@node Simultaneous notes
@section Simultaneous notes
+@lilypondfile[quote,ragged-right,line-width=16\cm,staffsize=16]
+{simultaneous-headword.ly}
+
Polyphony in music refers to having more than one voice occurring
in a piece of music. Polyphony in LilyPond refers to having more
than one voice on the same staff.
@node Staff notation
@section Staff notation
+@lilypondfile[quote,ragged-right,line-width=16\cm,staffsize=16]
+{staff-headword.ly}
+
Notes, dynamic signs, etc., are grouped with a set of horizontal
lines, called a staff (plural @q{staves}). In LilyPond, these
lines are drawn using a separate layout object called @code{staff
@node Text
@section Text
+@lilypondfile[quote,ragged-right,line-width=16\cm,staffsize=16]
+{text-headword.ly}
+
This section explains how to include text (with various
formatting) in your scores.
--- /dev/null
+\version "2.11.34"
+\include "english.ly"
+
+% NR 1.5 Simultaneous notes
+
+% L. v. Beethoven, Op. 111
+% Piano sonata 32
+% Movt II - Arietta - Adagio molto semplice e cantabile
+% measures 108 - 118
+
+#(set-global-staff-size 16)
+
+\paper {
+ #(define dump-extents #t)
+ indent = 0\mm
+ ragged-right = ##t
+ line-width = 16\cm
+ force-assignment = #""
+ line-width = #(- line-width (* mm 3.000000))
+}
+
+\layout {
+ \context {
+ \Score
+ \override SpacingSpanner #'base-shortest-duration =
+ #(ly:make-moment 1 18)
+ \override NonMusicalPaperColumn #'line-break-system-details =
+ #'((alignment-offsets . (0 -12)))
+ }
+}
+
+\new PianoStaff <<
+
+ % RH
+ \new Staff <<
+ \clef treble
+ \key c \major
+ \time 9/16
+ \set Score.currentBarNumber = #108
+
+ % RH voice 1
+ \new Voice {
+
+ \voiceOne
+ s4.
+ s8.
+
+ |
+
+ s4.
+ a''8 \p \> [ (
+ g''16 ] )
+
+ |
+
+ g''4.
+ af''8 [ (
+ g''16 ] )
+
+ |
+
+ g''8. [
+ g''8.
+ g''8. \pp ]
+
+ |
+
+ g''8. [
+ af''8.
+ af''8. ]
+
+ |
+
+ af''8. [
+ af''8.
+ af''8. ]
+
+ |
+
+ af''4. \startTrillSpan
+ ~
+ af''8.
+ ~
+
+ |
+
+ af''4.
+ ~
+ af''8.
+ ~
+
+ |
+
+ \oneVoice
+ <af'' d''>8. [
+ a''8. \p \<
+ bf''8. ]
+ ~
+
+ |
+
+ bf''8. [
+ b''8.
+ c'''8. ]
+ ~
+
+ \bar "||"
+
+ \key ef \major
+ c'''8. [
+ cs'''8. \f ] \stopTrillSpan
+
+ }
+
+ % RH voice 2
+ \new Voice {
+ \voiceTwo
+ \override Voice.TrillSpanner #'direction = #down
+ d''4. \f \startTrillSpan
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''8. \stopTrillSpan
+ d''4. \startTrillSpan
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8. \stopTrillSpan
+ ~
+
+ |
+
+ d''4. \startTrillSpan
+ ~
+ d''8.
+ ~
+
+ |
+
+ d''4.
+ ~
+ d''8.
+ ~
+
+ |
+
+ \once \override NoteColumn #'ignore-collision = ##t
+ \once \override NoteHead #'transparent = ##t
+ \once \override Dots #'transparent = ##t
+ \once \override Stem #'transparent = ##t
+ d''8. \stopTrillSpan
+ s4.
+
+ |
+
+ s8.
+ s8.
+
+ }
+
+ >>
+
+ % LH staff
+ \new Staff {
+ \clef bass
+ \key c \major
+ \time 9/16
+
+ r8.
+ r8.
+ <c! c,!>8 [ (
+ <g, g,,>16 ] )
+
+ |
+
+ <g, g,,>4.
+ \clef treble
+ c''8 [ (
+ b'16 ] )
+
+ |
+
+ b'4.
+ c''8 [ (
+ b'16 ] )
+
+ |
+
+ b'8. [
+ b'8.
+ b'8. ]
+
+ |
+
+ b'8. [
+ bf'8. ]
+ \clef bass
+ <f f,>8 [ (
+ <bf, bf,,>16 ] )
+
+ |
+
+ <bf, bf,,>4.
+ \clef treble
+ f'8 [ (
+ bf16 ] )
+
+ |
+
+ <<
+
+ \new Voice {
+ \voiceOne
+ \override Voice.TrillSpanner #'direction = #up
+ f'4. \startTrillSpan
+ ~
+ f'8.
+ ~
+
+ |
+
+ f'4.
+ ~
+ f'8.
+ ~
+
+ |
+
+ f'8. \stopTrillSpan
+ }
+
+ \new Voice {
+ \voiceTwo
+ \override Voice.TrillSpanner #'direction = #down
+ bf8. [
+ bf8.
+ bf8. ]
+
+ |
+
+ bf8. [
+ bf8.
+ bf8. ]
+
+ |
+
+ bf8.
+ }
+
+ >>
+
+ \oneVoice
+ r8.
+ r8.
+
+ |
+
+ r8.
+ r8.
+ r8.
+ \clef bass
+
+ |
+
+ \key ef \major
+ r8.
+ r8.
+
+ }
+
+>>
--- /dev/null
+\version "2.11.34"
+\include "english.ly"
+
+% NR 1.6 Staff notation
+
+% L. v. Beethoven, Op. 106
+% Piano sonata 29 - Für das Hammer-Klavier
+% Movt IV
+
+#(set-global-staff-size 14)
+
+\paper {
+ #(define dump-extents #t)
+ indent = 0\mm
+ %ragged-right = ##t
+ line-width = 16\cm
+ force-assignment = #""
+ line-width = #(- line-width (* mm 3.000000))
+}
+
+\layout {
+ \context {
+ \Score
+ %\override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 16)
+ \override Beam #'breakable = ##t
+ \override BarNumber #'transparent = ##t
+ }
+}
+
+\new PianoStaff <<
+
+ % RH staff
+ \new Staff {
+ \clef treble
+ \key ef \major
+ \time 3/4
+
+ <<
+
+ % RH voice 1
+ \new Voice {
+ \partial 1 * 5/8
+ \voiceOne
+ \once \override DynamicLineSpanner #'staff-padding = #4
+ c'''16 \f (
+ e'''16
+ f'''16
+ g'''16
+ af'''16
+ g'''16
+ f'''16
+ ef'''16
+ d'''16
+ c'''16 )
+
+ |
+
+ s8
+ \once \override TextScript #'staff-padding = #6
+ d''8 [
+ ^ \markup \italic { non pressare }
+ \override Voice.Script #'extra-offset = #'(0 . 1)
+ b8 ] \trill
+ r8
+ r8
+ g''8 [
+
+ |
+
+ ef'8 ] \trill
+ r8
+ r8
+ c'''8 [
+ a'8 ] \trill
+ r8
+
+ |
+
+ r8
+ d''' [
+ bf'!8 ] \trill
+ r8
+ r8
+ g'''8 [
+
+ \bar "||"
+ \break
+ \key d \minor
+
+ e''8 ] \trill
+ r8
+ r8
+
+ }
+
+
+ % RH voice 2
+ \new Voice {
+ \voiceTwo
+ \partial 1 * 5/8
+ r8
+ c'''4.
+ fs''8 \staccato
+
+ |
+
+ <b'' g''>8 \staccato
+ r8
+ r8
+ g8 [
+ b'8 ] \trill
+ r8
+
+ |
+
+ r8
+ c'8 [
+ ef''8 ] \trill
+ r8
+ r8
+ d'8 [
+
+ |
+
+ fs''8 ] \trill
+ r8
+ r8
+ g'8 [
+ bf''!8 ] \trill
+ r8
+
+ \bar "||"
+
+ r8
+ cs''8 [
+ e'''!8 ] \trill
+
+ }
+
+ >>
+
+ \oneVoice
+ <a''' a''>8 [
+ <f''' f''>8
+ <d''' d''>8 ]
+
+ |
+
+ <a'' a'>8 [ \sf
+ <f'' f'>8 ]
+ <d'' d'>8 [ \sf
+ <a' a> ]
+ <gs' d' gs> [ \sf
+ <gs'' d'' gs'> ]
+
+ |
+
+ \override DynamicLineSpanner #'staff-padding = #4
+ \override DynamicText #'staff-padding = #4
+ <a'' cs'' a'> \ff \staccato
+ r8
+ <a''' e''' cs''' a''>8 \ff \staccato
+ r8
+ r4
+
+ |
+
+ R1 * 3/4
+
+ \bar "||"
+ \key d \major
+ }
+
+ % LH
+ \new Staff {
+ \clef bass
+ \key ef \major
+ \time 3/4
+
+ \partial 1 * 5/8
+ r8
+ a2 \sf \startTrillSpan
+
+ |
+
+ g8 \staccato \stopTrillSpan
+ b8 [
+ g,8 ] \trill
+ r8
+ r8
+ ef'8 [
+
+ |
+
+ c8 ] \trill
+ r8
+ r8
+ \stemDown
+ a8 [
+ fs,8 ] \trill
+ r8
+
+ |
+
+ r8
+ bf!8 [
+ g,8 ] \trill
+ r8
+ r8
+ e'8 [
+
+ \bar "||"
+ \key d \minor
+
+ cs8 ] \trill
+ r8
+ r8
+ a8 [
+ f8
+ d8 ]
+
+ |
+
+ a,8 [
+ f,8 ]
+ d,8 [
+ <a, a,,>8 ]
+ <bf, bf,,>8 [
+ <bf, bf,,>8 ]
+
+ |
+
+ <a, e, cs, a,,>8 \staccato
+ r8
+ <a, e, cs, a,,>8 \staccato
+ r8
+ r4
+
+ |
+
+ R1 * 3/4
+
+ \bar "||"
+ \key d \major
+ }
+
+>>
+
--- /dev/null
+\version "2.11.34"
+\include "english.ly"
+
+% NR 1.8 Text
+
+% L. v. Beethoven, Op. 110
+% Piano sonata 31
+% measures 1 -
+
+#(set-global-staff-size 14)
+
+\paper {
+ #(define dump-extents #t)
+ indent = 0\mm
+ %ragged-right = ##t
+ line-width = 16\cm
+ force-assignment = #""
+ line-width = #(- line-width (* mm 3.000000))
+}
+
+\layout {
+ \context {
+ \Score
+ \override SpacingSpanner #'base-shortest-duration =
+ #(ly:make-moment 1 20)
+ %\override NonMusicalPaperColumn #'line-break-system-details =
+ %#'((alignment-offsets . (0 -12)))
+ }
+}
+
+\new PianoStaff <<
+
+ % RH staff
+ \new Staff {
+ \clef treble
+ \key af \major
+ \time 3/4
+
+ \once \override TextScript #'staff-padding = #4
+ <c'' af'>4. (
+ _ \markup { \dynamic p \italic { con amabilità } }
+ <af' ef'>8 )
+ <af' ef'>8. [
+ <af' ef'>16 ]
+
+ |
+
+ <df'' g'>4
+ <bf' g'>2
+ _ \markup { \italic { "ten." } }
+
+ |
+
+ <<
+
+ \new Voice {
+ \voiceOne
+ ef''4. (
+ df''8 [ )
+ ef'' (
+ f'' ) ]
+
+ |
+
+ \once \override TextScript #'staff-padding = #4
+ ef''8. (
+ _ \markup { \italic { "tranqu." } }
+ d''16 )
+ df''8 \trill \fermata
+ _ \markup { \italic { "ten." } }
+ }
+
+ \new Voice {
+ \voiceTwo
+ af'4.
+ af'8 [
+ af'8
+ af'8 ]
+
+ |
+
+ g'4
+ g'8
+ }
+
+ >>
+
+ \oneVoice
+ \once \override TextScript #'staff-padding = #4
+ df''32
+ _ \markup { \italic "dolce" }
+ c''32
+ df''32
+ ef''32
+ \acciaccatura { df''[ ef'' ] }
+ f''8
+ ef''16
+ df''16
+
+ |
+ \break
+ \overrideProperty "Score.NonMusicalPaperColumn"
+ #'line-break-system-details #'((alignment-offsets . (0 -12)))
+
+ c''4. (
+ ^ \markup \italic { cantabile, con intimissimo sentimento,
+ ma sempre molto dolce e semplice }
+ ef''4
+ af''8 )
+
+ |
+
+ af''4 (
+ g''2 )
+
+ |
+
+ bf''4. (
+ g''4
+ ef''8 )
+
+ |
+ }
+
+ % LH
+ \new Staff {
+ \clef bass
+ \key af \major
+ \time 3/4
+
+ <ef af,>4. (
+ <ef c>8 )
+ <ef c>8. [
+ <ef c>16 ]
+
+ |
+
+ <ef bf,>4
+ <ef df>2 ^ \markup { \italic ten. }
+
+ |
+
+ <<
+
+ \new Voice {
+ \voiceOne
+ ef8 [ (
+ af8
+ c'8
+ bf8 )
+ c'8 ( \staccato
+ df'8 ] ) \staccato
+
+ |
+
+ bf4
+ bf8 ^ \markup { \italic "ten." }
+ }
+
+ \new Voice {
+ \voiceTwo
+ c4. (
+ f8 [ )
+ ef8 ( \staccato
+ df8 ] ) \staccato
+
+ |
+
+ ef4
+ ef8 \fermata
+ }
+
+ >>
+
+ \oneVoice
+ r8
+ r4
+ \clef treble
+
+ |
+
+ \override Staff.SustainPedalLineSpanner #'outside-staff-priority = #1000
+ \override Staff.SustainPedalLineSpanner #'staff-padding = #7
+ \once \override TextScript #'padding = #2
+ af16 \sustainDown
+ ^ \markup \italic { non staccato }
+ _ \markup \italic { molto \dynamic p, sempre tranquillo
+ ed egualmente, non rubato }
+ <ef' c'>16
+ <ef' c'>16
+ <ef' c'>16
+ af16
+ <ef' c'>16
+ <ef' c'>16
+ <ef' c'>16
+ af16 \sustainDown
+ <ef' c'>16
+ <ef' c'>16
+ <ef' c'>16
+
+ |
+
+ bf16 \sustainDown
+ <ef' df'>16
+ <ef' df'>16
+ <ef' df'>16
+ bf16 \sustainDown
+ <ef' df'>16
+ <ef' df'>16
+ <ef' df'>16
+ bf16
+ <ef' df'>16
+ <ef' df'>16
+ <ef' df'>16
+
+ |
+
+ \override Staff.SustainPedalLineSpanner #'staff-padding = #4
+ df'16 \sustainDown
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ df'16
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ df'16 \sustainDown
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+ <bf' g' ef'>16
+
+ |
+ }
+
+>>
projects / lilypond.git / commitdiff