@end ignore
@ignore
-Tutorial guidelines:
+Tutorial guidelines: (different from policy.txt!)
- unless you have a really good reason, use either
@l ilypond[verbatim,quote,ragged-right]
or
- use "aes" and "ees" instead of "as" and "aes". I know it's not
correct Dutch naming, but let's not confuse people with this
until we get to the Basic notation chapter.
+- Add "Music glossary: @r gloss{foo}" to the _top_ of the relevant
+ portions of the tutorial.
@end ignore
@subheading Pitches
+Music glossary: @rglos{interval}, @rglos{fourth}, @rglos{scale},
+@rglos{middle C}
+
The easiest way to enter notes is by using @code{\relative} mode.
-In this mode, the @rglos{interval} between the previous note and
-the current note is assumed to be within a @rglos{fourth}. We
+In this mode, the @notation{interval} between the previous note and
+the current note is assumed to be within a @notation{fourth}. We
begin by entering the most elementary piece of music, a
-@rglos{scale}.
+@notation{scale}.
@lilypond[verbatim,quote,ragged-right]
\relative c' {
}
@end lilypond
-The initial note is @rglos{middle C}. Each successive note is
+The initial note is @notation{middle C}. Each successive note is
within a fourth of the previous note -- in other words, the first
-@samp{c} is the closest C to middle C. This is followed by the
+@code{c} is the closest C to middle C. This is followed by the
closest D to the previous note. We can create melodies which have
larger intervals:
@noindent
As you may notice, this example does not start on middle C. The
-first note -- the @samp{d} -- is the closest D to middle C.
+first note -- the @code{d} -- is the closest D to middle C.
To add intervals that are larger than a fourth, we can raise the
octave by adding a single quote @code{'} (or apostrophe) to the
@subheading Durations (rhythms)
-The @rglos{duration} of a note is specified by a number after the
-note name. @samp{1} for a @rglos{whole note}, @samp{2} for a
-@rglos{half note}, @samp{4} for a @rglos{quarter note} and so on.
-Beams are added automatically.
+Music glossary: @rglos{duration}, @rglos{whole note},
+@rglos{half note}, @rglos{quarter note}, @rglos{dotted note}.
+
+The @notation{duration} of a note is specified by a number after
+the note name. @samp{1} for a @notation{whole note}, @samp{2} for
+a @notation{half note}, @samp{4} for a @notation{quarter note} and
+so on. Beams are added automatically.
@lilypond[verbatim,quote,ragged-right]
\relative c'' {
for the next note. The duration of the first note defaults to a
quarter.
-To create @rglos{dotted note}s, add a dot @samp{.} to the duration
+To create @notation{dotted notes}, add a dot @samp{.} to the duration
number.
@lilypond[verbatim,quote,ragged-right]
@subheading Rests
-A @rglos{rest} is entered just like a note with the name @samp{r}:
+Music glossary: @rglos{rest}.
+
+A @notation{rest} is entered just like a note with the name @samp{r}:
@lilypond[verbatim,quote,ragged-right]
\relative c'' {
@subheading Time signature
-The @rglos{time signature}) can be set with the @code{\time}
+Music glossary: @rglos{time signature}.
+
+The @notation{time signature}) can be set with the @code{\time}
command:
@lilypond[verbatim,quote,ragged-right]
@subheading Clef
-The @rglos{clef} can be set using the @code{\clef} command:
+Music glossary: @rglos{clef}.
+
+The @notation{clef} can be set using the @code{\clef} command:
@lilypond[verbatim,quote,ragged-right]
\relative c' {
}
@end lilypond
+
@seealso
-@quotation
-@table @asis
-@item Entering pitches and durations
-see @ruser{Pitches}, and @ruser{Durations}.
-@item Rests
-see @ruser{Rests}.
-@item Time signatures and other timing commands
-see @ruser{Time signature}.
-@item Clefs
-see @ruser{Clef}.
-@end table
-@end quotation
+User manual: @ruser{Writing pitches}, @ruser{Writing rhythms},
+@ruser{Writing rests}, @ruser{Time signature}, @ruser{Clef}.
+
+
+@c KURTIS: update stuff below this line with the style above.
@node Working on text files
@subsection Working on text files