lilypond-1.3.28

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-@node Glossary, , ,  Top
-@chapter Glossary
-
-This is a list of musical terms, along with explanations and
-translations.  It is not complete, so additions are welcome.
-Languages are marked thusly:
-
-@itemize
-@item NL - Nederlands
-@item UK - British English
-@item F - French
-@item I - Italian
-@end itemize
-
-@table @strong
-
-@item Enharmonic Comma
-
-F: comma enharmonique
-
-
-@ignore
-
-F: doigté de pédale
-
-F: doigté,  D: Fingersatz 
-
-F: indication de pédale
-
-F: pointillés.
-
-@end ignore
-
-@item A
-F: la,  D: a.
-
-
-
-
-@item accent
-F: accent,  D: Akzent NL: accent I: accento.
-
-
-
-@item accidental
-F: altération accidentelle,  D: Vorzeichen, Versetzungszeichen, Akzidenz NL: toevallig teken, I: accidento.
-
-
-
-@item adjacent keys
-F: tons voisins.
-
-
-
-@item alto
-F: alto,  D: Alt, NL: alt.
-
-
-
-@item ancient form??? (diatonic minor scale)
-F: forme du mode mineur ancien.
-
-
-
-@item appoggiatura
-F: appogiature, ports de voix, notes d'agrèment,  D: langer Vorschlag, NL: lange voorslag, I: appogiature.
-
-
-
-@item arbitrary number of bars' rest
-F: bâton de pause,   NL: meermaats rust.
-
-
-
-@item arpeggio
-F: arpège, arpègement,  D: Arpeggio, Brechungen, NL: gebroken akoord, I: arpeggio.
-
-
-
-@item artificial measure
-F: mesure artificielle.
-
-
-
-@item artificial rest
-F: respiration.
-
-
-
-@item ascending interval
-
-F: intervalle ascendant,   NL: stijgend interval.
-
-
-@item augmented (interval)
-
-F: augmenté (intervalle),  D: übermäßig (Intervall), NL: overmatig interval.
-
-
-@item autograph
-
-1. A manuscript in the composer's own hand. 2.  Music prepared for
-photoreproduction by freehand drawing, with only the aid of a
-straightedge ruler and T-square, which attempts to emulate
-engraving. This required more skill than engraving.
-
-@item B
-
-F: si,  D: h.
-
-
-
-
-
-@item backfall; forefall
-
-F: accent, chute, port de voix,  D: Vorschlag, NL: korte voorslag, I: appogiature.
-
-
-
-
-
-@item bar line
-
-F: barre (de mesure),  D: Taktstrich, NL: maatstreep, I: stanghetta.
-
-
-
-
-
-@item bar; measure
-
-F: mesure,  D: Takt, NL: maat, maatstreep.
-
-
-
-
-
-@item baritone
-
-F: bariton,  D: Bariton, NL: bariton.
-
-
-
-@item F clef
-
-D: F-Schlüssel, NL: F sleutel.
-
-A clef shaped as a curl with two dots.  The position between the dots is the line of the F below central C.
-
-
-
-
-@item bass clef
-
-F: clé de fa,  D: Bass-Schlüssel, NL: bas sleutel, I: chiave di basso.
-
-A clef setting with central C on the first top ledger line.
-
-
-
-
-@item bass
-
-F: basse,  D: Bass, NL: bas.
-
-
-
-
-
-@item beam
-
-F: barre,  D: Balken, NL: waardestreep/balk, I: barra.
-
-
-
-
-
-@item beat
-
-F: temps,  D: Takt(-schlag), NL: tel.
-
-
-
-
-
-@item brace
-
-F: accolade,  D: Klammer, NL: accolade, haak, I: accolada.
-
-Symbol at the start of a system that connects staffs.
-
-
-
-
-@item brass
-
-  D: Blechbläser, NL: koper (blazers).
-
-
-
-
-
-@item alto clef
-
-F: clé d'ut,  D: Altschlüssel, NL: alt sleutel, I: chiave di tenore.
-
-Clef setting that has central C on the middle staff line.  
-
-
-
-
-@item C clef
-
-   NL: C sleutel. .
-
-A clef symbol that looks like a horizontally mirrored 3.  It indicates the position of the central C. Used in different positions.
-
-
-
-
-@item C
-
-F: do,  D: c, NL: C.
-
-
-
-
-
-@item C
-
-F: ut,  D: c.
-
-
-
-
-
-@item cadence
-
-F: cadence,  D: Kadenz, NL: cadens.
-
-
-
-
-
-@item cadenza
-
-F: fioriture,  D: Kadenz, NL: cadens, I: cadenza.
-
-
-
-
-
-@item cent
-
-  D: Cent, NL: cent.
-
-1/1200 of an octave (1/100 of an equally tempered semitone)
-
-
-
-
-@item chain of trills
-
-F: chaîne de trilles,   NL: triller.
-
-
-
-
-
-@item character
-
-F: caractère.
-
-
-
-
-
-@item chevron
-
-F: chevron.
-
-
-
-
-
-@item chord
-
-F: accord,  D: Akkord, NL: akkoord.
-
-
-
-
-
-@item chromatic scale
-
-F: gamme chromatique,  D: Chromatische Tonleiter, NL: chromatische toonladder.
-
-
-
-
-
-@item chromatic semitone
-
-F: demi-ton chromatique,   NL: chromatische halve toon.
-
-
-
-
-
-@item chromatic transposition
-
-F: transposition chromatique.
-
-
-
-
-
-@item chromatic type
-
-F: genre chromatique.
-
-
-
-
-
-@item church mode; ecclesiastical mode
-
-F: mode ecclésiastique,  D: Kirchentonart, NL: kerk toonladder.
-
-
-
-
-
-@item clef
-
-F: clé,  D: Notenschlüssel, NL: sleutel, I: la chiave (pl. le chiavi).
-
-
-
-
-
-@item comma
-
-F: comma,  D: Komma, NL: komma.
-
-Difference in pitch of a note when the note is derived from a different tuning system.
-
-
-
-
-@item compound interval
-
-F: intervalle composé,  D: Komplementärintervall.
-
-
-
-
-
-@item compound measure
-
-F: mesure composée,   NL: samengestelde maat.
-
-
-
-
-
-@item conjunct movement
-
-F: mouvement conjoint.
-
-
-
-
-
-@item consonant interval; consonance
-
-F: consonance,  D: Konsonanz, NL: consonant.
-
-
-
-
-
-@item contralto
-
-F: contralto,  D: Alt(-stimme), alt-.
-
-
-
-
-
-@item contro-time
-
-F: contre-temps.
-
-@item Copying, Music
-
-A music copyist did fast freehand scores and parts on preprinted staff
-lines for performance. Some of their conventions (e.g.: the placement of
-noteheads on stems) varied slightly from those of engravers. Some of
-their practices (not that) were superior and could well be adopted by
-music typesetters. This also required more skill than engraving.
-
-
-@item crescendo
-
-F: crescendo,  D: Crescendo,  I: crescendo.
-
-written with an extended opening angular bracket, indicates increasing volume
-
-
-
-
-@item cue-notes
-
-  D: Stichnoten, NL: stichnoten.
-
-In an orchestral part, notes for a different instrument that hint when to start playing.  Usually printed in smaller type.
-
-
-
-
-@item D
-
-F: ré,  D: d.
-
-
-
-
-
-@item dash over/below
-
-    I: pizzicato.
-
-With plucked strings
-
-
-
-
-@item decrescendo
-
-  D: Decrescendo,  I: decrescendo.
-
-written with an extended closing angular bracket, indicates decreasing volume
-
-
-
-
-@item degree [of the scale]
-
-F: degré [de la gamme],  D: Stufe [der Tonleiter], NL: trap [van de toonladder].
-
-
-
-
-
-@item descending interval
-
-F: intervalle descendant,   NL: dalend interval.
-
-
-
-
-
-@item diatonic major scale
-
-F: gamme diatonique majeure,  D: Diatonische Durtonleiter, NL: diatonische majeur toonladder.
-
-
-
-
-
-@item diatonic minor scale
-
-F: gamme diatonique mineure,  D: Diatonische Molltonleiter.
-
-
-
-
-
-@item diatonic semitone
-
-F: demi-ton diatonique,   NL: diatonische halve toon.
-
-
-
-
-
-@item diatonic type
-
-F: genre diatonique,  D: diatonisch.
-
-
-
-
-
-@item diatonic
-
-F: diatonique,   NL: diatonisch.
-
-A diatonic scale is a scale consisting of whole and half tones.
-
-
-
-
-@item diminished (interval)
-
-F: diminué (intervalle),  D: vermindert (Intervall), NL: verminderd (interval).
-
-
-
-
-
-@item disjunct movement
-
-F: mouvement disjoint.
-
-
-
-
-
-@item dissonant interval; dissonance
-
-F: dissonance,  D: Dissonanz, NL: dissonant interval; dissonant.
-
-
-
-
-
-@item dominant ninth chord
-
-F: accord de neuvième dominante,   NL: dominant noon akkoord.
-
-
-
-
-
-@item dominant seventh chord
-
-F: accord de septième dominante,  D: Dominantseptakkord, NL: dominant septiem akkoord.
-
-
-
-
-
-@item dominant
-
-F: dominante,  D: Dominante, NL: dominant.
-
-A tone that creates tension;the fifth degree of the scale.
-
-
-
-
-@item dorian mode
-
-  D: Dorische Tonart, NL: dorische toonladder.
-
-Mode obtained by raising the sixth in minor mode.  A Dorian scale can be played from D to D with no sharps or flats.
-
-
-
-
-@item dot (augmentation dot) 
-
-F: point,  D: Punkt (Verlängerungspunkt), NL: punt, I: punto.
-
-An augmentation dot after note adds multiplies the duration by one and a half.
-
-
-
-
-@item dot and curved line combined
-
-F: point et liaison combinés.
-
-
-
-
-
-@item dot over/below
-
-  D: Staccato, NL: staccato, I: staccato.
-
-Play each note short.
-
-
-
-
-@item dot
-
-F: point,  D: Punkt, NL: punt.
-
-
-
-
-
-@item dotted note
-
-F: note pointée,  D: punktierte Note.
-
-
-
-
-
-@item double appoggiatura
-
-F: appogiature double.
-
-
-
-
-
-@item double bar line
-
-F: double barre,  D: Doppel(takt)strich, NL: dubbele streep, I: doppia barra.
-
-Indicates the end of a section within a movement.
-
-
-
-
-@item double dotted note
-
-F: note doublement pointée,  D: doppel-punktierte Note.
-
-
-
-
-
-@item double flat
-
-F: double bémol,  D: Doppel-Be, NL: dubbelmol, I: doppio bemolle.
-
-
-
-
-
-@item double sharp
-
-F: double dièse,  D: Doppelkreuz, NL: dubbelkruis, I: doppio diesis.
-
-Raise pitch by two semitones
-
-
-
-
-@item double trill
-
-F: trille double,  D: Doppeltriller.
-
-A trill on a chord
-
-
-
-
-@item double triplet
-
-F: double triolet,  D: Doppeltriole, NL: dubbele triool.
-
-
-
-
-
-@item double whole note
-
- UK: breve, D: Brevis, NL: brevis, I: breve.
-
-Note during twice as long as a whole note. Mainly used in pre-1650 music.
-
-
-
-
-@item duple meter
-
-F: temps binaire,   NL: tweedelige maatsoort.
-
-
-
-
-
-@item duplet
-
-F: duolet,  D: Duole, NL: duool.
-
-
-
-
-
-@item duration
-
-F: durée,  D: Dauer, Länge, NL: duur, lengte.
-
-
-
-
-
-@item E
-
-F: mi,  D: e.
-
-
-
-
-
-@item eighth note
-
-F: croche, UK: quaver, D: Achtelnote, NL: achtste noot.
-
-
-
-
-
-@item eighth rest
-
-F: demi-soupir, UK: quaver rest, D: Achtelpause, NL: achtste rust.
-
-
-
-
-
-@item engraving
-
-D: Notenstechen, NL: steken.
-
-Engraving means incising or etching a metal plate for
-printing. Photoengraving means drawing music with ink in a manner
-similar to drafting or engineering drawing, using similar tools.
-
-The traditional process of music printing is done through: cutting in a
-plate of metal. Now also the term for the art of music typography.
-
-
-
-
-@item enharmonic
-
-F: enharmonique,  D: enharmonisch, NL: enharmonisch.
-
-Two notes, intervals, or scales are enharmonic if they have different names but sound the same.  Examples: C sharp and D flat, diminished fourth and major third
-
-
-
-
-@item equal temperament
-
-F: tempérament égal,   NL: getempereerde stemming.
-
-Tuning system in which each semitone is precisely 100 cents.
-
-
-
-
-@item essential alteration
-
-F: altération essentielle.
-
-
-
-
-
-@item expression mark
-
-F: signe d'expressoin,  D: Vortragszeichen, NL: voordrachtsteken, I: segno d'espressione.
-
-
-
-
-
-@item extension of interval
-
-F: extension d'intervalle.
-
-
-
-
-
-@item F
-
-F: fa,  D: f.
-
-
-
-
-
-@item fermata
-
-F: pauses,  D: Fermate, NL: fermate, I: fermata.
-
-Prolonged sound or silence of indefinite duration
-
-
-
-
-@item fifth
-
-F: quinte,  D: Quinte, NL: kwint.
-
-
-
-
-
-@item flag; hook; tail; pennant
-
-F: crochet,  D: Fähnchen, NL: vlaggetje, I: coda uncinata.
-
-Ornament at the end of the stem of a note. The number of flags determines the lengths of notes shorter than a quarter note.
-
-
-
-
-@item flat
-
-F: bémol,  D: Be, NL: mol, I: bemolle.
-
-Lower pitch by a semitone
-
-
-
-
-@item four-bar rest
-
-F: bâton de pause.
-
-
-
-
-
-@item fourth
-
-F: quarte,  D: Quarte, NL: kwart.
-
-
-
-
-
-@item G
-
-F: sol,  D: g.
-
-
-
-
-
-@item glissando
-
-F: glissement,  D: Glissando, NL: glissando, I: glissando.
-
-Letting the pitch  slide fluently from one note to the other
-
-
-
-
-@item graces
-
-F: petites notes,  D: Verzierungen, Manieren, NL: versieringen, I: appogiature.
-
-
-
-
-
-@item grand staff
-
-   NL: piano systeem.
-
-A combination of two staffs with a brace.  Usually used for piano music.
-
-
-
-
-@item half note
-
-F: blanche, UK: minim, D: Halbe Note, NL: halve noot.
-
-
-
-
-
-@item half rest
-
-F: demi-pause, UK: minim rest, D: Halbe Pause, NL: halve rust.
-
-
-
-
-
-@item harmonic cadence
-
-F: cadence harmonique,   NL: harmonische cadens.
-
-Sequence of chords that terminate a musical phrase or section.
-
-
-
-
-@item harmonic form (diatonic minor scale)
-
-F: forme harmonique.
-
-
-
-
-
-@item harmonic interval
-
-F: intervalle harmonique,  D: Harmonisches Intervall.
-
-
-
-
-
-@item incomplete measure
-
-F: mesure incomplète.
-
-
-
-
-
-@item interval
-
-F: intervalle,  D: Intervall, NL: interval.
-
-Difference in pitch between two notes
-
-
-
-
-@item inversion of interval
-
-F: renversement d'intervalle,   NL: interval inversie.
-
-
-
-
-
-@item irregular contro-time
-
-F: contre-temps irrégulier.
-
-
-
-
-
-@item irregular group
-
-F: groupe irrégulier.
-
-
-
-
-
-@item irregular measure
-
-F: mesure irrégulière.
-
-
-
-
-
-@item irregular syncopation
-
-F: syncope irrégulière,   NL: onregelmatige syncope.
-
-
-
-
-
-@item just intonation
-
-    I: .
-
-Tuning system in which the notes are obtained by adding and subtracting natural fifths and thirds.
-
-
-
-
-@item key signature
-
-F: armure, armature [de la clé], signes des accidentals,  D: Vorzeichen, NL: toonsoort (voortekens), I: segni di chiave.
-
-
-
-
-
-@item kind of note
-
-F: figure de note.
-
-
-
-
-
-@item kind of rest
-
-F: figure de silence.
-
-
-
-
-
-@item leading note
-
-F: sensible.
-
-
-
-
-
-@item ledger line; leger line
-
-F: ligne supplémentaire,  D: Hilfslinien, Kopfstriche (?), NL: hulplijntje, I: lineette.
-
-A ledger line is an extension of the staff.  
-
-
-
-
-@item legato curve
-
-F: liaison rythmique,   NL: legato boog.
-
-
-
-
-
-@item lilypond
-
-F: étang de lis, UK: lily pond, D: Lilienteich, NL: lelievijver, I: stagno del giglio.
-
-A pond with  lilies floating in it, also the name of a music typesetter.
-
-
-
-
-@item line
-
-F: ligne,  D: Linie, NL: lijn.
-
-
-
-
-
-@item long appoggiatura
-
-F: appogiature longue.
-
-
-
-
-
-@item lower number
-
-F: chiffre inférieur.
-
-
-
-
-
-@item major (interval)
-
-F: majeur (intervalle),  D: groß (Intervall), NL: groot (interval).
-
-
-
-
-
-@item major mode
-
-F: mode majeur,  D: Dur.
-
-
-
-
-
-@item meantone temperament
-
-F: tempérament mésotonique.
-
-Tuning based on a fifth that is 16 cents smaller than the natural fifth.  
-
-
-
-
-@item mediant
-
-F: médiante,   NL: mediant.
-
-The third degree of a scale
-
-
-
-
-@item melodic cadence
-
-F: cadence mélodique,   NL: cadens.
-
-A free-form section at the end of a solo-concerto, where the soloist can demonstrate his/her virtuosity.
-
-
-
-
-@item melodic form (diatonic minor scale)
-
-F: forme mélodique.
-
-
-
-
-
-@item meter; time
-
-F: mètre,  D: Takt, Metrum, NL: maatsoort.
-
-A recurring pattern of stress
-
-
-
-
-@item metronome
-
-F: métronome,  D: Metronom, NL: metronoom.
-
-Device which sounds a steady beat
-
-
-
-
-@item metronomic indication
-
-F: indication métronomique,  D: Metronomangabe.
-
-Exact tempo indication (in beats per minute).  Also denoted by M.M. (Mälzel's Metronom)
-
-
-
-
-@item mezzo-soprano
-
-F: mezzo-soprano,  D: Mezzosopran.
-
-
-
-
-
-@item middle C
-
-F: do central,  D: eingestrichenes c, NL: centrale C.
-
-First C below the 440 Hz A.
-
-
-
-
-@item minor (interval)
-
-F: mineur (intervalle),  D: klein (Intervall).
-
-
-
-
-
-@item minor mode
-
-F: mode mineur,  D: Moll.
-
-
-
-
-
-@item modal note
-
-F: note modale.
-
-
-
-
-
-@item mode
-
-F: mode,  D: Geschlecht.
-
-
-
-
-
-@item modulation
-
-F: modulation,  D: Modulation, NL: modulatie.
-
-
-
-
-
-@item mordent
-
-F: mordant, pincè,  D: Pralltriller, Mordent, NL: mordent, I: mordente.
-
-
-
-
-
-@item motive
-
-F: incise,  D: Motiv, NL: motief.
-
-
-
-
-
-@item musical ladder
-
-F: échelle musicale.
-
-
-
-
-
-@item mixolydian mode
-
-  D: Mixolydische Tonart, NL: Mixolydische toonladder.
-
-Mode obtained by lowering the seventh in major.  A mixolydian scale can be obtained by playing G to G with no sharps or flats.
-
-
-
-
-@item natural sign
-
-F: bécarre,  D: Auflösungszeichen, NL: herstellingsteken, I: bequadro.
-
-Do not play the following note flat or sharp.
-
-
-
-
-@item ninth
-
-  D: None, NL: noon.
-
-
-
-
-
-@item note head
-
-  D: Notenkopf, NL: noot balletje.
-
-
-
-
-
-@item note
-
-F: note,  D: Note, NL: noot, I: nota.
-
-
-
-
-
-@item octave line
-
-F: échelle d'octave.
-
-
-
-
-
-@item octave line
-
-F: clé d'octave.
-
-
-
-
-
-@item octave sign
-
-F: octave,  D: Oktave,  I: ottava.
-
-
-
-
-
-@item octave
-
-F: octave,  D: Oktave, NL: octaaf.
-
-
-
-
-
-@item ornament; embellishment; accessory
-
-F: agrèment, ornement, D: Verzierungen, I: fiorette, fioriture,
-abbellimenti.
-
-
-@item ossia
-
-NL: alternatief
-
-Ossia (otherwise) marks an alternative. It is an added staff or piano
-score, usually only a few measures long, which presents another version
-of the music, for small hands, for example.
-
-
-@item part
-
-NL: partij.
-
-
-
-
-
-@item pause
-
-F: pause,  D: Luftpause.
-
-
-
-
-
-@item pause
-
-F: point d'orgue.
-
-
-
-
-
-@item perfect (interval)
-
-F: juste (intervalle),  D: rein (Intervall), NL: rein (interval).
-
-
-
-
-
-@item perfect major chord
-
-F: accord parfait majeur.
-
-
-
-
-
-@item perfect minor chord
-
-F: accord parfait mineur.
-
-
-
-
-
-@item phrase member
-
-F: membre de phrase.
-
-
-
-
-
-@item phrase
-
-F: phrase,  D: Phrase, NL: frase, zin.
-
-
-
-
-
-@item phrasing
-
-F: phrasé.
-
-
-
-
-
-@item pitch pipe; tuning fork
-
-F: diapason,  D: Stimmgabel, NL: stemfluitje; stemvork.
-
-
-
-
-
-@item pitch
-
-F: hauteur,  D: Tonhöhe, NL: toonhoogte.
-
-
-
-
-
-@item Pythagorean comma
-
-F: comma pythagoricien,  D: Pythagoräisches Komma, NL: komma van Pythagoras.
-
-A sequence of fifths starting on C eventually circles back to C (B sharp), but this B sharp is 24 cents higher than C.  This gap is the Pythagorean comma.  
-
-
-
-
-@item quadruplet
-
-F: quartolet,   NL: kwartool.
-
-
-
-
-
-@item quarter note
-
-F: noire, UK: crotchet, D: Viertelnote, NL: kwartnoot.
-
-
-
-
-
-@item quarter rest
-
-F: soupir, UK: crotchet rest, D: Viertelpause, NL: kwart rust.
-
-
-
-
-
-@item register
-
-F: registre,  D: Register, NL: register.
-
-
-
-
-
-@item regular contro-time
-
-F: contre-temps régulier.
-
-
-
-
-
-@item regular syncopation
-
-F: syncope régulière.
-
-
-
-
-
-@item relative scales
-
-F: gammes relatives, tons relatifs.
-
-
-
-
-
-@item repeat
-
-F: barre de reprise,  D: Wiederholung, NL: herhaling.
-
-
-
-
-
-@item rest
-
-F: silence.
-
-
-
-
-
-@item rest
-
-F: soupir,  D: Pause, NL: rust, I: pausa.
-
-
-
-
-
-@item return sign
-
-F: renvoi,   NL: herstellingsteken.
-
-
-
-
-
-@item rhythm
-
-F: rythme,  D: Rhythmus, NL: ritme.
-
-
-
-
-
-@item rhythmic curve
-
-F: courbe rythmique.
-
-
-
-
-
-@item scale
-
-F: gamme,  D: Tonleiter, NL: toonladder.
-
-
-
-
-
-@item score
-
-F: partition,  D: Partitur, NL: partituur.
-
-
-
-
-
-@item second
-
-F: seconde,  D: Sekunde,  I: secunde.
-
-
-
-
-
-@item semitone
-
-F: demi-ton,  D: Halbton, NL: halve toon.
-
-
-
-
-
-@item seventh
-
-F: septième,  D: Septime, NL: septiem, I: septime.
-
-
-
-
-
-@item sextuplet
-
-F: sextolet,  D: Sextole, NL: sextool.
-
-
-
-
-
-@item sextuplet
-
-F: sixain,   NL: sextool.
-
-
-
-
-
-@item shading signs
-
-F: signes indicateurs de nuance.
-
-
-
-
-
-@item shading
-
-F: nuance,  D: Nuance.
-
-
-
-
-
-@item sharp
-
-F: dièse,  D: Kreuz (um Halbton erhöht), NL: kruis.
-
-
-
-
-
-@item short appoggiatura
-
-F: appogiature brève.
-
-
-
-
-
-@item simple appoggiatura
-
-F: appogiature simple.
-
-
-
-
-
-@item simple interval
-
-F: intervalle simple.
-
-
-
-
-
-@item simple measure
-
-F: mesure simple.
-
-
-
-
-
-@item sixteenth note
-
-F: double croche, UK: semiquaver, D: Sechzehntelnote, NL: zestiende noot.
-
-
-
-
-
-@item sixteenth rest
-
-F: quart de soupir, UK: semiquaver rest, D: Sechzehntelpause, NL: zestiende rust.
-
-
-
-
-
-@item sixth
-
-F: sixte,  D: Sexte, NL: sext.
-
-
-
-
-
-@item sixty-fourth note
-
-F: quadruple croche, UK: hemidemisemiquaver, D: Vierundsechzigstelnote, NL: vierenzestigste noot.
-
-
-
-
-
-@item sixty-fourth rest
-
-F: seizième de soupir, UK: hemidemisemiquaver rest, D: Vierundsechzigstelpause.
-
-
-
-
-
-@item slur
-
-F: liaison, coulé,  D: Bindungszeichen, Bindebogen, NL: binding, bindingsboog, I: legatura.
-
-
-
-
-
-@item soprano
-
-F: soprano,  D: Sopran, NL: sopraan.
-
-
-
-
-
-@item space
-
-F: espace.
-
-
-
-
-
-@item staff
-
-F: portée,  D: Noten(linien)system, NL: (noten)balk; partij.
-
-pl staves or staffs
-
-
-
-
-@item stem
-
-F: queue,  D: Stiel, Hals, NL: stok, I: asta, gamba.
-
-
-
-
-
-@item strings
-
-  D: Streicher, NL: strijkers.
-
-
-
-
-
-@item strong beat
-
-F: temps fort,   NL: thesis.
-
-
-
-
-
-@item subdominant
-
-F: sous-dominante,  D: Subdominante.
-
-The fourth degree of the scale
-
-
-
-
-@item submediant
-
-    I: .
-
-The sixth scale degree
-
-
-
-
-@item subtonic
-
-F: sous-tonique,  D: Subtonika.
-
-The seventh degree of the scale
-
-
-
-
-@item superdominant
-
-F: sus-dominante.
-
-The sixth scale degree
-
-
-
-
-@item supertonic
-
-F: sus-tonique.
-
-The second scale degree
-
-
-
-
-@item syncopation; upbeat
-
-F: syncope,  D: Synkope, NL: syncope.
-
-
-
-
-
-@item syntonic comma
-
-F: comma syntonique,   NL: komma van Didymos, syntonische komma.
-
-Difference between the natural third and the third obtained by Pythagorean tuning, euqal to 22 cents. 
-
-
-
-
-@item system
-
-F: système,  D: System, NL: systeem, I: sitema.
-
-
-
-
-
-@item tempo indication
-
-F: signes de temps,  D: Zeitmaß, Tempobezeichnung, NL: tempo aanduiding, I: segno di tempo.
-
-
-
-
-
-@item tempo; movement
-
-F: mouvement,  D: Tempo.
-
-
-
-
-
-@item tenor
-
-F: ténor,  D: Tenor.
-
-
-
-
-
-@item tenth
-
-  D: Dezime, NL: deciem, I: decime.
-
-
-
-
-
-@item tetrachord
-
-F: tétracorde,  D: Vierklang.
-
-
-
-
-
-@item third
-
-F: tierce,  D: Terz, NL: terts.
-
-
-
-
-
-@item thirty-second note
-
-F: triple croche, UK: demisemiquaver, D: Zweiunddreißigstelnote, NL: 32e noot.
-
-
-
-
-
-@item thirty-second rest
-
-F: huitième de soupir, UK: demisemiquaver rest, D: Zweiunddreißigstelpause, NL: 32e rust.
-
-
-
-
-
-@item tie
-
-F: liaison,  D: Haltebogen, NL: overbinding, I: legatura.
-
-A curve that shows the prolongation (as opposed to the repetition fo a note)
-
-
-
-
-@item time signature
-
-F: chiffrage (chiffres indicateurs), signe de valeur,  D: Taktvorzeichnung, Taktvorzeichen, NL: maatsoort, I: segni di tempo.
-
-
-
-
-
-@item tonal note
-
-F: note tonale.
-
-
-
-
-
-@item tonality
-
-F: tonalité,  D: Tonalität, NL: tonaliteit.
-
-
-
-
-
-@item tone
-
-F: ton,  D: Ton, NL: toon.
-
-
-
-
-
-@item tonic
-
-F: tonique,  D: Tonika, NL: tonica.
-
-
-
-
-
-@item transposition
-
-F: transposition,  D: Transposition, NL: transpositie.
-
-Shifting a melody up or down in pitch, while keeping the same relative pitches.
-
-
-
-
-@item G clef
-
-   NL: G sleutel.
-
-A clef symbol with a loop at the top and a spiral in the center.  The center of the spiral indicates the G above central C.
-
-
-
-
-@item treble clef
-
-F: clé de sol,  D: Violinschlüssel, NL: viool sleutel, I: chiave di violino.
-
-Clef setting where the second lowest line is the G above central C.
-
-
-
-
-@item tremolo
-
-F: trèmolo,  D: Tremolo, NL: tremolo, I: tremolo.
-
-
-
-
-
-@item trill; shake
-
-F: trille, tremblement, battement (cadence),  D: Triller, NL: triller, I: trillo.
-
-
-
-
-
-@item triple meter
-
-F: temps ternaire,   NL: driedelige maatsoort.
-
-
-
-
-
-@item triplet
-
-F: triolet,  D: Triole.
-
-
-
-
-
-@item tritone
-
-F: triton,  D: Tritonus.
-
-
-
-
-
-@item turn; gruppetto
-
-F: brisè, groupe, doublè, grupetto,  D: Doppelschlag, NL: dubbelslag, I: grupetto.
-
-
-
-
-
-@item two-bar rest
-
-F: bâton de pause.
-
-
-
-
-@item underline over/below
-
-F: portamento,  D: Portato.
-
-
-
-
-
-@item unison
-
-F: unisson,  D: Unisono,  I: unisono.
-
-Different instruments playing exactly the same melody.
-
-
-
-
-@item unit of beat
-
-F: unité de temps.
-
-
-
-
-
-@item unit of measure
-
-F: unité de mesure.
-
-
-
-
-
-@item upbeat; arsis
-
-  D: Auftakt.
-
-
-
-
-
-@item upper number
-
-F: chiffre supérieur.
-
-
-
-
-
-@item voice
-
-F: voix,  D: Stimme, NL: stem.
-
-
-
-@item weak beat
-
-F: temps faible,   NL: arsis.
-
-
-
-
-
-@item whole note
-
-F: ronde, UK: semibreve, D: Ganze Note, NL: hele noot.
-
-
-
-
-
-@item whole rest
-
-F: pause, UK: semibreve rest, D: Ganze Pause.
-
-
-
-
-
-@item woodwind
-
-D: Holzbläser, NL: houtblazers.
-
-
-@end table
-

diff --git a/mutopia/W.A.Mozart/GNUmakefile b/mutopia/W.A.Mozart/GNUmakefile
deleted file mode 100644 (file)
index bc10564..0000000
--- a/mutopia/W.A.Mozart/GNUmakefile
+++ /dev/null
@@ -1,11 +0,0 @@
-# mutopia/W.A.Mozart
-
-depth = ../..
-
-examples=# cadenza
-SUBDIRS=horn-concerto-3
-LOCALSTEPMAKE_TEMPLATES=mutopia
-
-include $(depth)/make/stepmake.make
-
-

diff --git a/mutopia/W.A.Mozart/horn-concerto-3/GNUmakefile b/mutopia/W.A.Mozart/horn-concerto-3/GNUmakefile
deleted file mode 100644 (file)
index 13fb5e5..0000000
--- a/mutopia/W.A.Mozart/horn-concerto-3/GNUmakefile
+++ /dev/null
@@ -1,9 +0,0 @@
-depth = ../../..
-
-examples=
-SUBDIRS=
-LOCALSTEPMAKE_TEMPLATES=mutopia
-
-include $(depth)/make/stepmake.make
-
-

diff --git a/mutopia/W.A.Mozart/horn-concerto-3/allegro.ly b/mutopia/W.A.Mozart/horn-concerto-3/allegro.ly
deleted file mode 100644 (file)
index 2352cb5..0000000
--- a/mutopia/W.A.Mozart/horn-concerto-3/allegro.ly
+++ /dev/null
@@ -1,143 +0,0 @@
-
-
-allegro =
-       \notes
-       \relative c'
-{
-       \time 4/4;
-       r4 |
-       R1*4
-       c'2^"tutti" g
-       c, r
-       R1*1
-       r8 [g' g g] [g g e c]
-       g'4 g, r2
-       R1*18
-       r2 r4 g'4 |
-       e'4. () c8 [f (d c )b ]
-       [b()c] g4 r8 [g-. c-. e-.]
-       g2. ( [g16-.( f e ))f]
-       dis4 () e4-- r8 [c8-. c-. c-.]
-       c4.( [d16 )e]  f4 () e
-       a,() d g,() c
-       d-. d-. \grace e16( [)d8. c16 d8. e16]
-       c4 r r2
-       R1*3
-       c,2 ~ [c8 e( g )c]
-       [c () b ] b4-. r2
-       [c,8 () e g c] [e()g e c]
-       [c()b] b4-- r2
-       c4.() g8 e'4.() c8
-       [g'()d ] d4-- r4 d
-       [d8 () c] c4.( [d16 e] [d8 )c]
-       [c8(-\trill )b] b4 r2 |
-       d2( ~  [d8 e16 d] [c8 )b] |
-       [b()a-.] a4-> r8 [a-. a-. a-.]
-       a4 cis e g
-       \grace { \longgrace g16( }
-       [ fis8 e16 )d] d4-. r2 | 
-       \mark "B";
-       R1*3
-       r2 r4 [d8 (b ]
-       [a )g d'( b] [a )g e'( c ]
-       [b8 )a] a4 r4 [a8-. a-.]
-       [a( \< b c \!cis\< ]  d4 \! )c
-       [ais8() b] r8 b [b()c] r c
-       [cis ()d] r4 r2
-       g,1 ~ g2 ~ [g8 a16 b] [c()d e c]
-       f4-. d-. b-. g-.
-       r1
-       \emptyText
-       c,2\p e4 g c_\cresc e g4. e8 |
-       d4. [e16 fis] [g () fis e d] [c() b a g]
-       a1(-\trill \grace{ [g16 a] }
-       )g4 r r2
-       R1*15
-       \mark "D";
-       bes2-\mf d4 f
-       g,2~ [g8 g'( es )c]|
-       bes4( )a4. [c8 d es]
-       cis4()d r8 [bes (c )d]
-       es2 () d4 r
-       es2\p () d4 r
-       [c8(\mf g' es )c] bes4()c-.
-       c4.( cis8 )d4 r
-       R1*2
-       es1~es1|
-       e!
-       d
-       c
-       c,
-       e'
-       e,
-       c'2 [b8( a gis )a]
-       [gis8 e gis b ] e4 r |
-       r8 [e, a c] dis4 r
-       r8 [e, a c] dis4 r
-       r8 [e, g b] e4 r
-       r8 [fis, b dis] fis4 r
-       r8 [gis, b d] f4 r
-       r8 [g, b d_"rit."] f4 r
-       \mark  "E";
-       R1*8
-       r2 r8 [g,-. g-. g-.]
-       e'4.() c8 [f( d c )b]
-       [b()c] g4 r8 [g c e] |
-       g2. ( [g16( f e ))f]
-       dis4()e r8 [c-. c-. c-.]
-       c4.( [d16 e] f4 )e
-       a, ( d g, )c
-       d d [
-           \grace { e8( }
-          d8. c16 d8. e16] 
-       c4 r r2
-       \mark "F";
-       R1*3
-       c,2~[c8( e g )c]
-       [c8()b] b4 r2
-       [c,8()e g c ] [e ()g e c]
-       [c()b] b4 r2
-       c2 (bes )a [a8(b c )cis]
-       d2( ~ [d8 e16 d] [\grace { \longgrace d16( } )c8 b16 )c]
-       \grace { \longgrace c16 }[ b8( a16 )g] g4 r2 |
-       R1*3
-       r2 r4 [g'8()e]
-       \mark "G";
-       [d()c g'()e] [d()c a'()f]
-       [e()d] d4 r [d8 d]
-       d4(~ [d16 e d )e] [g8() f e d] |
-       c4 r r2
-       r1
-       c1 ~
-       c |
-       [c8-. c-.] r c-. [cis()d] r d-. |
-       [dis()e] r e-. [e()f] r f-. |
-       g4-. e-. c-. bes-. |
-       g-.\ff e-. c-. r |
-       a'2 ~ [a8_"sempre f" b16 c] [d( e d )e]%TODO
-
-       f4. () d8 [f8 ()d f d]
-       [c (e] )g2 \grace  { \longgrace f16( }  [)e8( d16 )c]
-       \grace { \aftergrace [c16 d] }
-       d1-\trill 
-       c4 r r2
-       r1 |
-       \mark "H";
-       \times 2/3 { [ c8 ()b a ] }     \times 2/3 { [ g a b] } \times 2/3 { [ c d e] } \times 2/3 { [ f()e d] } |
-       \times 2/3 { [ c () b a ] } \times 2/3 { [ g a b] } \times 2/3 { [ c d e] } \times 2/3 { [ f()e d] }|
-       c4 \times 2/3 {  r8 [g'()e]} c4 \times 2/3 {  r8 [e () c]} |
-       g4 \times 2/3 {  r8 [c8() g] } \times 2/3 { [ e ()g e] } \times 2/3 { [c ()e c] }|
-       g4 r8 g'\f [a b c d]|
-       \grace { \aftergrace [c16 d] }
-       d1(-\trill
-       )c4 r r2
-       R1*3
-       \grace{ \aftergrace [c16 d] }
-       c1-\trill_"Cadenza ad lib." ( 
-       )c4 r r2
-       R1*2
-       r4 [c8.^"tutti"-\f c16] c4 c
-       c [c,8. c16] c4 c|
-       c2 r2 \bar "|.";
-       
-}

diff --git a/mutopia/W.A.Mozart/horn-concerto-3/cadenza.ly b/mutopia/W.A.Mozart/horn-concerto-3/cadenza.ly
deleted file mode 100644 (file)
index 414eb16..0000000
--- a/mutopia/W.A.Mozart/horn-concerto-3/cadenza.ly
+++ /dev/null
@@ -1,82 +0,0 @@
-\header{
-  title =       "Konzert Nr. 3 Es dur";
-  subtitle = "Cadenza ad lib.";
-  enteredby =   "HWN";
-  copyright = "public domain";
-  instrument = "Horn in Es";
-
-  mutopiatitle =        "Cadenza for horn concerto no. 3";
-  mutopiacomposer = "Anon.";
-  style = "classical";
-  tagline =    "\\\\This music is part of the Mutopia project, http://sca.uwaterloo.ca/Mutopia/\\\\It has been typeset and placed in the public domain by Han-Wen Nienhuys.\\\\Unrestricted modification and redistribution is permitted and encouraged - copy this music and share it!";
-  maintainer = "hanwen@cs.uu.nl";
-  lastupdated = "1999/Oct/16";
-  source = "Breitkopf & Haertel + own modifications";
-}
-
-
-
-%{
-
-This is a cadenza to Mozart 3, as given to me by Arthur Verhofstad
-(one of my teachers). The source is unknown
-
-Lots more can be found in Uijlenspiegel 1998 no. 1, in an article by
-Herman Jeurissen.
-
-%}
-
-\version "1.3.4";
-
-
-cad = \notes  \relative c' {
-       \property Score.midiInstrument = "french horn"
-       \context Staff {
-       \emptyText
-       \cadenzaOn
-       
-
-       \clef "violin";
-       c'4.\mf g8
-
-
-       [e'^"accel" () d  c b]
-       [b() c] g-\fermata
-               \bar "empty";
-                       c, ~ [c^\turn_"rubato" e g c]
-       e4. e8 [g () f_"rit" e d]
-
-       dis4() e4
-               \bar "" ;
-               r8 [c16 d] [e f g gis]
-
-       a4-> f,() e g'
-       f-> d,() cis e'
-
-       d4^\fermata
-               \bar "" ;
-
-       r8 a [b cis]
-       \grace { e8( }
-       [d16 cis d e]
-       f4 ~ [f16 e d c]
-       b4-\turn
-       \times 2/3 { [ d8 c8 a8] }
-       g2~
-               \bar "" ;
-       [g16 c, e g] [c e, g c]
-       [e g, c e] g4^\fermata 
-               \bar "" ;
-       [g8.(_"a tempo" e16 g8. )e16]
-       a4. g8 [f8 e8 d8 c8]
-       g2 d'2-\trill
-       \grace { [c32 d] }
-        c4
-       } }
-       
-\score {
-       \notes { \cad }
-%      \midi { \tempo 4 = 90; }
-       \paper {  casting_algorithm = \Wordwrap;}
-
-}

diff --git a/mutopia/W.A.Mozart/horn-concerto-3/horn-concerto-3.ly b/mutopia/W.A.Mozart/horn-concerto-3/horn-concerto-3.ly
deleted file mode 100644 (file)
index a7c04b8..0000000
--- a/mutopia/W.A.Mozart/horn-concerto-3/horn-concerto-3.ly
+++ /dev/null
@@ -1,84 +0,0 @@
-\header{
-  title =       "Konzert Nr. 3 Es dur";
-  subtitle = "f\\\"ur Horn und Orchester";
-  composer =    "Wolfgang Amadeus Mozart (1756-1792)";
-  enteredby =   "HWN";
-  opus = "K.V. 447";
-
-  copyright = "public domain";
-  instrument = "Horn in Es";
-  
-  mutopiatitle =        "Horn Concerto 3";
-  mutopiacomposer = "W.A.Mozart";
-  mutopiaopus = "KV447";
-  style = "classical";
-  tagline =    "\\\\This music is part of the Mutopia project, http://sca.uwaterloo.ca/Mutopia/\\\\It has been typeset and placed in the public domain by Han-Wen Nienhuys.\\\\Unrestricted modification and redistribution is permitted and encouraged - copy this music and share it!";
-  maintainer = "hanwen@cs.uu.nl";
-  lastupdated = "1999/Oct/16";
-  source = "Breitkopf & Haertel + own modifications";
-}
-
-%%%%%%% This is the main file.
-
-%{
-
-This is the Mozart 3 for horn.  It's from an old and fumbled part I
-have with lots of unidentified staccato dots, marcato's and dynamic
-markings; I left off most of them.
-
-Some of the marks are mine. Some of them are my teachers'.  Some of
-them are my teachers' teachers.  Some of them are B&H's. Some of them
-are Mozart's.
-
---hwn
-
-%}
-
-longgrace = \property Grace.stemStyle = ""
-aftergrace = \property Grace.graceAlignPosition = \right
-
-
-\version "1.3.4";
-
-\include "allegro.ly"
-\include "romanze.ly"
-\include "rondo.ly"
-
-\paper{
- \translator { \StaffContext \consists Mark_engraver;  }
- \translator { \ScoreContext
-       skipBars = ##t
-  }
-  linewidth = 180. \mm;
-}
-
-\score
-{
-       < \allegro
-         \property Score.midiInstrument = "french horn"
-       >
-       \paper{ }
-       \header { piece = "allegro"; opus = ""; }       
-       \midi{ \tempo 4=90; }
-}
-
-\score
-{
-       < \romanze
-         \property Score.midiInstrument = "french horn"
-       >
-       \header { piece = "romanze"; opus = ""; }       
-       \midi{ \tempo 4 = 70;  }
-       \paper{}
-}
-\score
-{
-       < \rondo
-         \property Score.midiInstrument = "french horn"
-       >
-       \header { piece = "rondo"; opus = ""; }
-       \paper{
-               \translator { \BarNumberingStaffContext }
-       }
-       \midi{ \tempo 4 = 100; }
-}

diff --git a/mutopia/W.A.Mozart/horn-concerto-3/romanze.ly b/mutopia/W.A.Mozart/horn-concerto-3/romanze.ly
deleted file mode 100644 (file)
index 34906bd..0000000
--- a/mutopia/W.A.Mozart/horn-concerto-3/romanze.ly
+++ /dev/null
@@ -1,73 +0,0 @@
-
-
-romanze = \notes \relative c' {
-       \key F;
-       \time 2/2;
-       \emptyText
-       c'4.( _\textscript "p. con molto espressione" "italic"  )
-               f8 a,4 a
-       [bes8( c d bes] )g4 r8 g
-       a r bes r c r [d()bes]
-       a2( [)g8 a( bes )b]
-       c4. () f8 a,4 a |
-       [bes8 (c d) bes] g4 r8 c,-.
-       [c8( e g )bes] [a( c f ) d]
-       c r e r f r r4
-       \mark "A";
-       R1*8
-       g4. ()f8  [e( d c) bes]
-       [bes( a d )c] c4 r
-       R1*2
-       g'4.() f8 [e( d c) bes]
-       [bes (a d ) c] c4 r
-       r1
-       [c16\mf () d c-. d-.] [e () f e-. f-.] [g()e c-. c-.] [f()d b-. b-.]
-       [c16\p () d c-. d-.] [e () f e-. f-.] [g()e c-. c-.] [f()d b-. b-.]
-       [c8 \< c, c c] [c c c \! c]     %B&H use tremolo.
-       \mark "B";
-       c1\f
-       R1*9
-       f'4.(\p )d8 b4 r8 g
-       g'4.() e8 c4 r8 cis |
-       d4(~ [d16 e d )e] [f8 () d f() d]
-       c2()b4 r
-       R1*4
-       e4. ()g8 c,4 ()cis
-       [d8( e f )d] b4 r8 g
-       [c ()e g g] [g( f e )d]
-       c4(
-       \grace { e16 }
-       [d8. )c16] [c8 c--( c-- )c--]
-       \mark "C";
-       des1\sfp
-       g,1\sfp 
-       c\sfp   
-       c,\sfp  
-       R1*3
-       r8 [c-\p c c] c2~
-       [c8 c' c c] c2~
-       [c8 \< e( g f] [e \!d \> c bes]
-       \mark "D";
-       \! )a4 r r2
-       R1*3
-       c4.-\p () f8 a,4 a |
-       [bes8 (c d) bes] g4 r8 c,-.
-       [c8( e g )bes] [a( c f ) d]
-       c-. r e-. r f4 r4
-       R1*3
-       r2 r4 r8 c,8
-       [c8( e g )bes] [a( c f ) d]
-       c-. r e-. r f4 r4       
-       g,1\pp
-       c,2~c4. c8
-       [c8( e g )bes] [a( c f ) d]
-       c r e r f4 r4                   % -. ? 
-
-       r1
-       c8-. r e-. r f4 r4
-
-       % Finish with F if played separately 
-       c8-. (  r c,-. r ) c4 r4| 
-       \bar "|.";
-}
-

diff --git a/mutopia/W.A.Mozart/horn-concerto-3/rondo.ly b/mutopia/W.A.Mozart/horn-concerto-3/rondo.ly
deleted file mode 100644 (file)
index b8b72b7..0000000
--- a/mutopia/W.A.Mozart/horn-concerto-3/rondo.ly
+++ /dev/null
@@ -1,160 +0,0 @@
-
-rondotheme = \notes \relative c' {
-       [c'8 c c] [c c c]
-       c4( cis8 )d r g,
-       [d'8 d d] [d d d]
-       d4( dis8 )e r c |
-       [c()d e] [f g a]
-       [g ()e c] c4 d8
-       e4()d8 e4()f8
-       e4.()d8 r r |
-}
-
-lipbreaker = \notes \relative c'
-{
-       r8 [g'-. g-.] [c()e g,-.]
-       [c()e g,-.] [c()e g,-.]
-       [c c, c] [c c c]
-       [c c c] [c c c]
-}
-
-rightsixteenth = { \property Voice.stemLeftBeamCount = 1
-  \property Voice.stemRightBeamCount = 2 }
-leftsixteenth = { \property Voice.stemLeftBeamCount = 2
-  \property Voice.stemRightBeamCount = 1 }
-bothsixteenth = { \property Voice.stemLeftBeamCount = 2
-  \property Voice.stemRightBeamCount = 2 }
-
-rondo = \notes         \relative c'
-{
-       \partial 8;
-       g'8-\p |
-       \time 6/8;
-       
-       \rondotheme
-       
-       R2.*13 |
-       r8 r-\fermata d [d e f]
-       [g ()e c-.] [d()e d-.]
-       c4 c8 [d e f]
-       [g()e c-.] [d()e d-.]
-       c4 r8 r4 r8 |
-       R2.*7
-       \mark  "A";
-       c4.\p \grace { e16( } [)d8 c d]
-       c4 r8 r4 r8
-       e4. \grace g16( [)f8 e f]
-       e4 r8 r4 r8
-       g4. e4 c8
-       g2.~
-       [g8 a b] [c d e ]
-       e4.()d8 r r
-       R2.*4
-       e2.~ |
-       [e8 d c] [c b a]
-       d2.~
-       [d8 c b] [b a g]
-       g'4()e8 b4()cis8
-       \mark "B";
-       d4 r8 r4 r8
-       R2.*3 |
-       r8 [d-. d-.] [d()g d-.]
-       [d()g d-.] [d d d]
-       [d()g] r r4 r8
-       R2.*1
-       \lipbreaker
-       c4 r8 [c' d e]
-       d4()g8 [c, d e]
-       d4 r8 r4 r8
-       R2. |
-       r4 r8 [c-. d-. e-.]
-       d4()g8 [c, d e]
-       [d()g fis] [e d c]
-       [b () e d] [c b a]
-       \mark "C";
-       g4 r8 r4 r8
-       r2. |
-       %
-       r8 [g g] [g( )b b]
-       [b()d d-.] [d()g g-.]
-       g2.~
-       [g8 a g] [f e d]
-       < \rondotheme
-         { s8-\p } >
-         
-       R2.*12
-       r4 r8 r4 c8
-       \mark "D";
-       c4 f8 c4 a8
-       a4.~a4 a8
-       bes4 c8 d4 bes8
-       g4. ~ g8 r r
-       R2.*3
-       r4 r8 r4 c8
-       a4. c
-       f ~ [f8. \rightsixteenth e16(  \bothsixteenth d )c]
-       bes4 g8 e4 g8
-       c4. ~ c8 r r
-       R2.*3| 
-       r4 r8 r4 c8
-       b4()c8 b4()c8
-       bes4. ~ bes4 g8
-       a4 c8 [f () d b]
-       d4. () c8 r r
-       \mark "E";
-       R2.*9  |
-       \lipbreaker 
-       [c8 c' c] c4.~
-       [c8 c d] [e e fis] 
-       g4 r8 r4 r8
-       r2.
-       r8 [g, g] [g g g] |
-       es'4. ~ [es8 d c]
-       b4 r8 r4 r8
-       r2. |
-       r8 [g g] [g g g]
-       es'4. ~ [es8 d c]
-       b4.\cresc  c4. d4. e4.
-       \mark "F";
-       f2.\f ~ |
-       f4 r8 r4 r8
-       r8 [g,\> g] [g g g]
-       [fis  g gis] % Edition breitkopf says a-flat (silly!)
-                [a bes \! b]
-       < \rondotheme
-         { s8-\p } >
-       R2.*7
-       \mark "G";
-       R2.*4
-       c,4.\mf c4 c8
-       c4. e4 c8
-       g'4. g4 g8
-       g4. g,4 g8
-       c4 r8 r4 r8
-       r4 r8 r4 g'8
-       [c ()e g,-.]    [c ()e g,-.]
-       [c ()e g,-.]    [c ()e g,-.]
-       \mark "H";
-       g'2._\cresc bes,2.
-       a4. [b16 c d e f g]
-       a4. f4 d8
-       [c8\f g' e] [c g e]
-       [\stemup c \stemdown e' c] \stemboth [g e c]
-       g4 r8 [g''8 e c]
-       \grace { \aftergrace [c16 d] }
-       d2.(-\trill 
-       )c4 r8 r4 r8
-       R2.*5
-       r8 r8-\fermata d8\p [d e f]
-       [g ()e c] [d()e d]
-       [c\cresc  c c] [d e f]
-       [g()e c] [d()e d]
-       c4\f r8 r4 r8
-       R2.*5
-       [c8\f c, c] [c c c]
-       c4 r8 c4 r8
-       c4 r8 r4 \bar "|.";             % B&H do another r8.
-}
-
-
-