1 5 (- KUCUK)))
- (bfk . ,(ly:make-pitch -1 6 (- KUCUK)))
-
- (cfbm . ,(ly:make-pitch -1 0 (- BUYUKMUCENNEB)))
- (dfbm . ,(ly:make-pitch -1 1 (- BUYUKMUCENNEB)))
- (efbm . ,(ly:make-pitch -1 2 (- BUYUKMUCENNEB)))
- (ffbm . ,(ly:make-pitch -1 3 (- BUYUKMUCENNEB)))
- (gfbm . ,(ly:make-pitch -1 4 (- BUYUKMUCENNEB)))
- (afbm . ,(ly:make-pitch -1 5 (- BUYUKMUCENNEB)))
- (bfbm . ,(ly:make-pitch -1 6 (- BUYUKMUCENNEB)))
-
-)
-
-
-%% set pitch names.
-pitchnames = \makamPitchNames
-#(ly:parser-set-note-names parser makamPitchNames)
-
-\paper
-{
- ragged-right = ##t
-}
-
-
-makamGlyphs = #'((1 . "accidentals.doublesharp")
- (8/9 . "accidentals.sharp.slashslashslash.stemstem")
- (5/9 . "accidentals.sharp.slashslashslash.stem")
- (4/9 . "accidentals.sharp")
- (1/9 . "accidentals.sharp.slashslash.stem")
- (0 . "accidentals.natural")
- (-1/9 . "accidentals.mirroredflat")
- (-4/9 . "accidentals.flat.slash")
- (-5/9 . "accidentals.flat")
- (-8/9 . "accidentals.flat.slashslash")
- (-1 . "accidentals.flatflat")
- )
-
-\relative {
-
- %{ define alteration <-> symbol mapping. The following glyphs are available.
-
- accidentals.sharp
- accidentals.sharp.slashslash.stem
- accidentals.sharp.slashslashslash.stemstem
- accidentals.sharp.slashslashslash.stem
- accidentals.sharp.slashslash.stemstemstem
- accidentals.natural
- accidentals.flat
- accidentals.flat.slash
- accidentals.flat.slashslash
- accidentals.mirroredflat.flat
- accidentals.mirroredflat
- accidentals.flatflat
- accidentals.flatflat.slash
- accidentals.doublesharp
-
- %}
-
- \override Accidental #'glyph-name-alist = \makamGlyphs
-
- \override Staff.KeySignature #'glyph-name-alist = \makamGlyphs
- \set Staff.keySignature = #'(
- (3 . 4/9)
- (6 . -1/9))
-
- c cc db fk gbm gfc gfb efk dfbm
-}
+++ /dev/null
-\header {
- texidoc = "By adding @code{Volta_engraver}, repeat brackets
- can be put over staves other than the topmost one in a score."
-}
-
-\version "2.11.36"
-
-vmus = {
- \repeat volta 2 c1 \alternative { d e }
-}
-
-\relative c'' <<
- \new StaffGroup <<
- \context Staff \vmus
- \new Staff \vmus
- >>
- \new StaffGroup <<
- \new Staff \with { \consists Volta_engraver }
- \vmus
- \new Staff \vmus
- >>
->>
--- /dev/null
+\version "2.11.10"
+\header {
+ doctitle = "Quoting another voice with transposition"
+ lsrtags = "pitches,staff-notation"
+ texidoc = "Quotations take into account the transposition of both
+source and target. In this example, all instruments play sounding
+central C, the target is a instrument in F. The target part may be
+@code{\\transpose}d. In this case, all the pitches (including the
+quoted ones) will transposed as well."
+}
+
+\addQuote clarinet {
+ \transposition bes
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+ d'16 d'16 d'8
+}
+
+\addQuote sax {
+ \transposition es'
+ a8 a a a a a a a
+}
+
+quoteTest = {
+ \transposition f % french horn
+
+ g'4
+ << \quoteDuring #"clarinet" { \skip 4 } s4^"clar" >>
+ << \quoteDuring #"sax" { \skip 4 } s4^"sax" >>
+}
+
+<< \quoteTest
+ \new Staff
+ << \transpose c' d' \quoteTest
+ s4_"up 1 tone"
+ >>
+>>
--- /dev/null
+\version "2.11.10"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Quoting another voice"
+ lsrtags = "staff-notation"
+ texidoc = "With @code{\\quote}, fragments of previously entered
+music may be quoted. @code{quotedEventTypes} will determines what
+things are quoted. In this example, a 16th rest is not quoted, since
+@code{rest-event} is not in @code{quotedEventTypes}."
+}
+
+quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
+
+\addQuote quoteMe \quoteMe
+original = \relative c'' { c8 d s2 es8 gis8 }
+
+<<
+ \new Staff {
+ \set Staff.instrumentName = "quoteMe"
+ \quoteMe
+ }
+ \new Staff {
+ \set Staff.instrumentName = "orig"
+ \original
+ }
+ \new Staff \relative c'' <<
+ \set Staff.instrumentName = "orig+quote"
+ \set Staff.quotedEventTypes = #'(note-event articulation-event)
+ \original
+ \new Voice {
+ s4
+ \set fontSize = #-4
+ \override Stem #'length-fraction = #(magstep -4)
+ \quoteDuring #"quoteMe" { \skip 2. }
+ }
+ >>
+>>
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-\header {
- texidoc = "By adding @code{Volta_engraver}, repeat brackets
- can be put over staves other than the topmost one in a score."
-}
-
-\version "2.11.36"
-
-vmus = {
- \repeat volta 2 c1 \alternative { d e }
-}
-
-\relative c'' <<
- \new StaffGroup <<
- \context Staff \vmus
- \new Staff \vmus
- >>
- \new StaffGroup <<
- \new Staff \with { \consists Volta_engraver }
- \vmus
- \new Staff \vmus
- >>
->>
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-
-\version "2.10.0"
-% possible rename to scheme- or something like that. -gp
-\header { texidoc = "@cindex Scheme Move Text
-Objects, like text, can be moved around by using some Scheme code.
-" }
-
-#(define (make-text-checker text)
- (lambda (grob) (equal? text (ly:grob-property grob 'text))))
-
-\score {
- \relative c''' {
- \stemUp
- \applyOutput #'Voice #(outputproperty-compatibility (make-text-checker (make-simple-markup "m.d."))
- 'extra-offset '(-3.5 . -4.5))
- a^2^"m.d."
- }
- \layout { ragged-right = ##t}
-}
-
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Sample snippets from LSR')
-
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-\version "2.11.26"
-
-\header {
- texidoc = "Page labels may be placed inside music or at top-level,
-and refered to in markups."
-}
-
-#(set-default-paper-size "a6")
-
-#(define-markup-command (toc-line layout props label text) (symbol? markup?)
- (interpret-markup layout props
- (markup #:fill-line (text #:page-ref label "8" "?"))))
-
-\book {
- \markup \huge \fill-line { \null "Title Page" \null }
-
- \pageBreak
-
- \label #'toc
- \markup \column {
- \large \fill-line { \null "Table of contents" \null }
- \toc-line #'toc "Table of contents"
- \toc-line #'firstScore "First Score"
- \toc-line #'markA "Mark A"
- \toc-line #'markB "Mark B"
- \toc-line #'markC "Mark C"
- \toc-line #'unknown "Unknown label"
- }
-
- \pageBreak
-
- \label #'firstScore
- \score {
- { c'2 c'
- \mark \markup { A (page \concat { \page-ref #'markA "0" "?" ) }} \label #'markA
- c' c'
- \pageBreak
- \mark "B" \label #'markB
- d' d'
- d' d'
- \once \override Score . RehearsalMark #'break-visibility = #begin-of-line-invisible
- \mark "C" \label #'markC
- }
- \header { piece = "First score" }
- }
-}
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Sample snippets from LSR')
-
--- /dev/null
+\version "2.11.26"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Table of contents"
+ lsrtags = "paper-and-layout"
+ texidoc = "A table of contents is included using
+@code{\\markuplines \\table-of-contents}. The TOC items are added with
+the @code{\\tocItem} command."
+}
+
+#(set-default-paper-size "a6")
+
+\book {
+ \markuplines \table-of-contents
+ \pageBreak
+
+ \tocItem \markup "The first score"
+ \score {
+ {
+ c'1 \pageBreak
+ \mark "A" \tocItem \markup "Mark A"
+ d'
+ }
+ }
+ \pageBreak
+ \tocItem \markup "The second score"
+ \score {
+ { e' }
+ \header { piece = "Second score" }
+ }
+}
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
+++ /dev/null
-\version "2.11.25"
-
-\header {
- texidoc = "Text that can spread over pages is entered with the
-@code{\\markuplines} command."
-}
-
-#(set-default-paper-size "a6")
-
-#(define-markup-list-command (paragraph layout props args) (markup-list?)
- (interpret-markup-list layout props
- (make-justified-lines-markup-list (cons (make-hspace-markup 2) args))))
-
-%% Candide, Voltaire
-\markuplines \override-lines #'(baseline-skip . 2.5) {
- \paragraph {
- Il y avait en Westphalie, dans le château de M. le baron de
- Thunder-ten-tronckh, un jeune garçon à qui la nature avait donné
- les mœurs les plus douces. Sa physionomie annonçait son âme.
- Il avait le jugement assez droit, avec l'esprit le plus simple ;
- c'est, je crois, pour cette raison qu'on le nommait Candide. Les
- anciens domestiques de la maison soupçonnaient qu'il était fils
- de la sœur de monsieur le baron et d'un bon et honnête
- gentilhomme du voisinage, que cette demoiselle ne voulut jamais
- épouser parce qu'il n'avait pu prouver que soixante et onze
- quartiers, et que le reste de son arbre généalogique avait été
- perdu par l'injure du temps.
- }
- \paragraph {
- Monsieur le baron était un des plus puissants seigneurs de la
- Westphalie, car son château avait une porte et des fenêtres. Sa
- grande salle même était ornée d'une tapisserie. Tous les chiens
- de ses basses-cours composaient une meute dans le besoin ; ses
- palefreniers étaient ses piqueurs; le vicaire du village était
- son grand-aumônier. Ils l'appelaient tous monseigneur, et ils
- riaient quand il faisait des contes.
- }
-}
+++ /dev/null
-\version "2.10.0"
-
-%% Edit this file using a Unicode aware editor, such as GVIM, GEDIT, Emacs
-
-%{
-
-You may have to install additional fonts.
-
-Red Hat Fedora
-
- taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
- ttfonts-zh_CN fonts-ja fonts-hebrew
-
-Debian GNU/Linux
-
- apt-get install emacs-intl-fonts xfonts-intl-.* \
- ttf-kochi-gothic ttf-kochi-mincho \
- xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
-%}
-
-\header {
-
- texidoc = "Various scripts may be used for texts (like titles and
-lyrics) introduced by entering them in UTF-8 encoding, and using a
-Pango based backend. Depending on the fonts installed, this fragment
-will render Bulgarian (Cyrillic), Hebrew, Japanese and Portuguese.
-
-"
-
-}
-
-% end verbatim - this comment is a hack to prevent texinfo.tex
-% from choking on non-European UTF-8 subsets
-% Cyrillic font
-bulgarian = \lyricmode {
- Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
-}
-
-hebrew = \lyricmode {
- זה כיף סתם לשמוע איך תנצח קרפד עץ טוב בגן.
-}
-
-japanese = \lyricmode {
- いろはにほへど ちりぬるを
- わがよたれぞ つねならむ
- うゐのおくや まけふこえて
- あさきゆめみじ ゑひもせず
-}
-
-% "a legal song to you"
-portuguese = \lyricmode {
- à vo -- cê uma can -- ção legal
-}
-
-\paper {
- ragged-right = ##T
-}
-
-\relative {
- c2 d e f g f e
-}
-\addlyrics { \bulgarian }
-\addlyrics { \hebrew }
-\addlyrics { \japanese }
-\addlyrics { \portuguese }
--- /dev/null
+\version "2.11.23"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Using the @code{\tweak} command to tweak individual grobs"
+ lsrtags = "tweaks-and-overrides"
+ texidoc = "
+With the @code{\tweak} command, you can tune every grob directly. Here
+are some examples of available tweaks.
+"
+}
+
+{
+ \set fingeringOrientations = #'(right)
+ <
+ \tweak #'font-size #3 c
+ \tweak #'color #red d-\tweak #'font-size #8 -4
+ \tweak #'style #'cross g
+ \tweak #'duration-log #1 a
+ >4
+}
--- /dev/null
+\version "2.10.0"
+
+%% Edit this file using a Unicode aware editor, such as GVIM, GEDIT, Emacs
+
+%{
+
+You may have to install additional fonts.
+
+Red Hat Fedora
+
+ taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
+ ttfonts-zh_CN fonts-ja fonts-hebrew
+
+Debian GNU/Linux
+
+ apt-get install emacs-intl-fonts xfonts-intl-.* \
+ ttf-kochi-gothic ttf-kochi-mincho \
+ xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
+%}
+
+\header {
+ doctitle = "UTF-8"
+ lsrtags = "text"
+ texidoc = "Various scripts may be used for texts (like titles and
+lyrics) introduced by entering them in UTF-8 encoding, and using a
+Pango based backend. Depending on the fonts installed, this fragment
+will render Bulgarian (Cyrillic), Hebrew, Japanese and Portuguese.
+
+"
+
+}
+
+% end verbatim - this comment is a hack to prevent texinfo.tex
+% from choking on non-European UTF-8 subsets
+% Cyrillic font
+bulgarian = \lyricmode {
+ Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
+}
+
+hebrew = \lyricmode {
+ זה כיף סתם לשמוע איך תנצח קרפד עץ טוב בגן.
+}
+
+japanese = \lyricmode {
+ いろはにほへど ちりぬるを
+ わがよたれぞ つねならむ
+ うゐのおくや まけふこえて
+ あさきゆめみじ ゑひもせず
+}
+
+% "a legal song to you"
+portuguese = \lyricmode {
+ à vo -- cê uma can -- ção legal
+}
+
+\paper {
+ ragged-right = ##t
+}
+
+\relative {
+ c2 d e f g f e
+}
+\addlyrics { \bulgarian }
+\addlyrics { \hebrew }
+\addlyrics { \japanese }
+\addlyrics { \portuguese }
+++ /dev/null
-depth = ../../..
-
-STEPMAKE_TEMPLATES=documentation
-
-EXTRA_DIST_FILES=$(call src-wildcard,*.ly)
-
-include $(depth)/make/stepmake.make
+++ /dev/null
-# -*-python-*-
-
-Import ('env', 'collate')
-collate (title = 'Advanced snippets')
--- /dev/null
+\version "2.11.36"
+\layout { ragged-right= ##t }
+\header {
+ doctitle = "Volta multi-staff"
+ lsrtags = "repeats,staff-notation"
+ texidoc = "By adding @code{Volta_engraver}, repeat brackets
+can be put over staves other than the topmost one in a score."
+}
+
+vmus = \relative c'' {
+ \repeat volta 2 c1 \alternative { d e }
+}
+
+<<
+ \new StaffGroup <<
+ \context Staff \vmus
+ \new Staff \vmus
+ >>
+ \new StaffGroup <<
+ \new Staff \with { \consists Volta_engraver }
+ \vmus
+ \new Staff \vmus
+ >>
+>>
projects / lilypond.git / commitdiff