* diatonic scale::
* diminished interval::
* diminuendo::
+* direct::
* disjunct movement::
* dissonance::
* dissonant interval::
* grand staff::
* grave::
* gruppetto::
+* H::
* half note::
* half rest::
* harmonic cadence::
S: a,
FI: A, a.
+@aref{Pitch names}
+
@node accent
@section accent
FI: appoggiatura, etuhele.
Ornamental note, usually a second, that is melodically connected with the
-main note following it. In music before the 19th century a.@: were usually
-performed on the beat, after that mostly before the beat. While the short
-a.@: is performed as a short note regardless of the duration of the main note
-the duration of the long a.@: is proportional to that of the main note.
+main note following it. In music before the 19th century appoggiature were
+usually performed on the beat, after that mostly before the beat. While the
+short appoggiatura is performed as a short note regardless of the duration of
+the main note the duration of the long appoggiatura is proportional to that of
+the main note.
@lilypond[line-width=13.0\cm]
\context Voice \relative c'' {
@node articulation
@section articulation
-@c TODO: add languages for articulation.
+ES: articulación,
+I: articulazione,
+F: articulation,
+D: Artikulation,
+NL: articulatie,
+DK: ?,
+S: ?,
+FI: ?.
+
Articulation refers to notation which indicates how a note or notes should
be played. Slurs, accents, staccato, and legato are all examples of
articulartion.
-
@node ascending interval
@section ascending interval
S: h,
FI: H, h.
+@aref{Pitch names}
+
@node backfall
@section backfall
ES: clave de fa en cuarta,
I: chiave di basso,
-F: clé de fa quatrième ligne,
+F: clef de fa quatrième ligne,
D: Bassschlüssel,
NL: bassleutel,
DK: basnøgle,
S: c,
FI: C, c.
+@aref{Pitch names}
+
@node C clef
@section C clef
ES: clave de do,
I: chiave di do,
-F: clé d'ut,
+F: clef d'ut,
D: C-Schlüssel,
NL: C-sleutel,
DK: c-nøgle,
} % End score
@end lilypond
-Note the @qq{curl} of the G clef in centered on the
+The @qq{curl} of the G clef in centered on the
line which represents the pitch G.
In the same way, the bass or F clef indicates that
ES: notas guía,
I: notine,
-F: petites notes précédent l'entrée d'in instrument, réplique,
+F: petites notes précédent l'entrée d'un instrument, réplique,
D: Stichnoten,
NL: stichnoten,
DK: stiknoder,
S: d,
FI: D, d.
+@aref{Pitch names}
+
@node da capo
@section da capo
@aref{decrescendo}.
+@node direct
+@section direct
+
+ES: ?,
+I: ?,
+F: ?,
+D: ?,
+NL: ?,
+DK: ?,
+S: ?,
+FI: ?.
+
+@aref{custos}.
+
@node disjunct movement
@section disjunct movement
S: punkt,
FI: piste.
+@c TODO: fix double redirect -- to "dotted note", and thence to "note value"?
+
@aref{dotted note}.
@node dotted note
S: e,
FI: E, e.
+@aref{Pitch names}
+
@node ecclesiastical mode
@section ecclesiastical mode
@itemize
@item
-In vocal music to indicate a single syllable to be sung for a
-@aref{melisma}
+In vocal music to indicate a single syllable to be sung for a melisma. Called
+extension the the Dolmetsch Online Music Dictionary.
@item
-In figured bass (or @aref{thorough bass}) to indicate that:
+In figured (or thorough) bass to indicate that:
@itemize
+
@item The extended note should be held through a change in
harmony, when applied to one figure --OR--
composers used a single extender line to indicate the
latter case.
- @item For more information see "Thorough bass"
-
@end itemize
-@item In string music, see "String indicator"
+@item
+In string music to indicate that all notes thus indicated should be played on
+the same string. On the violin, for example, a series of notes to be played on
+the G string would be indicated @q{sul G}, another series to be played on the
+D string would be indicated @q{sul D}, and so on.
@end itemize
+@aref{melisma}, @aref{thorough bass}
+
+Sul G, Sul D, Sul A, Sul E
+
+
@node F
@section F
S: f,
FI: F, f.
+@aref{Pitch names}
+
@node F clef
@section F clef
ES: clave de fa,
I: chiave di fa,
-F: clé de fa,
+F: clef de fa,
D: F-Schlüssel,
NL: F-sleutel,
DK: F-nøgle,
The position between the dots of the key symbol is the line of the F below
central@w{ }C. Used on the third, fourth and fifth note line. A
digit@w{ }8 above the clef symbol indicates that the notes must be played
-an octave higher (for example bass recorder) while 8@w{ }below the clef
-symbol indicates playing an octave lower (for example on double bass
+an octave higher (for example, bass recorder) while 8@w{ }below the clef
+symbol indicates playing an octave lower (for example, on double bass
@aref{strings}).
@lilypond[fragment,notime,line-width=13.0\cm]
f1
}
\lyrics {
- "baritone "
+ "varbaritone "
"bass "
"sub-bass "
"octaved up "
>>
@end lilypond
+@aref{baritone clef}
+
@c F: 'point d'orgue' on a note, 'point d'arret' on a rest.
@node fermata
S: g,
FI: G, g.
+@aref{Pitch names}
+
@node G clef
@section G clef
ES: clave de sol,
I: chiave di sol,
-F: clé de sol,
+F: clef de sol,
D: G-Schlüssel, Violinschlüssel,
NL: G-sleutel,
DK: g-nøgle,
@aref{turn}.
+@node H
+@section H
+
+ES: si,
+I: si,
+F: si,
+D: H, h,
+NL: b,
+DK: h,
+S: h,
+FI: H, h.
+
+Letter name used for @q{B natural} in German and Scandinavian usage. In the
+standard usage of these countries, @q{B} means @q{B flat}.
+
+@aref{Pitch names}, @aref{B}
+
@node half note
@section half note
Alternatively note values may be subdivided by other ratios. Most common is
subdivision by@w{ }3 (@emph{triplets}) and@w{ }5 (@emph{quintuplets}).
-Subdivisions by@w{ }2 (@emph{tuplets}) or@w{ }4 (@emph{quadruplets}) of
+Subdivisions by@w{ }2 (@emph{duplets}) or@w{ }4 (@emph{quadruplets}) of
dotted notes are also frequently used.
@lilypond[fragment,line-width=13.0\cm]
@node pause
@section pause
-@ref{fermata}.
+@aref{fermata}.
@node pennant
@section pennant
S: parallelltonart,
FI: rinnakkaissävellaji.
-@aref{major} and @aref{minor} @aref{key}
-with the same @aref{key signature}.
+@aref{major} and @aref{minor} @aref{key}s with the same @aref{key signature}.
@lilypond[fragment,notime,line-width=13.0\cm]
\set Score.automaticBars = ##f
ES: clave de sol,
I: chiave di violino,
-F: clé de sol,
+F: clef de sol,
D: Violinschlüssel, Sopranschlüssel,
NL: viool sleutel,
DK:@w{ }diskantnøgle,
@tab @strong{FI}
@tab @strong{ES}
-@item
+@c extra @items make this table harder to read, so I removed them.
@item @strong{longa}
@tab longa
@tab longa
@tab longa
-@item
-
@item @strong{breve}
@tab breve
@tab breve
@tab brevis
@tab cuadrada
-@item
-
@item @strong{whole}
@tab semi@-breve
@tab semi@-breve
@tab koko@-nuotti/@w{-tauko}
@tab redonda
-@item
-
@item @strong{half}
@tab minim
@tab minima
@tab puoli@-nuotti/@w{-tauko}
@tab blanca
-@item
-
@item @strong{quarter}
@tab crotchet
@tab semiminima
@tab neljännesosa@-nuotti/@w{-tauko}
@tab negra
-@item
-
@item @strong{eighth}
@tab quaver
@tab croma
@tab kahdeksasosa@-nuotti/@w{-tauko}
@tab corchea
-@item
-
@item @strong{sixteenth}
@tab semiquaver
@tab semicroma
@tab kuudestoistaosa@-nuotti/@w{-tauko}
@tab semicorchea
-@item
-
@item @strong{thirty-second}
@tab demisemiquaver
@tab biscroma
@tab kolmaskymme@-neskahdesosa@-nuotti/@w{-tauko}
@tab fusa
-@item
-
@item @strong{sixty-fourth}
@tab hemidemisemiquaver
@tab semibiscroma
@tab semifusa
@end multitable
-@c @item @tab @tab @tab @tab @tab @tab @tab @tab @tab
@node Pitch names
@chapter Pitch names
@end table
@c @multitable @columnfractions .105 .145 .125 .125 .125 .125 .125 .125
+@c the extra @item's between each row makes the table hard to read ... so I removed them
+
@multitable @columnfractions .11 .14 .14 .11 .1 .1 .1 .1 .1
+@c TODO -- figure out how to make _real_ table headers in TeXinfo
+
@item @tab @strong{ES} @tab @strong{I} @tab @strong{F} @tab @strong{D}
@tab @strong{NL} @tab @strong{DK} @tab @strong{S} @tab @strong{FI}
-@item
-
@item @strong{c} @tab do @tab do @tab ut @tab C @tab c @tab c @tab c @tab c
-@item
-
-@item @strong{c-sharp} @tab do sostenido @tab do diesis @tab ut dièse @tab
-Cis @tab cis @tab
-cis @tab cis @tab cis
-
-@item
-
-@item @strong{d-flat} @tab re bemol @tab re bemolle @tab ré bémol @tab
-Des @tab des @tab
-des @tab des @tab des
-
-@item
+@item @strong{c-sharp} @tab do sostenido @tab do diesis @tab ut dièse
+@tab Cis @tab cis @tab cis @tab cis @tab cis
-@item @strong{d} @tab re @tab re @tab ré @tab D @tab d @tab d @tab d @tab d
+@item @strong{d-flat} @tab re bemol @tab re bemolle @tab ré bémol @tab Des
+@tab des @tab des @tab des @tab des
-@item
+@item @strong{d} @tab re @tab re @tab ré @tab D @tab d @tab d @tab d @tab d
-@item @strong{e} @tab mi @tab mi @tab mi @tab E @tab e @tab e @tab e @tab e
+@item @strong{e-flat} @tab mi bemol @tab mi bemolle @tab mi bémol @tab Es
+@tab es @tab es @tab es @tab es
-@item
+@item @strong{e} @tab mi @tab mi @tab mi @tab E @tab e @tab e @tab e @tab e
@item @strong{f} @tab fa @tab fa @tab fa @tab F @tab f @tab f @tab f @tab f
-@item
-
@item @strong{g} @tab sol @tab sol @tab sol @tab G @tab g @tab g @tab g
@tab g
-@item
-
@item @strong{a-flat} @tab la bemol @tab la bemolle @tab la bémol @tab As
-@tab as @tab as
-@tab as @tab as
-
-@item
+@tab as @tab as @tab as @tab as
@item @strong{a} @tab la @tab la @tab la @tab A @tab a @tab a @tab a @tab a
-@item
-
-@item @strong{a-sharp} @tab la sostenido @tab la diesis @tab la dièse @tab
-Ais @tab ais @tab
-ais @tab ais @tab ais
-
-@item
+@item @strong{a-sharp} @tab la sostenido @tab la diesis @tab la dièse
+@tab Ais @tab ais @tab ais @tab ais @tab ais
-@item @strong{b-flat} @tab si bemol @tab si bemolle @tab si bémol @tab B
-@tab bes @tab b
-@tab b @tab b
-
-@item
+@item @strong{b-flat} @tab si bemol @tab si bemolle @tab si bémol @tab B
+@tab bes @tab b @tab b @tab b
@item @strong{b} @tab si @tab si @tab si @tab H @tab b @tab h @tab h @tab h
projects / lilypond.git / commitdiff