% author =Alyssa Lamb (edited & converted to bibtex by HWN)
%
-@Book {jacob47:_music,
+@Book{jacob47,
author = {Jacob, Archibald},
year = 1947,
title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
note = {subject: Musical notation},
}
-@Book{brandt:_stand_chord_symbol_notat,
+@Book{brandt,
author = {Carl Brandt and Clinton Roemer},
title = {Standardized Chord Symbol Notation},
address = {Sherman Oaks, CA},
note = {subject: musical notation},
}
-@Book{johnson46:_how,
+@Book{johnson46,
author = {Johnson, Harold M},
year = 1946,
title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
note = {subject: Musical notation --Handbooks, manuals},
}
-@Book{sadie90:_music_print_publis,
+@Book{sadie90,
title = {Music Printing & Publishing},
author = {Donald W. Krummel \& Stanley Sadie},
year = 1990,
note = {subject: musical notation},
}
-@Book{foss:_music_print,
+@Book{foss,
author = {Foss, Hubert},
title = {Music Printing},
series = {Practical Printing and Binding},
note = {subject: musical notation},
}
-@Book{steele03:_earlies_englis_music_print,
+@Book{steele03,
author = {Steele, Robert},
year = 1903,
title = {The Earliest English Music Printing},
note = {subject: history of music printing and engraving},
}
-@Book{austin:_story_music_print,
+@Book{austin,
author = {Austin, Ernest},
title = {The Story of Music Printing},
address = {London},
note = {subject: history of music printing and engraving},
}
-@Book{unknown_author:_pictor_histor_music_print,
+@Book{unknown_author,
author = {unknown author},
title = {Pictorial History of Music Printing},
address = {Elhardt, Indiana},
note = {subject: history of music printing and engraving},
}
-@Book{wintermitz55:_music_autog_montev_hindem,
+@Book{wintermitz55,
author = {Wintermitz, Emmanuel},
year = 1955,
title = {Musical Autographs from Monteverdi to Hindemith},
note = {subject: history of music printing and engraving},
}
-@Book{novello47:_some_accoun_method_music_print,
+@Book{novello47,
author = {Novello, A},
year = 1847,
note = {subject: history of music printing and engraving},
}
-@Book{chrsander18:_sketc_histor_music,
+@Book{chrsander18,
author = {Chrsander, F.},
year = {18??},
title = {A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
note = {subject: history of music printing and engraving},
}
-@Article {squire1897,
+@Article{squire1897,
author = {Squire, W},
year = 1897,
title = {Notes on Early Music Printing},
note = {subject: history of music printing and engraving},
}
-@Article{meyer35:_print_music,
+@Article{meyer35,
author = {Meyer, K. and O'Meara, J},
year = 1935,
title = {The Printing of Music, 1473-1934},
}
% 4th ver.,
-@Article{pattison39:_notes_early_music_print,
+@Article{pattison39,
author = {Pattison, B},
year = 1939,
title = {Notes on Early Music Printing},
pages = {389-421},
}
-@Book{king64:_four_hundr_years_music_print,
+@Book{king64,
author = {King, H},
year = 1964,
title = {Four Hundred Years of Music Printing},
}
%(Rev.1961).
-@Book{deutsch46:_music_number,
+@Book{deutsch46,
author = {Deutsch, O.F.},
year = 1946,
title = {Music Publishers' Numbers},
note = {subject: history of music printing and engraving},
}
-@Book{marco62:_earlies_music_print_contin_europ,
+@Book{marco62,
author = {Marco, G.A},
year = 1962,
title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
note = {subject: history of music printing and engraving},
}
-@Article{kinkeldey32:_music_and_music_print_incun,
+@Article{kinkeldey32,
author = {Kinkeldey, O},
year = 1932,
title = {Music And Music Printing in Incunabula},
note = {subject: history of music printing and engraving},
}
-@Book{oldman34:_collec_music_first_edition,
+@Book{oldman34,
author = {Oldman, C.B},
year = 1934,
title = {Collecting Musical First Editions},
note = {subject: history of music printing and engraving},
}
-@Book{carter34:_new_paths_book_collec,
+@Book{carter34,
author = {Carter, J},
year = 1934,
title = {New Paths in Book Collecting},
note = {subject: history of music printing and engraving},
}
-@Book{krummel58:_graph_analy_applic_early_americ_engrav_music,
+@Book{krummel58,
author = {Krummel, D.W.},
year = 1958,
month = 9,
note = {subject: history of music printing and engraving},
}
-@Book{krummel71:_oblon_format_early_music_books,
+@Book{krummel71,
author = {Krummel, D.W},
year = 1971,
title = {Oblong Format in Early Music Books},
note = {subject: history of music printing and engraving},
}
-@Book{king73:_anniv_music_print,
+@Book{king73,
author = {King, A.H},
year = 1973,
title = {The 50th Anniversary of Music Printing},
}
-@Book{rastall82:_wester,
+@Book{rastall82,
author = {Rastall, Richard},
year = 1982,
title = {The notation of Western music : an introduction},
note = {Musical notation},
}
-@Book{tappolet47:_la_notat_music,
+@Book{tappolet47,
author = {Tappolet, Willy},
year = 1947,
title = {La Notation Musicale},
publisher = {Neuchâtel},
}
-@Book{williams03:_story_notat,
+@Book{williams03,
author = {Williams, C.F. Abdy},
year = 1903,
title = {The Story of Notation},
note = {Musical notation},
}
-@Book{berger93:_mensur,
+@Book{berger93,
author = {Berger, Anna Maria Busse},
year = 1993,
title = {Mensuration and proportion signs : origins and evolution},
note = {Musical notation},
}
-@Book{parrish46:_notat_mediev_music,
+@Book{parrish46,
author = {Parrish, Carl},
year = 1946,
title = {The Notation of Medieval Music},
note = {subject: early notation},
}
-@Book{patch49:_genes_music,
+@Book{patch49,
author = {Patch, Harry},
year = 1949,
title = {Genesis of a Music},
note = {subject: early notation},
}
-@Book{cage69:_notat,
+@Book{cage69,
author = {Cage, John},
year = 1969,
title = {Notations},
chance operations.,V)},
}
-@Book{gaburo77:_notat,
+@Book{gaburo77,
author = {Gaburo, Virginia},
year = 1977,
title = {Notation},
note = {A Lecture about notation, new ideas about},
}
-@Book{risatti75:_new_music_vocab,
+@Book{risatti75,
author = {Risatti, Howard},
year = 1975,
title = {New Music Vocabulary},
note = {A Guide to Notational Signs for Contemporary Music},
}
-@Book{cowell30:_new_music_resour,
+@Book{cowell30,
author = {Cowell, Henry},
year = 1930,
title = {New Musical Resources},
note = {subject: 20th century notation},
}
-@Article{cowell27:_our_inadeq_notat,
+@Article{cowell27,
author = {Cowell, Henry},
year = 1927,
title = {Our Inadequate Notation},
note = {subject: 20th century notation},
}
-@Book{bowers92:_music_letter,
+@Book{bowers92,
author = {Bowers, Roger},
year = 1992,
title = {Music & Letters},
note = {Some reflection upon notation and proportion in Monteverdi's mass and vespers},
}
-@Book{brainard92:_curren_music,
+@Book{brainard92,
author = {Brainard, Paul},
year = 1992,
title = {Current Musicology},
note = {Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
}
-@Book{monelle89:_compar_liter,
+@Book{monelle89,
author = {Monelle, Raymond},
year = 1989,
title = {Comparative Literature},
note = {Music notation and the poetic foot},
}
-@Book{pinegar93:_curren_music,
+@Book{pinegar93,
author = {Pinegar, Sandra},
year = 1993,
title = {Current Musicology},
note = {The seeds of notation and music paleography.},
}
-@Book{smith90:_curren_music,
+@Book{smith90,
author = {Smith, Norman E},
year = 1990,
title = {Current Musicology},
note = {The notation of fractio modi.},
}
-@Book{treitler92:_journ_music,
+@Book{treitler92,
author = {Treitler, Leo},
year = 1992,
title = {The Journal of Musicology},
Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
}
-@Book{west94:_music_letter,
+@Book{west94,
author = {West, M.L},
year = 1994,
title = {Music & Letters},
A new way of deciphering the ancient Babylonian musical notation.}
}
-@Book{brown86:_music_quart,
+@Book{brown86,
author = {Brown, Earle},
year = 1986,
title = {Musical Quarterly},
note = {The notation and performance of new music.},
}
-@Book{eggleston94:_notes,
+@Book{eggleston94,
author = {Eggleston, Suzanne},
year = 1994,
title = {Notes},
contents of each listed periodical. Includes Music Notation News},
}
-@Book{fuller89:_journ_music,
+@Book{fuller89,
author = {Fuller, David},
year = 1989,
title = {The Journal of Musicology},
note = {Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).}
},
-@Book{jones90:_persp_new_music,
+@Book{jones90,
author = {Jones, David Evan},
year = 1990,
title = {Perspectives of New Music},
note = {Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan)},
}
-@Book{rastall93:_music_letter,
+@Book{rastall93,
author = {Rastall, Richard},
year = 1993,
title = {Music & Letters},
Refor by the Chroma Foundation (book reviews).},
}
-@Article {Francois92,
+@Article{francois92,
author = {Francois, Jean-Charles},
journal = {Perspectives of New Music},
volume = {30},
@String{CitH = {Computing and the Humanities}}
@String{CMJ = {Computer Music Journal}}
-@Book {smith73,
+@Book{smith73,
year = {1973},
title = {Editing and Printing Music by Computer},
author = {Leland Smith},
music-printing system SCORE}
}
-@Article {byrd74,
+@Article{byrd74,
year = {1974},
title = {A System for Music Printing by Computer},
author = {Donald Byrd},
}
% Gomberg
-@PhdThesis {gomber75,
+@PhdThesis{gomberg75,
year = {1975},
title = {A Computer-Oriented System for Music Printing},
author = {David A. Gomberg},
school = {Washington University},
}
-@Book {gomberg,
+@Book{gomberg77,
title = {A Computer-oriented System for Music Printing},
author = {David A. Gomberg},
journal = CitH,
computer algorithms."}
}
-@TechReport{Ornstein83,
+@TechReport{ornstein83,
author = {Ornstein, Severo M. and John Turner Maxwell III},
title = {Mockingbird: A Composer's Amanuensis},
institution = {Xerox Palo Alto Research Center},
year = {1983}
}
-@Article{Ornstein84,
+@Article{ornstein84,
author = {Ornstein, Severo M. and John Turner Maxwell III},
title = {Mockingbird: A Composer's Amanuensis},
journal = {Byte},
}
% byrd
-@PhdThesis {byrd85,
+@PhdThesis{byrd85,
year = {1985},
title = {Music Notation by Computer},
author = {Donald Byrd},
editors = {Genevois \& Orlarey}
}
-@Book {CASR,
+@Book{casr,
note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
title = {Directory of Computer Assisted Research in Musicology},
author = {Walter B Hewlett and Eleanor Selfridge-Field},
totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
}
-@Book{selfridge-field97:_beyon_midi,
+@Book{selfridge-field97,
title = {Beyond MIDI: the handbook of musical codes},
editor = {Eleanor Selfridge-Field},
publisher = {MIT Press},
note = {A description of various music interchange formats.}
}
-@InProceedings{hoos98:_guido_music_notat_format,
+@InProceedings{hoos98,
title = {The {GUIDO} Music Notation Format---A Novel Approach
for Adequately Representing Score-level Music},
author = {H. H. Hoos and K. A. Hamel and K. Renz and J. Kilian},
pages = {451--454},
}
-@Article {blostein91,
+@Article{blostein91,
note = {This paper provides a overview of the algorithm used in LIME
for spacing individual lines. HWN},
year = {1991},
pages = {88-99},
}
-@Article {haken93,
+@Article{haken93,
year = {1993},
title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
author = {Lippold Haken and Dorothea Blostein},
adjacent columns.},
}
-@InProceedings{bouzaiene98:_une,
+@InProceedings{bouzaiene98,
author = {Nabil Bouzaiene and Loïc Le Gall and Emmanuel Saint-James},
title = {Une bibliothèque pour la notation musicale baroque},
booktitle = {EP '98},
%
% MusiCopy
%
-@TechReport {gourlay87-spacing,
+@TechReport{gourlay87-spacing,
annote = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it.},
year = {1987},
title = {Spacing a Line of Music,},
institution = {Department of Computer and Information Science, The Ohio State University},
}
-@TechReport {parish87,
+@TechReport{parish87,
annote = {A brief overview of {MusiCopy}},
year = {1987},
title = {{MusiCopy}: An automated Music Formatting System},
institution = {Department of Computer and Information Science, The Ohio State University},
}
-@TechReport {gourlay87-formatting,
+@TechReport{gourlay87-formatting,
note = {This paper discusses the development of algorithms for the
formatting of musical scores (from abstract). It also appeared at
PROTEXT III, Ireland 1986},
The Ohio State University},
}
-@TechReport {hegazy87,
+@TechReport{hegazy87,
year = {1987},
title = {On the Implementation of the {MusiCopy} Language Processor,},
author = {Wael A. Hegazy},
objects.},
}
-@TechReport {hegazy87-breaking-tr,
+@TechReport{hegazy87-breaking-tr,
annote = {This generalizes \TeX's breaking algorithm to music. It also
appeared in Document Manipulation and Typography, J.C. van Vliet (ed)
1988},
institution= {Department of Computer and Information Science, The Ohio State University,},
}
-@InProceedings{hegazy88:_optim,
+@InProceedings{hegazy88,
author = {Wael A. Hegazy and John S. Gourlay},
booktitle = {Proceedings of the International Conference on
Electronic Publishing, Document Manipulation and Typography. Nice (France)},
title = {Optimal line breaking in music},
}
-@TechReport {roush87,
+@TechReport{roush87,
note = {User manual of MusiCopy.},
year = {1987},
title = {Using {MusiCopy}},
institution= {Department of Computer and Information Science, The Ohio State University},
}
-@TechReport {parrish87-simultaneities,
+@TechReport{parrish87-simultaneities,
note = {This note discusses
placement of balls, stems, dots which occur at the same moment
("Simultaneity")},
number = {OSU-CISRC-10/87-TR28},
}
-@TechReport {sola87,
+@TechReport{sola87,
note = {Overview of a procedure for generating slurs},
year = {1987},
title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
number = {OSU-CISRC-10/87-TR32},
}
-@Article {gourlay86,
+@Article{gourlay86,
note = {This paper describes the MusiCopy musicsetting system and an input language to go with it.},
year = {1986},
title = {A language for music printing},
pages = {388--401},
}
-@TechReport {sola87-beams,
+@TechReport{sola87-beams,
institution= {Department of Computer and Information Science, The Ohio
State University},
note = {Calculating beam slopes HWN},
number = {OSU-CISRC-10/87-TR30},
}
-@PhdThesis {page88,
+@PhdThesis{page88,
note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
year = {1988},
title = {Computer Tools for Music Information Retrieval},
rules. Same remarks as for [grover89-twovoices] applies},
}
-@PhdThesis{mueller90:_inter_bearb_musik,
+@PhdThesis{mueller90,
author = {Giovanni Müller},
title = {Interaktive Bearbeitung konventioneller Musiknotation},
school = {Eidgenössischen Technischen Hochschule Zürich},
translation = {``An automated system for printing music'' Master's Thesis Managerial Computer Science.},
}
-@Article {filgueiras93,
+@Article{filgueiras93,
year = {1993},
title = {Representation and manipulation of music documents in SceX},
author = {Miguel Filgueiras and José Paulo Leal},
url= {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.17.1480},
}
-@Article {foxley87,
+@Article{foxley87,
note = {A paper on a simple TROFF preprocessor to typeset music.},
year = {1987},
title = {Music --- A language for typesetting music scores},
pages = {485-502},
}
-@Article {Langston90,
+@Article{langston90,
note = {This paper deals with some command-line
tools for music editing and playback.},
year = {1990},
pages = {47--61},
}
-@Book {filgueiras96,
+@Book{filgueiras96,
year = {1996},
title = {Implementing a Symbolic Music Processing System},
author = {Miguel Filgueiras},
totalentry = {LIACC, Universidade do Porto, 1996; submitted},
}
-@Book {filgueiras?,
+@Book{filgueiras,
title = {Some Music Typesetting Algorithms},
author = {Miguel Filgueiras},
totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
}
-@Article {colorado-web,
+@Article{colorado-web,
author = {Alyssa Lamb},
note = {Webpages about engraving (designed with finale
users in mind) (sic) HWN},
year = {1996}
}
-@Article {tablature-web,
+@Article{tablature-web,
note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
title = {how to read and write tab: a guide to tab notation},
author = {Howard Wright},
url= {http://www.guitartabs.cc/tabfaq.shtml},
}
-@Article {niff-web,
+@Article{niff-web,
note = {Specs for NIFF, a reasonably comprehensive but binary
format for notation HWN},
year = {1995},
ftp = {ftp://blackbox.cartah.washington.edu}
}
-@Article {smdl-web,
+@Article{smdl-web,
author = {International Organization for Standardization (ISO)},
title = {Information Technology - Document Description and Processing Languages - Standard Music Description Language (SMDL)},
pdf = {ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
basically say: "You can embed a NIFF or MIDI file")},
}
-@Article {rader96,
+@Article{rader96,
note = {Describes a system called MusicEase, and explains that it
uses "constraints" (which go unexplained) to automatically position
various elements.},
pages = {61--69},
}
-@MastersThesis{gall97:_creat,
+@MastersThesis{gall97,
author = {Loïc Le Gall},
title = {Création d'une police adaptée à la notation musicale baroque},
school = {École Estienne},
year = 1997,
}
-@TechReport{droettboom00:_study_notat_descr_languag,
+@TechReport{droettboom00,
author = {Michael Droettboom},
title = {Study of music Notation Description Languages},
year = 2000,
implementation simplicity.},
}
-@PhdThesis{gieseking01:_code_gener_noten,
+@PhdThesis{gieseking01,
author = {Martin Gieseking},
title = {Code-basierte Generierung interaktiver Notengraphik},
school = {Universität Osnabrück},
isbn = {ISBN 3-923486-30-8}
}
-@Book{hewlett01:_virtual_score,
+@Book{hewlett01,
editor = {Walter B. Hewlett and Eleanor Selfridge-Field},
title = {The Virtual Score; representation, retrieval and restoration},
publisher = {MIT Press},
year = 2001
}
-@PhdThesis{renz02:_algor_guido,
+@PhdThesis{renz02,
author = {Kai Renz},
title = {Algorithms and data structures for a music notation system based on GUIDO music notation},
school = {Universität Darmstadt},
year = 2002
}
-@InBook{powell02:_music,
+@InBook{powell02,
author = {Steven Powell},
title = {Music engraving today},
publisher = {Brichtmark},
note = {A "How Steven uses Finale" manual.}
}
-@InProceedings{nienhuys03:_lilyp,
+@InProceedings{nienhuys03,
author = {Han-Wen Nienhuys and Jan Nieuwenhuizen},
title = {LilyPond, a system for automated music engraving},
booktitle = {XIV Colloquium on Musical Informatics},
% AUTHOr =Han-Wen Nienhuys
%
-@Book{banter,
+@Book{banter87,
author = {Harald Banter},
title = {Akkord Lexikon},
publisher = {Schott's Söhne},
address = {Mainz, Germany},
}
-@Book{rastall,
+@Book{rastall83,
author = {Richard Rastall},
ALTeditor = {},
title = {The Notation of Western Music: an
note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
}
-@Book{ignatzek95:_jazzm_klavier,
+@Book{ignatzek95,
author = {Klaus Ignatzek},
title = {Die Jazzmethode für Klavier 1},
publisher = {Schott},
note = {This book contains a system for denoting chords that is used in LilyPond.}
}
-@Book{mcgrain,
+@Book{mcgrain91,
author = {Mark Mc Grain},
title = {Music notation},
year = 1991,
[heussenstamm]. }
}
-@Book{ross,
+@Book{ross87,
author = {Ted Ross},
title = {Teach yourself the art of music engraving and processing},
publisher = {Hansen House},
address = {Miami, Florida},
}
-@Book {read78,
+@Book{read78,
note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
year = {1978},
title = {Modern Rhythmic Notation},
publisher = {Indiana University Press},
}
-@Book {read-notation,
+@Book{read79,
note = {This is as close to the ``standard''
reference work for music notation issues as one is likely to get.},
title = {Music Notation: a Manual of Modern Practice},
address = {New York},
}
-@Book {weaner93,
+@Book{weaner93,
year = {1993},
title = {Standard Music Notation Practice},
author = {Maxwell Weaner and Walter Boelke},
address = {New York}
}
-@Book {wanske,
+@Book{wanske88,
annote = {I. A very thorough overview of engraving practices of various
craftsmen. It includes detailed specs of characters, dimensions
etc. II. a thorough overview of a anonymous (by now antiquated)
isbn = {ISBN 3-7957-2886-x},
}
-@Book {hader48,
+@Book{hader48,
year = {1948},
title = {Aus der Werkstatt eines Notenstechers},
author = {Karl Hader},
of print.}
}
-@Book{gamble23:_music_engrav,
+@Book{gamble23,
author = {William Gamble},
title = {Music Engraving and printing. Historical and Technical Treatise},
publisher = {Sir Isaac Pitman & Sons, ltd.},
(1971).}
}
-@Booklet {mpa96,
+@Booklet{mpa96,
note = {Pamphlet explaining a few fine points in music font design HWN},
year = {1996},
title = {Standard music notation specifications for computer programming.},
publisher = {MPA},
}
-@Book {donato63,
+@Book{donato63,
year = {1963},
author = {Anthony Donato},
title = {Preparing Music Manuscript},
publisher = {Prentice-Hall},
}
-@Book {Karkoshka72,
+@Book{karkoshka72,
year = {1972},
title = {Notation in New Music; a critical guide to interpretation and realisation},
author = {Erdhard Karkoshka},
note = {(Out of print)},
}
-@Book {Roemer84,
+@Book{roemer84,
year = {1984},
title = {The Art of Music Copying},
author = {Clinton Roemer},
edition = {2nd},
}
-@Book {Rosecrans79,
+@Book{rosecrans79,
year = {1979},
title = {Music Notation Primer},
author = {Glen Rosecrans},
note = {Heussenstamm writes: Limited in scope, similar to [Roemer84]}
}
-@Book {donemus1982,
+@Book{donemus82,
year = {1982},
title = {Uitgeven van muziek},
subtitle = {Handleiding voor componisten en copiisten},
printouts to publication quality. It can be ordered from the rental department.},
}
-@Book {Stone80,
+@Book{stone80,
year = {1980},
title = {Music Notation in the Twentieth Century},
author = {Kurt Stone},
note = {Heussenstamm writes: The most important book on notation in recent years.},
}
-@Book {Heussenstamm87,
+@Book{heussenstamm87,
year = {1987},
title = {The Norton Manual of Music Notation},
author = {George Heussenstamm},
note = {Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN}
}
-@Book {gerou96,
+@Book{gerou96,
note = {A cheap, concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
year = {1996},
title = {Essential Dictionary of Music Notation},
isbn = {ISBN 0-88284-768-6},
}
-@Book {chlapik87,
+@Book{chlapik87,
note = {An clearly written book for the casually interested
reader. It shows some of the conventions and difficulties in
printing music HWN},
isbn = {ISBN 3-9000 035-96-2},
}
-@Book {barksdale57,
+@Book{barksdale57,
author = {Barksdale, A},
year = {1957},
title = {The Printed Note: 500 Years of Music Printing and Engraving},
publisher = {The Toledo Museum of Art},
}
-@Book {wolf19,
+@Book{wolf19,
author = {Wolf, Johannes},
year = {1919},
title = {Handbuch der Notationskunde},
note = {Very thorough treatment (in two volumes) of the history of music notation},
}
-@Book {rosenthal67,
+@Book{rosenthal67,
author = {Rosenthal, Carl A},
year = {1967},
title = {A Practical Guide to Music Notation},
note = {Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation}
}
-@Book {Boehm61,
+@Book{boehm61,
author = {Boehm, Laszlo},
year = {1961},
title = {Modern Music Notation},
note = {Heussenstamm writes: A handy compact reference book in basic notation.}
}
-@Book{button20:_system_music_notat,
+@Book{button20,
author = {Button, H. Elliot},
title = {System in Musical Notation},
publisher = {Novello and co.},
address = {London}
}
-@Book{johnson46:_how,
+@Book{johnson46,
author = {Johnson, Harold},
title = {How to write music manuscript},
publisher = {Carl Fischer, Inc.},
address = {New York}
}
-@Book{tyboni94:_noter_handb_i_tradit_noter,
+@Book{tyboni94,
author = {Börje Tyboni},
title = {Noter Handbok I Traditionell Notering},
publisher = {Gehrmans Musikförlag},
note = {Swedish book on music notation.}
}
-@Book{jaschinski00:_notat,
+@Book{jaschinski00,
editor = {Andreas Jaschinski},
title = {Notation},
publisher = {Bärenreiter Verlag},
projects / lilypond.git / commitdiff