@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{grouping-beats.ly}
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{specifying-context-with-beatgrouping.ly}
-
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{using-beatlength-and-beatgrouping.ly}
-
@funindex subdivideBeams
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
@snippets
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
-{snap-pizzicato-markup-bartok-pizzicato.ly}
+{snap-pizzicato-bartok-pizzicato.ly}
--- /dev/null
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+ doctitlede = "Bartók-Pizzicato"
+ texidocde = "
+Das Bartók-Pizzicato @q{ist eine besondere Form des Pizzicato, bei dem der
+Spieler die Saite auf das Griffbrett aufschlagen lässt, sodass zusätzlich
+zum angeschlagenen Ton ein scharfes, knallendes Geräusch ertönt}
+(Wikipedia). Es wird dargestellt als kleiner Kreis mit einer vertikalen
+Linie, die vom Kreiszentrum aus nach oben weist und ein Stück außerhalb des
+Kreises endet. Lilypond hat keinen eigenen Glyphen für dieses Symbol; es
+ist aber einfach, direkt eine Definition in die Eingabedatei einzufügen.
+"
+++ /dev/null
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- doctitlede = "Bartók-Pizzicato"
- texidocde = "
-Das Bartók-Pizzicato @q{ist eine besondere Form des Pizzicato, bei dem der
-Spieler die Saite auf das Griffbrett aufschlagen lässt, sodass zusätzlich
-zum angeschlagenen Ton ein scharfes, knallendes Geräusch ertönt}
-(Wikipedia). Es wird dargestellt als kleiner Kreis mit einer vertikalen
-Linie, die vom Kreiszentrum aus nach oben weist und ein Stück außerhalb des
-Kreises endet. Lilypond hat keinen eigenen Glyphen für dieses Symbol; es
-ist aber einfach, direkt eine Definition in die Eingabedatei einzufügen.
-"
@snippets
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
-{snap-pizzicato-markup-bartok-pizzicato.ly}
+{snap-pizzicato-bartok-pizzicato.ly}
--- /dev/null
+%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
+ doctitlees = "Marca de pizzicato de chasquido (@q{pizzicato de Bartók})"
+ texidoces = "
+El pizzicato de chasquido (también llamado @q{Pizzicato de Bartók}) es un
+@q{pizzicato fuerte en que la cuerda se pulsa verticalmente produciendo un
+chasquido y rebotando en el diapasón del instrumento} (Wikipedia). Se
+denota mediante una circunferencia con una línea vertical corta que parte
+del centro de aquélla hacia fuera. Aunque LilyPond no tiene ninguna
+instrucción predefinida para crear esta marca, es fácil hacer la definición
+y colocarla directamente en el archivo de lilypond.
+"
+
+++ /dev/null
-%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- doctitlees = "Marca de pizzicato de chasquido (@q{pizzicato de Bartók})"
- texidoces = "
-El pizzicato de chasquido (también llamado @q{Pizzicato de Bartók}) es un
-@q{pizzicato fuerte en que la cuerda se pulsa verticalmente produciendo un
-chasquido y rebotando en el diapasón del instrumento} (Wikipedia). Se
-denota mediante una circunferencia con una línea vertical corta que parte
-del centro de aquélla hacia fuera. Aunque LilyPond no tiene ninguna
-instrucción predefinida para crear esta marca, es fácil hacer la definición
-y colocarla directamente en el archivo de lilypond.
-"
-
@snippets
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
-{snap-pizzicato-markup-bartok-pizzicato.ly}
+{snap-pizzicato-bartok-pizzicato.ly}
dans une section @code{\\transpose}.
"
- doctitle = "Symboles de jazz"
+ doctitlefr = "Symboles de jazz"
modifiez ou commentez la ligne en question.
"
- doctitle = "Portée unique et paroles"
+ doctitlefr = "Portée unique et paroles"
@snippets
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
-{snap-pizzicato-markup-bartok-pizzicato.ly}
+{snap-pizzicato-bartok-pizzicato.ly}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "keyboards"
"
doctitlees = "Símbolos de acordeón discanto"
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Symbole für Akkordeon-Diskantregister"
texidocde = "
Diskantregister für Akkordeon können mit @code{\\markup} dargestellt werden.
accPiccolo = ^\markup {
\combine
- \discant
+ \discant
\raise #2.5 \dot
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords, ancient-notation, contexts-and-engravers"
"
doctitlees = "Añadir un bajo cifrado encima o debajo de las notas"
-
+
+
%% Translation of GIT committish: 7eb450e8e6c935410b8f3212cb53e5a731f4f33f
doctitlefr = "Ajout d'une basse chiffrée au-dessus ou au-dessous des notes"
As you can see here, this property can be changed as many times as you
wish. Use @code{\\once \\override} if you don't want the tweak to apply
-to the whole score.
+to the whole score.
"
doctitle = "Adding a figured bass above or below the notes"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, staff-notation, vocal-music"
debe desplazar manualmente para evitar colisiones.
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ambitus können pro Stimme gesetzt werden. In diesem Fall müssen sie
texidoc = "
Ambitus can be added per voice. In this case, the ambitus must be moved
-manually to prevent collisions.
+manually to prevent collisions.
"
doctitle = "Adding ambitus per voice"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, contexts-and-engravers, breaks"
a key signature change, which will never be printed anyway). The
workaround is to add a setting of
@code{Staff.explicitKeySignatureVisibility} as is shown in the example.
-In versions 2.10 and earlier, a similar setting for the time signatures
-is also required (see the example).
-
"
\key f \major
\once \override Staff.TimeSignature #'stencil = ##f
c1 | c
- }
+ }
>>
c1 | c^"Fixed here" \break
<< { c1 | c }
\new Staff {
\once \set Staff.explicitKeySignatureVisibility = #end-of-line-invisible
- % The next line is not needed in 2.11.x or later:
- \once \override Staff.TimeSignature #'break-visibility = #end-of-line-invisible
\key f \major
\once \override Staff.TimeSignature #'stencil = ##f
c1 | c
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, contexts-and-engravers"
texidoc = "
An extra staff can be added (possibly temporarily) after the start of a
-piece.
+piece.
"
doctitle = "Adding an extra staff"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords"
"
doctitlees = "Añadir barras de compás al contexto de nombres de acorde (ChordNames)"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Um Taktstriche in einem @code{ChordNames}-Kontext anzeigen zu lassen, muss der
\consists "Bar_engraver"
}
\chordmode {
- f1:maj7 f:7 bes:7
+ f1:maj7 f:7 bes:7
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, expressive-marks"
at the end of the requested beaming, even if this note happens to be
inside a tuplet section. This snippet demonstrates how to combine
manual beaming, manual slurs, ties and phrasing slurs with tuplet
-sections (enclosed within curly braces).
+sections (enclosed within curly braces).
"
doctitle = "Adding beams, slurs, ties etc. when using tuplet and non-tuplet rhythms"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, percussion"
"
doctitlees = "Escritura de partes de percusión"
+
%% Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421
texidocfr = "
Grâce à la puissance des outils préconfigurés tels que la fonction
-@code{\\drummode} et le contexte @code{DrumStaff}, la saisie de
+@code{\\drummode} et le contexte @code{DrumStaff}, la saisie de
parties pour percussions est extrêmement simplifiée : chaque composant
-d'une batterie trouve sa place sur une portée dédiée (avec une clef
-spécifique) et les têtes de note sont spécifiques à chaque élément.
-Il est également possible d'affecter un symbole particulier à chaque
+d'une batterie trouve sa place sur une portée dédiée (avec une clef
+spécifique) et les têtes de note sont spécifiques à chaque élément.
+Il est également possible d'affecter un symbole particulier à chaque
élément, tout comme de restreindre le nombre de lignes de la portée.
"
quite easy: drums are placed at their own staff positions (with a
special clef symbol) and have note heads according to the drum.
Attaching an extra symbol to the drum or restricting the number of
-lines is possible.
+lines is possible.
"
doctitle = "Adding drum parts"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, fretted-strings"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings"
texidoc = "
To add fingerings to tablatures, use a combination of @code{\\markup}
-and @code{\\finger}.
+and @code{\\finger}.
"
doctitle = "Adding fingerings to tablatures"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
texidoc = "
The @code{\\parenthesize} function is a special tweak that encloses
objects in parentheses. The associated grob is
-@code{Score.ParenthesesItem}.
+@code{Score.ParenthesesItem}.
"
doctitle = "Adding parentheses around an expressive mark or chordal note"
c2-\parenthesize ->
\override ParenthesesItem #'padding = #0.1
\override ParenthesesItem #'font-size = #-4
- <d \parenthesize f a>2
+ <d \parenthesize f a>2
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text, titles"
actual a una partitura.
"
doctitlees = "Añadir la fecha actual a una partitura"
-
+
+
%% Translation of GIT committish: 7eb450e8e6c935410b8f3212cb53e5a731f4f33f
texidocfr = "
Avec un peu de code Scheme, voici comment ajouter facilement
la date du jour à votre partition.
"
-
+
doctitlefr = "Ajout de la date du jour à une partition"
texidoc = "
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats"
"
doctitlees = "Añadir corchetes de primera y segunda vez a más pentagramas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Der @code{Volta_engraver} befindet sich im @code{Score}-Kontext und Klammern
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "simultaneous-notes"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein einigen Fällen von sehr komplexer polyphoner Musik sind zusätzliche
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text, vocal-music, spacing"
"
doctitlees = "Ajuste del especiado vertical de la letra"
+
%% Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421
texidocfr = "
-Cet extrait illustre la manière de rapprocher la ligne de paroles
+Cet extrait illustre la manière de rapprocher la ligne de paroles
de la portée.
"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Ajustar la forma de las subidas y caídas de tono"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die @code{shortest-duration-space}-Eigenschaft kann verändert werden, um
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text, paper-and-layout, titles"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Les numéros de mesure s'alignent en principe sur la droite de l'objet
-dont ils dépendent. C'est normalement le coin gauche de la portée ou,
-en cours de ligne, à gauche de la barre. Vous pouvez toutefois les
-centrer par rapport à la barre ou les afficher à droite de la barre.
-
-"
- doctitlefr = "Alignement des numéros de mesure"
-
lsrtags = "rhythms"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Alineación de los números de compás"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Taktnummern sind standardmäßig links an ihrem Ursprungsobjet
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Les numéros de mesure s'alignent en principe sur la droite de l'objet
+dont ils dépendent. C'est normalement le coin gauche de la portée ou,
+en cours de ligne, à gauche de la barre. Vous pouvez toutefois les
+centrer par rapport à la barre ou les afficher à droite de la barre.
+
+"
+ doctitlefr = "Alignement des numéros de mesure"
+
texidoc = "
Bar numbers by default are right-aligned to their parent object. This
is usually the left edge of a line or, if numbers are printed within a
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text"
"
doctitlees = "Alinear marcas con varios objetos de notación"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn angegeben, können Textzeichen auch an anderen Objekten als Taktstrichen
\relative c' {
e1
-
+
% the RehearsalMark will be centered above the Clef
\override Score.RehearsalMark #'break-align-symbols = #'(clef)
\key a \major
\clef treble
\mark "↓"
e1
-
+
% the RehearsalMark will be centered above the TimeSignature
\override Score.RehearsalMark #'break-align-symbols = #'(time-signature)
\key a \major
\time 3/4
\mark "↓"
e2.
-
+
% the RehearsalMark will be centered above the KeySignature
\override Score.RehearsalMark #'break-align-symbols = #'(key-signature)
\key a \major
\break
e1
-
+
% the RehearsalMark will be aligned with the left edge of the KeySignature
\once \override Score.KeySignature #'break-align-anchor-alignment = #LEFT
\mark "↓"
\key a \major
e1
-
+
% the RehearsalMark will be aligned with the right edge of the KeySignature
\once \override Score.KeySignature #'break-align-anchor-alignment = #RIGHT
\key a \major
\mark "↓"
e1
-
+
% the RehearsalMark will be aligned with the left edge of the KeySignature
% and then shifted right by one unit.
\once \override Score.KeySignature #'break-align-anchor = #1
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text"
texidoc = "
-By default the @code{\\mark} command centers objects over a bar line.
-This behavior can be modified to align at right or left.
+By default the @code{\\mark} command centers objects over a bar line.
+This behavior can be modified to align at right or left.
"
doctitle = "Aligning objects created with the \\mark command"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, fretted-strings, spacing"
"
doctitlees = "Permitir que las digitaciones se impriman dentro del pentagrama"
-%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
- texidocfr = "
-L'empilement des indications de doigté se fait par défaut à l'extérieur de la portée. Néanmoins, il est possible d'annuler ce comportement.
-
-"
- doctitlefr = "Impression des doigtés à l'intérieur de la portée"
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
"
doctitlede = "Fingersatz auch innerhalb des Systems setzen"
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+ texidocfr = "
+L'empilement des indications de doigté se fait par défaut à l'extérieur de la portée. Néanmoins, il est possible d'annuler ce comportement.
+
+"
+ doctitlefr = "Impression des doigtés à l'intérieur de la portée"
+
+
texidoc = "
By default, vertically oriented fingerings are positioned outside the
-staff. However, this behavior can be canceled.
+staff. However, this behavior can be canceled. Note: you must use a
+chord construct <>, even if it is only a single note.
"
doctitle = "Allowing fingerings to be printed inside the staff"
\relative c' {
<c-1 e-2 g-3 b-5>2
- \once \override Fingering #'staff-padding = #'()
- <c-1 e-2 g-3 b-5>2
+ \override Fingering #'staff-padding = #'()
+ <c-1 e-2 g-3 b-5>4 <g'-0>
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, vocal-music"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Indem man den @code{Ambitus_engraver} im @code{Staff}-Kontext
texidoc = "
Adding the @code{Ambitus_engraver} to the @code{Staff} context creates
a single ambitus per staff, even in the case of staves with multiple
-voices.
+voices.
"
doctitle = "Ambitus with multiple voices"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, vocal-music"
Ambitus indicate pitch ranges for voices.
-Accidentals only show up if they are not part of the key signature.
-@code{AmbitusNoteHead} grobs also have ledger lines.
+Accidentals only show up if they are not part of the key signature.
+@code{AmbitusNoteHead} grobs also have ledger lines.
"
doctitle = "Ambitus"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "ancient-notation"
doctitlees = "Tipografía de música antigua"
+
%% Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421
texidocfr ="
Voici comment graver la plupart, sinon tous les symboles que
upperStaff = \new VaticanaStaff = "upperStaff" <<
\context VaticanaVoice <<
\transpose c c {
-
+
\override NoteHead #'style = #'vaticana.punctum
\key es \major
\clef "vaticana-fa2"
c1 des e f ges
-
+
\override NoteHead #'style = #'vaticana.inclinatum
a! b ces'
\bar "|"
% \break % 1 (8*1)
-
+
\override NoteHead #'style = #'vaticana.quilisma
b! des'! ges! fes!
\breathe
c d
\bar "|"
% \break %2 (8*1)
-
+
\override NoteHead #'style = #'vaticana.punctum.cavum
es f
\override NoteHead #'style = #'vaticana.lpes
\override NoteHead #'style = #'vaticana.linea.punctum
\once \override Staff.BarLine #'bar-size = #2.0 \bar "|"
% \break % 3 (8*1)
-
+
es d
\override NoteHead #'style = #'vaticana.epiphonus
c d
\override NoteHead #'style = #'vaticana.cephalicus
es f
-
+
\override Staff.KeySignature #'glyph-name-alist = #alteration-medicaea-glyph-name-alist
\override Staff.Accidental #'glyph-name-alist = #alteration-medicaea-glyph-name-alist
\override Staff.Custos #'style = #'medicaea
ces des
\bar "|"
% \break % 4 (8*1)
-
+
e! f! ges
\clef "medicaea-do2"
\override NoteHead #'style = #'medicaea.inclinatum
b! a!
\bar "|"
% \break % 5 (8*1)
-
+
ges fes
\clef "medicaea-fa1"
\override NoteHead #'style = #'medicaea.rvirga
e des ces
-
+
\override Staff.KeySignature #'glyph-name-alist = #alteration-hufnagel-glyph-name-alist
\override Staff.Accidental #'glyph-name-alist = #alteration-hufnagel-glyph-name-alist
\override Staff.Custos #'style = #'hufnagel
ces des es
\bar "|"
% \break % 6 (8*1)
-
+
fes ges
\clef "hufnagel-do2"
\override NoteHead #'style = #'hufnagel.lpes
bes! as!
\bar "|"
% \break % 7 (8*1)
-
+
ges! fes!
\clef "hufnagel-do-fa"
\override NoteHead #'style = #'hufnagel.punctum
es! des ces des! es! fes!
\bar "||"
% \break % 8 (8*1)
-
+
s32*1
% \break % 12 (32*1)
}
lowerStaff = \new MensuralStaff = "lowerStaff" <<
\context MensuralVoice <<
\transpose c c {
-
+
\key a \major
cis'1 d'\breve gis'\breve e'\breve \[ e'\longa fis'\longa \]
\set Staff.forceClef = ##t
cis1
\bar "|"
% \break % 2 (16*1)
-
+
\[ g\breve dis''\longa \]
b\breve \[ a\longa d\longa \]
\clef "petrucci-c2"
% \break % 4 (16*1)
-
+
fis1 ces1
\clef "petrucci-c2"
r\longa
r\breve
\bar "|"
% \break % 5 (8*1)
-
+
r2
\clef "mensural-g"
r4 r8 r16 r16
r\breve
\bar "|"
% \break % 6 (8*1)
-
- r\breve
+
+ r\breve
\clef "mensural-f"
r2 r4 r8 r16 r16
-
+
\set Staff.forceClef = ##t
\clef "mensural-f"
e\breve f g a1
\clef "mensural-g"
% \break % 7 (8*1)
-
+
\[ bes'!\longa a'!\longa c''!\longa \]
e'1 d' c' d' \bar "|"
\bar "|"
% \break % 9 (16*1)
-
+
bes'!\longa fis'!1 as'!1 ges'!\longa % lig
\set Staff.forceClef = ##t
\clef "mensural-g"
e'2 d' c' \bar "|"
% \break % 11 (16*1)
-
+
\set Staff.forceClef = ##t
\clef "petrucci-g"
c'2 d' e' f'
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Voici comment vous pourriez transcrire du grégorien. Pour mémoire, il
-n'y a en grégorien ni de découpage en mesure, ni de hampe ; seules
-sont utilisées des têtes de note blanches ou noires, ainsi que des
-signes spécifiques permettant d'indiquer des silences de différentes durées.
-
-"
- doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique grégorienne"
-
lsrtags = "ancient-notation, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla para notación de música antigua (transcripción moderna de canto gregoriano)"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
-
+
texidocde = "
-Dieses Beispiel zeigt eine moderne Transkription des Gregorianischen
-Chorals. Hier gibt es keine Takte, keine Notenhälse und es werden nur
-halbe und Viertelnoten verwendet. Zusätzliche Zeichen zeigen die
+Dieses Beispiel zeigt eine moderne Transkription des Gregorianischen
+Chorals. Hier gibt es keine Takte, keine Notenhälse und es werden nur
+halbe und Viertelnoten verwendet. Zusätzliche Zeichen zeigen die
Länge von Pausen an.
"
doctitlede = "Vorlage für Alte Notation -- moderne Transkription des gregorianischen Chorals"
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Voici comment vous pourriez transcrire du grégorien. Pour mémoire, il
+n'y a en grégorien ni de découpage en mesure, ni de hampe ; seules
+sont utilisées des têtes de note blanches ou noires, ainsi que des
+signes spécifiques permettant d'indiquer des silences de différentes durées.
+
+"
+ doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique grégorienne"
+
texidoc = "
This example demonstrates how to do modern transcription of Gregorian
music. Gregorian music has no measure, no stems; it uses only half and
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "ancient-notation, template"
"
doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+
+
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
-Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
-Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
-Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
-heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
-zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
-Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
-ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
+Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
+Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
+Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
+heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
+zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
+Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
+ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
zwischen den Systemen geschrieben.
"
doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
"
doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
- doctitle = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
-
texidoc = "
When transcribing mensural music, an incipit at the beginning of the
piece is useful to indicate the original key and tempo. While today
patterns, bar lines were not yet invented during the period of mensural
music; in fact, the meter often changed after every few notes. As a
compromise, bar lines are often printed between the staves rather than
-on the staves.
+on the staves.
"
doctitle = "Ancient notation template -- modern transcription of mensural music"
mensurstriche-layout-bar-lines-between-the-staves.ly
rest-styles.ly
transcription-of-ancient-music-with-incipit.ly
+vertical-line-as-a-baroque-articulation-mark.ly
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "ancient-notation"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, editorial-annotations"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Notenkopfstile basierend auf der Tonleiterstufe erstellen"
texidocde = "
This example shows different ways to obtain shape note heads, and
demonstrates the ability to transpose a melody without losing the
-correspondence between harmonic functions and note head styles.
+correspondence between harmonic functions and note head styles.
"
doctitle = "Applying note head styles depending on the step of the scale"
b2 c
}
-\score {
- \new Staff {
- \transpose c d
- \relative c' {
- \set shapeNoteStyles = #'#(do re mi fa
- #f la ti)
- \fragment
- }
-
- \break
-
- \relative c' {
- \set shapeNoteStyles = #'#(cross triangle fa #f
- mensural xcircle diamond)
- \fragment
- }
+\new Staff {
+ \transpose c d
+ \relative c' {
+ \set shapeNoteStyles = #'#(do re mi fa
+ #f la ti)
+ \fragment
+ }
+
+ \break
+
+ \relative c' {
+ \set shapeNoteStyles = #'#(cross triangle fa #f
+ mensural xcircle diamond)
+ \fragment
}
- \layout { ragged-right = ##t }
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "world-music"
"
doctitlees = "Improvisación de música árabe"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Bei Improvisation oder @emph{taqasim}, die zeitlich frei gespielt
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
texidoc = "
Beams can be subdivided automatically. By setting the property
@code{subdivideBeams}, beams are subdivided at beat positions (as
-specified in @code{beatLength}).
+specified in @code{beatLength}).
"
doctitle = "Automatic beam subdivisions"
+++ /dev/null
-%% Do not edit this file; it is auto-generated from input/new
-%% This file is in the public domain.
-%% Note: this file works from version 2.13.4
-\version "2.13.4"
-
-\header {
-%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- texidoces = "
-En un compás sencillo como 2/2 ó 4/4, las corcheas se barran de forma
-predeterminada como dos grupos de cuatro.
-
-Utilizando un macro que seobreescribe el comportamiento automático del
-barrado, este fragmento de código cambia el barrado a pulsos de negra.
-
-"
- doctitlees = "Barras automáticas de dos en dos en los compases de 4/4 o de 2/2"
-
-%% Translation of GIT committish: 1154b407d42f303a024598296ad36ab6c93e2b5a
- texidocfr = "
-Dans une métrique simple comme 4/4 ou 2/2, les croches sont ligaturées
-par défaut en deux groupes de quatre.
-
-En utilisant une macro qui modifie le comportement des ligatures
-automatiques, voici comment obtenir des ligatures basées sur la valeur
-d'une noire.
-
-"
- doctitlefr = "Ligature automatique deux par deux, aussi bien en 4/4 qu'en 2/2"
-
- lsrtags = "rhythms"
-
-%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- texidoces = "
-En un compás sencillo como 2/2 ó 4/4, las corcheas se barran de forma
-predeterminada como dos grupos de cuatro.
-
-Utilizando un macro que seobreescribe el comportamiento automático del
-barrado, este fragmento de código cambia el barrado a pulsos de negra.
-
-"
- doctitlees = "Barras automáticas de dos en dos en los compases de 4/4 o de 2/2"
-
-%% Translation of GIT committish: 1154b407d42f303a024598296ad36ab6c93e2b5a
- texidocfr = "
-Dans une métrique simple comme 4/4 ou 2/2, les croches sont ligaturées
-par défaut en deux groupes de quatre.
-
-En utilisant une macro qui modifie le comportement des ligatures
-automatiques, voici comment obtenir des ligatures basées sur la valeur
-d'une noire.
-
-"
- doctitlefr = "Ligature automatique deux par deux, aussi bien en 4/4 qu'en 2/2"
-
- texidoc = "
-In a simple time signature of 2/2 or 4/4, 8th notes are beamed by
-default as two sets of four.
-
-Using a macro which overrides the autobeaming behavior, this snippet
-changes the beaming to quarter note beats.
-
-"
- doctitle = "Automatic beams two per two in 4/4 or 2/2 time signature"
-} % begin verbatim
-
-% Automatic beams two per two in 4/4 or 2/2 time signature
-% _____
-% Default | | | |
-% _ _
-% Required | | | |
-
-% macro for beamed two per two in 2/2 and 4/4 time signature
-qBeam = {
- \overrideBeamSettings #'Staff #'(4 . 4) #'end #'((* . (1 1 1 1)))
- \overrideBeamSettings #'Staff #'(2 . 2) #'end
- #'((* . (1 1))
- ((1 . 8) . (2 2 2 2)))
-} % begin verbatim
-
-
-\score {
- <<
- \new Staff {
- \relative c'' {
- \time 4/4
- g8-"without the macro" g g g g g g g
- g8 g g g4 g8 g g
- }
- }
- %Use the macro
- \new Staff {
- \relative c'' {
- \time 4/4
- \qBeam
- g8-"with the macro" g g g g g g g
- g8 g g g4 g8 g g
- }
- }
- >>
- \layout {
- \context {
- \Staff
- \override TimeSignature #'style = #'()
- }
- }
-}
-
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, editorial-annotations, chords, tweaks-and-overrides"
\set fingeringOrientations = #'(up)
\set stringNumberOrientations = #'(up)
\set strokeFingerOrientations = #'(up)
-
+
% Default behavior
r8
<f c'-5>8
<f c'\5>8
<f c'-\rightHandFinger #2 >8
-
+
% Corrected to avoid collisions
r8
\override Fingering #'add-stem-support = ##t
-%% Do not edit this file; it is auto-generated from input/new
-%% This file is in the public domain.
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
%% Note: this file works from version 2.13.4
\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Les règles de ligatures définies au niveau du contexte @code{Score}
-s'appliqueront à toutes les portées. Il est toutefois possible de
-moduler au niveau @code{Staff} ou @code{Voice} :
-
-"
- doctitlefr = "Définition de règles de ligature pour la partition"
-
- lsrtags = "rhythms"
-
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
texidoces = "
Las reglas de final de barra especificadas en el contexto
"
doctitlees = "Finales de barra en el contexto Score"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Balkenenderegeln, die im @code{Score}-Kontext definiert werden, wirken
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Les règles de ligatures définies au niveau du contexte @code{Score}
+s'appliqueront à toutes les portées. Il est toutefois possible de
+moduler au niveau @code{Staff} ou @code{Voice} :
+
+"
+ doctitlefr = "Définition de règles de ligature pour la partition"
+
+ lsrtags = "rhythms"
texidoc = "
Beam-ending rules specified in the @code{Score} context apply to all
staves, but can be modified at both @code{Staff} and @code{Voice}
levels:
-
"
doctitle = "Beam endings in Score context"
} % begin verbatim
}
>>
}
-
-%% Do not edit this file; it is auto-generated from input/new
-%% This file is in the public domain.
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
%% Note: this file works from version 2.13.4
\version "2.13.4"
\header {
-%% Translation of GIT committish: bee31293920d834cd3698f00ddcc2402c3164619
-texidocfr = "
-Aucune règle de ligature automatique n'est disponible pour une mesure à
-7/8. Il faudra donc, en pareil cas, définir vous-même les règles de
-regroupement. Pour, par exemple, ligaturer sur la base de 2/8-3/8-2/8,
-il faudra donc définir les terminaisons de 2/8 et 5/8 :
-
-"
- doctitlefr = "Règle de ligature dans une mesure à 7/8"
-
- lsrtags = "rhythms"
-
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
texidoces = "
No está especificada ninguna agrupación predeterminada automática
"
doctitlees = "Agrupamiento de las barras en el compás de 7/8"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Es gibt keine automatischen Balkengruppen für 7/8-Takte. Wenn diese
"
doctitlede = "Balkengruppen für 7/8-Takte"
-
+
+%% Translation of GIT committish: bee31293920d834cd3698f00ddcc2402c3164619
+texidocfr = "
+Aucune règle de ligature automatique n'est disponible pour une mesure à
+7/8. Il faudra donc, en pareil cas, définir vous-même les règles de
+regroupement. Pour, par exemple, ligaturer sur la base de 2/8-3/8-2/8,
+il faudra donc définir les terminaisons de 2/8 et 5/8 :
+
+"
+ doctitlefr = "Règle de ligature dans une mesure à 7/8"
+
+ lsrtags = "rhythms"
texidoc = "
There are no default automatic beam groupings specified for 7/8 time,
so if automatic beams are required the grouping must be specified. For
example, to group all beams 2-3-2 in 7/8 time, specify beam endings at
2/8 and 5/8:
-
"
doctitle = "Beam grouping in 7/8 time"
} % begin verbatim
% rhythm 2-3-2
a8 a a a a a a
\overrideBeamSettings #'Score #'(7 . 8) #'end
- #'((* . (2 3 2)))
+ #'((* . (2 3 2)))
a8 a a a a a a
}
-
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
"
doctitlees = "Barras que atraviesan saltos de línea"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Zeilenumbrüche sind normalerweise während Balken verboten. Das kann geändert
werden.
doctitlede = "Balken über Zeilenumbrüche"
+
%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
-
+
texidocfr = "
Il est normalement impensable qu'un saut de ligne tombe au milieu d'une
ligature. LilyPond permet néanmoins de l'obtenir.
texidoc = "
Line breaks are normally forbidden when beams cross bar lines. This
-behavior can be changed as shown:
+behavior can be changed as shown:
"
doctitle = "Beams across line breaks"
\relative c'' {
\override Beam #'breakable = ##t
- c8 c[ c] c[ c] c[ c] c[ \break
+ c8 c[ c] c[ c] c[ c] c[ \break
c8] c[ c] c[ c] c[ c] c
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, text"
doctitlees = "Poner en blanco las líneas del pentagrama utilizando la instrucción \\whiteout"
texidoc = "
-The @code{\\whiteout} command underlays a markup with a white box.
+The @code{\\whiteout} command underlays a markup with a white box.
Since staff lines are in a lower layer than most other grobs, this
-white box will not overlap any other grob.
+white box will not overlap any other grob.
"
doctitle = "Blanking staff lines using the \\whiteout command"
\relative c' {
\override TextScript #'extra-offset = #'(2 . 4)
c2-\markup { \whiteout \pad-markup #0.5 "middle C" } c
-}
+}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "paper-and-layout"
#(set-default-paper-size "a6")
\book {
-
%% book paper, which is inherited by all children bookparts
\paper {
ragged-last-bottom = ##t
parttagline = "Part tagline"
tagline = "Book tagline"
}
-
+
\bookpart {
%% a different page breaking function may be used on each part
\paper { page-breaking = #ly:minimal-breaking }
\bookpart {
\header { subtitle = "Second part" }
- { c' }
+ { c'4 }
}
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
% by default, \breathe uses the rcomma, just as if saying:
% \override BreathingSign #'text = #(make-musicglyph-markup "scripts.rcomma")
<< { g4 as g } \\ { es4 \breathe bes es } >> |
-
+
% rvarcomma and lvarcomma are variations of the default rcomma and lcomma
% N.B.: must use Staff context here, since we start a Voice below
\override Staff.BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" }
<< { g4 as g } \\ { es4 \breathe bes es } >> |
-
+
% vee
\override BreathingSign #'text = \markup { \musicglyph #"scripts.upbow" }
es8[ d es f g] \breathe f |
-
+
% caesura
\override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.curved" }
es8[ d] \breathe es[ f g f] |
es2 r4 \bar "||"
}
-
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
Make sure to put the hairpin in a lower layer than the text markup to
-draw the rectangle over the hairpin.
+draw the rectangle over the hairpin.
"
doctitle = "Broken Crescendo Hairpin"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
doctitle = "Caesura (\"railtracks\") with fermata"
} % begin verbatim
-
\relative c'' {
c2.
% construct the symbol
c2. \breathe c4
\bar "|."
}
-
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, text"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, unfretted-strings"
"
doctitlees = "Cambiar el tamaño de la marca de \\flageolet"
-%% Translation of GIT committish: 0099693675b95c7ec6664d7277f22411a14e9c1b
-
- texidocfr = "
-Il est possible de rapetisser le cercle d'un @code{\\flageolet} grâce
-à une fonction Scheme.
-
-"
- doctitlefr = "Modifier la taille d'un \\flageolet"
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
"
doctitlede = "\\flageolet-Zeichen verkleinern"
+%% Translation of GIT committish: 0099693675b95c7ec6664d7277f22411a14e9c1b
+
+ texidocfr = "
+Il est possible de rapetisser le cercle d'un @code{\\flageolet} grâce
+à une fonction Scheme.
+
+"
+ doctitlefr = "Modifier la taille d'un \\flageolet"
+
+
texidoc = "
To make the @code{\\flageolet} circle smaller use the following Scheme
-function.
+function.
"
doctitle = "Changing \\flageolet mark size"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "simultaneous-notes, editorial-annotations, tweaks-and-overrides"
doctitle = "Changing a single note's size in a chord"
} % begin verbatim
-\layout { ragged-right = ##t }
\relative {
<\tweak #'font-size #+2 c e g c \tweak #'font-size #-2 e>1^\markup { A tiny e }_\markup { A big c }
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
"
doctitlees = "Cambiar el salto de las barras en ángulo"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Balken mit Hälsen in unterschiedliche Richtungen werden automatisch
doctitlede = "Balken für weit auseinander liegende Noten ändern"
+
%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
texidocfr = "
LilyPond insère automatiquement des ligatures coudées --- certaines
larger than the value of @code{auto-knee-gap} plus the width of the
beam object (which depends on the duration of the notes and the slope
of the beam). By default @code{auto-knee-gap} is set to 5.5 staff
-spaces.
+spaces.
"
doctitle = "Changing beam knee gap"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords"
"
doctitlees = "Modificación del separador de acordes"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Der Trenner zwischen unterschiedlichen Teilen eines Akkordsymbols kann
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn zehn oder weniger Pausentakte vorkommen, wird eine Reihe von Longa-
doctitlede = "Die Erscheinung von Pausentakten ändern"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Dans le cas où ce silence dure moins de dix mesures, LilyPond imprime sur
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "contexts-and-engravers, midi"
context, each voice on a staff can have its own MIDI channel, as is
demonstrated by the following example: despite being on the same staff,
two MIDI channels are created, each with a different
-@code{midiInstrument}.
+@code{midiInstrument}.
"
doctitle = "Changing MIDI output to one channel per voice"
}
\context {
\Voice
- \consists "Staff_performer"
+ \consists "Staff_performer"
}
\context {
\Score
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "simultaneous-notes"
"
doctitlees = "Cambiar los textos de partcombine"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn Stimmen automatisch kombiniert werden, kann der Text, der für
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "tweaks-and-overrides"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "vocal-music"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Cambiar el texto y los estilos de objeto de extensión para las indicaciones dinámicas textuales"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Der Text, der für Crescendo und Decrescendo gestzt wird, kann geändert
@code{decrescendoText}. The style of the spanner line can be changed by
modifying the @code{'style} property of @code{DynamicTextSpanner}. The
default value is @code{'hairpin}, and other possible values include
-@code{'line}, @code{'dashed-line} and @code{'dotted-line}.
+@code{'line}, @code{'dashed-line} and @code{'dotted-line}.
"
doctitle = "Changing text and spanner styles for text dynamics"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, editorial-annotations"
doctitlees = "Modificar el aspecto continuo de una ligadura de expresión a punteado o intermitente"
texidoc = "
-The appearance of slurs may be changed from solid to dotted or dashed.
+The appearance of slurs may be changed from solid to dotted or dashed.
"
doctitle = "Changing the appearance of a slur from solid to dotted or dashed"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Cambiar el símbolo de la marca de respiración"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Das Schriftzeichen für das Atemzeichen kann verändert werden, indem
texidoc = "
The glyph of the breath mark can be tuned by overriding the text
property of the @code{BreathingSign} layout object with any markup
-text.
+text.
"
doctitle = "Changing the breath mark symbol"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords"
doctitlees = "Cambiar la nomenclatura de los acordes del cifrado americano por la notación alemana o semi-alemana"
texidoc = "
-The english naming of chords (default) can be changed to german
-(@code{\\germanChords} replaces B and Bes to H and B) or semi-german
+The english naming of chords (default) can be changed to german
+(@code{\\germanChords} replaces B and Bes to H and B) or semi-german
(@code{\\semiGermanChords} replaces B and Bes to H and Bb).
music = \chordmode {
c1/c cis/cis
b/b bis/bis bes/bes
-}
+}
%% The following is only here to print the names of the
%% chords styles; it can be removed if you do not need to
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text, tweaks-and-overrides"
texidoc = "
The default font families for text can be overridden with
-@code{make-pango-font-tree}.
+@code{make-pango-font-tree}.
"
doctitle = "Changing the default text font family"
} % begin verbatim
\paper {
- % change for other default global staff size.
+ % change for other default global staff size.
myStaffSize = #20
%{
run
lilypond -dshow-available-fonts blabla
- to show all fonts available in the process log.
+ to show all fonts available in the process log.
%}
#(define fonts
\relative c'' {
c4^\markup {
- roman: foo \bold bla \italic bar \italic \bold baz
+ roman: foo \bold bla \italic bar \italic \bold baz
}
c'4_\markup {
\override #'(font-family . sans)
mono: foo \bold bla \italic bar \italic \bold baz
}
}
-}
+}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation"
\upper
}
\new Staff {
- \override Staff.StaffSymbol #'line-count = #4
+ \override Staff.StaffSymbol #'line-count = #4
\lower
}
>>
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords"
"
doctitlees = "Cambiar las posiciones de las alteraciones del bajo cifrado"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Versetzungszeichen und Pluszeichen können vor oder nach den Ziffern erscheinen,
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, tweaks-and-overrides, paper-and-layout"
Though the simplest way to resize staves is to use
@code{#(set-global-staff-size xx)}, an individual staff's size can be
changed by scaling the properties @code{'staff-space} and
-@code{fontSize}.
+@code{fontSize}.
"
doctitle = "Changing the staff size"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, midi"
doctitlees = "Cambiar el tempo sin indicación metronómica"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Um das Tempo für die MIDI-Ausgabe zu ändern, ohne eine Tempoangabe in den
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
doctitlees = "Cambio de compás sin afectar al barrado"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Der @code{\\time}-Befehl verändert die Eigenschaften
doctitlede = "Die Taktart verändern ohne die Bebalkung zu beeinflussen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
La commande @code{\\time} gère les propriétés
and @code{measureLength} in the @code{Timing} context, which is
normally aliased to @code{Score}. Changing the value of
@code{timeSignatureFraction} causes the new time signature symbol to be
-printed without changing any of the other properties:
+printed without changing any of the other properties:
"
doctitle = "Changing the time signature without affecting the beaming"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Standardmäßig wird nur der Zähler des N-tolen-Bruchs über der Klammer
doctitlede = "Die Zahl der N-tole verändern"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
L'apparence du chiffre est déterminée par la propriété @code{text} dans
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, contexts-and-engravers"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, vocal-music, ancient-notation, contexts-and-engravers"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords"
"
doctitlees = "Excepciones para los nombres de acorde"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Eigenschaft @code{chordNameExceptions} kann benutzt werden, um eine
texidoc = "
The property @code{chordNameExceptions} can be used to store a list of
-special notations for specific chords.
+special notations for specific chords.
"
doctitle = "Chord name exceptions"
}
\layout {
- ragged-right = ##t
+ ragged-right = ##t
}
<< \context ChordNames \theMusic
\context Voice \theMusic
->>
+>>
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords"
+%% Translation of GIT committish: da7ce7d651c3a0d1bfed695f6e952975937a1c79
+ texidoces = "
+La presentación del acorde de séptima mayor se
+puede ajustar mediante majorSevenSymbol.
+
+"
+ doctitlees = "Nombre de acorde maj7"
+
+
%% Translation of GIT committish: d4f58bb3ad4e7fe1967a6b48f25e3addffc8aa14
texidocde = "
Das Aussehen des großen Septakkords kann mit @code{majorSevenSymbol} verändert werden.
doctitlede = "Akkordbezeichnung maj7"
-%% Translation of GIT committish: da7ce7d651c3a0d1bfed695f6e952975937a1c79
- texidoces = "
-La presentación del acorde de séptima mayor se
-puede ajustar mediante majorSevenSymbol.
-
-"
- doctitlees = "Nombre de acorde maj7"
-
texidoc = "
-The layout of the major 7 can be tuned with @code{majorSevenSymbol}.
+The layout of the major 7 can be tuned with @code{majorSevenSymbol}.
"
doctitle = "chord name major7"
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.0
-\version "2.13.1"
+\version "2.13.4"
\header {
%% Translation of GIT committish: da7ce7d651c3a0d1bfed695f6e952975937a1c79
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "paper-and-layout"
Regions can span multiple systems. In this case, multiple EPS files
-are generated.
+are generated.
"
doctitle = "Clip systems"
\layout {
% Each clip-region is a (START . END) pair
% where both are rhythmic-locations.
-
+
% (make-rhythmic-locations BAR-NUMBER NUM DEN)
% means NUM/DEN whole-notes into bar numbered BAR-NUMBER
(cons
(make-rhythmic-location 2 0 1)
(make-rhythmic-location 4 0 1))
-
+
(cons
(make-rhythmic-location 0 0 1)
(make-rhythmic-location 4 0 1))
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "simultaneous-notes, chords, keyboards"
doctitle = "Clusters"
} % begin verbatim
-\layout {
- ragged-right = ##t
-}
-
fragment = \relative c' {
c4 f <e d'>4
<g a>8 <e a> a4 c2 <d b>4
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, editorial-annotations"
texidoc = "
It is possible to color note heads depending on their pitch and/or
their names: the function used in this example even makes it possible
-to distinguish enharmonics.
+to distinguish enharmonics.
"
doctitle = "Coloring notes depending on their pitch"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, text"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "simultaneous-notes, text"
"
doctitlees = "Combinar dos partes sobre el mismo pentagrama"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Funktion, die Stimmen kombiniert (also der @code{\\partcombine}-Befehl)
-%% Do not edit this file; it is auto-generated from input/new
-%% This file is in the public domain.
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
%% Note: this file works from version 2.13.4
\version "2.13.4"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ungerade Taktarten werden (wie etwa \"5/8\") werden oft als zusammengesetzte
doctitlede = "Zusammengesetzte Taktarten"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Des métriques telles que @qq{5/8} peuvent s'interpréter sous une forme
doctitlefr = "Métrique décomposée"
lsrtags = "rhythms"
-
texidoc = "
Odd 20th century time signatures (such as \"5/8\") can often be played
as compound time signatures (e.g. \"3/8 + 2/8\"), which combine two or
adapting the automatic beaming behavior. (Graphic measure grouping
indications can also be added; see the appropriate snippet in this
database.)
-
"
doctitle = "Compound time signatures"
} % begin verbatim
\override Staff.TimeSignature #'stencil = #(compound-time "2" "3" "8")
\time 5/8
\overrideBeamSettings #'Staff #'(5 . 8) #'end
- #'((* . (2 3)))
+ #'((* . (2 3)))
c8 d e fis gis
c8 fis, gis e d
c8 d e4 gis8
-%% Do not edit this file; it is auto-generated from input/new
-%% This file is in the public domain.
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
%% Note: this file works from version 2.13.4
\version "2.13.4"
"
doctitlees = "Símbolos de dirección, símbolos de agrupación de compás"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Optionen, mit denen die Balken in einem Takt gruppiert werden, sind
doctitlede = "Dirigirzeichen, Taktgruppenzeichen"
+
%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
texidocfr = "
Il existe des options qui permettent de grouper les ligatures au sein
d'une mesure, grâce à la fonction Scheme @code{set-time-signature}.
Celle-ci prend trois arguments : le nombre de pulsations, la durée de la
pulsation et le regroupement des pulsations dans la mesure. Si l'on
-fait appel au @code{Measure_grouping_engraver}, la fonction
+fait appel au @code{Measure_grouping_engraver}, la fonction
@code{set-time-signature} créera aussi des symboles
@code{MeasureGrouping}. Ces symboles aident à la lecture des œuvres
modernes à la rythmique complexe. Dans l'exemple qui suit, la mesure à
doctitlefr = "Signes de direction, signes de sous-groupe"
lsrtags = "rhythms"
-
texidoc = "
Beat grouping within a bar is controlled by the default grouping
established in @code{beamSettings}. This grouping can be established
patterns using the two different methods, while the 5/8 measure
is grouped according to the default setting in
@file{scm/beam-settings.scm}:
-
"
doctitle = "Conducting signs, measure grouping signs"
} % begin verbatim
}
}
}
-
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Glissando contemporáneo"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein modernes Glissando ohne eine Endnote kann gesetzt werden, indem
\cadenzaOn
c4\glissando
\hideNotes
- c,,4
+ c,,4
\unHideNotes
\cadenzaOff
\bar "|"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, chords, keyboards, fretted-strings"
doctitlees = "Controlar la colocación de las digitaciones de acordes"
+
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+ texidocde = "
+Die Position von Fingersatzzahlen kann exakt kontrolliert werden.
+
+"
+ doctitlede = "Position von Fingersatz in Akkorden kontrollieren"
+
%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
texidocfr = "
"
doctitlefr = "Conrôle du positionnement des doigtés"
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-Die Position von Fingersatzzahlen kann exakt kontrolliert werden.
-
-"
- doctitlede = "Position von Fingersatz in Akkorden kontrollieren"
texidoc = "
The placement of fingering numbers can be controlled precisely.
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
"
doctitlees = "Controlar la ordenación vertical de las inscripciones"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die vertikale Anordnung von Beschriftungen wird mit der
Zahl, umso näher wird die Beschriftung in Bezug auf die Note gesetzt. In
diesem Beispiel hat das @code{TextScript}-Objekt (das Kreuz) zuerst
die niedrigste Priorität, wird also auch am niedrigsten in dem ersten
-Beispiel gesetzt. Im zweiten Fall hat der Praller (das @code{Script})
+Beispiel gesetzt. Im zweiten Fall hat der Praller (das @code{Script})
die niedrigste Priorität, darum wird er am nächsten zum System gesetzt.
Wenn zwei Objekte die gleiche Priorität haben, wird ihre Reihenfolge
anhand ihres Auftretens in der Quelldatei entschieden.
first example. In the second, the prall trill (the @code{Script}) has
the lowest, so it is on the inside. When two objects have the same
priority, the order in which they are entered determines which one
-comes first.
+comes first.
"
doctitle = "Controlling the vertical ordering of scripts"
\relative c''' {
\once \override TextScript #'script-priority = #-100
a2^\prall^\markup { \sharp }
-
+
\once \override Script #'script-priority = #-100
a2^\prall^\markup { \sharp }
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
visibility of tuplet brackets, set the property
@code{'bracket-visibility} to either @code{#t} (always print a
bracket), @code{#f} (never print a bracket) or @code{#'if-no-beam}
-(only print a bracket if there is no beam).
+(only print a bracket if there is no beam).
"
doctitle = "Controlling tuplet bracket visibility"
\override TupletBracket #'bracket-visibility = ##f
<< \music s4^"#f" >>
}
-}
+}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
doctitlees = "Crear un grupeto de anticipación"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Einen Doppelschlag mit Vorhalt zu erstellen, wobei die untere Note das
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches"
texidoc = "
In music that contains many occurrences of the same sequence of notes
-at different pitches, the following music function may prove useful.
+at different pitches, the following music function may prove useful.
It takes a note, of which only the pitch is used. The supporting
Scheme functions were borrowed from the \"Tips and tricks\" document in
the manual for version 2.10. This example creates the rhythm used
-throughout Mars, from Gustav Holst's The Planets.
+throughout Mars, from Gustav Holst's The Planets.
"
doctitle = "Creating a sequence of notes on various pitches"
(make-music 'EventChord
'elements (list (make-note-req p d))))
-#(define (seq-music-list elts)
- (make-music 'SequentialMusic
- 'elements elts))
-
#(define (make-triplet elt)
(make-music 'TimeScaledMusic
'denominator 3
(let ((p (ly:music-property
(car (ly:music-property note 'elements))
'pitch)))
- (seq-music-list
+ (make-sequential-music
(list
- (make-triplet (seq-music-list
+ (make-triplet (make-sequential-music
(list
(make-note p (ly:make-duration 3 0 2 3))
(make-note p (ly:make-duration 3 0 2 3))
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Crear arpegios entre notas de voces distintas"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein Arpeggio kann zwischen Noten aus unterschidlichen Stimmen auf demselben
-System gezogen werden, wenn der @code{Span_arpeggio_engraver} in den
+System gezogen werden, wenn der @code{Span_arpeggio_engraver} in den
@code{Staff}-Kontext verschoben wird:
"
texidoc = "
An arpeggio can be drawn across notes in different voices on the same
staff if the @code{Span_arpeggio_engraver} is moved to the @code{Staff}
-context:
+context:
"
doctitle = "Creating arpeggios across notes in different voices"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, editorial-annotations, contexts-and-engravers, paper-and-layout"
To create blank staves, generate empty measures then remove the
@code{Bar_number_engraver} from the @code{Score} context, and the
@code{Time_signature_engraver}, @code{Clef_engraver} and
-@code{Bar_engraver} from the @code{Staff} context.
+@code{Bar_engraver} from the @code{Staff} context.
"
doctitle = "Creating blank staves"
#(set-global-staff-size 20)
\score {
- {
- \repeat unfold 12 { s1 \break }
+ {
+ \repeat unfold 12 { s1 \break }
}
\layout {
indent = 0\in
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
Dentro de un @code{PianoStaff}, es posible hacer que un arpegio
cruce entre los pentagramas ajustando la propiedad
@code{PianoStaff.connectArpeggios}.
-
+
"
doctitlees = "Crear arpegios que se cruzan entre pentagramas dentro de un sistema de piano"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Arpeggio über mehrere Systeme können in anderen Kontexten als dem
texidoc = "
In a @code{PianoStaff}, it is possible to let an arpeggio cross between
the staves by setting the property @code{PianoStaff.connectArpeggios}.
-
+
"
doctitle = "Creating cross-staff arpeggios in a piano staff"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Creación de arpegios que se cruzan entre pentagramas dentro de otros contextos"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
In einem Klaviersystem (@code{PianoStaff}) ist es möglich, ein Arpeggio
zwischen beiden Systemen zu verbinden, indem die
@code{PianoStaff.connectArpeggios}-Eigenschaft gesetzt wird.
-
+
"
doctitlede = "Arpeggio zwischen Systemen in einem Klaviersystem erstellen"
texidoc = "
Cross-staff arpeggios can be created in contexts other than
@code{PianoStaff} if the @code{Span_arpeggio_engraver} is included in
-the @code{Score} context.
+the @code{Score} context.
"
doctitle = "Creating cross-staff arpeggios in other contexts"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation"
"
doctitlees = "Crear indicaciones metronómicas en modo de marcado"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Neue Metronombezeichnungen können als Textbeschriftung erstellt werden,
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, text"
doctitle = "Creating \"real\" parenthesized dynamics"
} % begin verbatim
-\paper { ragged-right = ##t }
-
parenF = #(make-dynamic-script (markup #:line (#:normal-text #:italic
#:fontsize 2 "(" #:hspace -0.8 #:dynamic "f" #:normal-text
- #:italic #:fontsize 2 ")"
- )))
+ #:italic #:fontsize 2 ")")))
+
\relative c'' {
c4\parenF c c \dynamicUp c\parenF
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
texidoc = "
Unlike text scripts, rehearsal marks cannot be stacked at a particular
-point in a score: only one @code{RehearsalMark} object is created.
+point in a score: only one @code{RehearsalMark} object is created.
Using an invisible measure and bar line, an extra rehearsal mark can be
added, giving the appearance of two marks in the same column. This
method may also prove useful for placing rehearsal marks at both the
-end of one system and the start of the following system.
+end of one system and the start of the following system.
"
doctitle = "Creating simultaneous rehearsal marks"
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\once \override Score.RehearsalMark #'break-align-symbols = #'(key-signature)
\mark \markup { \bold { Senza denti } }
-
+
% the hidden measure and bar line
\once \override Score.TimeSignature #'stencil = ##f
\time 1/16
s16 \bar ""
-
+
\time 4/4
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup { \box \bold Intro }
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, keyboards, unfretted-strings"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
a4 \startTextSpan
b4 c
a4 \stopTextSpan
-
+
\override TextSpanner #'style = #'line
\once \override TextSpanner
#'(bound-details left stencil-align-dir-y) = #CENTER
a4 \startTextSpan
b4 c
a4 \stopTextSpan
-
+
\override TextSpanner #'style = #'dashed-line
\override TextSpanner #'(bound-details left text) =
\markup { \draw-line #'(0 . 1) }
a4 \startTextSpan
b4 c
a4 \stopTextSpan
-
+
\set Staff.middleCPosition = #-13
\override TextSpanner #'dash-period = #10
\override TextSpanner #'dash-fraction = #0.5
--- /dev/null
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.13.4"
+
+\header {
+ lsrtags = "repeats, keyboards"
+
+ texidoc = "
+Since @code{\\repeat tremolo} expects exactly two musical arguments for
+chord tremolos, the note or chord which changes staff within a
+cross-staff tremolo should be placed inside curly braces together with
+its @code{\\change Staff} command.
+
+"
+ doctitle = "Cross-staff tremolos"
+} % begin verbatim
+
+\new PianoStaff <<
+ \new Staff = "up" \relative c'' {
+ \key a \major
+ \time 3/8
+ s4.
+ }
+ \new Staff = "down" \relative c'' {
+ \key a \major
+ \time 3/8
+ \voiceOne
+ \repeat tremolo 6 {
+ <a e'>32
+ {
+ \change Staff = "up"
+ \voiceTwo
+ <cis a' dis>32
+ }
+ }
+ }
+>>
+
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "ancient-notation, tweaks-and-overrides"
\new Staff \with { \consists "Custos_engraver" } \relative c' {
\override Staff.Custos #'neutral-position = #4
-
+
\override Staff.Custos #'style = #'hufnagel
c1^"hufnagel" \break
<d a' f'>1
-
+
\override Staff.Custos #'style = #'medicaea
c1^"medicaea" \break
<d a' f'>1
-
+
\override Staff.Custos #'style = #'vaticana
c1^"vaticana" \break
<d a' f'>1
-
+
\override Staff.Custos #'style = #'mensural
c1^"mensural" \break
<d a' f'>1
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
"
doctitlees = "Personalizar los diagramas de posiciones"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Eigenschaften von Bunddiagrammen können in
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
"
doctitlees = "Personalizar diagramas de posiciones de marcado"
-%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
-
- texidocfr = "
-Les propriétés d'un diagramme de fret sont modifiables grâce au
-@code{'fret-diagram-details}. Lorsqu'ils sont générés sous forme
-de @code{\markup}, rien n'empêche de les modifier en jouant sur les
-réglages de l'objet @code{Voice.TextScript} ou bien directement sur
-le @qq{markup}.
-
-"
- doctitlefr = "Personnalisation des diagrammes de fret"
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
"
doctitlede = "Anpassung von Beschriftungs-Bunddiagrammen"
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+
+ texidocfr = "
+Les propriétés d'un diagramme de fret sont modifiables grâce au
+@code{'fret-diagram-details}. Lorsqu'ils sont générés sous forme
+de @code{\markup}, rien n'empêche de les modifier en jouant sur les
+réglages de l'objet @code{Voice.TextScript} ou bien directement sur
+le @qq{markup}.
+
+"
+ doctitlefr = "Personnalisation des diagrammes de fret"
+
+
texidoc = "
Fret diagram properties can be set through
@code{'fret-diagram-details}. For markup fret diagrams, overrides can
<<
\chords { c1 | c | c | d }
-
+
\new Voice = "mel" {
\textLengthOn
% Set global properties of fret diagram
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations"
"
doctitlees = "Dirección predeterminada de las plicas sobre la tercera línea del pentagrama"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Richtung von Hälsen auf der mittleren Linie kann mit der @code{Stem}-Eigenschaft
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings"
"
doctitlees = "Definición de posiciones predefinidas para otros instrumentos"
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
-
- texidocfr = "
-La liste des diagrammes standards prédéfinis pour la guitare peut être
- augmentée d'autres définitions spécifiques à d'autres instruments.
-Voici comment définir un nouvel accordage ainsi que quelques diagrammes
-prédéfinis pour le @qq{cuatro vénézuélien}.
-
-Cet exemple illustre aussi la manière d'ajouter des doigtés aux
-accords ; ils serviront de référence pour la boucle d'accord et seront
-indiqués dans les diagrammes et le @code{TabStaff}, mais pas dans la musique.
-
-Ces diagrammes ne peuvent pas être transposés, dans la mesure où ils
-contiennent des informations sur les cordes. Ceci est amené à évoluer.
-
-"
- doctitlefr = "Création de diagrammes de fret prédéfinis pour d'autres instruments"
%% Translation of GIT committish: 33f623301a41fcc53efadf96bca1c72834763415
texidocde = "
"
doctitlede = "Eigene vordefinierte Bunddiagramme für andere Instrumente erstellen"
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+
+ texidocfr = "
+La liste des diagrammes standards prédéfinis pour la guitare peut être
+ augmentée d'autres définitions spécifiques à d'autres instruments.
+Voici comment définir un nouvel accordage ainsi que quelques diagrammes
+prédéfinis pour le @qq{cuatro vénézuélien}.
+
+Cet exemple illustre aussi la manière d'ajouter des doigtés aux
+accords ; ils serviront de référence pour la boucle d'accord et seront
+indiqués dans les diagrammes et le @code{TabStaff}, mais pas dans la musique.
+
+Ces diagrammes ne peuvent pas être transposés, dans la mesure où ils
+contiennent des informations sur les cordes. Ceci est amené à évoluer.
+
+"
+ doctitlefr = "Création de diagrammes de fret prédéfinis pour d'autres instruments"
+
+
texidoc = "
Predefined fret diagrams can be added for new instruments in addition
to the standards used for guitar. This file shows how this is done by
These fretboards are not transposable because they contain string
-information. This is planned to be corrected in the future.
+information. This is planned to be corrected in the future.
"
doctitle = "Defining predefined fretboards for other instruments"
#(set-global-staff-size 16)
primerosNames = \chordmode {
- d:6 d a:maj7 d:maj7
+ d:6 d a:maj7 d:maj7
g
}
primeros = {
\new Staff {
\new Voice \with {
\remove "New_fingering_engraver"
- }
+ }
\relative c'' {
\primeros
}
\set TabStaff.stringTunings = #cuatroTuning
\primeros
}
-
+
>>
- \layout {
+ \layout {
\context {
\Score
\override SpacingSpanner
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "midi"
\layout { }
}
-\score {
+\score {
\new Staff <<
\new Voice {
r\mf
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text, paper-and-layout, titles"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, tweaks-and-overrides"
"
doctitlees = "Mostrar corchete o llave en grupos de un solo pentagrama"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn nur ein System einer Systemgruppe vom Typ @code{ChoirStaff} oder
Note that in contexts such as @code{PianoStaff} and @code{GrandStaff}
where the systems begin with a brace instead of a bracket, another
-property has to be set, as shown on the second system in the example.
+property has to be set, as shown on the second system in the example.
"
doctitle = "Display bracket with only one staff in a system"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "simultaneous-notes, chords"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
In Werken des fürhen 20. Jahrhundert, angefangen mit Schönberg, Berg
- und Webern (die zweite Wiener Schule), wird jeder Ton der
+ und Webern (die zweite Wiener Schule), wird jeder Ton der
Zwölftonleiter als gleichwertig erachtet, ohne hierarchische
Ordnung. Deshalb wird in dieser Musik für jede Note ein Versetzungszeichen
ausgegeben, auch für unalterierte Tonhöhen, um das neue Verständnis
der Musiktheorie und Musiksprache zu verdeutlichen.
-
+
Dieser Schnipsel zeigt, wie derartige Notationsregeln zu erstellen sind.
"
doctitlede = "Versetzungszeichen für jede Note im Stil der Zwölftonmusik"
accidental for each note, even at natural pitches, to emphasize their
new approach to music theory and language.
-This snippet shows how to achieve such notation rules.
+This snippet shows how to achieve such notation rules.
"
doctitle = "Dodecaphonic-style accidentals for each note including naturals"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "unfretted-strings, tweaks-and-overrides"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, simultaneous-notes"
e2\glissando g
}
\\
- {
+ {
% original voice with chords rearranged so that
% glissando is attached to a & c
<e a,>2\glissando <g c,>
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides"
texidoc = "
The @code{print-function} can be overridden to draw a box around an
-arbitrary grob.
+arbitrary grob.
"
doctitle = "Drawing boxes around grobs"
\override Score.RehearsalMark #'stencil =
#(make-stencil-boxer 0.15 0.3 ly:text-interface::print)
b8
-
+
\revert Stem #'stencil
c4. c4
\mark "F"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, text"
texidoc = "
PostScript code can be directly inserted inside a @code{\\markup}
-block.
+block.
"
doctitle = "Embedding native PostScript in a \\markup block"
\relative c'' {
a4-\markup { \postscript #"3 4 moveto 5 3 rlineto stroke" }
-\markup { \postscript #"[ 0 1 ] 0 setdash 3 5 moveto 5 -3 rlineto stroke " }
-
+
b4-\markup { \postscript #"3 4 moveto 0 0 1 2 8 4 20 3.5 rcurveto stroke" }
s2
a'1
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "contexts-and-engravers"
You may only see the first example in this document; please download
-this snippet and run it from your own computer.
+this snippet and run it from your own computer.
"
doctitle = "Engravers one-by-one"
\key d \major
\clef bass
g8-. r
- r4
+ r4
fis8-.
r8
r4
\description "Handles clefs, bar lines, keys, accidentals. It can contain
@code{Voice} contexts."
-
- \consists "Output_property_engraver"
-
+
+ \consists "Output_property_engraver"
+
\consists "Font_size_engraver"
\consists "Volta_engraver"
- \consists "Separating_line_group_engraver"
+ \consists "Separating_line_group_engraver"
\consists "Dot_column_engraver"
\consists "Ottava_spanner_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-6 . 6)
extraVerticalExtent = ##f
- verticalExtent = ##f
+ verticalExtent = ##f
localKeySignature = #'()
- % explicitly set instrument, so we don't get
+ % explicitly set instrument, so we don't get
% weird effects when doing instrument names for
% piano staves
instrumentName = #'()
shortInstrumentName = #'()
-
+
\accepts "Voice"
}
localKeySignature = #'()
\consists "Font_size_engraver"
-
+
% must come before all
- \consists "Output_property_engraver"
+ \consists "Output_property_engraver"
\consists "Arpeggio_engraver"
\consists "Multi_measure_rest_engraver"
\consists "Text_spanner_engraver"
MyStaff = \context {
\MyStaff
- \consists "Accidental_engraver"
+ \consists "Accidental_engraver"
\consists "Key_engraver"
}
\score {
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Überbindungen können manuell gesetzt werden, indem man die
doctitlede = "Bindebögen manuell setzen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Il est possible de graver manuellement les liaisons de tenue, en
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, repeats"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Eigenschaft @code{tupletSpannerDuration} bestimmt, wie lange jede
Im Beispiel sind zwei Triolen zu sehen, obwohl @code{\\times} nur
einmal geschrieben wurde.
-Mehr Information über @code{make-moment} gibt es in \"Verwaltung der Zeiteinheiten\".
+Mehr Information über @code{make-moment} gibt es in \"Verwaltung der Zeiteinheiten\".
"
doctitlede = "Mehrere Triolen notieren, aber nur einmal \\times benutzen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
La propriété @code{tupletSpannerDuration} spécifie la longueur voulue de
chaque crochet. Avec elle, vous pouvez faire plusieurs nolets en ne
-tapant @code{\\times} qu'une fois, ce qui évite une longue saisie.
+tapant @code{\\times} qu'une fois, ce qui évite une longue saisie.
Dans l'exemple suivant, deux triolets sont imprimés avec une seule fonction
@code{\\times}.
For more information about @code{make-moment}, see \"Time
-administration\".
+administration\".
"
doctitle = "Entering several tuplets using only one \\times command"
printing-metronome-and-rehearsal-marks-below-the-staff.ly
setting-hairpin-behavior-at-bar-lines.ly
setting-the-minimum-length-of-hairpins.ly
-snap-pizzicato-markup-bartok-pizzicato.ly
+snap-pizzicato-bartok-pizzicato.ly
using-double-slurs-for-legato-chords.ly
+vertical-line-as-a-baroque-articulation-mark.ly
vertically-aligning-dynamics-across-multiple-notes.ly
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings"
texidoc = "
-A hammer in tablature can be faked with slurs.
+A hammer in tablature can be faked with slurs.
"
doctitle = "Faking a hammer in tablatures"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "keyboards, tweaks-and-overrides"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings"
"
doctitlees = "Digitaciones, indicación del número de cuerda y digitaciones de mano derecha"
-%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
-
- texidocfr = "
-L'exemple suivant illustre comment combiner des doigtés pour la main
-gauche, des indications de corrde et des doigtés pour la main droite.
-
-"
- doctitlefr = "Doigtés, indications de cordeet doigtés main droite"
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
"
doctitlede = "Fingersatz, Saitennummern und Fingersatz für die rechte Hand"
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+
+ texidocfr = "
+L'exemple suivant illustre comment combiner des doigtés pour la main
+gauche, des indications de corrde et des doigtés pour la main droite.
+
+"
+ doctitlefr = "Doigtés, indications de cordeet doigtés main droite"
+
+
texidoc = "
This example combines left-hand fingering, string indications, and
right-hand fingering.
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings"
and rasgueados, noteheads are printed only for the first chord.
This snippet contains some header-like code that can be copied as
-@samp{flamenco.ly} and included in source files.
+@samp{flamenco.ly} and included in source files.
"
doctitle = "Flamenco notation"
} % begin verbatim
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%%%%% Cut here ----- Start 'flamenco.ly'
+%%%%%%% Cut here ----- Start 'flamenco.ly'
% Text indicators
abanico = \markup { \italic Abanico }
-0.6 1.0 lineto
0.5 1.0 lineto
stroke
-"}
+"}
strokeUpGolpe = \markup { \column { \golpe \line { \strokeUp }}}
iUpGolpe = \markup { \column { \golpe \line { \small i } \line { \strokeUp }}}
\override NoteHead #'no-ledgers = ##f
}
-%%%%%%% Cut here ----- End 'flamenco.ly'
+%%%%%%% Cut here ----- End 'flamenco.ly'
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
part = \relative c' {
<a e' a cis e>8^\iDown
r4
r2^\golpe
-
+
<a e' a cis e>8^\iUp
<a e' a cis e>8^\iDown
<a e' a cis e>8^\iUpGolpe
<a e' a cis e>8^\iDown
r2
-
+
<a e' a cis e>16^\aUp
- \headsOff
+ \headsOff
<a e' a cis e>^\mUp
<a e' a cis e>^\iUp
<a e' a cis e>^\iDown~
}
<a e' a cis e>2
r4
-
+
\tupletsOff
\times 2/3 {
<a e' a cis e>8^\pDown
<a e' a cis e>^\iUp
\headsOn
}
-
+
\times 2/3 {
<a e' a cis e>8^\pDown
\headsOff
<a e' a cis e>^\iUp
\headsOn
}
-
+
\times 2/3 {
<a e' a cis e>8^\pDown
\headsOff
<a e' a cis e>^\iUp
\headsOn
}
-
+
\tupletsOff
\override Beam #'positions = #'(2 . 2)
\times 2/3 {
<e a>^\strokeDown
}
\tupletsOn
-
+
\once \override TextScript #'extra-offset = #'(0 . -1)
<g, b f'>1_\golpe^\mUp
\bar "|."
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-En combinant @code{stemLeftBeamCount}, @code{stemRightBeamCount} et des
-paires de @code{[]}, vous pourrez obtenir des crochets rectilignes et
-des ligatures qui débordent à leurs extrémités.
-
-Pour des crochets rectilignes à droite sur des notes isolées, il suffit
-d'ajouter une paire d'indicateurs de ligature @code{[]} et de déterminer
-@code{stemLeftBeamCount} à zéro, comme dans l'exemple 1.
-
-Pour des crochets rectiligne à gauche, c'est @code{stemRightBeamCount}
-qu'il faudra déterminer (exemple 2).
-
-Pour que les barres de ligature débordent sur la droite,
-@code{stemRightBeamCount} doit avoir une valeur positive ; pour un
-débrodement à gauche, c'est sur @code{stemLeftBeamCount} qu'il faut
-jouer. Tout ceci est illustré par l'exemple 3.
-
-Il est parfois judicieux, lorsqu'une note est encadrée de silences, de
-l'affubler de crochets rectilignes de part et d'autre. L'exemple 4
-montre qu'il suffit d'adjoindre à cette note un @code{[]}.
-
-(Notez bien que @code{\\set stemLeftBeamCount} sera toujours synonyme de
-@code{\\once \\set}. Autrement dit, la détermination des ligatures
-n'est pas @qq{permanente} ; c'est la raison pour laquelle les crochets
-du @code{c'16[]} isolé du dernier exemple n'ont rien à voir avec le
-@code{\\set} indiqué deux notes auparavant.)
-
-"
- doctitlefr = "Crochet rectiligne et débordement de ligature"
-
lsrtags = "rhythms"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Corchetes rectos y extremos de barra sueltos"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Gerade Fähnchen an einzelnen Noten und überstehende Balkenenden bei
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+En combinant @code{stemLeftBeamCount}, @code{stemRightBeamCount} et des
+paires de @code{[]}, vous pourrez obtenir des crochets rectilignes et
+des ligatures qui débordent à leurs extrémités.
+
+Pour des crochets rectilignes à droite sur des notes isolées, il suffit
+d'ajouter une paire d'indicateurs de ligature @code{[]} et de déterminer
+@code{stemLeftBeamCount} à zéro, comme dans l'exemple 1.
+
+Pour des crochets rectiligne à gauche, c'est @code{stemRightBeamCount}
+qu'il faudra déterminer (exemple 2).
+
+Pour que les barres de ligature débordent sur la droite,
+@code{stemRightBeamCount} doit avoir une valeur positive ; pour un
+débrodement à gauche, c'est sur @code{stemLeftBeamCount} qu'il faut
+jouer. Tout ceci est illustré par l'exemple 3.
+
+Il est parfois judicieux, lorsqu'une note est encadrée de silences, de
+l'affubler de crochets rectilignes de part et d'autre. L'exemple 4
+montre qu'il suffit d'adjoindre à cette note un @code{[]}.
+
+(Notez bien que @code{\\set stemLeftBeamCount} sera toujours synonyme de
+@code{\\once \\set}. Autrement dit, la détermination des ligatures
+n'est pas @qq{permanente} ; c'est la raison pour laquelle les crochets
+du @code{c'16[]} isolé du dernier exemple n'ont rien à voir avec le
+@code{\\set} indiqué deux notes auparavant.)
+
+"
+ doctitlefr = "Crochet rectiligne et débordement de ligature"
+
texidoc = "
Flat flags on lone notes and beam nibs at the ends of beamed figures
-are both possible with a combination of @code{stemLeftBeamCount},
+are both possible with a combination of @code{stemLeftBeamCount},
@code{stemRightBeamCount} and paired @code{[]} beam indicators.
Sometimes it may make sense for a lone note surrounded by rests to
carry both a left- and right-pointing flat flag. Do this with paired
-@code{[]} beam indicators alone (Example 4).
+@code{[]} beam indicators alone (Example 4).
-(Note that @code{\\set stemLeftBeamCount} is always equivalent to
-@code{\\once \\set}. In other words, the beam count settings are not
-\"sticky\", so the pair of flat flags attached to the lone
-@code{c'16[]} in the last example have nothing to do with the
+(Note that @code{\\set stemLeftBeamCount} is always equivalent to
+@code{\\once \\set}. In other words, the beam count settings are not
+\"sticky\", so the pair of flat flags attached to the lone
+@code{c'16[]} in the last example have nothing to do with the
@code{\\set} two notes prior.)
c16[]
r8.
}
-
+
% Example 2
\new RhythmicStaff {
r8.
\set stemRightBeamCount = #0
c16[]
}
-
+
% Example 3
\new RhythmicStaff {
c16 c
\set stemLeftBeamCount = #2
c16 c c
}
-
+
% Example 4
\new RhythmicStaff {
c16 c
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "winds"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "simultaneous-notes, tweaks-and-overrides"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Forzar el desplazamiento horizontal de las notas"
-
+
texidoces = "
Cuando el motor de tipografiado no es capaz de todo, se puede usar la
sintaxis siguiente para sobreescribir las decisiones de tipografía.
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn es zu Zusammenstößen kommt, kann mit folgender Lösung eine andere
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text, vocal-music"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
c c c d d
}
}
-
+
\new Voice = "mel" {
\textLengthOn
% Set global properties of fret diagram
\override TextScript #'size = #1.2
- \override TextScript
+ \override TextScript
#'fret-diagram-details #'finger-code = #'below-string
\override TextScript #'fret-diagram-details #'dot-color = #'black
-
+
%% A chord for ukelele
a'2^\markup {
\override #'(fret-diagram-details . (
\fret-diagram #"4-2-2;3-1-1;2-o;1-o;"
}
}
-
+
%% A chord for ukelele, with formatting defined in definition string
% 1.2 * size, 4 strings, 4 frets, fingerings below string
% dot radius .35 of fret spacing, dot position 0.55 of fret spacing
\fret-diagram #"s:1.2;w:4;h:3;f:2;d:0.35;p:0.55;4-2-2;3-1-1;2-o;1-o;"
}
}
-
+
%% These chords will be in normal orientation
%% C major for guitar, barred on third fret
}
}
}
-
+
%% C major for guitar, barred on third fret
%% Double barre used to test barre function
% verbose style
}
}
}
-
+
%% C major for guitar, with capo on third fret
% verbose style
c'2^\markup {
}
}
}
-
+
%% simple D chord
d'2^\markup {
\override #'(fret-diagram-details . (
}
% These chords will be in landscape orientation
- \override TextScript
+ \override TextScript
#'fret-diagram-details #'orientation = #'landscape
%% C major for guitar, barred on third fret
}
}
}
-
+
%% C major for guitar, barred on third fret
%% Double barre used to test barre function
% verbose style
}
}
}
-
+
%% C major for guitar, with capo on third fret
% verbose style
c'2^\markup {
}
}
}
-
+
%% simple D chord
d'2^\markup {
\override #'(fret-diagram-details . (
}
% These chords will be in opposing-landscape orientation
- \override TextScript #'fret-diagram-details
+ \override TextScript #'fret-diagram-details
#'orientation = #'opposing-landscape
%% C major for guitar, barred on third fret
}
}
}
-
+
%% C major for guitar, barred on third fret
%% Double barre used to test barre function
% verbose style
}
}
}
-
+
%% C major for guitar, with capo on third fret
% verbose style
c'2^\markup {
}
}
}
-
+
%% simple D chord
d'2^\markup {
\override #'(fret-diagram-details . (
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations"
"
doctitlees = "Líneas de rejilla: modificar su aspecto"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Erscheinung der Gitternetzlinien kann durch einige Eigenschaften
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations"
\override Staff.StaffSymbol #'line-count = #0
\override Staff.TimeSignature #'transparent = ##t
\override Staff.Clef #'transparent = ##t
-
+
% dummy notes to force regular note spacing
\once \override Score.GridLine #'thickness = #4.0
c8 c c
-%% Do not edit this file; it is auto-generated from input/new
-%% This file is in the public domain.
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
%% Note: this file works from version 2.13.4
\version "2.13.4"
"
doctitlees = "Agrupar los pulsos"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Balkengruppen können mit der @code{beatGrouping}-Eigenschaft geändert
doctitlede = "Notengruppen"
+
%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
texidocfr = "
-La manière de gérer les ligatures est influencée par la propriété
+La manière de gérer les ligatures est influencée par la propriété
@code{beatGrouping} :
"
doctitlefr = "Regroupement selon la pulsation"
lsrtags = "rhythms"
-
texidoc = "
Beaming patterns may be altered with the @code{beatGrouping} property:
\relative c'' {
\time 5/16
\overrideBeamSettings #'Score #'(5 . 16) #'end
- #'((* . (2 3)))
+ #'((* . (2 3)))
c8^"(2+3)" c16 c8
\overrideBeamSettings #'Score #'(5 . 16) #'end
- #'((* . (3 2)))
+ #'((* . (3 2)))
c8^"(3+2)" c16 c8
}
-
-
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, fretted-strings"
"
doctitlees = "Ritmos rasgueados de guitarra"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
In Guitarrennotation kann neben Melodie, Akkordbezeichnungen und
doctitlede = "Schlagrhythmus für Guitarren"
+
%% Translation of GIT committish: fa7695ea860d7ab2db86581dd5f8bc4f413f6705
texidocfr = "
En matière de notation pour guitare, il arrive que soient indiqués les
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, percussion"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Ocultar la línea de extensión de las expresiones textuales de dinámica"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Dynamik-Texte (wie cresc. und dim.) werden mit einer gestrichelten Linie
texidoc = "
Text style dynamic changes (such as cresc. and dim.) are printed with a
dashed line showing their extent. This line can be suppressed in the
-following way:
+following way:
"
doctitle = "Hiding the extender line for text dynamics"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
% Drawback: One needs to set DynamicText #'X-offset!
% Drawback: Aligned at the right edge of the additional text, not at the center of pp
semppMII =
-#(make-dynamic-script (markup #:line(#:right-align
+#(make-dynamic-script (markup #:line(#:right-align
#:normal-text #:italic "sempre" #:dynamic "pp")))
\context StaffGroup <<
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
If you need to move the fret according with a rythmic position inside
the bar (in the example, the third beat of the measure) the second
example is better, because the fret is aligned with the third beat
-itself.
+itself.
"
doctitle = "How to change fret diagram position"
b4.~^\markup { \fret-diagram #"6-x;5-2;4-4;3-2;2-2;1-4;" } b4. a8\break
% HERE IS THE SECOND METHOD
<<
- { a8 b4.~ b4. a8}
+ { a8 b4.~ b4. a8}
{ s4 s4 s4^\markup { \fret-diagram #"6-x;5-2;4-4;3-2;2-2;1-4;" }
}
>>
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text, vocal-music"
texidoc = "
-This can be achieved by separating those syllables by tildes.
+This can be achieved by separating those syllables by tildes.
"
doctitle = "How to put ties between syllables in lyrics"
} % begin verbatim
\lyrics {
- wa~o~a
+ wa~o~a
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, ancient-notation"
Los «incipit» se pueden escribir utilizando el grob del nombre del
instruemento, pero manteniendo independientes las definiciones del
nombre del instrumento y del incipit."
-
+
doctitlees = "Incipit"
texidoc = "
% two measures
Ju -- bi -- la -- te |
"..." |
- -us.
+ -us.
}
bassusIncipit = <<
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "keyboards"
"
doctitlees = "Indicar acordes de pentagrama cruzado con corchetes de arpegio"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Eine Arpeggioklammer kann anzeigen, dass Noten auf zwei unterschiedlichen
context.
-(Debussy, Les collines d’Anacapri, m. 65)
+(Debussy, Les collines d’Anacapri, m. 65)
"
doctitle = "Indicating cross-staff chords with arpeggio bracket"
} % begin verbatim
-\paper { ragged-right = ##t }
-
\new PianoStaff <<
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio #'stencil = #ly:arpeggio::brew-chord-bracket
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
"
doctitlees = "Insertar una cesura"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Zäsurzeichen können erstellt werden, indem die @code{'text}-Eigenschaft
texidoc = "
Caesura marks can be created by overriding the @code{'text} property of
the @code{BreathingSign} object. A curved caesura mark is also
-available.
+available.
"
doctitle = "Inserting a caesura"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats"
"
doctitlees = "Símbolos de porcentaje sueltos"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Isolierte Prozentwiederholungen können auch ausgegeben werden. Das wird
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Bien que compliqué de prime abord, voici un canevas tout à fait indiqué
-pour les ensembles de jazz. Vous noterez que tous les instruments sont
-notés en ut (@code{\key c \major}), la tonalité de concert. Les notes
-seront automatiquement transposée dès lors qu'elles seront inscrites
-dans une section @code{\\transpose}.
-
-"
- doctitle = "Symboles de jazz"
-
lsrtags = "keyboards, percussion, fretted-strings, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla para combo de jazz"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
-Hier ist ein ziemlich kompliziertes Beispiel für ein Jazz-Ensemble. Achtung:
-Alle Instrumente sind in @code{\key c \major} (C-Dur) notiert. Das bezieht sich
-auf die klingende Musik: LilyPond transponiert die Tonart automatisch, wenn
+Hier ist ein ziemlich kompliziertes Beispiel für ein Jazz-Ensemble. Achtung:
+Alle Instrumente sind in @code{\key c \major} (C-Dur) notiert. Das bezieht sich
+auf die klingende Musik: LilyPond transponiert die Tonart automatisch, wenn
sich die Noten innerhalb eines @code{\transpose}-Abschnitts befinden.
"
doctitlede = "Vorlage für Jazz-Combo"
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Bien que compliqué de prime abord, voici un canevas tout à fait indiqué
+pour les ensembles de jazz. Vous noterez que tous les instruments sont
+notés en ut (@code{\key c \major}), la tonalité de concert. Les notes
+seront automatiquement transposée dès lors qu'elles seront inscrites
+dans une section @code{\\transpose}.
+
+"
+ doctitlefr = "Symboles de jazz"
+
texidoc = "
This is quite an advanced template, for a jazz ensemble. Note that all
instruments are notated in @code{\\key c \\major}. This refers to the
\new Staff = "barisax" \bariSax
\new Staff = "trombone" \trombone
>>
-
+
\new StaffGroup = "rhythm" <<
\new ChordNames = "chords" \gtrHarmony
\new Staff = "guitar" \guitar
\new DrumStaff \drumContents
>>
>>
-
+
\layout {
\context { \RemoveEmptyStaffContext }
\context {
skipBars = ##t
}
}
-
+
\midi { }
}
clusters.ly
controlling-the-placement-of-chord-fingerings.ly
creating-slurs-across-voices.ly
+cross-staff-tremolos.ly
fine-tuning-pedal-brackets.ly
indicating-cross-staff-chords-with-arpeggio-bracket.ly
jazz-combo-template.ly
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, keyboards, fretted-strings"
texidoc = "
Laissez vibrer ties have a fixed size. Their formatting can be tuned
-using @code{'tie-configuration}.
+using @code{'tie-configuration}.
"
doctitle = "Laissez vibrer ties"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, fretted-strings"
texidoc = "
-Tablature can be formatted using letters instead of numbers.
+Tablature can be formatted using letters instead of numbers.
"
doctitle = "Letter tablature formatting"
\clef "G_8"
\music
}
- \new TabStaff \with {
+ \new TabStaff \with {
tablatureFormat = #letter-tablature-format
}
{
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
\override TextSpanner #'(bound-details right stencil-align-dir-y) = #CENTER
\override TextSpanner #'(bound-details left stencil-align-dir-y) = #CENTER
-
+
\override Glissando #'(bound-details right arrow) = ##t
\override Glissando #'arrow-length = #0.5
\override Glissando #'arrow-width = #0.25
-
+
a8\startTextSpan gis a4 b\glissando b,
g'4 c\stopTextSpan c2
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text, vocal-music"
@code{self-alignment-X} property of the @code{LyricText} object.
@code{#-1} is left, @code{#0} is center and @code{#1} is right;
however, you can use @code{#LEFT}, @code{#CENTER} and @code{#RIGHT} as
-well.
+well.
"
doctitle = "Lyrics alignment"
\once \override LyricText #'self-alignment-X = #LEFT
"This is left-aligned"
\once \override LyricText #'self-alignment-X = #CENTER
- "This is centered"
+ "This is centered"
\once \override LyricText #'self-alignment-X = #1
"This is right-aligned"
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.13.1"
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
+%% Note: this file works from version 2.13.0
+\version "2.13.4"
\header {
- lsrtags = "pitches, world-music"
-
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
texidoces = "
El «Makam» es un tipo de melodía de Turquía que
"
doctitlees = "Ejemplo de «Makam»"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Makam ist eine türkische Melodie, in der 1/9-Tonabstände
und Alterationen an (siehe
Handbuch zum Lernen @version{}, 4.6.3 Weitere Information zu
Hinweisen, wo diese Datei gespeichert ist)."
-
+
doctitlede = "Makam-Beispiel"
+ lsrtags = "pitches, world-music"
texidoc = "
Makam is a type of melody from Turkey using 1/9th-tone microtonal
-alterations. Consult the initialization file @samp{ly/makam.ly} for
-details of pitch names and alterations.
+alterations. Consult the initialization file @samp{ly/makam.ly} for
+details of pitch names and alterations.
"
doctitle = "Makam example"
} % begin verbatim
+
% Initialize makam settings
\include "makam.ly"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, simultaneous-notes, tweaks-and-overrides"
This snippet demonstrates how to connect different voices using ties.
Normally, ties only connect two notes in the same voice. By
introducing a tie in a different voice, and blanking the first up-stem
-in that voice, the tie appears to cross voices.
+in that voice, the tie appears to cross voices.
"
doctitle = "Making an object invisible with the 'transparent property"
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.1
-\version "2.13.1"
+\version "2.13.4"
\header {
%% Translation of GIT committish: da7ce7d651c3a0d1bfed695f6e952975937a1c79
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, editorial-annotations"
"
doctitlees = "Hacer unas líneas del pentagrama más gruesas que las otras"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Für den pädagogischen Einsatz kann eine Linie des Notensystems dicker
middle line, or to emphasize the line of the G clef). This can be
achieved by adding extra lines very close to the line that should be
emphasized, using the @code{line-positions} property of the
-@code{StaffSymbol} object.
+@code{StaffSymbol} object.
"
doctitle = "Making some staff lines thicker than the others"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords"
corresponding step. However, in this case lilypond is in greedy-mode
and uses extenders whenever possible. To break individual extenders,
one can simply use a modifier \\! to a number, which breaks any
-extender attributed to that number right before the number.
+extender attributed to that number right before the number.
"
doctitle = "Manually break figured bass extenders for only some numbers"
} % begin verbatim
-bassfigures = \figuremode {
+bassfigures = \figuremode {
\set useBassFigureExtenders = ##t
<6 4>4 <6 4\!> <6 4\!> <6 4\!> | <6\! 4\!> <6 4> <6 4\!> <6 4>
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, vocal-music"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats, staff-notation, editorial-annotations"
texidoc = "
This snippet provides a workaround for emitting measure counters using
-transparent percent repeats.
+transparent percent repeats.
"
doctitle = "Measure counter"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, ancient-notation, contexts-and-engravers, tweaks-and-overrides"
doctitlees = "Disposición Mensurstriche (líneas divisorias entre pentagramas)"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Das Mensurstiche-Layout, in welchem die Taktlinien nicht auf den Systemen,
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, fretted-strings"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Modificar los valores predeterminados para la notación abreviada de las articulaciones"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Abkürzungen sind in der Datei @samp{ly/script-init.ly} definiert, wo
for the shorthands can be modified. For example, to associate the
@code{-+} (@code{dashPlus}) shorthand with the trill symbol instead of
the default + symbol, assign the value @code{trill} to the variable
-@code{dashPlus}:
+@code{dashPlus}:
"
doctitle = "Modifying default values for articulation shorthand notation"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, text"
doctitlees = "Marcado de silencios multicompás"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "Textbeschriftungen, die an Mehrtaktpausen gehängt wird,
wird über oder unter der Pause zentriert. Lange Beschriftungen
doctitlede = "Textbeschriftung und Mehrtaktpausen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Lorsque du texte est attaché à un silence multi-mesures, il sera centré
markup, use a spacer rest with an attached markup before the
multi-measure rest.
-<p>Note that the spacer rest causes a bar line to be inserted. Text
+Note that the spacer rest causes a bar line to be inserted. Text
attached to a spacer rest in this way is left-aligned to the position
where the note would be placed in the measure, but if the measure
length is determined by the length of the text, the text will appear to
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, contexts-and-engravers, tweaks-and-overrides"
"
doctitlees = "Anidado de grupos de pentagramas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Eigenschaft @code{systemStartDelimiterHierarchy} kann eingesetzt
--- /dev/null
+\version "2.13.4"
+
+\header {
+ lsrtags = "rhythms"
+ texidoc = "
+Beam-ending rules specified in the @code{Score} context apply to all
+staves, but can be modified at both @code{Staff} and @code{Voice}
+levels:
+"
+ doctitle = "Beam endings in Score context"
+}
+
+\relative c'' {
+ \time 5/4
+ % Set default beaming for all staves
+ \overrideBeamSettings #'Score #'(5 . 4) #'end
+ #'(((1 . 8) . (3 4 3))
+ ((1 . 16) . (6 8 6))
+ ((1 . 32) . (12 16 12)))
+ <<
+ \new Staff {
+ c8 c c c c c c c c c
+ }
+ \new Staff {
+ % Modify beaming for just this staff
+ \overrideBeamSettings #'Staff #'(5 . 4) #'end
+ #'((* . (3 2)))
+ c8 c c c c c c c c c
+ }
+ \new Staff {
+ % Inherit beaming from Score context
+ <<
+ {
+ \voiceOne
+ c8 c c c c c c c c c
+ }
+ % Modify beaming for this voice only
+ \new Voice {
+ \voiceTwo
+ \overrideBeamSettings #'Voice #'(5 . 4) #'end
+ #'((* . (3 2)))
+ a8 a a a a a a a a a
+ }
+ >>
+ }
+ >>
+}
--- /dev/null
+\version "2.13.4"
+
+\header {
+ lsrtags = "rhythms"
+ texidoc = "
+There are no default automatic beam groupings specified for 7/8 time,
+so if automatic beams are required the grouping must be specified. For
+example, to group all beams 2-3-2 in 7/8 time, specify beam endings at
+2/8 and 5/8:
+"
+ doctitle = "Beam grouping in 7/8 time"
+}
+
+\relative c'' {
+ \time 7/8
+ % rhythm 2-3-2
+ a8 a a a a a a
+ \overrideBeamSettings #'Score #'(7 . 8) #'end
+ #'((* . (2 3 2)))
+ a8 a a a a a a
+}
--- /dev/null
+\version "2.13.4"
+
+\header {
+ lsrtags = "rhythms"
+ texidoc = "
+Odd 20th century time signatures (such as \"5/8\") can often be played
+as compound time signatures (e.g. \"3/8 + 2/8\"), which combine two or
+more inequal metrics. LilyPond can make such music quite easy to read
+and play, by explicitly printing the compound time signatures and
+adapting the automatic beaming behavior. (Graphic measure grouping
+indications can also be added; see the appropriate snippet in this
+database.)
+"
+ doctitle = "Compound time signatures"
+}
+
+#(define ((compound-time one two num) grob)
+ (grob-interpret-markup grob
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line (
+ (#:column (one num))
+ #:vcenter "+"
+ (#:column (two num)))))))
+
+\relative c' {
+ \override Staff.TimeSignature #'stencil = #(compound-time "2" "3" "8")
+ \time 5/8
+ \overrideBeamSettings #'Staff #'(5 . 8) #'end
+ #'((* . (2 3)))
+ c8 d e fis gis
+ c8 fis, gis e d
+ c8 d e4 gis8
+}
--- /dev/null
+\version "2.13.4"
+
+\header {
+ lsrtags = "rhythms"
+ texidoc = "
+Beat grouping within a bar is controlled by the default grouping
+established in @code{beamSettings}. This grouping can be established
+by the use of @code{\\overrideBeamSettings}. Alternatively, the
+Scheme function @code{set-time-signature} can be used to both
+set the time signature and establish the default grouping rule.
+@code{set-time-signature}, takes three arguments: the
+number of beats, the beat length, and the internal grouping of beats in
+the measure. If the @code{Measure_grouping_engraver} is included
+in one of the display contexts, measure grouping signs will be
+created. Such signs ease reading rhythmically complex modern music.
+In the example, the 9/8 measure is grouped in two different
+patterns using the two different methods, while the 5/8 measure
+is grouped according to the default setting in
+@file{scm/beam-settings.scm}:
+"
+ doctitle = "Conducting signs, measure grouping signs"
+}
+
+\score {
+ \relative c'' {
+ \time 9/8
+ \overrideBeamSettings #'Score #'(9 . 8) #'end #'((* . (2 2 2 3)))
+ g8 g d d g g a( bes g) |
+ #(set-time-signature 9 8 '(4 5))
+ g8 g d d g g a( bes g) |
+ \time 5/8
+ a4. g4 |
+ }
+ \layout {
+ \context {
+ \Staff
+ \consists "Measure_grouping_engraver"
+ }
+ }
+}
--- /dev/null
+\version "2.13.4"
+
+\header {
+ lsrtags = "rhythms"
+ texidoc = "
+Beaming patterns may be altered with the @code{beatGrouping} property:
+
+"
+ doctitle = "Grouping beats"
+}
+
+\relative c'' {
+ \time 5/16
+ \overrideBeamSettings #'Score #'(5 . 16) #'end
+ #'((* . (2 3)))
+ c8^"(2+3)" c16 c8
+ \overrideBeamSettings #'Score #'(5 . 16) #'end
+ #'((* . (3 2)))
+ c8^"(3+2)" c16 c8
+}
--- /dev/null
+\version "2.13.0"
+
+\header {
+ lsrtags = "pitches, world-music"
+ texidoc = "
+Makam is a type of melody from Turkey using 1/9th-tone microtonal
+alterations. Consult the initialization file @samp{ly/makam.ly} for
+details of pitch names and alterations.
+
+"
+ doctitle = "Makam example"
+}
+
+% Initialize makam settings
+\include "makam.ly"
+
+\relative c' {
+ \set Staff.keySignature = #`((6 . ,(- KOMA)) (3 . ,BAKIYE))
+ c4 cc db fk
+ gbm4 gfc gfb efk
+ fk4 db cc c
+}
texidoc = "
LilyPond also provides formatting functions to print tuplet numbers different
-than the actual fraction, as well as to append a note value to the tuplet
+than the actual fraction, as well as to append a note value to the tuplet
number or tuplet fraction.
"
doctitle = "Non-default tuplet numbers"
--- /dev/null
+\version "2.13.4"
+
+\header {
+ lsrtags = "expressive-marks, keyboards, template"
+ texidoc = "
+Many piano scores have the dynamics centered between the two staves.
+This requires a bit of tweaking to implement, but since the template is
+right here, you don't have to do the tweaking yourself.
+
+"
+ doctitle = "Piano template with centered dynamics"
+}
+
+global = {
+ \key c \major
+ \time 4/4
+}
+
+upper = \relative c'' {
+ \clef treble
+ a4 b c d
+}
+
+lower = \relative c {
+ \clef bass
+ a2 c
+}
+
+dynamics = {
+ s2\fff\> s4 s\!\pp
+}
+
+pedal = {
+ s2\sustainOn s\sustainOff
+}
+
+\score {
+ \new PianoStaff = "PianoStaff_pf" <<
+ \new Staff = "Staff_pfUpper" << \global \upper >>
+ \new Dynamics = "Dynamics_pf" \dynamics
+ \new Staff = "Staff_pfLower" << \global \lower >>
+ \new Dynamics = "pedal" \pedal
+ >>
+ \layout { }
+}
+
+\score {
+ \new PianoStaff = "PianoStaff_pf" <<
+ \new Staff = "Staff_pfUpper" << \global \upper \dynamics \pedal >>
+ \new Staff = "Staff_pfLower" << \global \lower \dynamics \pedal >>
+ >>
+ \midi { }
+}
--- /dev/null
+\version "2.13.4"
+
+\header {
+ lsrtags = "rhythms"
+ texidoc = "
+To typeset beams grouped @code{3-4-3-2} in 12/8 it is no longer
+necessary first to override the default beam endings in 12/8,and
+then to set up the new beaming endings:
+"
+ doctitle = "Reverting default beam endings"
+}
+
+\relative c'' {
+ \time 12/8
+
+ % Default beaming
+ a8 a a a a a a a a a a a
+
+ % Set new values for beam endings
+ \overrideBeamSettings #'Score #'(12 . 8) #'end
+ #'((* . (3 4 3 2)))
+ a8 a a a a a a a a a a a
+}
--- /dev/null
+\version "2.13.4"
+
+\header {
+ lsrtags = "expressive-marks, unfretted-strings"
+ texidoc = "
+A snap-pizzicato (also known as \"Bartok pizzicato\") is a \"strong
+pizzicato where the string is plucked vertically by snapping and
+rebounds off the fingerboard of the instrument\" (Wikipedia). It is
+denoted by a cicle with a vertical line going from the center upwards
+outside the circle.
+"
+ doctitle = "Snap-pizzicato (\"Bartok pizzicato\")"
+}
+
+\relative c' {
+ c4\snappizzicato
+ <c' e g>4\snappizzicato
+ <c' e g>4^\snappizzicato
+ <c, e g>4_\snappizzicato
+}
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.1
-\version "2.13.1"
+\version "2.13.4"
\header {
%% Translation of GIT committish: da7ce7d651c3a0d1bfed695f6e952975937a1c79
texidoc = "
LilyPond also provides formatting functions to print tuplet numbers different
-than the actual fraction, as well as to append a note value to the tuplet
+than the actual fraction, as well as to append a note value to the tuplet
number or tuplet fraction.
"
doctitle = "Non-default tuplet numbers"
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.0
-\version "2.13.1"
+\version "2.13.4"
\header {
%% Translation of GIT committish: da7ce7d651c3a0d1bfed695f6e952975937a1c79
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Ce canevas illustre l'utilisation de contextes @code{StaffGroup} pour
-regrouper les instruments selon leur famille, imbriqués dans un
-@code{GrandStaff}, ainsi que le recours à la fonction @code{\\transpose}
-pour les instruments transpositeurs. Dans tous les identificateurs, la
-musique est stockée en ut. Les notes peuvent tout aussi bien être
-saisies en ut ou dans la tonalité particulière de l'instrument avant
-d'être transposées puis affectées à une variable.
-
-"
- doctitlefr = "Orchestre, chœur et piano"
-
lsrtags = "template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de orquesta, coro y piano"
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Ce canevas illustre l'utilisation de contextes @code{StaffGroup} pour
+regrouper les instruments selon leur famille, imbriqués dans un
+@code{GrandStaff}, ainsi que le recours à la fonction @code{\\transpose}
+pour les instruments transpositeurs. Dans tous les identificateurs, la
+musique est stockée en ut. Les notes peuvent tout aussi bien être
+saisies en ut ou dans la tonalité particulière de l'instrument avant
+d'être transposées puis affectées à une variable.
+
+"
+ doctitlefr = "Orchestre, chœur et piano"
+
texidoc = "
This template demonstrates the use of nested @code{StaffGroup} and
@code{GrandStaff} contexts to sub-group instruments of the same type
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, text"
"
doctitlees = "Texto de octava alta y baja"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Intern setzt die @code{set-octavation}-Funktion die Eigenschaften
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text, titles"
texidoc = "
By putting the output of
- @code{lilypond-version} into a lyric, it is possible to print the
+ @code{lilypond-version} into a lyric, it is possible to print the
version number of LilyPond in a score, or in a document generated
- with @code{lilypond-book}. Another possibility is to append the
- version number to the doc-string, in this manner:
+ with @code{lilypond-book}. Another possibility is to append the
+ version number to the doc-string, in this manner:
"
doctitle = "Outputting the version number"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "spacing"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats, tweaks-and-overrides"
"
doctitlees = "Visibilidad del contador de repeticiones de tipo porcentaje"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Prozentwiederholungszähler können in regelmäßigen Intervallen angezeigt
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats"
"
doctitlees = "Percent repeat counter"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ganztaktwiederholungen mit mehr als zwei Wiederholungen erhalten einen
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "percussion"
doctitle = "Percussion beaters"
} % begin verbatim
-stick = \markup {
- \with-dimensions #'(0 . 5) #'(0 . 5)
+stick = \markup {
+ \with-dimensions #'(0 . 5) #'(0 . 5)
\postscript #"
0 6 translate
0.8 -0.8 scale
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Dieses künstliche Beispiel zeigt, wie sowohl automatische als auch
doctitlede = "Zeilenumbrüche bei N-tolen mit Balken erlauben"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
-Cet exemple peu académique démontre comment il est possible d'insérer un saut
+Cet exemple peu académique démontre comment il est possible d'insérer un saut
de ligne dans un nolet portant une ligature. Ces ligatures doivent toutefois
être explicites.
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
- texidocfr = "
-Voici une simple partition pour piano avec quelques notes.
-
-"
- doctitlefr = "Piano -- cannevas simple"
-
lsrtags = "keyboards, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de piano (sencilla)"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Hier ein einfaches Klaviersystem.
"
doctitlede = "Vorlage für einfache Klaviernotation"
+%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
+ texidocfr = "
+Voici une simple partition pour piano avec quelques notes.
+
+"
+ doctitlefr = "Piano -- cannevas simple"
+
texidoc = "
Here is a simple piano staff with some notes.
\clef treble
\key c \major
\time 4/4
-
- a4 b c d
+
+ a4 b c d
}
lower = \relative c {
\clef bass
\key c \major
\time 4/4
-
- a2 c
+
+ a2 c
}
\score {
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.13.1"
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
+%% Note: this file works from version 2.13.4
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
- texidocfr = "
-Nombre d'ouvrages pour piano font apparaître les nuances entre les deux
-portées. Bien que cela nécessite quelques subtilités, voici de quoi
-obtenir un tel résultat.
-
-"
- doctitlefr = "Piano et nuances entre les portées"
-
- lsrtags = "expressive-marks, keyboards, template"
-
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
texidoces = "
Muchas partituras de piano tienen las indicaciones dinámicas
"
doctitlees = "Plantilla de piano con matices centrados"
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-In der meisten Klaviernotation werden die Dynamikzeichen zwischen
-den beiden Systemen zentriert. Für LilyPond muss man die Einstellungen
-etwas anpassen, aber Sie können ja das angepasste Beispiel von hier
-kopieren.
-"
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
う必要はありません。
"
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+ texidocde = "
+In der meisten Klaviernotation werden die Dynamikzeichen zwischen
+den beiden Systemen zentriert. Für LilyPond muss man die Einstellungen
+etwas anpassen, aber Sie können ja das angepasste Beispiel von hier
+kopieren.
+"
+
+
+%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
+ texidocfr = "
+Nombre d'ouvrages pour piano font apparaître les nuances entre les deux
+portées. Bien que cela nécessite quelques subtilités, voici de quoi
+obtenir un tel résultat.
+
+"
+ doctitlefr = "Piano et nuances entre les portées"
+
+ lsrtags = "expressive-marks, keyboards, template"
texidoc = "
Many piano scores have the dynamics centered between the two staves.
This requires a bit of tweaking to implement, but since the template is
doctitle = "Piano template with centered dynamics"
} % begin verbatim
+
global = {
\key c \major
\time 4/4
\new Staff = "Staff_pfLower" << \global \lower >>
\new Dynamics = "pedal" \pedal
>>
-
- \layout {
- % define Dynamics context
- \context {
- \type "Engraver_group"
- \name Dynamics
- \alias Voice
- \consists "Output_property_engraver"
- \consists "Piano_pedal_engraver"
- \consists "Script_engraver"
- \consists "New_dynamic_engraver"
- \consists "Dynamic_align_engraver"
- \consists "Text_engraver"
- \consists "Skip_event_swallow_translator"
- \consists "Axis_group_engraver"
-
- pedalSustainStrings = #'("Ped." "*Ped." "*")
- pedalUnaCordaStrings = #'("una corda" "" "tre corde")
- \override DynamicLineSpanner #'Y-offset = #0
- \override TextScript #'font-size = #2
- \override TextScript #'font-shape = #'italic
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
- }
- % modify PianoStaff context to accept Dynamics context
- \context {
- \PianoStaff
- \accepts Dynamics
- }
- }
+ \layout { }
}
\score {
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Lorsque la mélodie est doublée au piano, cela ne nécessite pas forcément
-une portée spécifique. Les paroles peuvent s'insérer entre les deux
-portées de la partition pour piano.
-
-"
- doctitlefr = "Piano et paroles entre les portées"
-
lsrtags = "text, keyboards, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de piano con letra centrada"
-
+
+
+%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
+ texidocja = "
+旋律と歌詞のための譜表を持つ代わりに、歌詞をピアノ譜の 2 つの譜の間に置くことができます。
+"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
-Anstatt ein eigenes System für Melodie und Text zu schreiben, können
+Anstatt ein eigenes System für Melodie und Text zu schreiben, können
Sie den Text auch zwischen die beiden Klaviersysteme schreiben
(und damit das zusätzliche System für die Gesangstimme auslassen).
"
-%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
- texidocja = "
-旋律と歌詞のための譜表を持つ代わりに、歌詞をピアノ譜の 2 つの譜の間に置くことができます。
+
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Lorsque la mélodie est doublée au piano, cela ne nécessite pas forcément
+une portée spécifique. Les paroles peuvent s'insérer entre les deux
+portées de la partition pour piano.
+
"
+ doctitlefr = "Piano et paroles entre les portées"
texidoc = "
Instead of having a full staff for the melody and lyrics, lyrics can be
\clef treble
\key c \major
\time 4/4
-
- a4 b c d
+
+ a4 b c d
}
lower = \relative c {
\clef bass
\key c \major
\time 4/4
-
- a2 c
+
+ a2 c
}
text = \lyricmode {
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
- texidocfr = "
-Il s'agit du format classique pour le chant : une portée pour la mélodie
-et les paroles au-dessus de l'accompagnement au piano.
-
-"
- doctitlefr = "Piano, mélodie et paroles"
-
lsrtags = "vocal-music, keyboards, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de piano con melodía y letra"
-
+
+
+%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
+ texidocja = "
+これは一般的な歌曲のフォーマットです: 旋律と歌詞を持つ譜表と、その下にピアノ伴奏譜があります。
+"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
-Das nächste Beispiel ist typisch für ein Lied: Im oberen System die
+Das nächste Beispiel ist typisch für ein Lied: Im oberen System die
Melodie mit Text, darunter Klavierbegleitung.
"
doctitlede = "Vorlage für Klavier und Gesangsstimme"
-%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
- texidocja = "
-これは一般的な歌曲のフォーマットです: 旋律と歌詞を持つ譜表と、その下にピアノ伴奏譜があります。
+
+%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
+ texidocfr = "
+Il s'agit du format classique pour le chant : une portée pour la mélodie
+et les paroles au-dessus de l'accompagnement au piano.
+
"
+ doctitlefr = "Piano, mélodie et paroles"
texidoc = "
Here is a typical song format: one staff with the melody and lyrics,
-with piano accompaniment underneath.
+with piano accompaniment underneath.
"
doctitle = "Piano template with melody and lyrics"
\clef treble
\key c \major
\time 4/4
-
- a b c d
+
+ a b c d
}
text = \lyricmode {
\clef treble
\key c \major
\time 4/4
-
- a4 b c d
+
+ a4 b c d
}
lower = \relative c {
\clef bass
\key c \major
\time 4/4
-
- a2 c
+
+ a2 c
}
\score {
<<
\new Voice = "mel" { \autoBeamOff \melody }
- \new Lyrics \lyricsto mel \text
+ \new Lyrics \lyricsto mel \text
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings"
"
doctitlees = "Posicionamiento de digitaciones de mano derecha"
-%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
-
- texidocfr = "
-Vous disposez d'une propriété spécifique qui permet de contrôler plus
-finement le positionnement des doigtés main droite, comme l'indique
-l'exemple suivant.
-
-"
- doctitlefr = "Positionnement des doigtés main droite"
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
"
doctitlede = "Positionierung von Fingersatz der rechten Hand"
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+
+ texidocfr = "
+Vous disposez d'une propriété spécifique qui permet de contrôler plus
+finement le positionnement des doigtés main droite, comme l'indique
+l'exemple suivant.
+
+"
+ doctitlefr = "Positionnement des doigtés main droite"
+
+
texidoc = "
It is possible to exercise greater control over the placement of
right-hand fingerings by setting a specific property, as demonstrated
-in the following example.
+in the following example. Note: you must use a chord construct
"
doctitle = "Placement of right-hand fingerings"
\relative c {
\clef "treble_8"
-
+
\set strokeFingerOrientations = #'(up down)
<c-\RH #1 e-\RH #2 g-\RH #3 c-\RH #4 >4
-
+
\set strokeFingerOrientations = #'(up right down)
<c-\RH #1 e-\RH #2 g-\RH #3 c-\RH #4 >4
-
+
\set strokeFingerOrientations = #'(left)
<c-\RH #1 e-\RH #2 g-\RH #3 c-\RH #4 >2
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings"
"
doctitlees = "Polifonía en tablaturas"
+
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+ texidocde = "
+Polyphonie kann in einer Tabulatur (@code{TabStaff}) genauso wie in einem
+normalen Notensystem erstellt werden.
+
+"
+ doctitlede = "Polyphonie in einer Tabulatur"
+
%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
texidocfr = "
"
doctitlefr = "Polyphonie en mode tablature"
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-Polyphonie kann in einer Tabulatur (@code{TabStaff}) genauso wie in einem
-normalen Notensystem erstellt werden.
-
-"
- doctitlede = "Polyphonie in einer Tabulatur"
texidoc = "
Polyphony is created the same way in a @code{TabStaff} as in a regular
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Lorsque vous activez la propriété @code{'strict-grace-spacing},
-l'espacement des notes d'ornement se fera de manière @qq{élastique}.
-Autrement dit, elles seront décollées de leur note de rattachement :
-LilyPond commence par espacer les notes normales, puis les ornements
-sont placés à la gauche de leur note de rattachement.
-
-"
- doctitlefr = "Positionnement des notes d'ornement avec espace flottant"
-
lsrtags = "rhythms"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Posicionamiento de las notas de adorno con espacio flotante"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn man die Eigenschaft @code{'strict-grace-spacing} aktiviert,
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Lorsque vous activez la propriété @code{'strict-grace-spacing},
+l'espacement des notes d'ornement se fera de manière @qq{élastique}.
+Autrement dit, elles seront décollées de leur note de rattachement :
+LilyPond commence par espacer les notes normales, puis les ornements
+sont placés à la gauche de leur note de rattachement.
+
+"
+ doctitlefr = "Positionnement des notes d'ornement avec espace flottant"
+
texidoc = "
Setting the property @code{'strict-grace-spacing} makes the musical
columns for grace notes 'floating', i.e., decoupled from the non-grace
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
ve a continuación:
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Anders als bei normalen Pausen gibt es keinen direkten Befehl, um die
doctitlede = "Positionierung von Ganztaktpausen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Si l'on peut positionner verticalement un silence simple en le
attaching it to a note. However, in polyphonic music multi-measure
rests in odd-numbered and even-numbered voices are vertically
separated. The positioning of multi-measure rests can be controlled as
-follows:
+follows:
"
doctitle = "Positioning multi-measure rests"
} % begin verbatim
\relative c'' {
- % Multi-measure rests by default are set under the second line
+ % MMR - Multi-Measure Rest
+ % MMRs by default are set under the fourth line
R1
% They can be moved with an override
\override MultiMeasureRest #'staff-position = #-2
% the following trick moves the rest to the center line
\override MultiMeasureRest #'staff-position = #-0.01
R1
- % Multi-measure rests in odd-numbered voices are under the top line
+ % MMRs in odd-numbered voices are under the top line
<< { R1 } \\ { a1 } >>
- % Multi-measure rests in even-numbered voices are under the bottom line
+ % MMRs in even-numbered voices are under the bottom line
<< { c1 } \\ { R1 } >>
% They remain separated even in empty measures
<< { R1 } \\ { R1 } >>
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats, breaks"
doctitle = "Positioning segno and coda (with line break)"
} % begin verbatim
-{
+{
\clef treble
\key g \major
\time 4/4
\repeat unfold 2 {
| c4 c c c
}
-
+
% Set segno sign as rehearsal mark and adjust size if needed
% \once \override Score.RehearsalMark #'font-size = #3
\mark \markup { \musicglyph #"scripts.segno" }
\repeat unfold 2 {
| c4 c c c
}
-
+
% Set coda sign as rehearsal mark and adjust size if needed
\once \override Score.RehearsalMark #'font-size = #4
\mark \markup { \musicglyph #"scripts.coda" }
\repeat unfold 2 {
| c4 c c c
}
-
+
% Should Coda be on anew line?
% Coda NOT on new line: use \nobreak
% Coda on new line: DON'T use \nobreak
% \noBreak
-
+
\bar "||"
-
+
% Set segno sign as rehearsal mark and adjust size if needed
\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
% \once \override Score.RehearsalMark #'font-size = #3
\mark \markup { \musicglyph #"scripts.segno" }
-
- % Here begins the trickery!
+
+ % Here begins the trickery!
% \cadenzaOn will suppress the bar count and \stopStaff removes the staff lines.
- \cadenzaOn
- \stopStaff
- % Some examples of possible text-displays
-
+ \cadenzaOn
+ \stopStaff
+ % Some examples of possible text-displays
+
% text line-aligned
% ==================
% Move text to the desired position
% \once \override TextScript #'extra-offset = #'( 2 . -3.5 )
% | s1*0^\markup { D.S. al Coda } }
-
+
% text center-aligned
% ====================
% Move text to the desired position
% \once \override TextScript #'extra-offset = #'( 6 . -5.0 )
% | s1*0^\markup { \center-column { D.S. "al Coda" } }
-
+
% text and symbols center-aligned
% ===============================
% Move text to the desired position and tweak spacing for optimum text alignment
\once \override TextScript #'X-offset = #8
\once \override TextScript #'Y-offset = #1.5
| s1*0^\markup { \center-column { "D.S. al Coda" \line { \musicglyph #"scripts.coda" \musicglyph #"scripts.tenuto" \musicglyph #"scripts.coda"} } }
-
+
% Increasing the unfold counter will expand the staff-free space
\repeat unfold 4 {
s4 s4 s4 s4
% Resume bar count and show staff lines again
\startStaff
\cadenzaOff
-
+
% Should Coda be on new line?
% Coda NOT on new line: DON'T use \break
% Coda on new line: use \break
- \break
-
+ \break
+
% Show up, you clef and key!
\once \override Staff.KeySignature #'break-visibility = #end-of-line-invisible
\once \override Staff.Clef #'break-visibility = #end-of-line-invisible
% Set coda sign as rehearsal mark and adjust size and position
-
+
% Put the coda sign ontop of the (treble-)clef dependend on coda's line-position
-
+
% Coda NOT on new line, use this:
% \once \override Score.RehearsalMark #'extra-offset = #'( -2 . 1.75 )
-
+
% Coda on new line, use this:
\once \override Score.RehearsalMark #'extra-offset = #'( -8.42 . 1.75 )
-
+
\once \override Score.RehearsalMark #'font-size = #5
\mark \markup { \musicglyph #"scripts.coda" }
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
"
doctitlees = "Situar los elementos de marcado de texto por dentro de las ligaduras"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Textbeschriftung kann innerhalb von Bögen gesetzt werden, wenn die
texidoc = "
Text markups need to have the @code{outside-staff-priority} property
-set to false in order to be printed inside slurs.
+set to false in order to be printed inside slurs.
"
doctitle = "Positioning text markups inside slurs"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 203ab4a7388f36b9c89c66671498dbaefccbf86e
- texidocfr = "
-En accord avec les règles standards de l'écriture musicale, on grave
-un bécarre avant un dièse ou un bémol si on a besoin d'annuler une
-altération précédente. Pour modifier ce comportement, assignez la propriété
-@code{extraNatural} du contexte @code{Staff} à la valeur @code{##f} (faux).
-"
-
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Evitar que se añadan becuadros adicionales automáticamente"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Verhindern, dass zusätzliche Auflösungszeichen automatisch
hinzugefügt werden"
@code{extraNatural} im @code{Staff}-Kontext auf \"false\" gesetzt werden.
"
+%% Translation of GIT committish: 203ab4a7388f36b9c89c66671498dbaefccbf86e
+ texidocfr = "
+En accord avec les règles standards de l'écriture musicale, on grave
+un bécarre avant un dièse ou un bémol si on a besoin d'annuler une
+altération précédente. Pour modifier ce comportement, assignez la propriété
+@code{extraNatural} du contexte @code{Staff} à la valeur @code{##f} (faux).
+"
+
+
texidoc = "
In accordance with standard typesetting rules, a natural sign is
printed before a sharp or flat if a previous accidental on the same
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Auflösungzeichen nicht setzen, wenn die Tonart wechselt"
When the key signature changes, natural signs are automatically printed
to cancel any accidentals from previous key signatures. This may be
prevented by setting to \"false\" the @code{printKeyCancellation}
-property in the @code{Staff} context.
+property in the @code{Staff} context.
"
doctitle = "Preventing natural signs from being printed when the key signature changes"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats, tweaks-and-overrides"
"
doctitlees = "Imprimir puntos de repetición al prinicpio de la pieza"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein @code{|:}-Taktstrich kann auch zu Beginn eines Stückes ausgegeben werden, indem
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Vous pouvez imprimer un numéro de mesure à intervalle régulier plutôt
-qu'en tête de chaque ligne seulement, en recourrant à la propriété
-@code{barNumberVisibility}. Voici comment afficher le numéro toutes les
-deux mesures sauf en fin de ligne.
-
-"
- doctitlefr = "Imprimer les numéros de mesure à intervalle régulier"
-
lsrtags = "rhythms"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Imprimir números de compás a intervalos regulares"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Taktnummern können in regelmäßigen Intervallen gesetzt werden, indem
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Vous pouvez imprimer un numéro de mesure à intervalle régulier plutôt
+qu'en tête de chaque ligne seulement, en recourrant à la propriété
+@code{barNumberVisibility}. Voici comment afficher le numéro toutes les
+deux mesures sauf en fin de ligne.
+
+"
+ doctitlefr = "Imprimer les numéros de mesure à intervalle régulier"
+
texidoc = "
Bar numbers can be printed at regular intervals by setting the property
@code{barNumberVisibility}. Here the bar numbers are printed every two
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Les numéros de mesures peuvent être encadrés ou entourés d'un cercle.
-
-"
- doctitlefr = "Inscrire le numéro de mesure dans un cadre ou un cercle"
-
lsrtags = "rhythms, tweaks-and-overrides"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Imprimir números de compás dentro de rectángulos o circunferencias"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Taktnummern können auch in Boxen oder Kreisen gesetzt werden.
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Les numéros de mesures peuvent être encadrés ou entourés d'un cercle.
+
+"
+ doctitlefr = "Inscrire le numéro de mesure dans un cadre ou un cercle"
+
texidoc = "
Bar numbers can also be printed inside boxes or circles.
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Impresión de reguladores utilizando la notación «al niente»"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Crescendo-Klammern können mit einem kleinen Kreis vor der Spitze
texidoc = "
Hairpins may be printed with a circled tip (al niente notation) by
setting the @code{circled-tip} property of the @code{Hairpin} object to
-@code{#t}.
+@code{#t}.
"
doctitle = "Printing hairpins using al niente notation"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text"
"
doctitlees = "Imprimir marcas al final de la línea o de la partitura"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Zeichen können auch am Ende der aktuellen Zeile ausgegeben werden, anstatt
line.
In such cases, the right end of the mark has to be aligned with the
-final bar line, as demonstrated on the second line of this example.
+final bar line, as demonstrated on the second line of this example.
"
doctitle = "Printing marks at the end of a line or a score"
} % begin verbatim
-\relative c'' {
+\relative c'' {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
g2 c
d,2 a'
\break
g2 b,
c1 \bar "||"
- \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+ \override Score.RehearsalMark #'self-alignment-X = #RIGHT
\mark "D.C. al Fine"
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text"
"
doctitlees = "Imprimir marcas en cualquier pentagrama"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Normalerweise werden Textzeichen nur über dem obersten Notensystem gesetzt. Sie
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, expressive-marks, staff-notation, tweaks-and-overrides"
doctitlees = "Impresión de indicaciones metronómicas y letras de ensayo debajo del pentagrama"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Normalerweise werden Metronom- und Übungszeichen über dem Notensystem ausgegeben.
doctitlede = "Metronom- und Übungszeichen unter das System setzen"
texidoc = "
-By default, metronome and rehearsal marks are printed above the staff.
+By default, metronome and rehearsal marks are printed above the staff.
To place them below the staff simply set the @code{direction} property
of @code{MetronomeMark} or @code{RehearsalMark} appropriately.
\layout { ragged-right = ##f }
{
- % Metronome marks below the staff
+ % Metronome marks below the staff
\override Score.MetronomeMark #'direction = #DOWN
\tempo 8. = 120
c''1
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, percussion"
printed at the @code{Score} level; to allow independent bar lines in
each part, the @code{Default_barline_engraver} and
@code{Timing_translator} are moved from the @code{Score} context to the
-@code{Staff} context.
+@code{Staff} context.
"
doctitle = "Printing music with different time signatures"
\clef treble
\time 3/8
d''4.
-
+
\bar "|"
\time 3/4
r8 des''2( c''8)
-
+
\bar "|"
\time 7/8
r4. ees''2 ~
-
+
\bar "|"
\time 2/4
\tupletUp
\times 2/3 { ees''4 r4 d''4 ~ }
-
+
\bar "|"
\time 3/8
\tupletUp
\times 3/4 { d''4 r4 }
-
+
\bar "|"
\time 2/4
e''2
-
+
\bar "|"
\time 3/8
es''4.
-
+
\bar "|"
\time 3/4
r8 d''2 r8
\clef percussion
\time 3/4
r4 c'2 ~
-
+
\bar "|"
c'2.
-
+
\bar "|"
R2.
-
+
\bar "|"
r2 g'4 ~
-
+
\bar "|"
g'2. ~
-
+
\bar "|"
g'2.
}
\clef percussion
\time 3/4
R2.
-
+
\bar "|"
g'2. ~
-
+
\bar "|"
g'2.
-
+
\bar "|"
r4 g'2 ~
-
+
\bar "|"
g'2 r4
-
+
\bar "|"
g'2.
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, text, world-music"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Par défaut, LilyPond n'affiche pas le premier numéro de mesure s'il est
-inférieur à 2. Le fait de définir @code{barNumberVisibility} à
-@code{all-bar-numbers-visible} vous permettra d'imprimer n'importe quel
-numéro pour la première mesure. À noter que l'impression d'un numéro
-de mesure ne peut intervenir que s'il y a une barre. Aussi, pour
-pouvoir le faire au début d'un morceau, devrez-vous ajouter une barre
-vide avant la première note.
-
-"
- doctitlefr = "Afficher le numéro de la première mesure"
-
lsrtags = "rhythms"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Imprimir el número de compás en el primer compás"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Standardmäßig wird die erste Taktzahl einer Paritur nicht gesetzt,
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Par défaut, LilyPond n'affiche pas le premier numéro de mesure s'il est
+inférieur à 2. Le fait de définir @code{barNumberVisibility} à
+@code{all-bar-numbers-visible} vous permettra d'imprimer n'importe quel
+numéro pour la première mesure. À noter que l'impression d'un numéro
+de mesure ne peut intervenir que s'il y a une barre. Aussi, pour
+pouvoir le faire au début d'un morceau, devrez-vous ajouter une barre
+vide avant la première note.
+
+"
+ doctitlefr = "Afficher le numéro de la première mesure"
+
texidoc = "
By default, the first bar number in a score is suppressed if it is less
than or equal to `1'. By setting @code{barNumberVisibility} to
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "tweaks-and-overrides, spacing"
texidoc = "
If @code{strict-note-spacing} is set spacing of notes is not influenced
by bars or clefs within a system. Rather, they are placed just before
-the note that occurs at the same time. This may cause collisions.
+the note that occurs at the same time. This may cause collisions.
"
doctitle = "Proportional strict notespacing"
} % begin verbatim
-\paper {
- ragged-right = ##t
-}
-
\relative c'' <<
- \override Score.SpacingSpanner #'strict-note-spacing = ##t
+ \override Score.SpacingSpanner #'strict-note-spacing = ##t
\set Score.proportionalNotationDuration = #(ly:make-moment 1 16)
\new Staff {
c8[ c \clef alto c c \grace { d16 } c8 c] c4
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, staff-notation"
doctitlees = "Citar otra voz con transposición"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Zitate berücksichtigen sowohl die Transposition der Quelle als auch
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation"
"
doctitlees = "Citar otra voz"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die @code{quotedEventTypes}-Eigenschaft bestimmt die
which means that only notes and rests of the quoted voice appear in the
@code{\\quoteDuring} expression. In the following example, a 16th rest
is not quoted since @code{rest-event} is not in
-@code{quotedEventTypes}.
+@code{quotedEventTypes}.
"
doctitle = "Quoting another voice"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Vous pouvez modifier les valeurs des variables @code{startGraceMusic},
-@code{stopGraceMusic}, @code{startAcciaccaturaMusic},
-@code{stopAcciaccaturaMusic}, @code{startAppoggiaturaMusic}, et
-@code{stopAppoggiaturaMusic} afin d'en personnaliser les effets. Pour
-plus de détails, voir le fichier @code{ly/grace-init.ly}.
-
-"
- doctitlefr = "Redéfinition des réglages de mise en forme par défaut des notes d'ornement"
-
lsrtags = "rhythms"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Redefinición de los valores globales predeterminados para notas de adorno"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die globalen Standardeinstellungen für Verzierungsnoten werden in
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Vous pouvez modifier les valeurs des variables @code{startGraceMusic},
+@code{stopGraceMusic}, @code{startAcciaccaturaMusic},
+@code{stopAcciaccaturaMusic}, @code{startAppoggiaturaMusic}, et
+@code{stopAppoggiaturaMusic} afin d'en personnaliser les effets. Pour
+plus de détails, voir le fichier @code{ly/grace-init.ly}.
+
+"
+ doctitlefr = "Redéfinition des réglages de mise en forme par défaut des notes d'ornement"
+
texidoc = "
The global defaults for grace notes are stored in the identifiers
@code{startGraceMusic}, @code{stopGraceMusic},
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Désactiver le graveur concerné --- @code{Bar_number_engraver} ---
-donnera une partition --- contexte @code{Score} --- sans numéros de
-mesure.
-
-"
- doctitlefr = "Supprimer les numéros de mesure d'une partition"
-
-
lsrtags = "rhythms, contexts-and-engravers"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Suprimir los números de compás de toda la partitura"
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Taktnummern können vollkommen aus den Noten entfernt werden, indem
man den @code{Bar_number_engraver} aus dem @code{Score}-Kontext
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Désactiver le graveur concerné --- @code{Bar_number_engraver} ---
+donnera une partition --- contexte @code{Score} --- sans numéros de
+mesure.
+
+"
+ doctitlefr = "Supprimer les numéros de mesure d'une partition"
+
+
texidoc = "
Bar numbers can be removed entirely by removing the
@code{Bar_number_engraver} from the @code{Score} context.
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, tweaks-and-overrides, breaks"
"
doctitlees = "Quitar la primera línea vacía"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein leeres Notensystem kann auch aus der ersten Zeile einer Partitur
The lower staff of the second staff group is not removed, because the
setting applies only to the specific staff inside of which it is
-written.
+written.
"
doctitle = "Removing the first empty line"
} % begin verbatim
\layout {
- \context {
- \RemoveEmptyStaffContext
+ \context {
+ \RemoveEmptyStaffContext
% To use the setting globally, uncomment the following line:
% \override VerticalAxisGroup #'remove-first = ##t
}
adding-volta-brackets-to-additional-staves.ly
+cross-staff-tremolos.ly
engraving-tremolos-with-floating-beams.ly
isolated-percent-repeats.ly
measure-counter.ly
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, ancient-notation, tweaks-and-overrides"
texidoces = "
Los silencios se pueden imprimir en distintos estilos.
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Pausenstile"
"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Les silences peuvent être gravés selon différents styles.
r\maxima^\markup \typewriter { mensural }
r\longa r\breve r1 r2 r4 r8 r16 s32 s64 s128 s128
\bar ""
-
+
\override Staff.Rest #'style = #'neomensural
r\maxima^\markup \typewriter { neomensural }
r\longa r\breve r1 r2 r4 r8 r16 s32 s64 s128 s128
\bar ""
-
+
\override Staff.Rest #'style = #'classical
r\maxima^\markup \typewriter { classical }
r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 s128
\bar ""
-
+
\override Staff.Rest #'style = #'default
r\maxima^\markup \typewriter { default }
r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 s128
-%% Do not edit this file; it is auto-generated from input/new
-%% This file is in the public domain.
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
%% Note: this file works from version 2.13.4
\version "2.13.4"
doctitlees = "Alteración de los finales de barra predeterminados"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Um Balken im 12/8-Takt als @code{3-4-3-2} zu gruppieren, muss man zuerst die
doctitlede = "Standard-Balkenwerte rückgängig machen"
+
%% Translation of GIT committish: bee31293920d834cd3698f00ddcc2402c3164619
texidocfr = "
Pour obtenir des ligatures en groupes de @code{3-4-3-2} croches, dans
lsrtags = "rhythms"
texidoc = "
To typeset beams grouped @code{3-4-3-2} in 12/8 it is no longer
-necessary first
-to override the default beam endings in 12/8, and then to set up the
-new beaming endings:
-
+necessary first to override the default beam endings in 12/8,and
+then to set up the new beaming endings:
"
doctitle = "Reverting default beam endings"
} % begin verbatim
\overrideBeamSettings #'Score #'(12 . 8) #'end
#'((* . (3 4 3 2)))
a8 a a a a a a a a a a a
-
}
-
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
example shows two solutions to this problem, by redefining ordinary
rests to be printed as slashes. (If the duration of each beat is not a
quarter note, replace the @code{r4} in the definitions with a rest of
-the appropriate duration).
+the appropriate duration).
"
doctitle = "Rhythmic slashes"
adding-drum-parts.ly
aligning-bar-numbers.ly
automatic-beam-subdivisions.ly
-automatic-beams-two-per-two-in-4-4-or-2-2-time-signature.ly
avoiding-collisions-with-chord-fingerings.ly
beam-endings-in-score-context.ly
beam-grouping-in-7-8-time.ly
rhythmic-slashes.ly
skips-in-lyric-mode-2.ly
skips-in-lyric-mode.ly
-specifying-context-with-beatgrouping.ly
stemlets.ly
sub-dividing-beams.ly
three-sided-box.ly
+time-signature-printing-only-the-numerator-as-a-number-instead-of-the-fraction.ly
tweaking-grace-layout-within-music.ly
-using-beatlength-and-beatgrouping.ly
using-grace-note-slashes-with-normal-heads.ly
using-ties-with-arpeggios.ly
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "template"
This snippet comes with a useful optional macro for the jEdit text
-editor.
+editor.
"
doctitle = "Score for diatonic accordion"
\set Staff.midiInstrument = #"choir aahs"
\key c \major
\relative c''
- {
- % disable the following line to see the the noteheads while writing the song
- \NoNoteHead
+ {
+ % disable the following line to see the the noteheads while writing the song
+ \NoNoteHead
\override NoteHead #'no-ledgers = ##t
% The beam between 8th-notes is used to draw the push-line
- %How to fast write the push-lines:
- % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
+ %How to fast write the push-lines:
+ % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
% 2. uncomment the line \NoNoteHead
% 3. compile
- % 4. Mark the positions on which push/pull changes.
- % In the score-picture click on the position the push- or pull-part starts
+ % 4. Mark the positions on which push/pull changes.
+ % In the score-picture click on the position the push- or pull-part starts
% (on the noteHead, the cursor will change to a hand-icon).
% The cursor in the source code will jump just at this position.
% a) If a push-part starts there, replace the 'c' by an 'e['
% b) If a pull-part starts there, replace the 'c' by an 's'
- % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
- % 6. For the pull-parts overwrite the 'c' with 's'
- % 7. For every push-part replace the last 'c' with 'e]'
- % 8. Switch into 'insert-mode' again
+ % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
+ % 6. For the pull-parts overwrite the 'c' with 's'
+ % 7. For every push-part replace the last 'c' with 'e]'
+ % 8. Switch into 'insert-mode' again
% 9. At last it should look lik e.g. (s s e[ c | c c c c c c c c | c c c c c c e] s s)
% 10. re-enable the line \NoNoteHead
\autoBeamOff
- \ZeroBeam
- s8 s s e[ c c c c c c e] | s s s s s
+ \ZeroBeam
+ s8 s s e[ c c c c c c e] | s s s s s
}
}
%{
%}
-% Accordion melody in tabulator score
+% Accordion melody in tabulator score
% 1. Place a copy of the piano melody below
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then change the second line using the transformation paper
-% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
+% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
% Tips:
% - In jEdit Search & Replace mark the Option 'Keep Dialog'
AccordionTabTwoCBesDur = {
% pull 1
- %<f' bes'>8 <f' a'>8 <d' bes'>8 |
-<g'' a''>8 <g'' b''>8 <e'' a''>8 |
+ %<f' bes'>8 <f' a'>8 <d' bes'>8 |
+<g'' a''>8 <g'' b''>8 <e'' a''>8 |
% push 2
- %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
-<g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
+ %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
+<g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
% pull 3
% <f' bes'>2 r8 }
<g'' a''>2 r8 }
- AccordionTab= { \dynamicUp
+ AccordionTab= { \dynamicUp
% 1. Place a copy of the piano melody above
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
-% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
+% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
% change the second line using the transformation paper
% Tips:
% - In jEdit Search & Replace mark the Option 'Keep Dialog'
-% -
+% -
\AccordionTabTwoCBesDur
}
-
- \layout {
+
+ \layout {
\context {
- \Staff
+ \Staff
\consists "Grid_point_engraver"
gridInterval = #(ly:make-moment 4 4) % 4/4 - tact. How many beats per bar
% The following line has to be adjusted O-F-T-E-N.
- \override GridPoint #'Y-extent = #'(-2 . -21)
+ \override GridPoint #'Y-extent = #'(-2 . -21)
}
\context {
\ChoirStaff
- \remove "System_start_delimiter_engraver"
+ \remove "System_start_delimiter_engraver"
}
}
\set Staff.instrumentName="Voice"
\set Staff.midiInstrument="voice oohs"
\key bes \major
- \partial 8*3
+ \partial 8*3
\clef treble
- {
- \context Voice = "melodyVoi"
+ {
+ \context Voice = "melodyVoi"
{ <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 }
\bar "|."
}
}
staffAccordionMel = \new Staff \with { \remove "Clef_engraver" } {
- #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
- %do not remember them for the rest of the measure.
+ #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
+ %do not remember them for the rest of the measure.
\time 4/4
\set Staff.instrumentName="Accordion"
\set Staff.midiInstrument="voice oohs"
#{ \override Stem #'length = #$(* 7.0 mag)
\override NoteHead #'font-size =
#$(inexact->exact (* (/ 6.0 (log 2.0)) (log mag))) #})
-
+
AltOff = {
\revert Stem #'length
\revert NoteHead #'font-size
staffBassRhytm = \new Staff=staffbass \with { \remove "Clef_engraver" } {
% This is not a RhythmicStaff because it must be possible to append lyrics.
-
+
\override Score.GridLine #'extra-offset = #'( 13.0 . 0.0 ) % x.y
- \override Staff.StaffSymbol #'line-positions = #'( 0 )
+ \override Staff.StaffSymbol #'line-positions = #'( 0 )
% Shows one horizontal line. The vertical line (simulating a bar-line) is simulated by a grid
- % Search for 'grid' in this page to find all related functions
+ % Search for 'grid' in this page to find all related functions
\time 4/4
- {
- \context Voice = "VoiceBassRhytm"
+ {
+ \context Voice = "VoiceBassRhytm"
\stemDown \AltOn #0.6
\relative c''
- {
+ {
\BassRhytm
}
\AltOff
}
}
-\new Score
+\new Score
\with {
- \consists "Grid_line_span_engraver" %The vertical line (simulating a bar-line) in the staffBassRhytm is a gridline
+ \consists "Grid_line_span_engraver" %The vertical line (simulating a bar-line) in the staffBassRhytm is a gridline
}
-\new ChoirStaff
+\new ChoirStaff
<<
- \harmonies
+ \harmonies
\staffVoice
\context Lyrics = "lmelodyVoi" \with {alignBelowContext=astaffvoice} { \lyricsto "melodyVoi" \verse }
\staffAccordionMel
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, tweaks-and-overrides"
modifies the second list, moving @code{key-cancellation} before
@code{staff-bar}; by modifying the second list, break alignment
behavior only changes in the middle of a system, not at the beginning
-or the end.
+or the end.
"
doctitle = "Separating key cancellations from key signature changes"
\override Score.BreakAlignment #'break-align-orders =
#'#((left-edge ambitus breathing-sign clef staff-bar
key-cancellation key-signature time-signature custos)
-
+
(left-edge ambitus breathing-sign clef key-cancellation
staff-bar key-signature time-signature custos)
-
+
(left-edge ambitus breathing-sign clef key-cancellation
key-signature staff-bar time-signature custos))
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
"
doctitlees = "Establecer el comportamiento de los reguladores en las barras de compás"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn die Note, an welcher eine Crescendo-Klammer endet, die erste Note
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Ajustar la longitud mínima de los reguladores"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn Crescendo-Klammern zu kurz sind, können sie verlängert werden, indem
die @code{minimum-length}-Eigenschaft des @code{Hairpin}-Objektes
-verändert wird.
+verändert wird.
"
doctitlede = "Die Mindestlänge von Crescendo-Klammern bestimmen"
texidoc = "
If hairpins are too short, they can be lengthened by modifying the
-@code{minimum-length} property of the @code{Hairpin} object.
+@code{minimum-length} property of the @code{Hairpin} object.
"
doctitle = "Setting the minimum length of hairpins"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats"
"
doctitlees = "Shortening volta brackets"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Volta-Klammern werden normalerweise über alle Noten der Klammer gezogen, aber
es ist möglich sie zu verkürzen. Hierzu muss
@code{voltaSpannerDuration} definiert werden, in dem Beispiel etwa als
-3/4, sodass die Klammer nur einen Takt dauert.
+3/4, sodass die Klammer nur einen Takt dauert.
"
doctitlede = "Volta-Klammern verkürzen"
By default, the volta brackets will be drawn over all of the
alternative music, but it is possible to shorten them by setting
@code{voltaSpannerDuration}. In the next example, the bracket only
-lasts one measure, which is a duration of 3/4.
+lasts one measure, which is a duration of 3/4.
"
doctitle = "Shortening volta brackets"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords"
"
doctitlees = "Imprimir los acordes cuando se produce un cambio"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Akkordsymbole können so eingestellt werden, dass sie nur zu Beginn der Zeile
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "chords"
"
doctitlees = "Hoja guía de acordes o «lead sheet» sencilla"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein Liedblatt besteht aus Akkordbezeichnungen, einer Melodie und dem Liedtext:
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
- texidocfr = "
-Ce cannevas comporte tous les éléments d'une chanson : la mélodie,
-les paroles, les accords.
-
-"
- doctitlefr = "Paroles, musique et accords"
-
lsrtags = "vocal-music, chords, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de pentagrama único con música, letra y acordes"
-
+
+
+%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
+ texidocja = "
+これは旋律、単語、コードを持つ歌曲の楽譜のためのテンプレートです。
+"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
-Mit diesem Beispiel können Sie einen Song mit Melodie,
+Mit diesem Beispiel können Sie einen Song mit Melodie,
Text und Akkorden schreiben.
"
doctitlede = "Vorlage für eine Notenzeile mit Noten, Text und Akkorden"
-%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
- texidocja = "
-これは旋律、単語、コードを持つ歌曲の楽譜のためのテンプレートです。
+
+%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
+ texidocfr = "
+Ce cannevas comporte tous les éléments d'une chanson : la mélodie,
+les paroles, les accords.
+
"
+ doctitlefr = "Paroles, musique et accords"
texidoc = "
This template allows the preparation of a song with melody, words, and
-chords.
+chords.
"
doctitle = "Single staff template with notes, lyrics, and chords"
\clef treble
\key c \major
\time 4/4
-
+
a4 b c d
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "vocal-music, chords, template"
doctitle = "Single staff template with notes, lyrics, chords and frets"
} % begin verbatim
-% Define the fret diagrams to be used
-cFretDiagram = \markup {
- \fret-diagram #"6-x;5-3-3;4-2-2;3-o;2-1-1;1-o;"
-}
-
-gFretDiagram = \markup {
- \fret-diagram #"6-3-2;5-2-1;4-o;3-o;2-o;1-3-3;"
-}
-
verseI = \lyricmode {
\set stanza = #"1."
This is the first verse
This is the second verse.
}
-theChords = \new ChordNames {
- \chordmode {
- % insert the chords for chordnames here
- c2 g4 c
- }
+theChords = \chordmode {
+ % insert chords for chordnames and fretboards here
+ c2 g4 c
}
-staffMelody = \new Staff {
- \context Voice = "voiceMelody" {
+staffMelody = \relative c' {
\key c \major
\clef treble
- \relative c' {
- % Type notes and fret diagram markups here
- c4^\cFretDiagram d8 e f4^\gFretDiagram g^\cFretDiagram
- \bar "|."
- }
- }
+ % Type notes for melody here
+ c4 d8 e f4 g
+ \bar "|."
}
\score {
<<
- \theChords
- \staffMelody
- \new Lyrics = "lyricsI" \lyricmode {
+ \context ChordNames { \theChords }
+ \context FretBoards { \theChords }
+ \new Staff {
+ \context Voice = "voiceMelody" { \staffMelody }
+ }
+ \new Lyrics = "lyricsI" {
\lyricsto "voiceMelody" \verseI
}
- \new Lyrics = "lyricsII" \lyricmode {
+ \new Lyrics = "lyricsII" {
\lyricsto "voiceMelody" \verseII
}
>>
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
- texidocfr = "
-Vous avez besoin de la partition d'une mélodie avec les accords ?
-N'allez pas plus loin !
-
-"
-
-doctitlefr = "Mélodie simple et accords"
-
lsrtags = "chords, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Plantilla de pentagrama único con música y acordes"
+
+%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
+ texidocja = "
+旋律とコードを持つリード譜を欲しくはありませんか？他を見る必要はありません！
+"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
-Wollen Sie ein Liedblatt mit Melodie und Akkorden schreiben? Hier ist
+Wollen Sie ein Liedblatt mit Melodie und Akkorden schreiben? Hier ist
das richtige Beispiel für Sie!
"
doctitlede = "Vorlage für eine Notenzeile mit Akkorden"
-%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
- texidocja = "
-旋律とコードを持つリード譜を欲しくはありませんか？他を見る必要はありません！
+
+%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
+ texidocfr = "
+Vous avez besoin de la partition d'une mélodie avec les accords ?
+N'allez pas plus loin !
+
"
+doctitlefr = "Mélodie simple et accords"
+
texidoc = "
Want to prepare a lead sheet with a melody and chords? Look no further!
\clef treble
\key c \major
\time 4/4
-
+
f4 e8[ c] d4 g
a2 ~ a
}
\harmonies
}
\new Staff \melody
- >>
+ >>
\layout{ }
\midi { }
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
-
- texidocfr = "
-Ce canevas comporte une simple ligne mélodique agrémentée de paroles.
-Recopiez-le, ajoutez-y d'autres notes et paroles. Les ligatures
-automatiques sont ici désactivées, comme il est d'usage en matière de
-musique vocale. Pour activer la fonction de ligature automatique,
-modifiez ou commentez la ligne en question.
-
-"
- doctitle = "Portée unique et paroles"
-
- doctitle = "Portée unique et paroles"
-
lsrtags = "vocal-music, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de pentagrama único don notas y letra"
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-Das nächste Beispiel zeigt eine einfache Melodie mit Text. Kopieren
-Sie es in Ihre Datei, fügen Sie Noten und Text hinzu und übersetzen
-Sie es mit LilyPond. In dem Beispiel wird die automatische
-Balkenverbindung ausgeschaltet (mit dem Befehl @code{\autoBeamOff}),
-wie es für Vokalmusik üblich ist.
-Wenn Sie die Balken wieder einschalten wollen, müssen Sie die
-entsprechende Zeile entweder ändern oder auskommentieren.
-"
-
- doctitlede = "Vorlage für ein Notensystem mit Noten und Gesangstext"
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
"
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+ texidocde = "
+Das nächste Beispiel zeigt eine einfache Melodie mit Text. Kopieren
+Sie es in Ihre Datei, fügen Sie Noten und Text hinzu und übersetzen
+Sie es mit LilyPond. In dem Beispiel wird die automatische
+Balkenverbindung ausgeschaltet (mit dem Befehl @code{\autoBeamOff}),
+wie es für Vokalmusik üblich ist.
+Wenn Sie die Balken wieder einschalten wollen, müssen Sie die
+entsprechende Zeile entweder ändern oder auskommentieren.
+"
+
+ doctitlede = "Vorlage für ein Notensystem mit Noten und Gesangstext"
+
+
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+
+ texidocfr = "
+Ce canevas comporte une simple ligne mélodique agrémentée de paroles.
+Recopiez-le, ajoutez-y d'autres notes et paroles. Les ligatures
+automatiques sont ici désactivées, comme il est d'usage en matière de
+musique vocale. Pour activer la fonction de ligature automatique,
+modifiez ou commentez la ligne en question.
+
+"
+ doctitlefr = "Portée unique et paroles"
+
texidoc = "
This small template demonstrates a simple melody with lyrics. Cut and
paste, add notes, then words for the lyrics. This example turns off
\clef treble
\key c \major
\time 4/4
-
+
a4 b c d
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Cet exemple simpliste se compose d'une portée agrémentée de quelques
-notes. Il convient tout à fait pour un instrument seul ou un
-fragment mélodique. Recopiez-le dans un nouveau fichier, ajoutez-y
-d'autres notes et c'est pret !
-
-"
- doctitlefr = "Portée unique avec quelques notes"
-
lsrtags = "template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de un solo pentagrama, con notas únicamente"
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-Das erste Beispiel zeigt ein Notensystem mit Noten, passend für ein
-Soloinstrument oder ein Melodiefragment. Kopieren Sie es und fügen
-Sie es in Ihre Datei ein, schreiben Sie die Noten hinzu, und Sie haben
-eine vollständige Notationsdatei.
-"
-
- doctitlede = "Vorlage für ein Notensystem"
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
"
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+ texidocde = "
+Das erste Beispiel zeigt ein Notensystem mit Noten, passend für ein
+Soloinstrument oder ein Melodiefragment. Kopieren Sie es und fügen
+Sie es in Ihre Datei ein, schreiben Sie die Noten hinzu, und Sie haben
+eine vollständige Notationsdatei.
+"
+
+ doctitlede = "Vorlage für ein Notensystem"
+
+
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Cet exemple simpliste se compose d'une portée agrémentée de quelques
+notes. Il convient tout à fait pour un instrument seul ou un
+fragment mélodique. Recopiez-le dans un nouveau fichier, ajoutez-y
+d'autres notes et c'est pret !
+
+"
+ doctitlefr = "Portée unique avec quelques notes"
+
texidoc = "
This very simple template gives you a staff with notes, suitable for a
solo instrument or a melodic fragment. Cut and paste this into a file,
-add notes, and you're finished!
+add notes, and you're finished!
"
doctitle = "Single staff template with only notes"
\clef treble
\key c \major
\time 4/4
-
+
a4 b c d
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, vocal-music"
texidoc = "
Although @code{s} skips cannot be used in @code{\\lyricmode} (it is
taken to be a literal \"s\", not a space), double quotes (@code{\"\"})
-or underscores (@code{_}) are available.So for example:
+or underscores (@code{_}) are available.So for example:
"
doctitle = "Skips in lyric mode (2)"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, vocal-music"
texidoc = "
The @code{s} syntax for skips is only available in note mode and chord
mode. In other situations, for example, when entering lyrics, using the
-@code{\\skip} command is recommended.
+@code{\\skip} command is recommended.
"
doctitle = "Skips in lyric mode"
--- /dev/null
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
+%% Note: this file works from version 2.13.4
+\version "2.13.4"
+
+\header {
+%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
+ doctitlees = "Marca de pizzicato de chasquido (@q{pizzicato de Bartók})"
+ texidoces = "
+El pizzicato de chasquido (también llamado @q{Pizzicato de Bartók}) es un
+@q{pizzicato fuerte en que la cuerda se pulsa verticalmente produciendo un
+chasquido y rebotando en el diapasón del instrumento} (Wikipedia). Se
+denota mediante una circunferencia con una línea vertical corta que parte
+del centro de aquélla hacia fuera. Aunque LilyPond no tiene ninguna
+instrucción predefinida para crear esta marca, es fácil hacer la definición
+y colocarla directamente en el archivo de lilypond.
+"
+
+
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+ doctitlede = "Bartók-Pizzicato"
+ texidocde = "
+Das Bartók-Pizzicato @q{ist eine besondere Form des Pizzicato, bei dem der
+Spieler die Saite auf das Griffbrett aufschlagen lässt, sodass zusätzlich
+zum angeschlagenen Ton ein scharfes, knallendes Geräusch ertönt}
+(Wikipedia). Es wird dargestellt als kleiner Kreis mit einer vertikalen
+Linie, die vom Kreiszentrum aus nach oben weist und ein Stück außerhalb des
+Kreises endet. Lilypond hat keinen eigenen Glyphen für dieses Symbol; es
+ist aber einfach, direkt eine Definition in die Eingabedatei einzufügen.
+"
+
+ lsrtags = "expressive-marks, unfretted-strings"
+ texidoc = "
+A snap-pizzicato (also known as \"Bartok pizzicato\") is a \"strong
+pizzicato where the string is plucked vertically by snapping and
+rebounds off the fingerboard of the instrument\" (Wikipedia). It is
+denoted by a cicle with a vertical line going from the center upwards
+outside the circle.
+"
+ doctitle = "Snap-pizzicato (\"Bartok pizzicato\")"
+} % begin verbatim
+
+
+\relative c' {
+ c4\snappizzicato
+ <c' e g>4\snappizzicato
+ <c' e g>4^\snappizzicato
+ <c, e g>4_\snappizzicato
+}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.13.1"
-
-\header {
- lsrtags = "expressive-marks, unfretted-strings"
-
-%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- doctitlees = "Marca de pizzicato de chasquido (@q{pizzicato de Bartók})"
- texidoces = "
-El pizzicato de chasquido (también llamado @q{Pizzicato de Bartók}) es un
-@q{pizzicato fuerte en que la cuerda se pulsa verticalmente produciendo un
-chasquido y rebotando en el diapasón del instrumento} (Wikipedia). Se
-denota mediante una circunferencia con una línea vertical corta que parte
-del centro de aquélla hacia fuera. Aunque LilyPond no tiene ninguna
-instrucción predefinida para crear esta marca, es fácil hacer la definición
-y colocarla directamente en el archivo de lilypond.
-"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- doctitlede = "Bartók-Pizzicato"
- texidocde = "
-Das Bartók-Pizzicato @q{ist eine besondere Form des Pizzicato, bei dem der
-Spieler die Saite auf das Griffbrett aufschlagen lässt, sodass zusätzlich
-zum angeschlagenen Ton ein scharfes, knallendes Geräusch ertönt}
-(Wikipedia). Es wird dargestellt als kleiner Kreis mit einer vertikalen
-Linie, die vom Kreiszentrum aus nach oben weist und ein Stück außerhalb des
-Kreises endet. Lilypond hat keinen eigenen Glyphen für dieses Symbol; es
-ist aber einfach, direkt eine Definition in die Eingabedatei einzufügen.
-"
-
- texidoc = "
-A snap-pizzicato (also known as \"Bartok pizzicato\") is a \"strong
-pizzicato where the string is plucked vertically by snapping and
-rebounds off the fingerboard of the instrument\" (Wikipedia). It is
-denoted by a cicle with a vertical line going from the center upwards
-outside the circle. While Lilypond does not have a pre-defined command
-to created this markup, it is easy to create a definition and place it
-directly into the lilypond file.
-
-"
- doctitle = "Snap-pizzicato markup (\"Bartok pizzicato\")"
-} % begin verbatim
-
-#(define-markup-command (snappizz layout props) ()
- (interpret-markup layout props
- (markup #:stencil
- (ly:stencil-translate-axis
- (ly:stencil-add
- (make-circle-stencil 0.7 0.1 #f)
- (ly:make-stencil
- (list 'draw-line 0.1 0 0.1 0 1)
- '(-0.1 . 0.1) '(0.1 . 1)))
- 0.7 X))))
-
-snapPizzicato = \markup \snappizz
-
-% now it can be used as \snappizzicato after the note/chord
-% Note that a direction (-, ^ or _) is required.
-\relative c' {
- c4^\snapPizzicato
- % This does NOT work:
- %<c e g>\snapPizzicato
- <c' e g>-\snapPizzicato
- <c' e g>^\snapPizzicato
- <c, e g>_\snapPizzicato
-}
-
+++ /dev/null
-%% Do not edit this file; it is auto-generated from input/new
-%% This file is in the public domain.
-%% Note: this file works from version 2.13.1
-\version "2.13.4"
-
-\header {
-%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- texidoces = "
-Mediante la especificación del contexto, el efecto de
-@code{beatGrouping} puede limitarse al contexto especificado, y
-sobreescribirse los valores establecidos en contextos de niveles
-más altos. Las instruccionees @code{\\set} se deben situar
-@emph{después} de todas las instrucciones @code{\\time}:
-
-
-"
- doctitlees = "Especificar el contexto con beatGrouping"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-Wenn der Kontext angegeben wird, kann die Auswirkung von @code{beatGrouping}
-auf den angegebenen Kontext beschränkt werden und die Werte, die in Kontexten
-auf höhrer Ebene angegeben wurden, können verändert werden. Der
-@code{\\set}-Befehl muss @emph{nach} den @code{\\time}-Befehl geschrieben
-werden:
-"
- doctitlede = "Den Kontext für beatGrouping angeben"
-
-
-%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
- texidocfr = "
-Le fait de spécifier un contexte à @code{beatGrouping} permet d'en
-limiter les effets. Par voie de conséquence, il sera possible
-d'outrepasser les règles définies à un niveau supérieur. La commande
-@code{\\set} destinée à en modifier les valeurs doit se placer après la
-commande @code{\\time} :
-
-"
- doctitlefr = "Spécification du contexte auquel s'appliquera beatGrouping"
-
- lsrtags = "rhythms, tweaks-and-overrides"
-
-%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- texidoces = "
-Mediante la especificación del contexto, el efecto de
-@code{beatGrouping} puede limitarse al contexto especificado, y
-sobreescribirse los valores establecidos en contextos de niveles
-más altos. Las instruccionees @code{\\set} se deben situar
-@emph{después} de todas las instrucciones @code{\\time}:
-
-
-"
- doctitlees = "Especificar el contexto con beatGrouping"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-Wenn der Kontext angegeben wird, kann die Auswirkung von @code{beatGrouping}
-auf den angegebenen Kontext beschränkt werden und die Werte, die in Kontexten
-auf höhrer Ebene angegeben wurden, können verändert werden. Der
-@code{\\set}-Befehl muss @emph{nach} den @code{\\time}-Befehl geschrieben
-werden:
-"
- doctitlede = "Den Kontext für beatGrouping angeben"
-
-
-%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
- texidocfr = "
-Le fait de spécifier un contexte à @code{beatGrouping} permet d'en
-limiter les effets. Par voie de conséquence, il sera possible
-d'outrepasser les règles définies à un niveau supérieur. La commande
-@code{\\set} destinée à en modifier les valeurs doit se placer après la
-commande @code{\\time} :
-
-"
- doctitlefr = "Spécification du contexte auquel s'appliquera beatGrouping"
-
- texidoc = "
-By specifying the context, the effect of @code{beatGrouping} can be
-limited to the context specified, and the values which may have been
-set in higher-level contexts can be overridden. The @code{\\set}
-commands must be placed after all @code{\\time} commands:
-
-"
- doctitle = "Specifying context with beatGrouping"
-} % begin verbatim
-
-
-\markup{This snippet has been deprecated and will be removed in 2.14}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text"
"
doctitlees = "Elemento de marcado de texto independiente en dos columnas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Isolierter Text kann in mehreren Spalten mit @code{\\markup}-Befehlen
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "fretted-strings"
"
doctitlees = "Comportamiento de las plicas y las barras de corchea en tablaturas"
-%% Translation of GIT committish: cd4950757ab1ab6c89805b0b7c978bfca034f940
-
- texidocfr = "
-La direction des hampes se gère dans les tablatures tout comme en
-notation traditionnelle. Les ligatures peuvent être mises à l'horizontale
-comme le montre cet exemple.
-
-"
- doctitlefr = "Hampes et ligatures en mode tablature"
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
"
doctitlede = "Hals- und Balkenverhalten in einer Tabulatur"
+%% Translation of GIT committish: cd4950757ab1ab6c89805b0b7c978bfca034f940
+
+ texidocfr = "
+La direction des hampes se gère dans les tablatures tout comme en
+notation traditionnelle. Les ligatures peuvent être mises à l'horizontale
+comme le montre cet exemple.
+
+"
+ doctitlefr = "Hampes et ligatures en mode tablature"
+
+
texidoc = "
The direction of stems is controlled the same way in tablature as in
traditional notation. Beams can be made horizontal, as shown in this
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
texidoc = "
-In some notational conventions beams are allowed to extend over rests.
+In some notational conventions beams are allowed to extend over rests.
Depending on preference, these beams may drop 'stemlets' to help the
eye appreciate the rhythm better, and in some modern music the rest
itself is omitted and only the stemlet remains.
Some @code{\\markup} elements are included in the source to highlight
-the different notations.
+the different notations.
"
doctitle = "Stemlets"
{
c'16^\markup { traditional } d' r f'
g'16[^\markup { beams over rests } f' r d']
-
+
% N.B. use Score.Stem to set for the whole score.
\override Staff.Stem #'stemlet-length = #0.75
-
+
c'16[^\markup { stemlets over rests } d' r f']
g'16[^\markup { stemlets and no rests } f' \once \override Rest #'transparent = ##t r d']
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Voici un canevas pour quatuor à cordes. Notez l'utilisation de la
-variable @code{\\global} pour traiter la métrique et la tonalité.
-
-"
- doctitlefr = "Quatuor à cordes (conducteur)"
-
lsrtags = "unfretted-strings, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de cuarteto de cuerda (sencilla)"
+
+%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
+ texidocja = "
+これは簡単な弦楽四重奏のためのテンプレートです。これは拍子記号と調号のために
+@code{@bs{}global} セクションを使っています。
+"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
-Dieses Beispiel demonstriert die Partitur für ein Streichquartett. Hier
-wird auch eine @qq{@code{\global}}-Variable für Taktart und
+Dieses Beispiel demonstriert die Partitur für ein Streichquartett. Hier
+wird auch eine @qq{@code{\global}}-Variable für Taktart und
Vorzeichen benutzt.
"
doctitlede = "Vorlage für Streichquartett (einfach)"
-%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
- texidocja = "
-これは簡単な弦楽四重奏のためのテンプレートです。これは拍子記号と調号のために
-@code{@bs{}global} セクションを使っています。
+
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Voici un canevas pour quatuor à cordes. Notez l'utilisation de la
+variable @code{\\global} pour traiter la métrique et la tonalité.
+
"
+ doctitlefr = "Quatuor à cordes (conducteur)"
texidoc = "
This template demonstrates a simple string quartet. It also uses a
violinOne = \new Voice \relative c'' {
\set Staff.instrumentName = #"Violin 1 "
-
+
c2 d
e1
-
+
\bar "|."
}
-
+
violinTwo = \new Voice \relative c'' {
\set Staff.instrumentName = #"Violin 2 "
-
+
g2 f
e1
-
+
\bar "|."
}
viola = \new Voice \relative c' {
- \set Staff.instrumentName = #"Viola "
+ \set Staff.instrumentName = #"Viola "
\clef alto
-
+
e2 d
c1
-
+
\bar "|."
}
cello = \new Voice \relative c' {
\set Staff.instrumentName = #"Cello "
\clef bass
-
+
c2 b
a1
-
+
\bar "|."
}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Grâce à ce canevas, vous pouvez obtenir une partition d'excellente
-facture pour quatuor à cordes mais aussi, si le besoin s'en faisait
-sentir, une partie séparée par instrument. Par ailleurs, cet exemple
-illustre l'utilisation de la fonction @code{\\tag} dans le but
-d'extraire des parties séparées.
-
-Il vous faudra découper ce canevas en plusieurs fichiers séparés ; leur
-nom respectif est indiqué en commentaire : @code{piece.ly} comporte tout
-ce qui a trait à la musique, les autres fichiers -- @code{score.ly},
-@code{vn1.ly}, @code{vn2.ly}, @code{vla.ly}, et @code{vlc.ly} -- vous
-permettront d'obtenir les parties selon le pupitre.
-
-
-N'oubliez pas de supprimer les commentaires superflus des fichiers
-individualisés !
-
-"
- doctitlefr = "Quatuor à cordes, avec parties séparées"
-
lsrtags = "unfretted-strings, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de cuarteto de cuerda con particellas independientes"
-
+
+
+%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
+ texidocja = "
+\"弦楽四重奏テンプレート\" は適切な弦楽四重奏の楽譜を作り出しますが、個々の@c
+パート譜を譜刻する必要がある場合はどうでしょうか？今度の新しいテンプレートは
+@code{@bs{}tag} 機能を用いて容易に楽曲を個々のパートに分ける方法を示しています。
+
+このテンプレートは別々のファイルに分ける必要があります。ファイル名は各ファイル@c
+の開始部分のコメントの中に記述されています。@code{piece.ly} はすべての音楽定義@c
+を保持しています。他のファイル - @code{score.ly}, @code{vn1.ly}, @code{vn2.ly},
+@code{vla.ly} それに @code{vlc.ly} - は対応するパートを作り出します。
+
+
+別々のファイルに分ける場合は、指定されたコメントを外すことを忘れないでください！
+"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
-Mit diesem Beispiel können Sie ein schönes Streichquartett notieren,
-aber wie gehen Sie vor, wenn Sie Stimmen brauchen? Das Beispiel
-oben hat gezeigt, wie Sie mit Variablen einzelne Abschnitte getrennt
-voneinander notieren können. Im nächsten Beispiel wird nun
+Mit diesem Beispiel können Sie ein schönes Streichquartett notieren,
+aber wie gehen Sie vor, wenn Sie Stimmen brauchen? Das Beispiel
+oben hat gezeigt, wie Sie mit Variablen einzelne Abschnitte getrennt
+voneinander notieren können. Im nächsten Beispiel wird nun
gezeigt, wie Sie mit diesen Variablen einzelne Stimmen erstellen.
Sie müssen das Beispiel in einzelne Dateien aufteilen; die Dateinamen
sind in den Kommentaren am Anfang jeder Datei enthalten. @code{piece.ly}
enthält die Noten. Die anderen Dateien -- @code{score.ly},
@code{vn1.ly}, @code{vn2.ly}, @code{vla.ly} und
-@code{vlc.ly} -- erstellen daraus die entsprechenden Stimmen bzw. die
-Partitur (@code{score.ly}). Mit @code{\tag} wird den Stimmen ein Name
+@code{vlc.ly} -- erstellen daraus die entsprechenden Stimmen bzw. die
+Partitur (@code{score.ly}). Mit @code{\tag} wird den Stimmen ein Name
zugewiesen, auf den zurückgegriffen werden kann.
"
doctitlede = "Vorlage für Streichquartett mit einzelnen Stimmen"
-
-%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
- texidocja = "
-\"弦楽四重奏テンプレート\" は適切な弦楽四重奏の楽譜を作り出しますが、個々の@c
-パート譜を譜刻する必要がある場合はどうでしょうか？今度の新しいテンプレートは
-@code{@bs{}tag} 機能を用いて容易に楽曲を個々のパートに分ける方法を示しています。
-このテンプレートは別々のファイルに分ける必要があります。ファイル名は各ファイル@c
-の開始部分のコメントの中に記述されています。@code{piece.ly} はすべての音楽定義@c
-を保持しています。他のファイル - @code{score.ly}, @code{vn1.ly}, @code{vn2.ly},
-@code{vla.ly} それに @code{vlc.ly} - は対応するパートを作り出します。
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Grâce à ce canevas, vous pouvez obtenir une partition d'excellente
+facture pour quatuor à cordes mais aussi, si le besoin s'en faisait
+sentir, une partie séparée par instrument. Par ailleurs, cet exemple
+illustre l'utilisation de la fonction @code{\\tag} dans le but
+d'extraire des parties séparées.
+
+Il vous faudra découper ce canevas en plusieurs fichiers séparés ; leur
+nom respectif est indiqué en commentaire : @code{piece.ly} comporte tout
+ce qui a trait à la musique, les autres fichiers -- @code{score.ly},
+@code{vn1.ly}, @code{vn2.ly}, @code{vla.ly}, et @code{vlc.ly} -- vous
+permettront d'obtenir les parties selon le pupitre.
+
+
+N'oubliez pas de supprimer les commentaires superflus des fichiers
+individualisés !
-別々のファイルに分ける場合は、指定されたコメントを外すことを忘れないでください！
"
+ doctitlefr = "Quatuor à cordes, avec parties séparées"
texidoc = "
The \"String quartet template\" snippet produces a nice string quartet,
produce the appropriate part.
-Do not forget to remove specified comments when using separate files!
+Do not forget to remove specified comments when using separate files!
"
doctitle = "String quartet template with separate parts"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
"
doctitlees = "Subdivisión de las barras de semicorchea"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Balken von aufeinanderfolgenden Sechszehnteln (oder kürzeren Notenwerten)
doctitlede = "Balken in Untergruppen teilen"
+
%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
texidocfr = "
Les ligatures d'une succession de notes de durée inférieure à la croche
diviser la ligature en sous-groupes grâce à la propriété
@code{subdivideBeams}. Lorsqu'elle est activée, les ligatures seront
subdivisées selon un intervalle défini par @code{beatLength} ; il n'y
-aura alors plus qu'un seul trait de ligature entre chaque sous-groupe.
+aura alors plus qu'un seul trait de ligature entre chaque sous-groupe.
Par défaut, @code{beatLength} fixe la valeur de référence à une noire.
Il faudra donc lui fournir, à l'aide de la fonction @code{make-moment},
une fraction correspondant au sous-groupe désiré, comme dans l'exemple
-suivant.
+suivant.
"
doctitlefr = "Subdivision des ligatures"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "simultaneous-notes, tweaks-and-overrides"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "paper-and-layout"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms, text"
(set! stencil (ly:stencil-combine-at-edge stencil Y -1 x-rule 0.0))
stencil))
-% The corresponding markup command, based on the \box command defined
+% The corresponding markup command, based on the \box command defined
% in scm/define-markup-commands.scm
#(define-markup-command (NWS-box layout props arg) (markup?)
"Draw a box round @var{arg}. Looks at @code{thickness},
@code{box-padding} and @code{font-size} properties to determine line
-thickness and padding around the markup."
+thickness and padding around the markup."
(let* ((th (chain-assoc-get 'thickness props 0.1))
(size (chain-assoc-get 'font-size props 0))
(pad (* (magstep size)
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, tweaks-and-overrides"
--- /dev/null
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.13.4"
+
+\header {
+ lsrtags = "rhythms, tweaks-and-overrides"
+
+ texidoc = "
+Sometimes, a time signature should not print the whole fraction (e.g.
+7/4), but only the numerator (7 in this case). This can be easily done
+by using \\override Staff.TimeSignature #'style = #'single-digit to
+change the style permanently. By using \\revert Staff.TimeSignature
+#'style, this setting can be reversed. To apply the single-digit style
+to only one time signature, use the \\override command and prefix it
+with a \\once.
+
+"
+ doctitle = "Time signature printing only the numerator as a number (instead of the fraction)"
+} % begin verbatim
+
+\relative c'' {
+ \time 3/4
+ c4 c c
+ % Change the style permanently
+ \override Staff.TimeSignature #'style = #'single-digit
+ \time 2/4
+ c c
+ \time 3/4
+ c c c
+ % Revert to default style:
+ \revert Staff.TimeSignature #'style
+ \time 2/4
+ c c
+ % single-digit style only for the next time signature
+ \once \override Staff.TimeSignature #'style = #'single-digit
+ \time 5/4
+ c c c c c
+ \time 2/4
+ c c
+}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "ancient-notation, tweaks-and-overrides"
\set Score.skipBars = ##t
\key g \major
\time 4/4
-
+
%make the staff lines invisible on staves
\override Staff.BarLine #'transparent = ##t
\skip 1*8 % the actual music
\bar "|."
}
-
+
discantusNotes = {
\transpose c' c'' {
\clef "treble"
tenorLyrics = \lyricmode {
Ju -- bi -- la -- te | % two bars
"..." |
- -us.
+ -us.
}
bassusNotes = {
bassusLyrics = \lyricmode {
Ju -- bi- |
"..." |
- -us.
+ -us.
}
incipitDiscantus = \markup{
\override NoteHead #'style = #'neomensural
\override Rest #'style = #'neomensural
\override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
+ \cadenzaOn
\clef "neomensural-c1"
\key f \major
\time 2/2
\remove Ligature_bracket_engraver
\consists Mensural_ligature_engraver
}
- line-width=4.5\cm
+ line-width=4.5\cm
}
}
}
incipitAltus = \markup{
\score{
- {
+ {
\set Staff.instrumentName="Altus "
\override NoteHead #'style = #'neomensural
\override Rest #'style = #'neomensural
\override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
+ \cadenzaOn
\clef "neomensural-c3"
\key f \major
\time 2/2
\remove Ligature_bracket_engraver
\consists Mensural_ligature_engraver
}
- line-width=4.5\cm
+ line-width=4.5\cm
}
}
}
\override NoteHead #'style = #'neomensural
\override Rest #'style = #'neomensural
\override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
+ \cadenzaOn
\clef "neomensural-c4"
\key f \major
\time 2/2
\remove Ligature_bracket_engraver
\consists Mensural_ligature_engraver
}
- line-width=4.5\cm
+ line-width=4.5\cm
}
}
}
\override NoteHead #'style = #'neomensural
\override Rest #'style = #'neomensural
\override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
+ \cadenzaOn
\clef "bass"
\key f \major
\time 2/2
\remove Ligature_bracket_engraver
\consists Mensural_ligature_engraver
}
- line-width=4.5\cm
+ line-width=4.5\cm
}
}
}
<<
\new StaffGroup = choirStaff <<
\new Voice =
- "discantusNotes" << \global
- \set Staff.instrumentName=\incipitDiscantus
+ "discantusNotes" << \global
+ \set Staff.instrumentName=\incipitDiscantus
\discantusNotes >>
\new Lyrics =
"discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
-
+
\new Voice =
- "altusNotes" << \global
- \set Staff.instrumentName=\incipitAltus
+ "altusNotes" << \global
+ \set Staff.instrumentName=\incipitAltus
\altusNotes >>
\new Lyrics =
"altusLyrics" \lyricsto altusNotes { \altusLyrics }
-
+
\new Voice =
- "tenorNotes" << \global
- \set Staff.instrumentName=\incipitTenor
+ "tenorNotes" << \global
+ \set Staff.instrumentName=\incipitTenor
\tenorNotes >>
\new Lyrics =
"tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
-
+
\new Voice =
- "bassusNotes" << \global
+ "bassusNotes" << \global
\set Staff.instrumentName=\incipitBassus
\bassusNotes >>
>>
\new Lyrics =
- "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
+ "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
%Keep the bass lyrics outside of the staff group to avoid bar lines
%between the lyrics.
>>
-
+
\layout {
\context {
\Score
\override BarLine #'transparent = ##t
}
% the next three instructions keep the lyrics between the barlines
- \context { \Lyrics
- \consists "Bar_engraver"
- \override BarLine #'transparent = ##t }
+ \context { \Lyrics
+ \consists "Bar_engraver"
+ \override BarLine #'transparent = ##t }
\context { \StaffGroup \consists "Separating_line_group_engraver" }
\context {
\Voice
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Noten mit minimaler Anzahl an Versetzungszeichen transponieren."
texidocde = "Dieses Beispiel benutzt Scheme-Code, um enharmonische
F flat -> E
-In this manner, the most natural enharmonic notes are chosen.
+In this manner, the most natural enharmonic notes are chosen.
"
doctitle = "Transposing pitches with minimum accidentals (\"Smart\" transpose)"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "pitches, staff-notation, tweaks-and-overrides"
cambios manuales preservan el posicionamiento relativo estándar de
las claves y las notas, pero no lo hacen en la segunda línea.
"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Eigenschaften des Schlüssels optimieren"
texidocde = "
The following examples show the possibilities when setting these
properties manually. On the first line, the manual changes preserve the
standard relative positioning of clefs and notes, whereas on the second
-line, they do not.
+line, they do not.
"
doctitle = "Tweaking clef properties"
\set Staff.clefOctavation = #0
\set Staff.clefPosition = #0
c'1
-
+
% Return to the normal clef:
\set Staff.middleCPosition = #0
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Il est possible de changer globalement la mise en forme des petites
-notes dans un morceau, au moyen de la fonction
-@code{add-grace-property}. Ici, par exemple, on ôte la définition de
-l'orientation des objets @code{Stem} pour toutes les petites notes,
-afin que les hampes ne soient pas toujours orientées vers le haut, et on
-leur préfère des têtes en forme de croix.
-
-"
- doctitlefr = "Mise en forme des notes d'ornement"
-
lsrtags = "rhythms, tweaks-and-overrides"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
doctitlees = "Trucar la disposición de las notas de adorno dentro de la música"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Das Layout von Verzierungsausdrücken kann in der Musik verändert
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Il est possible de changer globalement la mise en forme des petites
+notes dans un morceau, au moyen de la fonction
+@code{add-grace-property}. Ici, par exemple, on ôte la définition de
+l'orientation des objets @code{Stem} pour toutes les petites notes,
+afin que les hampes ne soient pas toujours orientées vers le haut, et on
+leur préfère des têtes en forme de croix.
+
+"
+ doctitlefr = "Mise en forme des notes d'ornement"
+
texidoc = "
The layout of grace expressions can be changed throughout the music
using the functions @code{add-grace-property} and
@code{remove-grace-property}. The following example undefines the
@code{Stem} direction for this grace, so that stems do not always point
-up, and changes the default note heads to crosses.
+up, and changes the default note heads to crosses.
"
doctitle = "Tweaking grace layout within music"
rhythmic-slashes.ly
separating-key-cancellations-from-key-signature-changes.ly
setting-hairpin-behavior-at-bar-lines.ly
-specifying-context-with-beatgrouping.ly
suppressing-warnings-for-clashing-note-columns.ly
time-signature-in-parentheses.ly
+time-signature-printing-only-the-numerator-as-a-number-instead-of-the-fraction.ly
transcription-of-ancient-music-with-incipit.ly
tweaking-clef-properties.ly
tweaking-grace-layout-within-music.ly
-using-beatlength-and-beatgrouping.ly
using-postscript-to-generate-special-note-head-shapes.ly
using-the--tweak-command-to-tweak-individual-grobs.ly
vertically-aligned-dynamics-and-textscripts.ly
changing--flageolet-mark-size.ly
creating-slurs-across-voices.ly
dotted-harmonics.ly
-snap-pizzicato-markup-bartok-pizzicato.ly
+snap-pizzicato-bartok-pizzicato.ly
string-quartet-template-simple.ly
string-quartet-template-with-separate-parts.ly
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "staff-notation, contexts-and-engravers"
"
doctitlees = "Uso del corchete recto al comienzo de un grupo de pentagramas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Klammer zu Beginn von Systemgruppen kann auch in eine eckige Klammer
texidoc = "
The system start delimiter @code{SystemStartSquare} can be used by
setting it explicitly in a @code{StaffGroup} or @code{ChoirStaffGroup}
-context.
+context.
"
doctitle = "Use square bracket at the start of a staff group"
} % begin verbatim
\score {
- \new StaffGroup { <<
+ \new StaffGroup { <<
\set StaffGroup.systemStartDelimiter = #'SystemStartSquare
\new Staff { c'4 d' e' f' }
\new Staff { c'4 d' e' f' }
+++ /dev/null
-%% Do not edit this file; it is auto-generated from input/new
-%% This file is in the public domain.
-%% Note: this file works from version 2.13.4
-\version "2.13.4"
-
-\header {
-%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- texidoces = "
-La propiedad @code{measureLength} determina dónde se deben insertar
-líneas divisorias y, con @code{beatLength} y @code{beatGrouping}, cómo
-se deben generar las barras autoomáticas para las duraciones de barra
-y compases para los que no hay ninguna regla definida para los finales
-de barra. Este ejemplo muestra distintas dormas de controlar el
-barrado mediante el establecimiento de estas propiedades. Las
-explicaciones están en forma de comentarios dentro del código.
-
-"
- doctitlees = "Utilización de beatLength y beatGrouping"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-Die Eigenschaft @code{measureLength} bestimmt, wo Taktstriche eingefügt
-werden sollen und, zusammen mit @code{beatLength} und
-@code{beatGrouping}, wie automtische Balken für Notenlängen und
-Taktarten, für die keine definierten Regeln gefunden werden, gesetzt
-werden sollen. Dieses Beispiel zeigt verschiedene Möglichkeiten,
-die Balken zu kontrollieren, indem man diese Eigenschaften
-beeinflusst. Die Erklärungen werden als Kommentare im Quellcode
-gegeben.
-"
- doctitlede = "beatLength und beatGrouping benutzen"
-
-%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
- texidocfr = "
-La propriété @code{measureLength} détermine la pulsation et, combinée à
-@code{beatLength} et @code{beatGrouping}, comment générer les ligatures
-automatiques selon les durées et la métrique lorsqu'aucune règle n'a été
-définie. L'exemple commenté qui suit indique différentes façons de
-contrôler les ligatures à l'aide de ces propriétés.
-
-"
- doctitlefr = "Utilisation conjointe de beatLength et beatGrouping"
-
- lsrtags = "rhythms, tweaks-and-overrides"
-
-%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- texidoces = "
-La propiedad @code{measureLength} determina dónde se deben insertar
-líneas divisorias y, con @code{beatLength} y @code{beatGrouping}, cómo
-se deben generar las barras autoomáticas para las duraciones de barra
-y compases para los que no hay ninguna regla definida para los finales
-de barra. Este ejemplo muestra distintas dormas de controlar el
-barrado mediante el establecimiento de estas propiedades. Las
-explicaciones están en forma de comentarios dentro del código.
-
-"
- doctitlees = "Utilización de beatLength y beatGrouping"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-Die Eigenschaft @code{measureLength} bestimmt, wo Taktstriche eingefügt
-werden sollen und, zusammen mit @code{beatLength} und
-@code{beatGrouping}, wie automtische Balken für Notenlängen und
-Taktarten, für die keine definierten Regeln gefunden werden, gesetzt
-werden sollen. Dieses Beispiel zeigt verschiedene Möglichkeiten,
-die Balken zu kontrollieren, indem man diese Eigenschaften
-beeinflusst. Die Erklärungen werden als Kommentare im Quellcode
-gegeben.
-"
- doctitlede = "beatLength und beatGrouping benutzen"
-
-%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
- texidocfr = "
-La propriété @code{measureLength} détermine la pulsation et, combinée à
-@code{beatLength} et @code{beatGrouping}, comment générer les ligatures
-automatiques selon les durées et la métrique lorsqu'aucune règle n'a été
-définie. L'exemple commenté qui suit indique différentes façons de
-contrôler les ligatures à l'aide de ces propriétés.
-
-"
- doctitlefr = "Utilisation conjointe de beatLength et beatGrouping"
-
- texidoc = "
-The property @code{measureLength} determines where bar lines should be
-inserted and, with @code{beatLength} and @code{beatGrouping}, how
-automatic beams should be generated for beam durations and time
-signatures for which no beam-ending rules are defined. This example
-shows several ways of controlling beaming by setting these properties.
-The explanations are shown as comments in the code.
-
-"
- doctitle = "Using beatLength and beatGrouping"
-} % begin verbatim
-
-\markup{This snippet has been deprecated and will be removed in 2.14}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
"
doctitlees = "Utilizar ligaduras dobles para acordes legato"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Einige Komponisten schreiben doppelte Bögen, wenn Legato-Akkorde notiert
texidoc = "
Some composers write two slurs when they want legato chords. This can
-be achieved by setting @code{doubleSlurs}.
+be achieved by setting @code{doubleSlurs}.
"
doctitle = "Using double slurs for legato chords"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
- texidocfr = "
-Le trait que l'on trouve sur les hampes des acciaccatures peut
-être appliqué dans d'autres situations.
-
-"
-
- doctitlefr = "Utilisation de hampe barrée pour une note normale"
-
lsrtags = "rhythms"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
+%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
+ texidocfr = "
+Le trait que l'on trouve sur les hampes des acciaccatures peut
+être appliqué dans d'autres situations.
+
+"
+
+ doctitlefr = "Utilisation de hampe barrée pour une note normale"
+
texidoc = "
The slash through the stem found in acciaccaturas can be applied in
other situations.
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides"
texidoc = "
When a note head with a special shape cannot easily be generated with
-graphic markup, PostScript code can be used to generate the shape.
-This example shows how a parallelogram-shaped note head is generated.
+graphic markup, PostScript code can be used to generate the shape.
+This example shows how a parallelogram-shaped note head is generated.
"
doctitle = "Using PostScript to generate special note head shapes"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "tweaks-and-overrides"
texidoc = "
-With the @code{\\tweak} command, every grob can be tuned directly.
+With the @code{\\tweak} command, every grob can be tuned directly.
Here are some examples of available tweaks.
"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "rhythms"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Überbindungen werden teilweise benutzt, um Arpeggios zu notieren. In
doctitlede = "Überbingungen für Arpeggio genutzen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Les liaisons de tenue servent parfois à rendre un accord arpégé. Dans
notes need not be consecutive. This can be achieved by setting the
@code{tieWaitForNote} property to @code{#t}. The same feature is also
useful, for example, to tie a tremolo to a chord, but in principle, it
-can also be used for ordinary consecutive notes.
+can also be used for ordinary consecutive notes.
"
doctitle = "Using ties with arpeggios"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "text"
texidoc = "
Various scripts may be used for texts (like titles and lyrics) by
-entering them in UTF-8 encoding, and using a Pango based backend.
+entering them in UTF-8 encoding, and using a Pango based backend.
Depending on the fonts installed, this fragment will render Bulgarian
(Cyrillic), Hebrew, Japanese and Portuguese.
Red Hat Fedora
taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
- ttfonts-zh_CN fonts-ja fonts-hebrew
+ ttfonts-zh_CN fonts-ja fonts-hebrew
Debian GNU/Linux
apt-get install emacs-intl-fonts xfonts-intl-.* \
ttf-kochi-gothic ttf-kochi-mincho \
- xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
+ xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
%}
% Cyrillic font
--- /dev/null
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.13.4"
+
+\header {
+ lsrtags = "expressive-marks, ancient-notation"
+
+ texidoc = "
+This short vertical line placed above the note is commonly used in
+baroque music. Its meaning can vary, but generally indicates notes
+that should be played with more \"weight\". The following example
+demonstrates how to achieve such a notation.
+
+"
+ doctitle = "Vertical line as a baroque articulation mark"
+} % begin verbatim
+
+upline =
+#(let ((m stopped))
+ (set! (ly:music-property m 'tweaks)
+ (acons 'font-size 3
+ (acons 'stencil (lambda (grob)
+ (grob-interpret-markup
+ grob
+ (make-draw-line-markup '(0 . 1))))
+ (ly:music-property m 'tweaks))))
+ m)
+
+
+\relative c' {
+ a'^\upline a( c d')_\upline
+}
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "tweaks-and-overrides, spacing"
"
doctitlees = "Indicaciones dinámicas y textuales alineadas verticalmente"
-
+
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Indem man die @code{'Y-extent}-Eigenschaft auf einen passenden Wert setzt,
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "expressive-marks"
Dynamics that occur at, begin on, or end on the same note will be
vertically aligned. To ensure that dynamics are aligned when they do
not occur on the same note, increase the @code{staff-padding} property
-of the @code{DynamicLineSpanner} object.
+of the @code{DynamicLineSpanner} object.
"
doctitle = "Vertically aligning dynamics across multiple notes"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "vocal-music, tweaks-and-overrides, spacing"
"
doctitlees = "Alineación vertical de la letra y los compases de ossia"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Dieser Schnipsel zeigt, wie man die Kontexteigenschaften
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "vocal-music"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Ce canevas ajoute une réduction pour piano à une partition standard pour
-chœur à quatre voix mixtes. Ceci illustre l'un des avantages de
-LilyPond : une expression musicale peut être réutilisée sans effort.
-Toute modification apportée à l'une des voix, mettons @code{tenorMusique},
-sera automatiquement reportée dans la réduction pour piano.
-
-"
- doctitlefr = "Ensemble vocal avec réduction pour piano"
-
lsrtags = "vocal-music, keyboards, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de conjunto vocal con reducción de piano automática"
-
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-In diesem Beispiel wird ein automatischer Klavierauszug zu der
-Chorpartitur hinzugefügt. Das zeigt eine der Stärken von LilyPond
--- man kann eine Variable mehr als einmal benutzen. Wenn Sie
-irgendeine Änderung an einer Chorstimme vornehmen, (etwa
-tenorMusic), verändert sich auch der Klavierauszug entsprechend.
-"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
このテンプレートは、\"合唱テンプレート\"で示された標準の SATB ボーカル譜に自動@c
ピアノ譜を付け加えています。これは LilyPond の強みの 1 つを示しています - 音楽@c
-定義を何回も使用することができます。ボーカルの音符 (例えば、@code{tenorMusic}
+定義を何回も使用することができます。ボーカルの音符 (例えば、@code{tenorMusic}
の音符) に変更が加えられた場合、その変更はピアノ譜にも適用されます。
"
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+ texidocde = "
+In diesem Beispiel wird ein automatischer Klavierauszug zu der
+Chorpartitur hinzugefügt. Das zeigt eine der Stärken von LilyPond
+-- man kann eine Variable mehr als einmal benutzen. Wenn Sie
+irgendeine Änderung an einer Chorstimme vornehmen, (etwa
+tenorMusic), verändert sich auch der Klavierauszug entsprechend.
+"
+
+
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Ce canevas ajoute une réduction pour piano à une partition standard pour
+chœur à quatre voix mixtes. Ceci illustre l'un des avantages de
+LilyPond : une expression musicale peut être réutilisée sans effort.
+Toute modification apportée à l'une des voix, mettons @code{tenorMusique},
+sera automatiquement reportée dans la réduction pour piano.
+
+"
+ doctitlefr = "Ensemble vocal avec réduction pour piano"
+
texidoc = "
This template adds an automatic piano reduction to the standard SATB
vocal score demonstrated in \"Vocal ensemble template\". This
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Ce canevas ressemble beaucoup à celui pour chœur à quatre voix mixtes.
-La différence réside dans le fait que les paroles sont positionnées en
-ayant recours à @code{alignAboveContext} et @code{alignBelowContext}.
-
-"
- doctitlefr = "Ensemble vocal avec alignement des paroles selon le contexte"
-
lsrtags = "text, vocal-music, contexts-and-engravers, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla para conjunto vocal con letras alineadas encima y debajo de los pentagramas"
-
+
+
+%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
+ texidocja = "
+このテンプレートは基本的に単純な \"合唱\" テンプレートと同じですが、歌詞が
+@code{alignAboveContext} と @code{alignBelowContext} を用いて配置されています。
+"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
-In diesem Beispiel werden die Texte mit den Befehlen
+In diesem Beispiel werden die Texte mit den Befehlen
@code{alignAboveContext} und @code{alignBelowContext}
über und unter dem System angeordnet.
"
doctitlede = "Vorlage für Vokalensemble mit dem Gesangstext über und unter dem System"
-%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
- texidocja = "
-このテンプレートは基本的に単純な \"合唱\" テンプレートと同じですが、歌詞が
-@code{alignAboveContext} と @code{alignBelowContext} を用いて配置されています。
+
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Ce canevas ressemble beaucoup à celui pour chœur à quatre voix mixtes.
+La différence réside dans le fait que les paroles sont positionnées en
+ayant recours à @code{alignAboveContext} et @code{alignBelowContext}.
+
"
+ doctitlefr = "Ensemble vocal avec alignement des paroles selon le contexte"
texidoc = "
This template is basically the same as the simple \"Vocal ensemble\"
% we could remove the line about this with the line below, since we want
% the alto lyrics to be below the alto Voice anyway.
% \new Lyrics \lyricsto altos \altoWords
-
+
\new Staff = men <<
\clef bass
\new Voice = "tenors" { \voiceOne << \global \tenorMusic >> }
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
-%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
- texidocfr = "
-Ce fichier constitue un canevas standard de partition pour chœur à
-quatre voix mixtes. Lorsque les ensembles s'étoffent, il est judicieux
-de recourrir à une section spécifique incluse dans chacune des parties,
-tout particulièrement pour gérer la métrique et la tonalité qui,
-la plupart du temps, sont communes à tous les pupitres. Comme il est
-d'usage pour les hymnes, les quatre voix sont réparties sur deux
-portées.
-
-"
- doctitlefr = "Ensemble vocal (simple)"
-
lsrtags = "vocal-music, template"
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
"
doctitlees = "Plantilla de conjunto vocal"
-%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
- texidocde = "
-Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
-Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
-die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
-sind fast immer gleich in allen Stimmen.
-"
-
- doctitlede = "Vorlage für Vokalensemble"
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。\"賛美@c
歌\" テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされています。"
+%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
+ texidocde = "
+Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
+Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
+die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
+sind fast immer gleich in allen Stimmen.
+"
+
+ doctitlede = "Vorlage für Vokalensemble"
+
+
+%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
+ texidocfr = "
+Ce fichier constitue un canevas standard de partition pour chœur à
+quatre voix mixtes. Lorsque les ensembles s'étoffent, il est judicieux
+de recourrir à une section spécifique incluse dans chacune des parties,
+tout particulièrement pour gérer la métrique et la tonalité qui,
+la plupart du temps, sont communes à tous les pupitres. Comme il est
+d'usage pour les hymnes, les quatre voix sont réparties sur deux
+portées.
+
+"
+ doctitlefr = "Ensemble vocal (simple)"
+
texidoc = "
Here is a standard four-part SATB vocal score. With larger ensembles,
it is often useful to include a section which is included in all parts.
\voiceTwo << \global \bassMusic >>
}
>>
- \new Lyrics = basses { s1 }
+ \new Lyrics = basses { s1 }
\context Lyrics = sopranos \lyricsto sopranos \sopWords
\context Lyrics = altos \lyricsto altos \altoWords
\context Lyrics = tenors \lyricsto tenors \tenorWords
\context Lyrics = basses \lyricsto basses \bassWords
- >>
+ >>
\layout {
\context {
% a little smaller so lyrics
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats, staff-notation, chords"
doctitlees = "Corchetes de primera y segunda vez debajo de los acordes"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Indem man den @code{Volta_engraver} zu dem entsprechenden Notensystem
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats, staff-notation"
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.13.1"
+\version "2.13.4"
\header {
lsrtags = "repeats, text"
including markup is to use an identifier for the text and embed it in
the command list using the Scheme syntax @code{#(list (list 'volta
textIdentifier))}. Start- and end-repeat commands can be added as
-separate list elements:
+separate list elements:
"
doctitle = "Volta text markup using repeatCommands"
projects / lilypond.git / commitdiff