$(outdir)/pictures:
$(MAKE) -C pictures WWW-1
ln -sf ../pictures/$(outdir) $@
+
+$(outdir)/general.texi: $(outdir)/examples
+
+$(outdir)/examples:
+ $(MAKE) -C general/examples
+# FIXME: who is replacing src="examples --> src="../examples" ?
+# [ugh, why do most scripts not even say they run anymore?]
+ ln -sf general/examples $@
endif
# Ugh, using '%' twice not possible
depth = ../..
-
LOCALSTEPMAKE_TEMPLATES = ly
-
+SUBDIRS = examples
include $(depth)/make/stepmake.make
--- /dev/null
+depth=../../..
+LOCALSTEPMAKE_TEMPLATES=lilypond ly
+include $(depth)/make/stepmake.make
+
+LILYPOND_PREVIEW = $(LILYPOND_BINARY) --png -dpreview -dresolution=150
+
+BROKEN = granados.ly #sesto.ly
+FINE_LY_FILES = $(filter-out $(BROKEN), $(LY_FILES))
+PNG_PAGES = sesto-1 sesto-2
+
+OUT_PNG_FILES = $(FINE_LY_FILES:%.ly=$(outdir)/%.png)
+OUT_PNG_PAGES = $(PNG_PAGES:%=$(outdir)/%.png)
+OUT_PNG_FILES += $(OUT_PNG_PAGES)
+
+OUT_SMALL_PNG_FILES = $(OUT_PNG_FILES:%.png=%-small.png)
+
+ifeq ($(out),www)
+all: $(OUT_PNG_FILES) $(OUT_SMALL_PNG_FILES)
+endif
+
+$(outdir)/%.png: %.ly
+ $(LILYPOND_PREVIEW) -o $(outdir) $<
+ mv $(outdir)/$*.preview.png $@
+
+$(outdir)/%-small.png: $(outdir)/%.png
+ pngtopnm $< | pnmscale -w=600 | pnmtopng > $@
+
+$(outdir)/%-1.png: $(outdir)/%.png
+ mv $(outdir)/$*-1.preview.png $@
+
+$(outdir)/%-2.png: $(outdir)/%.png
+ mv $(outdir)/$*-2.preview.png $@
--- /dev/null
+\version "2.12.0"
+\include "example-header.ily"
+
+#(set-global-staff-size 15)
+
+\include "gregorian.ly"
+
+\score {
+ <<
+ \new VaticanaVoice = "cantus" {
+ \clef "vaticana-do3"
+ % Verse 1 — Salve, Regína
+ a\melisma \[ a \flexa g \pes a\melismaEnd \] d
+ \divisioMinima
+ \[ a\melisma \flexa g\melismaEnd \]
+ \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
+ \[ e\melisma \flexa d\melismaEnd \]
+ \divisioMaior
+ c d \[d\melisma \flexa c\melismaEnd \] d
+ \[ e\melisma \pes f\melismaEnd\] g
+ \[d\melisma \pes e \flexa c\melismaEnd \] d
+ \finalis
+ % Verse 2 — Vita, dulcédo
+ % a\melisma \[ a \flexa g \pes a\melismaEnd \] d
+ % \divisioMinima
+ % \[ a\melisma \flexa g\melismaEnd \]
+ % \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
+ % \[ e\melisma \flexa d\melismaEnd \]
+ % \divisioMaior
+ % c d \[e\melisma \pes f\melismaEnd \] g
+ % \[d\melisma \pes e \flexa c\melismaEnd \] d
+ % \finalis
+ % Verse 3 — Ad te clamámus
+ \[ d\melisma \pes f\melismaEnd\] a g
+ \[ g\melisma \flexa f \pes a\melismaEnd\] e
+ \divisioMaior
+ g f \[ e\melisma \flexa d \pes g\melismaEnd \]
+ \divisioMinima
+ c d \[ e\melisma \flexa d \pes g\melismaEnd \]
+ \[ f\melisma \flexa e\melismaEnd \] d
+ \finalis
+ % Verse 4 — Ad te suspirámus
+ \[ d\melisma \pes f\melismaEnd \] a c' g
+ \[ g\melisma \flexa f \pes g\melismaEnd \] a
+ \divisioMaior
+ d \[ f\melisma \pes \deminutum g\melismaEnd \] g d
+ \[ \virga f\melisma \inclinatum e \inclinatum d\melismaEnd \]
+ c \divisioMaior
+ d \[ d\melisma \flexa c \pes f\melismaEnd \]
+ \[ g\melisma \pes a\melismaEnd \]
+ g \[ f\melisma \flexa e\melismaEnd \] g
+ \[ f\melisma \flexa \deminutum e\melismaEnd \]
+ \[ d\melisma \flexa c \pes d\melismaEnd \]
+ \finalis
+ % Verse 5 — Eia ergo, Advocáta nostra
+ f\melisma \[ f \pes g\melismaEnd \] f
+ \[ g\melisma \pes \deminutum a\melismaEnd \] a
+ \divisioMinima
+ c' g \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] d g a
+ \divisioMaior
+ d' d' \[ c'\melisma \flexa b c' \pes d'\melismaEnd \] a
+ \divisioMinima
+ d' c' a \[ g\melisma \flexa f \pes a\melismaEnd \] g
+ \[ d\melisma \pes e\melismaEnd \] f
+ \[ \virga e\melisma \inclinatum d \inclinatum c\melismaEnd \]
+ \divisioMaior
+ \[ c\melisma \pes d\melismaEnd \]
+ f \[ g\melisma \flexa \deminutum f\melismaEnd \]
+ \[ d\melisma \flexa c \pes d\melismaEnd \] d
+ \finalis
+ % Verse 6 — Et Jesum
+ d a, \[ c\melisma \pes d\melismaEnd \]
+ \divisioMinima
+ d \[ d\melisma \pes e\melismaEnd \] \[ e\melisma \flexa d d\melismaEnd \]
+ c g f \[ e\melisma \flexa \deminutum d\melismaEnd \] g
+ \[ f\melisma \flexa e\melismaEnd \]
+ \[ d\melisma \flexa c \pes d\melismaEnd \]
+ \[ d\melisma \pes a \] \virga bes\melismaEnd a
+ \divisioMinima
+ \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] g d f
+ \[ f\melisma \flexa e\melismaEnd \] \[ d\melisma \flexa c\melismaEnd \]
+ \divisioMinima
+ \[ e\melisma \pes f \flexa e\melismaEnd \] d d
+ \finalis
+ % Verse 7 ad finem — O clemens: O pia: O dulcis Virgo María
+ a\melisma \[a \flexa g a \quilisma b \pes c'\melismaEnd \]
+ \[ \virga b\melisma \inclinatum a \inclinatum g\melismaEnd \] a
+ \finalis
+ \[ g\melisma \pes a \quilisma b \pes c' \] \[ c' \flexa b\melismaEnd \]
+ \[ a\melisma \flexa g\melismaEnd \] \[ g\melisma \pes a\melismaEnd \]
+ \finalis
+ \[ a\melisma \flexa d \virga f \inclinatum e \inclinatum d \inclinatum c d \]
+ \divisioMinima
+ \[ d \pes e f \pes g\melismaEnd \]
+ \[ g\melisma \flexa \deminutum f\melismaEnd \]
+ \[ g\melisma \pes a\melismaEnd \]
+ d c d \[ d\melisma \pes g \flexa f f\melismaEnd \]
+ \[ e\melisma \flexa d\melismaEnd \]
+ \finalis
+ }
+ \new Lyrics \lyricsto "cantus" {
+ Sal- ve, Re- gí- na, ma- ter mi- se- ri- cór- di- ae:
+ % Vi- ta, dul- cé- do, et spes no- stra, sal- ve.
+ Ad te cla- má- mus, éx- su- les, fi- li- i He- vae.
+ Ad te su- spi- rá- mus, ge- mén- tes et flen- tes in hac la- cri- má- rum
+ val- le.
+ E- ia er- go, Ad- vo- cá- ta no- stra, il- los tu- os mi- se- ri- cór- des
+ ó- cu- los ad nos con- vér- te.
+ Et Je- sum, be- ne- díc- tum fruc- tum ven- tris tu- i, no- bis post hoc
+ ex- sí- li- um os- tén- de.
+ O cle- mens:
+ O pi- a:
+ O dul- cis Vir- go Ma- rí- a.
+ }
+ >>
+}
+
+\layout {
+ \context {
+ \Staff
+ \consists Custos_engraver
+ }
+}
+
--- /dev/null
+\version "2.12.0"
+\include "example-header.ily"
+
+\paper {
+% line-width=158\mm % produces 624 pixels
+ line-width = 143\mm % reserve 15mm for incipit
+}
+
+% Aucun ont trouvé, from Montpellier Codex
+%
+% Put brackets in where the original has ligatures, using
+% "Analysis Brackets," and adjust the "bracket-flare" property
+% to make the ends vertical instead of slanted.
+
+#(set-global-staff-size 15)
+
+%%%%%%%%%%% INCIPIT DEFS %%%%%%%%%%
+
+incipitGlobal = {
+ \override NoteHead #'style = #'mensural
+ \override Accidental #'style = #'mensural
+ \override KeySignature #'style = #'mensural
+ \override Rest #'style = #'mensural
+% \override Staff.TimeSignature #'style = #'mensural
+ \cadenzaOn
+ \override Score.Clef #'extra-offset = #'(-0.0 . 0.5)
+ \override Score.Clef #'font-size = #3
+ \clef "vaticana-do1"
+}
+
+incipitTriplum = \markup{
+ \score{
+ {
+ \set Staff.instrumentName="Triplum "
+ \incipitGlobal
+ s1.
+ }
+ \layout {
+ %indent = 1\cm
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ \context {\Staff
+ \remove "Time_signature_engraver"
+ }
+ line-width=5\mm
+ }
+ }
+}
+
+incipitMotetus = \markup{
+ \score{
+ {
+ \set Staff.instrumentName="Motetus"
+ \incipitGlobal
+ s1.
+ }
+ \layout {
+ % indent = 1\cm
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ \context {\Staff
+ \remove "Time_signature_engraver"
+ }
+ line-width=5\mm
+ }
+ }
+}
+
+incipitTenor = \markup{
+ \score{
+ {
+ \set Staff.instrumentName = "Tenor "
+ \incipitGlobal
+ s1.*2
+ }
+ \layout {
+ %indent = 1\cm
+ \context {\Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ \context {\Staff
+ \remove "Time_signature_engraver"
+ }
+ line-width=5\mm
+}
+}
+}
+
+incipitBassus = \markup{
+ \score{ {
+ \set Staff.instrumentName = "Bassus "
+ \override NoteHead #'style = #'neomensural
+ \override Accidental #'style = #'neomensural
+ \override Rest #'style = #'neomensural
+ \override Staff.TimeSignature #'style = #'neomensural
+ \cadenzaOn
+ \clef "petrucci-f3"
+ \key f \major
+ \time 3/2
+ \relative c' {
+ s1. % R1.*2
+ }
+ }
+ \layout {
+ \context { \Voice
+ \remove Ligature_bracket_engraver
+ \consists Mensural_ligature_engraver
+ }
+ line-width=5\mm
+ }
+ }
+}
+
+%%%%%%%%%%% END INCIPIT DEFS %%%%%%%%%%%
+
+#(ly:set-option 'point-and-click #f)
+
+global = {
+ \override Staff.TimeSignature #'stencil = #(lambda (grob)
+ (bracketify-stencil (ly:time-signature::print grob) Y 0.1 0.2 0.1))
+ \time 3/4
+ \override Staff.BarLine #'transparent = ##t
+ \override HorizontalBracket #'direction = #UP
+ \override HorizontalBracket #'bracket-flare = #'(0 . 0)
+}
+
+%%%%%%%%% MACRO FOR MAKING SLASHES THROUGH STEMS %%%%%%%%%%
+MakeSlash = #(define-music-function (parser location angle len-left len-right
+thick y-factor offset)
+ (number? number? number? number? number?
+pair?)
+#{
+\once \override Voice.Stem #'text = \markup {
+ \postscript #(let ((x-off (car $offset))
+ (y-off (cdr $offset)))
+ (string-append
+ (ly:number->string (car $offset)) " " (ly:number->string (cdr $offset)) "
+translate "
+ (ly:number->string $angle) " rotate "
+ (ly:number->string (- x-off)) " "
+ (ly:number->string (- y-off)) " translate 0 setlinewidth "
+ (ly:number->string (- x-off $len-left)) " " (ly:number->string (+ y-off
+$thick)) " moveto "
+ (ly:number->string (- x-off $len-left)) " " (ly:number->string y-off)
+ " " (ly:number->string $thick) "
+90 270 arc "
+ (ly:number->string (+ x-off $len-right)) " " (ly:number->string y-off)
+ " " (ly:number->string $thick) "
+270 90 arc "
+ " gsave fill grestore stroke")) }
+
+\once \override Voice.Stem #'stencil = #(lambda (grob)
+ (let* ((sten1 (ly:stem::print grob))
+ (sten2 (ly:text-interface::print grob))
+ (extent1 (ly:stencil-extent sten1 Y))
+ (extent2 (ly:stencil-extent sten2 Y)))
+ (ly:stencil-add
+ sten1
+ (ly:stencil-translate sten2
+ (cons 0 (+ (* $y-factor (cdr extent1))
+ (* (- 1 $y-factor) (car extent1))))))))
+#})
+
+
+slash = { \MakeSlash #20 #1.0 #1.1 #0.05 #0.75 #'(0 . -.5) }
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+triplumWords = \lyricmode {
+ Au -- cun ont trou -- ve chant par u -- sa -- ge,
+ mes a moi en doune o -- choi -- son __
+ a -- mours, qui res -- bou -- dist mon cou -- ra -- ge
+ si que m'ès -- tuet fai -- re _ chan -- _ _ çon
+}
+
+triplumNotes = \relative c' {
+ \clef "treble_8"
+ %\set Staff.midiInstrument = "flute"
+% \global
+ \override StemTremolo #'beam-thickness = #.125
+ \override StemTremolo #'slope = #1.0
+ f8 f4 e8 d c f f f | % 1
+ % the \scaleDurations command below makes 5 notes last the
+ % duration of a dotted quarter
+ e8 c4 \scaleDurations #'(3 . 2) { \times 4/5{e16[ d e d e]} } e8 f4 | % 2
+ g2. ~ g4. | % 3
+ f8 d4 f4. \scaleDurations #'(3 . 2) { \times 4/6{ g16[ f e f e f]}} % 4
+ g8 g4 g4. e4. | % 5
+ fis8 d4 e8\startGroup g4\stopGroup f8[ e d] | % 6
+ c2. r4. | % 7
+}
+
+motetusWords = \lyricmode {
+ lonc tans _ _ me fiu -- te -- nu de chan -- _ _ ter __
+ mes or ai _ _
+}
+
+motetusNotes = \relative c' {
+ \clef "treble_8"
+ c2. c8\startGroup b8 \slash c\stopGroup | % 1
+ a2. c4. | d2. e4. | % 2-3
+ f2. f8 e d | % 4
+ c2. ~ c4. | r2. r4. | % 5-6
+ g'4. g g8 f e | % 7
+}
+
+
+tenorNotes = \relative c {
+ \clef "treble_8"
+ f2. | a2. | g2. | r2. | % 1-4
+ c2. | b2. | c2. | % 5-7
+}
+
+\score {
+ \new StaffGroup <<
+ \new Staff = "triplum" <<
+ %\set Staff.instrumentName = "Triplum"
+ \set Staff.instrumentName = \incipitTriplum
+ \set Staff.shortInstrumentName = "Tr."
+ \set Staff.timeSignatureFraction = #'(9 . 8)
+ \scaleDurations #'(2 . 3)
+ \context Voice = "triplum" { \global \triplumNotes }
+% \scaleDurations #'(2 . 3)
+% \context Voice = "slashes" { \triplumSkips }
+ \new Lyrics { \lyricsto "triplum" { \triplumWords }}
+ >>
+ \new Staff = "motetus" <<
+ %\set Staff.instrumentName = "Motetus"
+ \set Staff.instrumentName = \incipitMotetus
+ \set Staff.shortInstrumentName = "M."
+ \set Staff.timeSignatureFraction = #'(9 . 8)
+ \scaleDurations #'(2 . 3)
+ \context Voice = "motetus" { \global \motetusNotes }
+ \new Lyrics { \lyricsto "motetus" { \motetusWords }}
+ >>
+ \new Staff = "tenor" {
+ %\set Staff.instrumentName = "Tenor"
+ \set Staff.instrumentName = \incipitTenor
+ \set Staff.shortInstrumentName = "T."
+ \global \tenorNotes
+ }
+ >>
+ %\midi {}
+ \layout {
+ %\context {
+ % \Staff \consists "Horizontal_bracket_engraver"
+ %}
+ \context {
+ \Voice \consists "Horizontal_bracket_engraver"
+ }
+ }
+}
--- /dev/null
+\version "2.12.0"
+%\include "example-header.ily"
+
+
+\header {
+ mutopiatitle = "Jesu, meine Freude"
+ mutopiacomposer = "BachJS"
+ poet = "BWV 610"
+ %mutopiaopus = "BWV 610"
+ mutopiainstrument = "Organ"
+ date = ""
+ source = "Bach-Album, Ernst H. Wolfram (editor), 6787, C. F. Peters, Leipzig"
+ style = "Baroque"
+ copyright = "Public Domain"
+ maintainer = "Urs Metzger"
+ maintainerEmail = "urs@ursmetzger.de"
+ lastupdated = "2006/Mar/15"
+
+ title = "Jesu, meine Freude"
+ composer = "Johann Sebastian Bach"
+ %opus="BWV 610"
+
+ footer = "Mutopia-2006/03/27-706"
+ tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
+
+}
+
+\include "deutsch.ly"
+
+global = {
+ \key c \minor
+ \time 4/4
+ #(set-accidental-style 'default)
+}
+
+halsup = {
+ \stemUp
+ \tieUp
+}
+
+halsdown = {
+ \stemDown
+ \tieDown
+}
+
+staffup = {
+ \change Staff = "right" \halsdown
+}
+
+staffdown = {
+ \change Staff = "left" \halsup
+}
+
+sopran = {
+ \new Voice \relative g' {
+ \global
+ \halsup
+ \repeat volta 2 {
+ g4^\markup { \hspace #-4 \large "Largo" } g f es
+ d2 c\fermata
+ g'4 g a h
+ c2 h\fermata
+ %% Takt 5 ==============================================
+ c8. d16 es4 d4. d8
+ c1\fermata
+ }
+ g4 g as g
+ f4. f8 es2\fermata
+ g4 g a h
+ %% Takt 10 =============================================
+ c4 b! a2
+ g1\fermata
+ g4 g f es
+ d2 c2\fermata \bar "|."
+ }
+}
+
+alt = {
+ \new Voice \relative es' {
+ \global
+ \halsdown
+ \repeat volta 2 {
+ es16 d es8~ es16 f es d c8 d~ d c
+ c8 c4 h8 c8. \staffdown g16 \staffup c h c d
+ es16 d es8~ es16 f es d c8 d16 es f as g f~
+ f16 e f8~ f16 g f es d es d8~ d16 es f d
+ %% Takt 5 ==============================================
+ g8 f es16 g as es f es f d g as g f
+ e8 f16 g as g as e f g f8~ f16 f es d
+ }
+ es16 d es8~ es16 f es des c8 \staffdown b~ b16 b c g
+ as16 g as f b c b as g f g8~ g16 b \staffup c d
+ es16 d es8~ es16 f es d c8 d16 es f as g f
+ %% Takt 10 =============================================
+ es16 d es8 d g~g g4 fis8
+ g16 d es c \staffdown d h c a h a h c d h g h
+ c16 h c \staffup d es d es8~ es d4 c8~
+ c16 h c8~ c h c16 \staffdown g as8 g4\fermata
+ }
+}
+
+tenor = {
+ \new Voice \relative c' {
+ \global
+ \repeat volta 2 {
+ c16 h c8~ c16 h c g a8 g~ g16 g as es
+ f16 es f d g as g f es d \tieDown es8~ es16 \tieNeutral f es d
+ c16 h c g' c h c c, f8. g16 as!4~
+ as16 g as b c h c8 d8. c16 h c d h
+ %% Takt 5 ==============================================
+ es16 d es d~ d8 c~c c4 h8
+ c4~ c8. b16 as b as8 g16 as g f
+ }
+ \halsdown es16 f g as b des c b as g f8~ f es
+ es8 es4 d8 es8. b16 es d es f
+ es16 f g8 c16 d c b a g f8~ f4
+ %% Takt 10 =============================================
+ g16 fis g a b a b g c b c a d es d c
+ h8 c16 a h g a fis g8 d16 es f es f8~
+ f16 d es h c h c8 r16 f g d es g as fis
+ g16 d f! es f as g f e8. f16~ f d e8\fermata
+ }
+}
+
+right = {
+ \clef treble
+ <<
+ \alt
+ \sopran
+ >>
+}
+
+left = {
+ \clef bass
+ <<
+ \tenor
+ >>
+}
+
+pedal = {
+ \global
+ \clef "bass"
+ \relative c {
+ \repeat volta 2 {
+ r8 c16 d es d es8~ es16 a, h g c h c8
+ r16 g as f g f g8 c,2
+ r8 c'16 d es d es8~ es16 c f es d c d8
+ c8 f16 g as g as8~ as16 d, fis d g fis g8
+ %% Takt 5 ==============================================
+ r8 a16 h c h c8
+ r16 g as f g f g8
+ r16 g as e f e f8 r16 e f h, c h c8
+ }
+ r8 es16 f g f g8~ g16 c, d! b es d es8
+ r16 b c as b as b8 es,2
+ r8 c'16 d es d es8~ es16 c f es d c d8
+ %% Takt 10 =============================================
+ c8 es16 f! g fis g8 r16 d es c d c d8
+ g,1
+ c4 c,8 c'16 b! a8 h c16 h c8
+ r16 g as fis g fis g8 c,2_\fermata
+ }
+}
+
+\score {
+ \new PianoStaff
+ { \set PianoStaff.instrumentName = \markup { \large \center-column {
+ "a" "" "2 Clav." "" "e" "" "Pedale." } \hspace #0.5 }
+ <<
+ \context Staff = right
+ {
+ \context Voice = right \right
+ }
+ \context Staff = left {
+ \context Voice = left \left
+ }
+ \context Staff = pedal {
+ \context Voice = pedal \pedal
+ }
+ >>
+ }
+ \layout{}
+}
--- /dev/null
+% -*-coding: utf-8 -*-
+
+\header{
+ composer = "J.S. Bach"
+ title = "Wenn wir in höchsten Nöten sein"
+ subtitle = "Analysis from Gene Biringer's Schenker Text, Ex. 5-27"
+% "BWV641"
+ enteredby = "Kris Shaffer"
+}
+
+%%
+%% See http://www.shaffermusic.com/doc/schenker/index.html for more information
+%%
+
+I = \once \override NoteColumn #'ignore-collision = ##t
+
+\version "2.12.0"
+
+staffPiano = \new PianoStaff {
+ \set Score.timing = ##f
+ \set PianoStaff.followVoice = ##t
+
+ <<
+ \new Staff = "RH" { % Right hand
+ \clef treble
+ \key g \major
+ \relative c'' {
+ \override Staff.NoteCollision
+ #'merge-differently-headed = ##t
+ <<
+ {
+ \override Beam #'positions = #'(8 . 8)
+ \override NoteHead #'transparent = ##t
+ \override NoteHead #'duration-log = #1
+ s1 b8[^\markup {
+ \override #'(baseline-skip . 0.5)
+ \column { \small {^ 3} }
+ }
+ s4. s1 a8^\markup {
+ \override #'(baseline-skip . 0.5)
+ \column { \small {^ 2} }
+ }
+ s4. s2 g8]^\markup {
+ \override #'(baseline-skip . 0.5)
+ \column { \small {^ 1} }
+ }
+ s4.
+ \revert Beam #'positions
+ \revert NoteHead #'transparent
+ \revert NoteHead #'duration-log
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ s1
+ \once \override Slur #'height-limit = #6
+ \once \override Slur #'extra-offset = #'(1.25 . 0)
+ \slurDashed
+ \I b2_( s2
+ \once \override NoteHead #'transparent = ##t
+ b4) s
+ \once \override Slur #'height-limit = #3.25
+ \once \override Slur #'extra-offset = #'(.75 . 0)
+ a2_( s4
+ \once \override NoteHead #'transparent = ##t
+ a)
+ g2
+ \revert Stem #'transparent
+ }
+ \\
+ \override Staff.NoteCollision
+ #'merge-differently-headed = ##t
+ {
+ \override Beam #'positions = #'(4 . -3.25)
+ \stemUp
+ g8[ s s4 s2
+ \stemDown
+ \once \override NoteHead #'transparent = ##t
+ \I b8] s8
+ \override Beam #'positions = #'(3 . -2.25)
+ \stemUp
+ a8[ s s4
+ \stemDown
+ c8] s s2 s s
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \override Stem #'length = #0
+ g4_\( fis^(_\markup { \tiny N } g)\)
+ a^(^\markup { \tiny P } b2)
+ b4^(^\markup { \tiny P }
+ \stemUp
+ \revert Stem #'transparent
+ \override Stem #'length = #10
+ c8)^( s
+ \override Stem #'length = #14
+ b4) s s
+ \override Stem #'length = #0
+ \override Stem #'transparent = ##t
+ \once \override Slur #'extra-offset = #'(0 . 0.35)
+ c4^\( b_(_\markup { \tiny P } a)\) s2
+ \revert Stem #'length
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \override Stem #'length = #0
+ s1 s4 e4 s
+ \change Staff = "LH"
+ fis,4 s2
+ \revert Stem #'transparent
+ \revert NoteHead #'transparent
+ \revert Stem #'length
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \override Stem #'length = #0
+ s1 s s2
+ fis'4 s
+ \change Staff = "LH"
+ g,4 s s2
+ \revert Stem #'transparent
+ \revert NoteHead #'transparent
+ \revert Stem #'length
+ }
+ >>
+ \bar "|."
+ }
+ }
+
+ \new Staff = "LH" { % Left hand
+ \clef bass
+ \key g \major
+ \relative c' {
+ \override Staff.NoteCollision
+ #'merge-differently-headed = ##t
+ <<
+ {
+ \override Beam #'positions = #'(-8 . -8)
+ \override NoteHead #'transparent = ##t
+ \stemDown
+ \I g8[_\markup { \bold I } s4. s1 s s2
+ \I d8_\markup { \bold V } s4.
+ \I g,8]_\markup { \bold I } s4.
+ \revert Beam #'positions
+ \revert NoteHead #'transparent
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \stemDown
+ \override TextScript #'extra-offset = #'(-11.75 . -12.25)
+ \I g'2 s1 s s2 \I d2 g,2
+ \revert Stem #'transparent
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \once \override NoteHead #'transparent = ##t
+ \override Stem #'length = #0
+ g'4
+ \once \override TextScript #'padding = #0.25
+ a4_(^\markup { \tiny P } b)
+ fis4^(^\markup { \tiny P } e)
+ \once \override NoteHead #'transparent = ##t
+ \once \override Slur #'height-limit = #1.5
+ c4^(
+ d)^\markup { \tiny N }
+ \once \override NoteHead #'transparent = ##t
+ \once \override Slur #'extra-offset = #'(0 . 0.5)
+ \I fis,4_(
+ \revert Stem #'transparent
+ \override Stem #'length = #10
+ \stemDown
+ g4) s
+ \once \override Slur #'extra-offset = #'(0 . 0.25)
+ \I c8_( s
+ \override Stem #'transparent = ##t
+ \revert Stem #'length
+ a4)
+ \once \override NoteHead #'transparent = ##t
+ \I d4^( d,4) s2
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \I g'4^( s b) s2
+ \revert Stem #'transparent
+ \revert NoteHead #'transparent
+ \override Beam #'positions = #'(-4 . 1)
+ \stemDown
+ c,8[ s s4
+ \stemUp
+ fis,8] s
+ \override Beam #'positions = #'(1 . -4)
+ g8[ s
+ \stemDown
+ b8] s
+ \revert Beam #'positions
+ \override Stem #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ c4^( s d4) s s2
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \override Stem #'length = #0
+ \stemDown
+ \once \override Slur #'height-limit = #3
+ \once \override Slur #'extra-offset = #'(0 . 0.25)
+ \I g4_( s2. e4) s2. s2 s1 s2
+ \revert Stem #'transparent
+ \revert NoteHead #'transparent
+ }
+ \\
+ {
+ \override Stem #'transparent = ##t
+ \override NoteHead #'transparent = ##t
+ \slurDashed
+ \once \override Slur #'height-limit = #6.0
+ \once \override Slur #'extra-offset = #'(0.5 . -0.25)
+ \override Stem #'length = #0
+ g4_( s2. s1 g,4) s s1 s2
+ \revert Stem #'transparent
+ \revert NoteHead #'transparent
+ }
+ >>
+ \bar "|."
+ }
+ }
+ >>
+}
+
+
+\score {
+ <<
+ \staffPiano
+ >>
+
+ \midi {
+ }
+
+ \layout {
+ indent = 0.0
+ ragged-right = ##f
+ \context { \Staff \remove "Time_signature_engraver" }
+ }
+}
+
+
+\paper {
+}
--- /dev/null
+\version "2.11.62"
+\include "example-header.ily"
+
+% Example of Tab Polyphony from Bach Lute Suite in E Minor
+
+
+
+%#(define (fret-letter-tablature-format string tuning pitch)
+%(make-string 1 (integer->char
+%(+ (char->integer #\a)
+%(- (pitch-semitones pitch)
+%(list-ref tuning (- string 1)))))))
+
+global = {
+ \time 12/8
+ \key e \minor
+ \set Staff.midiInstrument = "acoustic guitar (nylon)"
+% \set TabStaff.tablatureFormat = #fret-letter-tablature-format
+}
+
+upper = \relative c' {
+ \global
+ \voiceOne
+ r4. r8 e, fis g16 b g e e' b c b a g fis e
+}
+
+lower = \relative c {
+ \global
+ \voiceTwo
+ r16 e d c b a g4 fis8 e fis g a b c |
+}
+
+\score {
+ <<
+ \new StaffGroup = "tab with traditional" <<
+ \new Staff = "guitar" <<
+ \clef "treble_8"
+ \context Voice = "upper" \upper
+ \context Voice = "lower" \lower
+ >>
+ \new TabStaff = "guitar" <<
+ \context TabVoice = "upper" \upper
+ \context TabVoice = "lower" \lower
+ >>
+ >>
+ >>
+ \layout {}
+ %\midi {}
+}
+
--- /dev/null
+
+\version "2.12.0"
+
+\layout {
+ indent = #0
+ ragged-right = ##t
+ \context {
+ \Score
+
+ proportionalNotationDuration = #(ly:make-moment 1 64)
+ \override Beam #'breakable = ##t
+ autoBeaming = ##f
+ tupletFullLength = ##t
+ \override BarNumber #'transparent = ##t
+ \override BarLine #'transparent = ##t
+ \override SpanBar #'transparent = ##t
+ \override Beam #'break-overshoot = #'(-0.5 . 1.0)
+ \override TextScript #'staff-padding = #6
+ \override Glissando #'thickness = #3
+ \override SpacingSpanner #'strict-grace-spacing = ##t
+ \override TupletBracket #'bracket-visibility = ##t
+ \override NoteColumn #'ignore-collision = ##t
+ }
+}
+
+\paper {
+ oddHeaderMarkup = \markup \fill-line { " " }
+ evenHeaderMarkup = \markup \fill-line { " " }
+ oddFooterMarkup = \markup {
+ \fill-line {
+ \bold \fontsize #3 \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string } }
+ evenFooterMarkup = \markup {
+ \fill-line {
+ \bold \fontsize #3 \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string } }
+ printfirst-page-number = ##t
+ print-page-number = ##t
+ ragged-last-bottom = ##t
+}
+
+#(set-global-staff-size 14)
+
+
+%% definitions.
+
+
+ppX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "pp" #:hspace 0)))
+pX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "p" #:hspace 0)))
+mpX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "mp" #:hspace 0)))
+fX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "f" #:hspace 0)))
+ffX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "ff" #:hspace 0)))
+sfp = #(make-dynamic-script "sfp")
+sfpp = #(make-dynamic-script "sfpp")
+sffp = #(make-dynamic-script "sffp")
+sffpp = #(make-dynamic-script "sffpp")
+
+beam = #(define-music-function (parser location left right) (number? number?)
+ (cond ((and (= left 0) (> right 0))
+ #{
+ \set stemRightBeamCount = #$right
+ #})
+
+ ((and (> left 0) (= right 0))
+ #{
+ \set stemLeftBeamCount = #$left
+ #})
+
+ (else
+ #{
+ \set stemLeftBeamCount = #$left
+ \set stemRightBeamCount = #$right
+ #})
+ )
+)
+
+fraction = #(define-music-function (parser location music) (ly:music?)
+ #{ \tweak #'text #tuplet-number::calc-fraction-text $music #})
+
+triangle = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(do do do do do do do) $music #})
+
+semicircle = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(re re re re re re re) $music #})
+
+blackdiamond = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(mi mi mi mi mi mi mi) $music #})
+
+tiltedtriangle = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(fa fa fa fa fa fa fa) $music #})
+
+square = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(la la la la la la la) $music #})
+
+wedge = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(ti ti ti ti ti ti ti) $music #})
+
+harmonic = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(harmonic harmonic harmonic harmonic harmonic harmonic harmonic) $music #})
+
+cross = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \set shapeNoteStyles = #'#(cross cross cross cross cross cross cross) $music #})
+
+white = #(define-music-function (parser location music) (ly:music?)
+ #{ \once \override NoteHead #'duration-log = #1 $music #})
+
--- /dev/null
+\version "2.12.0"
+% the example header file caused the head to be chopped off
+%\include "example-header.ily"
+
+
+\header {
+ dedication = "Carin Levine"
+ instrument = "bass flute"
+ title = "ČÁRY"
+ year = "2004--2006"
+
+ subtitle = \markup { \italic Sorcery (extract) }
+ % Measures 6 - 10;
+
+ composer = "Trevor Bača"
+ copyright = "Copyright 2006 Trevor Bača - all rights reserved."
+
+}
+
+% Verbatim from composer's score.
+%
+% Upper staff gives fingerings;
+% Lower staff gives special types of breath.
+%
+% Copyright 2006 for the entire score;
+% All rights reserved by the composer.
+
+\include "english.ly"
+\include "cary-layout.ily"
+
+\new Score <<
+
+ \new StaffGroup <<
+
+ \new Staff \with {
+ \override Stem #'direction = #down
+ \override Beam #'positions = #'(-7 . -7)
+ \override TupletBracket #'direction = #down
+ \override TupletBracket #'staff-padding = #5
+ \override TupletBracket #'padding = #2.25
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(10 . 10)
+ } <<
+
+ \new Voice {
+
+ \override Score.MetronomeMark #'extra-offset = #'(0 . 6)
+ \override Score.MetronomeMark #'font-size = #3
+ \tempo 8=42
+ \time 5/16 s4 ~ s16 \noBreak % measure 6
+ \time 4/8 s2 \noBreak % measure 7
+ \time 4/8 s2 \noBreak % measure 8
+
+ }
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ \times 4/5 {
+ a'64 [ % 36
+ cs''64 % 37
+ f''64 % 38
+ cs''64 % 39
+ ef'''64 ] % 40
+ }
+ \times 4/5 {
+ g''64 [ % 41
+ c''64 % 42
+ e''64 % 43
+ g''64 % 44
+ ef'''64 ] % 45
+ }
+ bf''16 % 46
+ }
+
+ % measure 7
+ r8 % 47
+ \times 4/5 {
+ d''32 [ % 48
+ af''32 % 49
+ e'32 % 50
+ b'32 % 51
+ b'32 ] % 52
+ }
+ ef'''4 % 53
+
+ % measure 8
+ b''8 [ % 54
+ g''8 ] % 55
+ d''4 % 56
+
+ }
+ >>
+
+ \new Staff \with {
+ \override Clef #'transparent = ##t
+ \override StaffSymbol #'line-positions = #'(-4 -2 2 4)
+ \override Stem #'direction = #down
+ \override TupletBracket #'staff-padding = #5
+ \override TupletBracket #'padding = #2.25
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(10 . 10)
+ } <<
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ \override Stem #'direction = #up
+ \override Stem #'stroke-style = #"grace"
+ \override Stem #'font-size = #-3
+ \override Rest #'transparent = ##t
+ \override NoteHead #'no-ledgers = ##t
+ \override Dots #'transparent = ##t
+ \override TupletBracket #'transparent = ##t
+ \override TupletNumber #'transparent = ##t
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ \square f''16 * 1/8 % 40
+ \square f''16 * 1/8 % 41
+ \square f''16 * 1/8 % 42
+ \square f''16 * 1/8 % 43
+ \square f''16 * 1/8 % 44
+ \square f''16 * 1/8 % 45
+ \square f''16 * 1/8 % 46
+ \square f''16 * 1/8 % 47
+ \times 2/3 {
+ \square f''16 % 48
+ \square f''16 * 1/2 % 49
+ }
+ \times 2/3 {
+ \square f''16 * 1/4 % 50
+ \square f''16 * 1/4 % 51
+ \square f''16 * 1/4 % 52
+ \square f''16 * 1/4 % 53
+ \square f''16 * 1/4 % 54
+ \square f''16 * 1/4 % 55
+ }
+ }
+
+ % measure 7
+ s8 % 56
+ \square g''16 * 2/1 % 57
+ \square g''16 % 58
+ \square g''16 % 59
+ \times 8/9 {
+ s16 % 60
+ f''16 * 1/4 % 61
+ f''16 * 1/4 % 62
+ f''16 * 1/4 % 63
+ f''16 * 1/4 % 64
+ f''16 * 1/4 % 65
+ }
+
+ % measure 8
+ \times 4/5 {
+ \times 4/7 {
+ s4 % 66
+ \triangle a''16 % 67
+ \triangle a''16 % 68
+ \triangle a''16 % 69
+ }
+ s8 % 70
+ \triangle a''16 * 1/2 % 71
+ \triangle a''16 * 1/2 % 72
+ \triangle a''16 * 1/2 % 73
+ \triangle a''16 * 1/2 % 74
+ \triangle a''16 * 1/2 % 75
+ \triangle g''16 * 1/2 % 76
+ \triangle g''16 * 1/2 % 77
+ \triangle g''16 * 1/2 % 78
+ }
+
+ }
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ \override Stem #'transparent = ##t
+ \override Rest #'transparent = ##t
+ \override Rest #'staff-position = #-0.5
+ \override Dots #'transparent = ##t
+ \override Beam #'transparent = ##t
+ \override TupletBracket #'transparent = ##t
+ \override TupletNumber #'transparent = ##t
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ \blackdiamond f'128 [ % 40
+ \blackdiamond f'128 % 41
+ \blackdiamond f'128 % 42
+ \blackdiamond f'128 % 43
+ \blackdiamond f'128 % 44
+ \blackdiamond f'128 % 45
+ \blackdiamond f'128 % 46
+ \blackdiamond f'128 ] % 47
+ \times 2/3 {
+ \blackdiamond f'16 % 48
+ \blackdiamond f'32 % 49
+ }
+ \times 2/3 {
+ \blackdiamond f'64 % 50
+ \blackdiamond f'64 % 51
+ \blackdiamond f'64 % 52
+ \blackdiamond f'64 % 53
+ \blackdiamond f'64 % 54
+ \blackdiamond f'64 % 55
+ }
+ }
+
+ % measure 7
+ s8 % 56
+ \harmonic a'8 \glissando % 57
+ \harmonic a'16 \glissando % 58
+ \blackdiamond a'16 % 59
+ \times 8/9 {
+ s16 % 60
+ \harmonic g'64 \glissando % 61
+ \harmonic g'64 \glissando % 62
+ \harmonic g'64 \glissando % 63
+ \harmonic g'64 \glissando % 64
+ \blackdiamond g'64 % 65
+ }
+
+ % measure 8
+ \times 4/5 {
+ \times 4/7 {
+ s4 % 66
+ \blackdiamond f'16 % 67
+ \blackdiamond f'16 % 68
+ \blackdiamond f'16 % 69
+ }
+ s8 % 70
+ \blackdiamond f'32 % 71
+ \blackdiamond f'32 % 72
+ \blackdiamond f'32 % 73
+ \blackdiamond f'32 % 74
+ \blackdiamond f'32 % 75
+ \harmonic e'32 \glissando % 76
+ \harmonic e'32 \glissando % 77
+ \blackdiamond e'32 % 78
+ }
+
+ }
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ \override Stem #'direction = #down
+ \override Stem #'font-size = #-3
+ \override Stem #'stroke-style = #"grace"
+ \override Rest #'transparent = ##t
+ \override NoteHead #'no-ledgers = ##t
+ \override Dots #'transparent = ##t
+ \override TupletBracket #'transparent = ##t
+ \override TupletNumber #'transparent = ##t
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ s128 % 40
+ s128 % 41
+ s128 % 42
+ s128 % 43
+ s128 % 44
+ s128 % 45
+ s128 % 46
+ s128 % 47
+ \times 2/3 {
+ \semicircle a16 % 48
+ \semicircle a16 * 1/2 % 49
+ }
+ \times 2/3 {
+ \semicircle a16 * 1/4 % 50
+ \semicircle a16 * 1/4 % 51
+ \semicircle a16 * 1/4 % 52
+ \semicircle a16 * 1/4 % 53
+ \semicircle a16 * 1/4 % 54
+ \semicircle a16 * 1/4 % 55
+ }
+ }
+
+ % measure 7
+ s8 % 56
+ s8 % 57
+ s16 % 58
+ \triangle a16 % 59
+ \times 8/9 {
+ s16 % 60
+ s64 % 61
+ s64 % 62
+ s64 % 63
+ s64 % 64
+ \triangle a16 * 1/4 % 65
+ }
+
+ % measure 8
+ \times 4/5 {
+ \times 4/7 {
+ s4 % 66
+ \semicircle a16 % 67
+ \semicircle a16 % 68
+ \semicircle a16 % 69
+ }
+ s8 % 70
+ \semicircle a16 * 1/2 % 71
+ \semicircle a16 * 1/2 % 72
+ \semicircle a16 * 1/2 % 73
+ \semicircle a16 * 1/2 % 74
+ \semicircle a16 * 1/2 % 75
+ s32 % 76
+ s32 % 77
+ \semicircle a16 * 1/2 % 78
+ }
+
+ }
+
+ \new Voice \with {
+ \remove Forbid_line_break_engraver
+ \override Stem #'direction = #down
+ \override NoteHead #'transparent = ##t
+ \override NoteHead #'no-ledgers = ##t
+ \override Rest #'staff-position = #-18
+ \override Stem #'length = #10
+ \override Beam #'positions = #'(-13 . -13)
+ \override DynamicLineSpanner #'staff-padding = #18
+ \override TextSpanner #'(bound-details left text) = #(markup (#:italic "covered"))
+ \override TextSpanner #'dash-period = #1
+ \override TextSpanner #'dash-fraction = #0.2
+ \override TextSpanner #'(bound-details left padding) = #0.5
+ \override TextSpanner #'(bound-details right padding) = #0.5
+ \override TextSpanner #'staff-padding = #4
+ } {
+
+ % measure 6
+ \fraction \times 5/3 {
+ \beam #0 #5 g,128 \sffp \< [ % 40
+ \beam #5 #5 g,128 % 41
+ \beam #5 #5 g,128 % 42
+ \beam #5 #5 g,128 % 43
+ \beam #5 #5 g,128 % 44
+ \beam #5 #5 g,128 % 45
+ \beam #5 #5 g,128 % 46
+ \beam #5 #1 g,128 % 47
+ \times 2/3 {
+ \beam #1 #2 g,16 % 48
+ \beam #3 #1 g,32 \fX % 49
+ }
+ \times 2/3 {
+ \beam #1 #4 g,64 \sffp \< % 50
+ \beam #4 #4 g,64 % 51
+ \beam #4 #4 g,64 % 52
+ \beam #4 #4 g,64 % 53
+ \beam #4 #4 g,64 % 54
+ \beam #4 #0 g,64 \fX ] % 55
+ }
+ }
+
+ % measure 7
+ r8 % 56
+ g,8 \sf \< [ % 57
+ g,16 % 58
+ \beam #2 #0 g,16 \ffX ] % 59
+ \times 8/9 {
+ r16 % 60
+ \beam #4 #4 g,64 \sfp \< [ % 61
+ \beam #4 #4 g,64 % 62
+ \beam #4 #4 g,64 % 63
+ \beam #4 #4 g,64 % 64
+ \beam #4 #0 g,64 \fX ] % 65
+ }
+
+ % measure 8
+ \times 4/5 {
+ \times 4/7 {
+ r4 % 66
+ \beam #2 #2 g,16 \fX [ % 67
+ \beam #2 #2 g,16 \f % 68
+ \beam #2 #0 g,16 \fX ] % 69
+ }
+ r8 % 70
+ \beam #3 #3 g,32 \fX [ % 71
+ \beam #3 #3 g,32 \fX % 72
+ \beam #3 #3 g,32 \fX % 73
+ \beam #3 #3 g,32 \fX % 74
+ \beam #3 #3 g,32 \fX % 75
+ \beam #3 #3 g,32 \sf \< % 76
+ \beam #3 #3 g,32 % 77
+ \beam #3 #0 g,32 \ffX ] % 78
+ }
+
+ }
+ >>
+ >>
+>>
--- /dev/null
+\version "2.12.0"
+\include "example-header.ily"
+
+
+\include "predefined-guitar-fretboards.ly"
+
+%lowerChords = { \override ChordName #'extra-offset = #'( 0.0 . -1.3 ) }
+
+global = {
+ \time 4/4
+ \key bes \major
+ \numericTimeSignature
+ #(set-global-staff-size 20)
+}
+
+melody = \relative c'' {
+ \key d \minor
+ \partial 4.
+ b4-. cis8 d4 r4 r8 cis d e %1
+ \times 2/3 {f4 e d} e8 d4. %2
+ g4. bes, ~ bes4 %3
+}
+
+harmonies = \chordmode {
+ %\lowerChords
+ s4. d1:m | d:7 | g1:m | % 1-3
+}
+
+text = \lyricmode {
+ We need words! We need some ly -- rics to go
+ with this tune!
+}
+%\header {
+% title = "Lágrimas negras"
+% composer = "Miguel Matamoros"
+% poet = "arr. Jonathan Kulp"
+% arranger = "1894-1971"
+%}
+%
+\score {
+ <<
+ \new ChordNames { \harmonies }
+ \new FretBoards { \harmonies }
+ \new Staff {
+ \context Voice = "vocal" { \melody }
+ }
+ \new Lyrics \lyricsto "vocal" \text
+ >>
+}
+
--- /dev/null
+\version "2.11.33"
+\paper{
+ indent=0\mm
+ ragged-last=##f
+ ragged-right=##f
+ line-width=158\mm % produces 624 pixels
+ oddFooterMarkup=##f
+ oddHeaderMarkup=##f
+ bookTitleMarkup = ##f
+ scoreTitleMarkup = ##f
+}
+
+\layout {
+ \context { \Score
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+
--- /dev/null
+\version "2.12.0"
+\include "example-header.ily"
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% This is a brief passage from Enrique Granados %
+% Goyescas, "Coloquio en la Reja." %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+#(set-global-staff-size 18)
+
+\paper {
+ ragged-right = ##f
+ #(set-paper-size "letter" 'landscape)
+ system-count = 1
+}
+
+csh = \change Staff = "high"
+csm = \change Staff = "middle"
+csl = \change Staff = "low"
+
+crmolto = \markup { \italic \large "cresc. molto" }
+appassmolto = \markup { \italic \large "appassionato molto" }
+
+#(ly:set-option 'point-and-click #f)
+
+global = {
+ \time 3/4
+ \set fontSize = #1
+ \override Beam #'thickness = #0.5
+ \override NoteColumn #'ignore-collision = ##t
+}
+
+upperVoiceOne = \relative c'' {
+ \voiceOne
+ \override TupletBracket #'transparent = ##t
+ <aes f'>8\([ \times 4/5{g'32( aes g f g]) }
+ <es aes>8[ \times 4/5{<d bes'>32( c' bes aes bes]) }
+ <es, aes es'>8 <d fis b d>\) | % end m. 1
+ %--------------------------------------------------%
+ <c g' c>4\( \voiceTwo <bes es bes'\arpeggio>\)
+ \slurUp <aes aes'>16( <bes bes'> <g g'>8) % end m. 2
+ %--------------------------------------------------%
+ \voiceOne
+ <f aes d f>8\([ \times 4/5{<g g'>32( aes' g f g]) }
+ \set subdivideBeams = ##t
+ \set beatLength = #(ly:make-moment 1 8)
+ <aes, aes'>16 <c f> \times 4/5{ bes'32( c bes aes bes]) }
+ \set subdivideBeams = ##f
+ \ottava #1 <es es'>16 <f f'> <d d'> \appoggiatura f8 <es es'>16\)
+}
+
+upperVoiceTwo = \relative c'' {
+ \voiceTwo
+ s8 c8\< <bes, f'>[ <bes aes'> c' <bes, d fis>\!]
+ s32 s32_\appassmolto s8. \voiceOne r8 <bes'' es bes'>-> s4
+ \override Stem #'cross-staff = ##t
+ \override Stem #'length = #28
+ \override Stem #'flag-style = #'no-flag
+ s8 \voiceTwo g,8 aes4 s4
+}
+
+middleVoiceOne = \relative c' {
+ \override Stem #'cross-staff = ##t
+ \override Stem #'length = #32
+ \override Stem #'flag-style = #'no-flag
+ d!8\noBeam s8 s8 s8_\crmolto s4 % 1
+ s4 <g bes\arpeggio>8[ <es' g>] \voiceOne e,8( dis16 e) | % 2
+ \revert Stem #'length
+ \revert Stem #'cross-staff
+ \showStaffSwitch
+ \csh \stemUp f4 s2
+ %s2. % beginning m. 3
+}
+
+middleVoiceTwo = \relative c' {
+ s2. | % 1
+ \override Stem #'cross-staff = ##t
+ \override Stem #'length = #24
+ \override Stem #'flag-style = #'no-flag
+ s2 \voiceTwo e!4 | % 2
+ s4 \voiceTwo <bes c es f>8 <f' aes es'>16 d' <bes, f' aes c>8 <bes' fis'> | % 3
+}
+
+lowerVoiceOne = \relative c, {
+ \override Staff.NoteCollision #'merge-differently-headed = ##t
+ \override Staff.NoteCollision #'merge-differently-dotted = ##t
+ bes8 \csm \stemDown <bes'' c es>8 s2
+ \csl \stemUp
+ \set subdivideBeams = ##t
+ \set beatLength = #(ly:make-moment 1 16)
+ s8 \hideNotes \slurUp \stemDown
+ es,,64( bes'' s64 \unHideNotes \stemUp g64[ bes c d c]) s2
+ \set subdivideBeams = ##f
+ bes,,8 \csm \stemDown <bes'' c es>8 s2
+}
+
+lowerVoiceTwo = \relative c, {
+ \voiceTwo
+ bes2.
+ \csh
+ \once \override Beam #'damping = #+inf.0
+ <bes'' es g>8 \csl \slurUp
+ %\once\override Slur #'extra-offset = #'(0 . 4)
+ es,,64 bes' es g s32.
+ c64
+ s4 <bes des>
+ bes,,2.
+}
+
+
+\score {
+ \new PianoStaff <<
+ \set PianoStaff.connectArpeggios = ##t
+% \override PianoStaff.Arpeggio #'stencil = #ly:arpeggio::brew-chord-bracket
+ \new Staff = "high" <<
+ \global
+ \context Voice = "upperVoiceOne" { \upperVoiceOne }
+ \context Voice = "upperVoiceTwo" { \upperVoiceTwo }
+ >>
+ \new Staff = "middle" <<
+ \global
+ \context Voice = "middleVoiceOne" { \middleVoiceOne }
+ \context Voice = "middleVoiceTwo" { \middleVoiceTwo }
+ >>
+ \new Staff = "low" <<
+ \clef bass
+ \global
+ \context Voice = "lowerVoiceOne" { \lowerVoiceOne }
+ \context Voice = "lowerVoiceTwo" { \lowerVoiceTwo }
+ >>
+ >>
+ \layout {
+ \context {
+ \Score
+ \override TimeSignature #'stencil = ##f
+ \remove "Bar_number_engraver"
+ }
+ }
+ %{\midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }%}
+}
--- /dev/null
+%%% G.F Haendel, Giulio Cesare in Egitto
+%%% Act I, scene IV
+%%% Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)
+%%%
+%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
+
+\version "2.12.2"
+\header {
+ title = "Giulio Cesare in Egitto"
+ subtitle = "Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)"
+ composer = "G.F Handel"
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% Notes and lyrics
+%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+sesto = {
+ R1*6 |
+ r4 r8 g' c'' ees''16[ d''] c''8 c'' |
+ c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c'' b'16[ c''] d''8 g' |
+ %%10
+ f'4 r8 d'' ees'' d''16[ c''] b'4 |
+ c'' r8 c'' c''8. c'16 c'4 |
+ r r8 c'' aes' c''16[ bes'] aes'8 g' |
+ f' f' r4 bes'8 bes'16 aes' g'8 f' |
+ ees' ees' r ees'' ees'' d''16[ ees''] f''8 bes' |
+ %%15
+ aes'4. bes'8 g' ees'' f'4 |
+ ees' r8 ees'' ees''8. ees'16 ees'4 |
+ r r8 c'' c''8. c'16 c'4 |
+ r r8 c'' c'' d''16[ ees''] f''8 ees'' |
+ d'' bes' r4 bes'8 c''16 d'' ees''8 d'' |
+ %%20
+ c'' c'' r c'' f' f''16[ ees''] d''8 c'' |
+ b'16[ a'] g'8 r4 ees''8 ees''16 d'' c''8 bes' |
+ aes' g' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'4 r8 d'' ees'' d''16[ c''] b'4 |
+ %%25
+ c'' r8 g' c'' g' ees' g' |
+ c'4 r8 g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'4 r8 g'' ees'' d''16[ c''] b'4 |
+ c''2 r |
+ %%30
+ R1*5 |
+}
+
+sestoLyrics = \lyricmode {
+ Sve -- glia -- te -- vi nel co -- re,
+ fu -- rie "d'un" al -- "ma of" -- fe -- sa,
+ a far "d'un" tra -- di -- tor a -- spra ven -- det -- ta!
+ sve -- glia -- te -- vi,
+ sve -- glia te -- vi nel co -- re,
+ fu -- rie d'un al -- "ma of" -- fe -- sa,
+ a far "d'un" tra -- di -- tor as -- pra ven -- det -- ta,
+ sve -- glia -- te -- vi,
+ sve -- glia -- te -- vi,
+ sve -- glia -- te -- vi nel co -- re,
+ fu -- rie d'un al -- "ma of" -- fe -- sa,
+ sve -- glia -- te -- vi nel co -- re,
+ fu -- rie d'un al -- "ma of" -- fe -- sa,
+ a far d'un tra -- di -- tor, __
+ d'un tra -- di -- tor as -- spra ven -- det -- ta,
+ a far d'un tra -- di -- tor,
+ a far d'un tra -- di -- tor, __
+ d'un tra -- di -- tor as -- pra ven -- det -- ta!
+}
+
+violinoI = {
+ r4 r8 g' c'' ees''16 d'' c''8 c'' |
+ c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
+ f'4. d''8 ees'' d''16 c'' b'4 |
+ %%5
+ c''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
+ c'' g'' f'' g'' ees'' g'' f'' g'' aes''8 g''16 f'' f''4^\trill |
+ ees'' r8 g'_\p c'' ees''16 d'' c''8 c'' |
+ c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c'' b'16 c'' d''8 g' |
+ %%10
+ f'4 r8 d'' ees'' d''16 c'' b'4 |
+ c''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
+ ees'' g'' f'' g'' ees'' g'' f'' g'' aes''8 aes' r4 |
+ d''16 f'' ees'' f'' d'' f'' ees'' f'' g''8 g' r4 |
+ ees'16 g' f' g' ees'8 ees'' ees'' d''16 ees'' f''8 bes' |
+ %%15
+ aes'4. bes'8 g' ees'' d''4 |
+ ees''16 bes'' aes'' bes'' g'' bes'' aes'' bes'' g'' bes'' aes'' bes'' g'' bes'' aes'' bes'' |
+ g'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
+ ees'' g'' f'' g'' ees'' g'' f'' g'' aes'' c'' c'' bes' aes' c'' bes' c'' |
+ d'' f'' ees'' f'' d'' f'' ees'' f'' g'' bes' bes' aes' g' bes' aes' bes' |
+ %%20
+ c'' ees'' ees'' f'' g'' ees'' f'' g'' aes'' f'' g'' ees'' f'' d'' ees'' c'' |
+ \tag #'violin { g'' g' g'' g'' } \tag #'reduction { g'' d'' g'' g'' } g'' b' g'' g'' g'' f'' ees'' d'' c''8 bes' |
+ aes' g' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
+ %%25
+ c'''16 ees''' d''' ees''' c''' ees''' d''' ees''' g'' c''' b'' c''' g'' c''' b'' c''' |
+ ees'' g'' f'' g'' ees'' g'' f'' g'' \tag #'violin { aes'8 f' } \tag #'reduction { c''8 aes' } d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'4^\fermata r r2 |
+ r4 r8 c'_\f c'' ees''16 d'' c''8 c'' |
+ %%30
+ c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ c''16 g'' f'' g'' ees'' g'' f'' g'' c'' g'' f'' g'' ees'' g'' f'' g'' |
+ b'8 c''16 d'' ees''8 d'' c''4^\fermata r
+}
+
+violinoII = {
+ r4 r8 g' c'' ees''16 d'' c''8 c'' |
+ c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
+ f'4. d''8 ees'' d''16 c'' b'4 |
+ %%5
+ c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ c'' ees'' d'' ees'' c'' ees'' d'' ees'' d''8[ ees''] ees'' d'' |
+ ees''4 r8 g' c'' ees''16 d'' c''8 c'' |
+ c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r c'' c'' b'16 c'' d''8 g' |
+ %%10
+ f'4 r8 d'' ees'' d''16 c'' b'4 |
+ c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ c'' ees'' d'' ees'' c'' ees'' d'' ees'' f''8 f' r4 |
+ bes'16 d'' c'' d'' bes' d'' c'' d'' ees''8 ees' r4 |
+ c'16 ees' d' ees' c'8 ees'' ees'' d''16 ees'' f''8 bes' |
+ %%15
+ aes'4. bes'8 g' ees'' d''4 |
+ ees''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
+ ees'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ c'' ees'' d'' ees'' c'' ees'' d'' ees'' f'' aes' aes' g' f' aes' g' aes' |
+ bes' d'' c'' d'' bes' d'' c'' d'' ees'' g' g' f' ees' g' f' g' |
+ %%20
+ aes' c'' c'' d'' ees'' c'' d'' ees'' f'' d'' ees'' c'' d'' b' c'' a' |
+ \tag #'violin { b' d' d' b' } \tag #'reduction { b' g' d'' b' } b' g' b' d'' g'' f'' ees'' d'' c''8 bes' |
+ d' ees' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
+ %%25
+ ees''16 g'' f'' g'' ees'' g'' f'' g'' ees'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ g' ees'' d'' ees'' c'' ees'' d'' ees'' \tag #'violin { c''8 aes' } \tag #'reduction { aes'8 f' } f' d' |
+ f''2 ~ f''8 d'' b' g' |
+ ees'4^\fermata r r2 |
+ r4 r8 c' c'' ees''16 d'' c''8 c'' |
+ %%30
+ c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ aes' g' r g' aes' f' d'' b' |
+ f''2 ~ f''8 d'' b' g' |
+ c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
+ d'8 ees'16 f' g'8 b' c''4^\fermata r
+}
+
+bassi = {
+ c4 r8 g c' ees'16 d' c'8 c' |
+ c' c r g aes f bes bes, |
+ ees ees, r c ees c g ees |
+ aes f d' b c' f g g, |
+ %%5
+ c4 r c'8 c bes bes, |
+ aes aes, g g, f ees bes bes, |
+ ees4 r r r8 c_\p |
+ c' ees'16 d' c'8 bes aes f bes bes, |
+ ees ees, r c ees c g ees |
+ %%10
+ aes f d' b c' f g g, |
+ c4 r r r8 c' |
+ c'8. c16 c4 r8 f d ees |
+ bes bes, r bes g aes bes g |
+ c' c c' bes16 aes g8 ees bes g |
+ %%15
+ c' c d bes, ees g bes bes, |
+ ees4 r r r8 ees' |
+ ees'8. ees16 ees4 r r8 c' |
+ c'8. c16 c8 c' aes f r f |
+ bes bes, bes, bes g ees r ees |
+ %%20
+ aes aes, g g, f f, r f |
+ g g, r4 c'8 g aes g |
+ f ees r4 r r8 g, |
+ aes, f, d b, aes f d' b |
+ c'4 r8 b c' f g g, |
+ %%25
+ c' g c g, c,4 r |
+ c'8 g c c' f4 r8 g, |
+ aes, f, d b, aes f d' b |
+ c'4 r8 b c' f g g, |
+ c4 r8 c_\f c' ees'16 d' c'8 c' |
+ %%30
+ c' c r g aes f bes bes, |
+ ees g ees c f,4 r8 g, |
+ aes, f, d b, aes f d' b |
+ c' c bes bes, aes aes, g g, |
+ f c g g, c4^\fermata r
+}
+
+global = {
+ \key c \minor
+ \set Score . tempoWholesPerMinute = #(ly:make-moment (/ 80 4) 1 0 1)
+ \time 4/4 s1*34 \bar "|."
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% Lead sheet
+%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\book {
+ \paper {
+ #(layout-set-staff-size 14)
+ }
+ \score {
+ \new StaffGroupNoBar <<
+ \new StaffGroupNoBracket <<
+ \new Staff <<
+ \set Staff.instrumentName = "Violino I."
+ \global \clef treble \keepWithTag #'violin \violinoI
+ >>
+ \new Staff <<
+ \set Staff.instrumentName = "Violino II."
+ \global \clef treble \keepWithTag #'violin \violinoII
+ >>
+ >>
+ \new Staff <<
+ \new Voice = "sesto" \with { autoBeaming = ##f } <<
+ \set Staff.instrumentName = \markup \smallCaps Sesto.
+ \global \clef treble \sesto
+ >>
+ \lyricsto "sesto" \new Lyrics \sestoLyrics
+ >>
+ \new Staff <<
+ \set Staff.instrumentName = "Bassi."
+ \global \clef bass \bassi
+ >>
+ >>
+ \layout {
+ indent = 20\mm
+ \context {
+ \Score
+ \name Score
+%% FIXME: vertical engine changed!
+%% \override VerticalAlignment #'max-stretch = #ly:align-interface::calc-max-stretch
+ \accepts "StaffGroupNoBar"
+ skipBars = ##t
+ }
+ \context {
+ \StaffGroup
+ \name StaffGroupNoBar
+ \description "Like StaffGroup, but without spanbar"
+ \remove "Span_bar_engraver"
+ \accepts "StaffGroupNoBracket"
+ }
+ \context {
+ \StaffGroup
+ \name StaffGroupNoBracket
+ \description "Like StaffGroup, but without brackets"
+ \remove "System_start_delimiter_engraver"
+ }
+ }
+ \midi { }
+ }
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% Reduction
+%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\book {
+ \header { instrument = "Vocal part and keyboard reduction" }
+ \paper {
+ #(layout-set-staff-size 16)
+ }
+ \score {
+ <<
+ \new Staff <<
+ \new Voice = "sesto" \with { autoBeaming = ##f } <<
+ \set Staff.instrumentName = \markup \smallCaps Sesto.
+ \global \clef treble \sesto
+ >>
+ \lyricsto "sesto" \new Lyrics \sestoLyrics
+ >>
+ \new PianoStaff <<
+ \new Staff <<
+ \global \clef treble
+ \partcombine \keepWithTag #'reduction \violinoI \keepWithTag #'reduction \violinoII
+ >>
+ \new Staff <<
+ \global \clef bass \bassi
+ >>
+ >>
+ >>
+ \layout {
+ indent = 20\mm
+ \context { \Voice printPartCombineTexts = ##f }
+ }
+ }
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% Violino I
+%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\book {
+ \header { instrument = "Violino I" }
+ \paper {
+ #(layout-set-staff-size 18)
+ }
+ \score {
+ \new Staff <<
+ \global \clef treble \keepWithTag #'violin \violinoI
+ >>
+ \layout { indent = 5\mm }
+ }
+}
--- /dev/null
+\version "2.12.0"
+\include "example-header.ily"
+
+#(ly:set-option 'point-and-click #f)
+
+global = {
+ \time 4/4
+ \numericTimeSignature
+ \key c \major
+ #(set-global-staff-size 24)
+}
+
+cf = \relative c {
+ \clef bass
+ \global
+ c4 c' b a |
+ g a f d |
+ e f g g, |
+ c1
+}
+
+upper = \relative c'' {
+ \global
+ r4 s4 s2 |
+ s1*2 |
+ s2 s4 s
+ \bar "||"
+}
+
+bassFigures = \figuremode {
+ s1*2 | s4 <6> <6 4> <7> | s1
+}
+
+\markup { "Exercise 3: Write 8th notes against the given bass line." }
+
+\score {
+ \new PianoStaff <<
+ \new Staff {
+ \context Voice = "added voice" \with {
+ \consists "Balloon_engraver"
+ }
+ \upper
+ }
+
+ \new Staff = lower {
+ <<
+% \context Voice = "cantus firmus" \with {
+% \consists "Balloon_engraver"
+% }
+ \context Staff = lower \cf
+ \new FiguredBass \bassFigures
+ >>
+ }
+ >>
+ \layout {}
+ %{\midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }%}
+}
+
projects / lilypond.git / commitdiff