* Documentation/topdocs/AUTHORS.texi (AUTHORS): cleanup.

* Documentation/user/introduction.itely (Introduction): rewrite
introduction,
(Music notation and  engraving): about notation. Add flat-picture

diff --git a/ChangeLog b/ChangeLog
index b17c13f6a1810de47b4ad02575f44d9a278f84b6..baf13fab975b4520ad879b2838d08336245898b6 100644 (file)
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,10 +1,12 @@
 2003-07-19  Han-Wen Nienhuys  <hanwen@cs.uu.nl>
 
+       * Documentation/topdocs/AUTHORS.texi (AUTHORS): cleanup.
+
        * Documentation/index.texi (Top): cleanup.
 
        * Documentation/user/introduction.itely (Introduction): rewrite
        introduction, 
-       (Music notation and  engraving): about notation.
+       (Music notation and  engraving): about notation. Add flat-picture
 
 2003-07-18  Han-Wen Nienhuys  <hanwen@cs.uu.nl>
 

diff --git a/Documentation/topdocs/AUTHORS.texi b/Documentation/topdocs/AUTHORS.texi
index 49a18bb00692bb6dcde34c17c14b9624b507cd22..c1d1fcd6eac0ba339f178d334c2e47689337afc9 100644 (file)
--- a/Documentation/topdocs/AUTHORS.texi
+++ b/Documentation/topdocs/AUTHORS.texi
@@ -35,8 +35,6 @@ list is alphabetically ordered.
     Debian package: debian/*
 @item  David Gonz@'alez
   Spanish glossary translations.
-@item @email{jlhamm@@pacificnet.net, James Hammons},
-    American chord names, gnu-windows testing
 @item @email{bjoern.jacke@@gmx.de, Bjoern Jacke}
     German glossary stuff.
 @item @email{chris@@fluffhouse.org.uk, Chris Jackson},
@@ -61,9 +59,6 @@ list is alphabetically ordered.
 @item @email{janneke@@gnu.org, Jan Nieuwenhuizen}, 
     @uref{http://www.xs4all.nl/~jantien/}
     Main author (initials: JCN).
-@item @email{oliva@@dcc.unicamp.br, Alexandre Oliva}, 
-    @uref{http://sunsite.unicamp.br/~oliva/}
-    testing
 @item @email{pinard@@iro.umontreal.ca, Francois Pinard},
     @uref{http://www.iro.umontreal.ca/~pinard/}
     parts of Documentation/user/glossary*, started internationalization stuff

diff --git a/Documentation/user/introduction.itely b/Documentation/user/introduction.itely
index 19616e85b23820bda4247a50afa949a7f5f3b637..8bede8cbd826ec6dd6e73f8f4d133de593fec0ee 100644 (file)
--- a/Documentation/user/introduction.itely
+++ b/Documentation/user/introduction.itely
@@ -104,16 +104,18 @@ it to harmonize with the thickness of our staff lines.
 
 @ifhtml
 @html
-
+<p>
 <a href=henle-flat-bw.png>
-<img src=henle-flat-bw.png>
+<img width=300 src=henle-flat-bw.png>
 </a>
 
-<a href=baer-flat-bw.png><img width=300 src=baer-flat-bw.png></a>
+<a href=baer-flat-bw.png>
+<img width=300 src=baer-flat-bw.png></a>
 
 <a src=lily-flat-bw.png>
-<img src=lily-flat-bw.png>
-<a/>
+<img width=300 src=lily-flat-bw.png>
+</a>
+<p>
 @end html
 @end ifhtml
 
@@ -333,7 +335,7 @@ LilyPond is a batch program, so the syntax of the program is its
 user-interface.  It is the part that they see most, so it is easy to
 think that music representation is a very important or interesting
 problem. In reality, less than 10% of the source code of the program
-handles reading the input and representation, and they form the easy
+handles reading and representing the input, and they form the easy
 bits of the program. Converting the music to notation, and calculating
 a pretty layout is much more difficult.
 
@@ -342,8 +344,8 @@ a pretty layout is much more difficult.
 
 We have written LilyPond as an experiment of how to condense the art
 of music engraving into a computer program. Thanks to all that hard
-work, the program can be used to perform useful tasks.  The simplest
-application is printing notes.
+work, the program can now be used to perform useful tasks.  The
+simplest application is printing notes.
 
 @lilypond[relative=1]
   \time 2/4 c4 c g'4 g a4 a g2