makes it print only if there is no beam associated with this tuplet
bracket.")
(break-align-anchor ,number? "Grobs aligned to this break-align
-grob will have their X-offsets shifted by this number. In barlines,
+grob will have their X-offsets shifted by this number. In barlines,
for example, this is used to position grobs relative to the (visual)
center of the barline.")
(break-align-anchor-alignment ,number? "Read by
(break-align-symbol ,symbol? "This key is used for aligning and
spacing breakable items.")
(break-align-symbols ,list? "A list of symbols that determine
-which break-aligned grobs to align this to. If the grob selected by
+which break-aligned grobs to align this to. If the grob selected by
the first symbol in the list is invisible due to break-visibility,
we will align to the next grob (and so on).")
(break-align-orders ,vector? "Defines the order in which
(dot-count ,integer? "The number of dots.")
(dot-radius ,number? "Radius of dots.")
(duration-log ,integer? "The 2-log of the note head duration,
-i.e. @code{0} = whole note, @code{1} = half note, etc.")
+i.e., @code{0} = whole note, @code{1} = half note, etc.")
(eccentricity ,number? "How asymmetrical to make a slur.
Positive means move the center to the right.")
include @code{upright}, @code{italic}, @code{caps}.")
(font-size ,number? "The font size, compared to the @q{normal}
size. @code{0}@tie{}is style-sheet's normal size, @code{-1} is
-smaller, @code{+1} is bigger. Each step of@tie{}1 is approximately
+smaller, @code{+1} is bigger. Each step of@tie{}1 is approximately
12% larger, 6@tie{}steps are exactly a factor@tie{}2 larger.
Fractional values are allowed.")
(force-hshift ,number? "This specifies a manual shift for notes
normal notation for some types of polyphonic music.
@code{merge-differently-dotted} only applies to opposing stem
-directions (i.e. voice 1 &@tie{}2).")
+directions (i.e., voice 1 &@tie{}2).")
(merge-differently-headed ,boolean? "Merge note heads in
collisions, even if they have different note heads. The
smaller of the two heads is rendered invisible. This is used in
@internalsref{note-collision-interface}.
@code{merge-differently-headed} only applies to opposing stem
-directions (i.e. voice 1 &@tie{}2).")
+directions (i.e., voice 1 &@tie{}2).")
(minimum-X-extent ,number-pair? "Minimum size of an object in
X@tie{}dimension, measured in @code{staff-space} units.")
(minimum-Y-extent ,number-pair? "See @code{minimum-X-extent}.")
@code{minimum-space} or @code{extra-space}.")
(space-to-barline ,boolean? "If set, the distance between a note
and the following non-musical column will be measured to the barline
-instead of to the beginning of the non-musical column. If there is a
+instead of to the beginning of the non-musical column. If there is a
clef change followed by a barline, for example, this means that we will
try to space the non-musical column as though the clef is not there.")
(spacing-increment ,number? "Add this much space for a doubled
-duration. Typically, the width of a note head. See also
+duration. Typically, the width of a note head. See also
@internalsref{spacing-spanner-interface}.")
(springs-and-rods ,boolean? "Dummy variable for triggering
spacing routines.")
(begin-of-line-visible ,boolean? "Used for marking @code{ChordNames}
that should only show changes.")
- (cause ,scheme? "Any kind of causation objects (i.e. music, or perhaps
+ (cause ,scheme? "Any kind of causation objects (i.e., music, or perhaps
translator) that was the cause for this grob.")
(circled-tip ,boolean? "Put a circle at start/end of hairpins (al/del
niente).")