% COPYRIGHT: GPL
%
%
+globals=\music{
+ \meter {4/ 4}
+ \partial {8}
+ \skip {1*8}
+ \skip {3*2 }
+ \bar ":|:"
+ \skip {1*2}
+ \meter {2/4}
+}
-ritme = staff {
+ritme = \staff {
rhythmic
- music {$
+ \music{globals}
+ \music {
c8
|[a8() a8. a8 a16 a16 a16] c4.
- %[c8( )'a8() c8 c8]% BUG!
+ %[c8( )a'8() c8 c8]% BUG!
|c2 c2
- |[fis16 'dis16( fis16 'dis16 ][fis16) 'dis16 fis16 'dis16]
+ |[fis16 dis'16( fis16 dis'16 ][fis16) dis'16 fis16 dis'16]
| r32 r32 r16 r8 r4 r2
|[c8. c16] [c16 c8.] [c16 c16 c8] [c16 c8 c16]
c2 c2 c2 c2 c2 c2 c2 c2 c2 c2
- $}
+ }
}
melody=
-staff {
- melodic
- music{$
+\staff {
+ \melodic
+ \music { globals }
+ \music{
c8\key{fis cis gis}
|r4 r4 r4 r4
- |'cis2.. r8
+ |cis'2.. r8
| r4 r8 r16 r32 r32
\duration {4}
- {
- \music { c () `bes [c8 c8] }
- \music { 'fis ()'gisis fis8 fis8 }
- \music { d () d dis8 dis8 }
- \music { a () bes eis8 eis8 }
- \music { fis () g gis8 gis8 }
- }
+ <
+ { c () `bes [c8 c8] }
+ { fis' ()gisis' fis8 fis8 }
+ { d () d dis8 dis8 }
+ { a () bes eis8 eis8 }
+ { fis () g gis8 gis8 }
+ >
\clef\tenor
- { c4 'c4 }
+ < c4 c'4 >
- [d8 e8 'f8 g8] d8 e8 f8 g8
- |''fis2
- | a8 b8 'c8 'd8 |''c8 ```c8 c4 |c4 c4 |c4
+ [d8 e8 f'8 g8] d8 e8 f8 g8
+ |fis''2
+ | a8 b8 c'8 d'8 |c''8 ```c8 c4 |c4 c4 |c4
\duration{ 16 } `b `a `g `f \duration{ 4}
\clef\bass
|c `b `a `g `f `e `d `c ``b ``a ``g ``f ``e ``d ``c
- $}
+ }
}
-score {
- paper {
- geometric 1.4
- unitspace 3.0 cm
- }
-% staff { ritme } % broken for now
- staff { melody }
- commands {
- meter {4* 4}
- partial {8}
- skip {1*8}
- skip {3*2 }
- bar ":|:"
- skip {1*2}
- meter {2*4}
-
+\score {
+ \paper {
+ \geometric 1.4
+ \unitspace 3.0 \cm
}
+% \staff { ritme } % broken for now
+ \staff { melody }
+
}
+
%
-% I've got rhythm!
+% Ive' got rhythm!
%
% add any impressive examples here, please
-ritme = staff {
- melodic
+ritme = \staff {
+ \melodic
- music { $
+ \music {
+ \partial {1*8} % doesnt' have to be here.
+ \meter{ 4/4}
c8 |
-
+
[a8() a8. a8 a16 a16 a16] c4. | % watch the beams!
r32 r32 r16 r8 r4 r2 |
- \meter{ 5*16}
+ \meter{ 5/16}
% divide measure in 5 equal parts. Usually it 2+3 or 3+2
\grouping { 5*16 }
[c8 c16 c8 ] | % watch THIS!
\plet{5/4} [c16 c16 c16 c16]\plet{1/1} |
- \meter{ 2*8}
+ \meter{ 2/8}
c4 |
c4 c4 c4 c4
- \meter {4*4}
+ \meter {4/4}
c1 c1 c1
% [c16 c16 c16 c16 ] |
% [c16 c16 c16 c16 c16 ] |
% [c16 c16 c16 c16 c16 ] |
- $ }
+ }
%
- % The commands section takes the same stuff that music { } takes;
- % the commands issued below could have been issued inside the above
- % music block;
+ % The \co\mmands section takes the same stuff that \music { } takes;
+ % the \co\mmands issued below could have been issued inside the above
+ % \music block;
%
- commands { % override "commands" section of Score.
- partial {1*8} % doesn't have to be here.
- meter{ 4*4}
- }
+
}
-another = staff {
- melodic
- music { $
- c1 c1 c1 c4 c4 c4 c4 \meter{ 4*4} c1 c1 c1
- $ }
+another = \staff {
+ \melodic
+ \music { \meter{ 4/4}
+ c1 c1 c1 c4 c4 c4 c4 \meter{ 4/4} c1 c1 c1
+ }
}
-yanother = staff {
- melodic
- music { $
+yanother = \staff {
+ \melodic
+ \music { \meter{ 4/4}
c1 c1 c1 c4 c4 c4 c4 c1 c1 c1
- $ }
+ }
}
-score {
- staff{ritme}
- staff { another }
- staff { yanother }
- commands { meter {4*4 }}
- paper {
- unitspace 2cm
- geometric 1.3
+\score {
+ \staff{ritme}
+ \staff { another }
+ \staff { yanother }
+
+ \paper {
+ \unitspace 2\cm
+ \geometric 1.3
}
}
% \metron{4=120}
%
% \meter{3/4}
-% \key\F % key is F ( f-major )
-% \clef\alto % use alto clef
-% \duration8 % default duration is 'eight note
+% \key\F % \key is F ( f-major )
+% \clef\alto % use alto \clef
+% \duration8 % default \duration is eight' note
%
-% \verb{\nobarnumbers} % issue MusiXTeX command
+% \verb{\no\barnumbers} % issue MusiXTeX \co\mmand
% \barnumbering0
% \slope{30} % Fool MusiXTeX into 30 / 10 steeper beam
-% \stemlength3 % shorter stemlength
+% \stemlength3 % shorter \stemlength
% % because piece is set very tightly
-%%1 % double comments are included in .tex file
-ii_menuetto = music {
- $\clef"alto"
+%%1 % double co\mments are included in .tex file
+ii_menuetto = \music {
+ \clef"alto"\meter{3/4}
\key {bes}
\octave{}
\duration{8}
- { a2 f2 d2_"\f" } bes4-. |
+ < a2 f2 d2 df > bes4-. |
%%2
- { [ bes^"1" e c_"2"_"4" }
-% (^ )
- a bes-. g-. ] a4-.^"4" |
+ < [ bes^"1" e c_"2"_"4" >
+ a bes-. g-. ] a4-.^"4" |
%%3
-% { d4 `bes4-.\stemup } stemup: 2 voices?
- { d4 `bes4-. } g4-. [ f-. e-. ] |
+ < d4 `bes4-. > g4-. [ f-. e-. ] |
%%4
-% { f `a } (^ e ) d cis-. `b-. `a-. ]
-% [ f ( e ) d cis-. `b-. `a-. ]
- { [ f `a } e d cis-. `b-. `a-. ]
+ < [ f `a > e d cis-. `b-. `a-. ]
%%5
- { a2 f2 d2 } bes4-. | % @bes4-. |
+ < a2 f2 d2 > bes4-. | % @bes4-. |
%%6
-% { bes( e } ) a
- { [ bes e } a bes-. g-. ]
- 'c4-. | % ='c4-. |
+ < [ bes e > a bes-. g-. ]
+ c'4-. | % =c'4-. |
%%7
- { a4-. f4}
-% { 'd4-.-\upbow f4 `bes4\stemdown }
- { 'd4-.-\upbow f4 `bes4 }
-% { 'e4-.-\downbow g4 `g4\stemdown } |
- { 'e4-.-\downbow g4 `g4 } |
+ < a4-. f4>
+ < d'4-.-upbow f4 `bes4 >
+ < e'4-.-downbow g4 `g4 > |
%%8
-% { 'cis2.-\upbow e2. `a2.\stemdown } :|:%%sorry!!
- { 'cis2.-\upbow e2. `a2. } \bar ":|:"%%!! sorry!
+ < cis'2.-upbow e2. `a2. > \bar ":|:"%%!! sorry!
%%9
\clef "violin"
-% { 'e2 a2_f\stemdown }
- { 'e2 a2_"\f" }
- [ 'd( 'e16 )'f16 ] |
+ < e'2 a2 df >
+ [ d'( e'16 )f'16 ] |
%%10
-% [ { 'e( g } ) 'd 'cis_{ }_{ }_2 'e
- { [ 'e g } 'd 'cis_"2" 'e a( )g ] |
+ < [ e' g > d' cis'_"2" e' a( )g ] |
%%11
-% { a4\stemup( f2\stemdown } ) 'd4\stemup
-% { 'cis4\stemup-. e4\stemdown }
- { \multivoice \music {\stem{1} a4(\stem{1}) 'd4 'cis4-. } \music { \stem{-1} f2 e4 } } |
+ < \multivoice
+ {\stem{1} a4(\stem{1}) d'4 cis'4-. }
+ { \stem{-1} f2 e4 } > |
%%12
-% { 'g^4 d\stemdown } (^ 'f 'e ) 'f 'd^3(^ ) ='c ] |
- { [ 'g^"4" d } 'f 'e 'f 'd^"3"( ) 'c ] |
-% %13
-% { bes2\stemup g4\stemdown } ( ) f4
-% { 'c4\stemup e4\stemdown }
-% { bes2 g4 } f4 { 'c4 e4 } |
+ < [ g'^"4" d > f' e' f' d'^"3"( ) c' ] |
+%%13
\clef "alto"%
- { \multivoice
- \music { \stem{1} bes2 'c4 }
- \music { \stem{-1} g4(\stem{-1}) f4 e4 }% ugh
- } |
-%%%14
-%% [ { a( f } ) g a f ] { 'd4-\upbow e4 `bes4\stemdown } |
- { [ a f } g a f ] { 'd4-\upbow e4 `bes4 } |
-%%%15
-%% { 'c4-\downbow f4 `a4\stemdown } [ bes( )a g a ] |
-% { 'c4-\downbow f4 `a4 } [ bes( )a g a ] |
-%%%16
+ < \multivoice
+ { \stem{1} bes2 c'4 }
+ { \stem{-1} g4(\stem{-1}) f4 e4 }% ugh
+ > |
+%%14
+ < [ a f > g a f ] < d'4-upbow e4 `bes4 > |
+%%15
+ < c'4-\downbow f4 `a4 > [ bes( )a g a ] |
+%%16
[ f( e )f a-. g-. bes-. ] |
+%%17
+ < a2^"0" fis2_"3" > bes4 |
+%%18
+ < { [ c'( )bes c' a ] } { [ es ] } > fis4 |
+%%19
+ < d'4-downbow g4 `bes4 > < c'4-upbow g4 c4 > < [ bes d > a ] |
+%%20
+ < { [ c'( bes a )bes g( )bes ] } { [ d ] } { [ g ] } > |
+%%21
+ < \multivoice {\stem{1} d'4(\stem{1} ) cis'4 d'4 } { \stem{-1} g2 f4 } > |
+%%22
+ < { [ g( )f g e ] } { [ cis ] } > < f4 d4 > |
+%%23
+ [ `g g ] < e4. `a4. > d-upbow |
+%%24
+ < d2.^"fine" `a2. `d2._"3 mins."> \bar ":|" % \bar ":||"
%% \tighten % use one line less
-%% \newline % start new line
-%% |
-%%%17
-%% { a2^0^\tr fis2_3 } bes4 |
- { a2^"0" fis2_"3" } bes4 |
-%%%18
-%% [ { 'c( es } ) bes 'c a ] fis4^\tr |
- { \music{ [ 'c( )bes 'c a ] } \music{ [ es ] } } fis4 |
-%%%19
- { 'd4-\downbow g4 `bes4 } { 'c4-\upbow g4 c4 } { [ bes d } a ] |
-%%%20
-%% [ { 'c( d `g } bes a ) bes g ( ) bes ] |
- { \music{ [ 'c( bes a )bes g( )bes ] } \music{ [ d ] } \music{ [ g ] } } |
-%%%21
-%% { 'd4\stemup g2\stemdown } (^ ) 'cis4\stemup { 'd4\stemup =f4\stemdown } |
- { \multivoice \music {\stem{1} 'd4(\stem{1} ) 'cis4 'd4 } \music { \stem{-1} g2 f4 } } |
-%%%22
-%% [ { g( cis } )f g e ] { f4 d4 } |
- { \music{ [ g( )f g e ] } \music{ [ cis ] } } { f4 d4 } |
-%%%23
-%% [ `g g ] { e4.\stemup^\tr `a4.\stemdown } d\stemup-\upbow |
- [ `g g ] { e4. `a4. } d-\upbow |
-%%%24
-%% { d2.^{fine} `a2. `d2.\stemup_{ }_{ }_{3 mins.}} s4 :||
-%% { \textstyle "italic" d2.^"fine" `a2. \textstyle "roman" `d2._"3 mins."} | % :||
- { d2.^"fine" `a2. `d2._"3 mins."} \bar ":|" % \bar ":||"
-%% \tighten % use one line less
- $
+
}
-score {
- staff {
- melodic music { ii_menuetto }
- }
- commands {
- meter {3 * 4}
+\score {
+ \staff {
+ \melodic \music { $ii_menuetto }
}
- paper {
- symboltables { table_sixteen }
- width 195mm
- unitspace 9mm % to get lily to use only three lines
- geometric 1.4
- output "scsii-menuetto.out"
+ \paper {
+ \width 195\mm
+ \unitspace 9\mm % to get lily to use only three lines
+ \geometric 1.4
+ \output "scsii-menuetto.out"
}
- midi {
- tempo 4:120
- output "scsii-menuetto.midi"
+ \midi {
+ \tempo 4:120
+ \output "scsii-menuetto.midi"
}
}
projects / lilypond.git / commitdiff