"
doctitlees = "Símbolos de acordeón discanto"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Symbole für Akkordeon-Diskantregister"
texidocde = "
accPiccolo = ^\markup {
\combine
- \discant
+ \discant
\raise #2.5 \dot
}
"
doctitlees = "Añadir un bajo cifrado encima o debajo de las notas"
+
%% Translation of GIT committish: 7eb450e8e6c935410b8f3212cb53e5a731f4f33f
doctitlefr = "Ajout d'une basse chiffrée au-dessus ou au-dessous des notes"
As you can see here, this property can be changed as many times as you
wish. Use @code{\\once \\override} if you don't want the tweak to apply
-to the whole score.
+to the whole score.
"
doctitle = "Adding a figured bass above or below the notes"
debe desplazar manualmente para evitar colisiones.
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ambitus können pro Stimme gesetzt werden. In diesem Fall müssen sie
"
doctitlede = "Ambitus pro Stimme hinzufügen"
+
%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
texidocfr = "
L'@code{ambitus} peut être individualisé par voix. Il faut en pareil
texidoc = "
Ambitus can be added per voice. In this case, the ambitus must be moved
-manually to prevent collisions.
+manually to prevent collisions.
"
doctitle = "Adding ambitus per voice"
\key f \major
\once \override Staff.TimeSignature #'stencil = ##f
c1 | c
- }
+ }
>>
c1 | c^"Fixed here" \break
<< { c1 | c }
texidoc = "
An extra staff can be added (possibly temporarily) after the start of a
-piece.
+piece.
"
doctitle = "Adding an extra staff"
"
doctitlees = "Añadir barras de compás al contexto de nombres de acorde (ChordNames)"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Um Taktstriche in einem @code{ChordNames}-Kontext anzeigen zu lassen, muss der
\consists "Bar_engraver"
}
\chordmode {
- f1:maj7 f:7 bes:7
+ f1:maj7 f:7 bes:7
}
valoración especial (encerradas entre llaves).
"
- doctitlees = "Añadir barras, ligaduras de expresión y de unión, etc. cuando se usan ritmos con y sin grupos de valoración especial."
+ doctitlees = "Añadir barras ligaduras de expresión y de unión etc. cuando se usan ritmos con y sin grupos de valoración especial."
texidoc = "
LilyPond syntax can involve many unusual placements for parentheses,
at the end of the requested beaming, even if this note happens to be
inside a tuplet section. This snippet demonstrates how to combine
manual beaming, manual slurs, ties and phrasing slurs with tuplet
-sections (enclosed within curly braces).
+sections (enclosed within curly braces).
"
- doctitle = "Adding beams, slurs, ties etc. when using tuplet and non-tuplet rhythms"
+ doctitle = "Adding beams slurs ties etc. when using tuplet and non-tuplet rhythms"
} % begin verbatim
{
"
doctitlees = "Escritura de partes de percusión"
+
%% Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421
texidocfr = "
Grâce à la puissance des outils préconfigurés tels que la fonction
quite easy: drums are placed at their own staff positions (with a
special clef symbol) and have note heads according to the drum.
Attaching an extra symbol to the drum or restricting the number of
-lines is possible.
+lines is possible.
"
doctitle = "Adding drum parts"
texidoc = "
The @code{\\parenthesize} function is a special tweak that encloses
objects in parentheses. The associated grob is
-@code{Score.ParenthesesItem}.
+@code{Score.ParenthesesItem}.
"
doctitle = "Adding parentheses around an expressive mark or chordal note"
c2-\parenthesize ->
\override ParenthesesItem #'padding = #0.1
\override ParenthesesItem #'font-size = #-4
- <d \parenthesize f a>2
+ <d \parenthesize f a>2
}
"
doctitlees = "Añadir la fecha actual a una partitura"
+
%% Translation of GIT committish: 7eb450e8e6c935410b8f3212cb53e5a731f4f33f
texidocfr = "
Avec un peu de code Scheme, voici comment ajouter facilement
"
doctitlees = "Añadir corchetes de primera y segunda vez a más pentagramas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Der @code{Volta_engraver} befindet sich im @code{Score}-Kontext und Klammern
"
doctitlede = "Volta-Klammern zu zusätzlichen Systemen hinzufügen"
+
%% Translation of GIT committish: e98b2d804c2a136edfa28adc894bb584f676c884
texidocfr = "
D'ordinaire, le graveur @code{Volta_engraver} réside dans le contexte
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein einigen Fällen von sehr komplexer polyphoner Musik sind zusätzliche
@code{context-spec-music} definiert wird.
"
- doctitlede = "Zusätzliche Stimmen, um Zusammenstöße zu vermeiden"
+ doctitlede = "Zusätzliche Stimmen um Zusammenstöße zu vermeiden"
+
%% Translation of GIT committish: c39256c433c9e0d80429fb768cde5834541524f8
texidocfr = "
Dans certains cas de musique polyphonie complexe, une voix
"
doctitlees = "Ajuste del especiado vertical de la letra"
+
%% Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421
texidocfr = "
Cet extrait illustre la manière de rapprocher la ligne de paroles
"
doctitlees = "Ajustar la forma de las subidas y caídas de tono"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die @code{shortest-duration-space}-Eigenschaft kann verändert werden, um
"
doctitlede = "Das Aussehen von unbestimmten Glissandi anpassen"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
La propriété @code{shortest-duration-space} peut devoir être retouchée
doctitlees = "Alineación de los números de compás"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Taktnummern sind standardmäßig links an ihrem Ursprungsobjet
doctitlede = "Taktnummern ausrichten"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
Les numéros de mesure s'alignent en principe sur la droite de l'objet
"
doctitlees = "Alinear marcas con varios objetos de notación"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn angegeben, können Textzeichen auch an anderen Objekten als Taktstrichen
"
doctitlede = "Zeichen an verschiedenen Notationsobjekten ausrichten"
+
%% Translation of GIT committish: c2e8b1d6d671dbfc138f890cbc7e9882b7be2761
texidocfr = "
Les indications textuelles peuvent s'aligner par rapport à d'autres
\relative c' {
e1
-
+
% the RehearsalMark will be centered above the Clef
\override Score.RehearsalMark #'break-align-symbols = #'(clef)
\key a \major
\clef treble
\mark "↓"
e1
-
+
% the RehearsalMark will be centered above the TimeSignature
\override Score.RehearsalMark #'break-align-symbols = #'(time-signature)
\key a \major
\time 3/4
\mark \markup { \char ##x2193 }
e2.
-
+
% the RehearsalMark will be centered above the KeySignature
\override Score.RehearsalMark #'break-align-symbols = #'(key-signature)
\key a \major
\break
e1
-
+
% the RehearsalMark will be aligned with the left edge of the KeySignature
\once \override Score.KeySignature #'break-align-anchor-alignment = #LEFT
\mark \markup { \char ##x2193 }
\key a \major
e1
-
+
% the RehearsalMark will be aligned with the right edge of the KeySignature
\once \override Score.KeySignature #'break-align-anchor-alignment = #RIGHT
\key a \major
\mark \markup { \char ##x2193 }
e1
-
+
% the RehearsalMark will be aligned with the left edge of the KeySignature
% and then shifted right by one unit.
\once \override Score.KeySignature #'break-align-anchor = #1
lsrtags = "text"
texidoc = "
-By default the @code{\\mark} command centers objects over a bar line.
-This behavior can be modified to align at right or left.
+By default the @code{\\mark} command centers objects over a bar line.
+This behavior can be modified to align at right or left.
"
doctitle = "Aligning objects created with the \\mark command"
"
doctitlees = "Permitir que las digitaciones se impriman dentro del pentagrama"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Normalerweise werden vertikal orientierte Fingersatzzahlen außerhalb des Systems
"
doctitlede = "Fingersatz auch innerhalb des Systems setzen"
+
%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
texidocfr = "
L'empilement des indications de doigté se fait par défaut à l'extérieur de la portée. Néanmoins, il est possible d'annuler ce comportement.
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Indem man den @code{Ambitus_engraver} im @code{Staff}-Kontext
Fall, dass mehrere Stimmen sich im gleichen System befinden.
"
doctitlede = "Ambitus mit vielen Stimmen"
+
%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
texidocfr = "
Si plusieurs voix se trouvent sur une même portée, on peut attribuer le
texidoc = "
Adding the @code{Ambitus_engraver} to the @code{Staff} context creates
a single ambitus per staff, even in the case of staves with multiple
-voices.
+voices.
"
doctitle = "Ambitus with multiple voices"
Ambitus indicate pitch ranges for voices.
-Accidentals only show up if they are not part of the key signature.
-@code{AmbitusNoteHead} grobs also have ledger lines.
+Accidentals only show up if they are not part of the key signature.
+@code{AmbitusNoteHead} grobs also have ledger lines.
"
doctitle = "Ambitus"
doctitlees = "Tipografía de música antigua"
+
%% Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421
texidocfr ="
Voici comment graver la plupart, sinon tous les symboles que
upperStaff = \new VaticanaStaff = "upperStaff" <<
\context VaticanaVoice <<
\transpose c c {
-
+
\override NoteHead #'style = #'vaticana.punctum
\key es \major
\clef "vaticana-fa2"
c1 des e f ges
-
+
\override NoteHead #'style = #'vaticana.inclinatum
a! b ces'
\bar "|"
% \break % 1 (8*1)
-
+
\override NoteHead #'style = #'vaticana.quilisma
b! des'! ges! fes!
\breathe
c d
\bar "|"
% \break %2 (8*1)
-
+
\override NoteHead #'style = #'vaticana.punctum.cavum
es f
\override NoteHead #'style = #'vaticana.lpes
\override NoteHead #'style = #'vaticana.linea.punctum
\once \override Staff.BarLine #'bar-size = #2.0 \bar "|"
% \break % 3 (8*1)
-
+
es d
\override NoteHead #'style = #'vaticana.epiphonus
c d
\override NoteHead #'style = #'vaticana.cephalicus
es f
-
+
\override Staff.KeySignature #'glyph-name-alist = #alteration-medicaea-glyph-name-alist
\override Staff.Accidental #'glyph-name-alist = #alteration-medicaea-glyph-name-alist
\override Staff.Custos #'style = #'medicaea
ces des
\bar "|"
% \break % 4 (8*1)
-
+
e! f! ges
\clef "medicaea-do2"
\override NoteHead #'style = #'medicaea.inclinatum
b! a!
\bar "|"
% \break % 5 (8*1)
-
+
ges fes
\clef "medicaea-fa1"
\override NoteHead #'style = #'medicaea.rvirga
e des ces
-
+
\override Staff.KeySignature #'glyph-name-alist = #alteration-hufnagel-glyph-name-alist
\override Staff.Accidental #'glyph-name-alist = #alteration-hufnagel-glyph-name-alist
\override Staff.Custos #'style = #'hufnagel
ces des es
\bar "|"
% \break % 6 (8*1)
-
+
fes ges
\clef "hufnagel-do2"
\override NoteHead #'style = #'hufnagel.lpes
bes! as!
\bar "|"
% \break % 7 (8*1)
-
+
ges! fes!
\clef "hufnagel-do-fa"
\override NoteHead #'style = #'hufnagel.punctum
es! des ces des! es! fes!
\bar "||"
% \break % 8 (8*1)
-
+
s32*1
% \break % 12 (32*1)
}
lowerStaff = \new MensuralStaff = "lowerStaff" <<
\context MensuralVoice <<
\transpose c c {
-
+
\key a \major
cis'1 d'\breve gis'\breve e'\breve \[ e'\longa fis'\longa \]
\set Staff.forceClef = ##t
cis1
\bar "|"
% \break % 2 (16*1)
-
+
\[ g\breve dis''\longa \]
b\breve \[ a\longa d\longa \]
\clef "petrucci-c2"
% \break % 4 (16*1)
-
+
fis1 ces1
\clef "petrucci-c2"
r\longa
r\breve
\bar "|"
% \break % 5 (8*1)
-
+
r2
\clef "mensural-g"
r4 r8 r16 r16
r\breve
\bar "|"
% \break % 6 (8*1)
-
- r\breve
+
+ r\breve
\clef "mensural-f"
r2 r4 r8 r16 r16
-
+
\set Staff.forceClef = ##t
\clef "mensural-f"
e\breve f g a1
\clef "mensural-g"
% \break % 7 (8*1)
-
+
\[ bes'!\longa a'!\longa c''!\longa \]
e'1 d' c' d' \bar "|"
\bar "|"
% \break % 9 (16*1)
-
+
bes'!\longa fis'!1 as'!1 ges'!\longa % lig
\set Staff.forceClef = ##t
\clef "mensural-g"
e'2 d' c' \bar "|"
% \break % 11 (16*1)
-
+
\set Staff.forceClef = ##t
\clef "petrucci-g"
c'2 d' e' f'
"
doctitlees = "Plantilla para notación de música antigua (transcripción moderna de canto gregoriano)"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
"
doctitlede = "Vorlage für Alte Notation -- moderne Transkription des gregorianischen Chorals"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Voici comment vous pourriez transcrire du grégorien. Pour mémoire, il
"
doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
patterns, bar lines were not yet invented during the period of mensural
music; in fact, the meter often changed after every few notes. As a
compromise, bar lines are often printed between the staves rather than
-on the staves.
+on the staves.
"
doctitle = "Ancient notation template -- modern transcription of mensural music"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Notenkopfstile basierend auf der Tonleiterstufe erstellen"
texidocde = "
harmonischen Funktionen und dem Notenstil verloren geht.
"
+
%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
texidocfr = "
La propriété @code{shapeNoteStyles} permet d'affecter un profil
This example shows different ways to obtain shape note heads, and
demonstrates the ability to transpose a melody without losing the
-correspondence between harmonic functions and note head styles.
+correspondence between harmonic functions and note head styles.
"
doctitle = "Applying note head styles depending on the step of the scale"
}
\new Staff {
- \transpose c d
+ \transpose c d
\relative c' {
\set shapeNoteStyles = #'#(do re mi fa
#f la ti)
"
doctitlees = "Improvisación de música árabe"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Bei Improvisation oder @emph{taqasim}, die zeitlich frei gespielt
texidoc = "
Beams can be subdivided automatically. By setting the property
@code{subdivideBeams}, beams are subdivided at beat positions (as
-specified in @code{beatLength}).
+specified in @code{beatLength}).
"
doctitle = "Automatic beam subdivisions"
\set fingeringOrientations = #'(up)
\set stringNumberOrientations = #'(up)
\set strokeFingerOrientations = #'(up)
-
+
% Default behavior
r8
<f c'-5>8
<f c'\5>8
<f c'-\rightHandFinger #2 >8
-
+
% Corrected to avoid collisions
r8
\override Fingering #'add-stem-support = ##t
Here is how to print bar chords, or half-bar chords (just uncomment the
appropriate line for to select either one).
-The syntax is @code{\\bbarre #'fret_number' @{ notes @} }
+The syntax is @code{\\bbarre #'fret_number' @{ notes @} }
} % begin verbatim
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%% %%%%%%% Cut here ----- Start 'bbarred.ly'
+%% %%%%%%% Cut here ----- Start 'bbarred.ly'
%% PostScript -------------------------------
-pScript= \markup {
- \with-dimensions #'(0 . 0.8) #'(0 . 2.0)
+pScript= \markup {
+ \with-dimensions #'(0 . 0.8) #'(0 . 2.0)
\postscript #"
- 0.15 setlinewidth
+ 0.15 setlinewidth
/Times-Roman findfont
2.0 scalefont
setfont
stroke"
}
%% Span -----------------------------------
-%% Syntax: \bbarre #"text" { notes } - text = any number of box
+%% Syntax: \bbarre #"text" { notes } - text = any number of box
bbarre= #(define-music-function (barre location str music) (string? ly:music?)
- (let ((spanned-music
+ (let ((spanned-music
(let ((first-element #f)
(last-element #f)
(first-found? #f))
(music-map (lambda (m)
(if (eqv? (ly:music-property m 'name) 'EventChord)
(begin
- (if (not first-found?)
+ (if (not first-found?)
(begin
(set! first-found? #t)
(set! first-element m)))
\once \override TextSpanner #'font-size = #-2
\once \override TextSpanner #'font-shape = #'upright
\once \override TextSpanner #'staff-padding = #3
- \once \override TextSpanner #'style = #'line
- \once \override TextSpanner #'to-barline = ##f
- \once \override TextSpanner #'bound-details = #'((left (Y . 0) (padding . 0.25) (attach-dir . -2)) (right (Y . 0) (padding . 0.25) (attach-dir . 2)))
+ \once \override TextSpanner #'style = #'line
+ \once \override TextSpanner #'to-barline = ##f
+ \once \override TextSpanner #'bound-details = #'((left (Y . 0) (padding . 0.25) (attach-dir . -2)) (right (Y . 0) (padding . 0.25) (attach-dir . 2)))
\once \override TextSpanner #'bound-details #'right #'text = \markup { \draw-line #'( 0 . -.5) }
- \once \override TextSpanner #'bound-details #'left #'text = \markup { \pScript $str }
+ \once \override TextSpanner #'bound-details #'left #'text = \markup { \pScript $str }
%% uncomment this line for make full barred
- % \once \override TextSpanner #'bound-details #'left #'text = \markup { "B" $str }
+ % \once \override TextSpanner #'bound-details #'left #'text = \markup { "B" $str }
#}
spanned-music))))
-%% %%%%%%% Cut here ----- End 'bbarred.ly'
-%% Copy and change the last line for full barred. Rename in 'fbarred.ly'
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-%% Syntaxe: \bbarre #"text" { notes } - text = any number of box
+%% %%%%%%% Cut here ----- End 'bbarred.ly'
+%% Copy and change the last line for full barred. Rename in 'fbarred.ly'
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+%% Syntaxe: \bbarre #"text" { notes } - text = any number of box
\relative c'{ \clef "G_8" \stemUp \bbarre #"III" { <f a'>16[ c' d c d8] } }
"
doctitlees = "Barras que atraviesan saltos de línea"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Zeilenumbrüche sind normalerweise während Balken verboten. Das kann geändert
doctitlede = "Balken über Zeilenumbrüche"
+
%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
texidocfr = "
texidoc = "
Line breaks are normally forbidden when beams cross bar lines. This
-behavior can be changed as shown:
+behavior can be changed as shown:
"
doctitle = "Beams across line breaks"
\relative c'' {
\override Beam #'breakable = ##t
- c8 c[ c] c[ c] c[ c] c[ \break
+ c8 c[ c] c[ c] c[ c] c[ \break
c8] c[ c] c[ c] c[ c] c
}
doctitlees = "Poner en blanco las líneas del pentagrama utilizando la instrucción \\whiteout"
texidoc = "
-The @code{\\whiteout} command underlays a markup with a white box.
+The @code{\\whiteout} command underlays a markup with a white box.
Since staff lines are in a lower layer than most other grobs, this
-white box will not overlap any other grob.
+white box will not overlap any other grob.
"
doctitle = "Blanking staff lines using the \\whiteout command"
\relative c' {
\override TextScript #'extra-offset = #'(2 . 4)
c2-\markup { \whiteout \pad-markup #0.5 "middle C" } c
-}
+}
parttagline = "Part tagline"
tagline = "Book tagline"
}
-
+
\bookpart {
%% a different page breaking function may be used on each part
\paper { page-breaking = #ly:minimal-breaking }
% by default, \breathe uses the rcomma, just as if saying:
% \override BreathingSign #'text = #(make-musicglyph-markup "scripts.rcomma")
<< { g4 as g } \\ { es4 \breathe bes es } >> |
-
+
% rvarcomma and lvarcomma are variations of the default rcomma and lcomma
% N.B.: must use Staff context here, since we start a Voice below
\override Staff.BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" }
<< { g4 as g } \\ { es4 \breathe bes es } >> |
-
+
% vee
\override BreathingSign #'text = \markup { \musicglyph #"scripts.upbow" }
es8[ d es f g] \breathe f |
-
+
% caesura
\override BreathingSign #'text = \markup { \musicglyph #"scripts.caesura.curved" }
es8[ d] \breathe es[ f g f] |
Make sure to put the hairpin in a lower layer than the text markup to
-draw the rectangle over the hairpin.
+draw the rectangle over the hairpin.
"
doctitle = "Broken Crescendo Hairpin"
"
doctitlees = "Cambiar el tamaño de la marca de \\flageolet"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Um den @code{\\flageolet}-Kreis kleiner zu machen, kann diese
"
doctitlede = "\\flageolet-Zeichen verkleinern"
+
%% Translation of GIT committish: 0099693675b95c7ec6664d7277f22411a14e9c1b
texidocfr = "
texidoc = "
To make the @code{\\flageolet} circle smaller use the following Scheme
-function.
+function.
"
doctitle = "Changing \\flageolet mark size"
"
doctitlees = "Cambiar el salto de las barras en ángulo"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Balken mit Hälsen in unterschiedliche Richtungen werden automatisch
doctitlede = "Balken für weit auseinander liegende Noten ändern"
+
%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
texidocfr = "
LilyPond insère automatiquement des ligatures coudées --- certaines
larger than the value of @code{auto-knee-gap} plus the width of the
beam object (which depends on the duration of the notes and the slope
of the beam). By default @code{auto-knee-gap} is set to 5.5 staff
-spaces.
+spaces.
"
doctitle = "Changing beam knee gap"
"
doctitlees = "Modificación del separador de acordes"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Der Trenner zwischen unterschiedlichen Teilen eines Akkordsymbols kann
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn zehn oder weniger Pausentakte vorkommen, wird eine Reihe von Longa-
doctitlede = "Die Erscheinung von Pausentakten ändern"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Dans le cas où ce silence dure moins de dix mesures, LilyPond imprime sur
context, each voice on a staff can have its own MIDI channel, as is
demonstrated by the following example: despite being on the same staff,
two MIDI channels are created, each with a different
-@code{midiInstrument}.
+@code{midiInstrument}.
"
doctitle = "Changing MIDI output to one channel per voice"
}
\context {
\Voice
- \consists "Staff_performer"
+ \consists "Staff_performer"
}
\context {
\Score
"
doctitlees = "Cambiar los textos de partcombine"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn Stimmen automatisch kombiniert werden, kann der Text, der für
"
doctitlede = "Partcombine-Text ändern"
+
%% Translation of GIT committish: c39256c433c9e0d80429fb768cde5834541524f8
texidocfr = "
Lorsque vous regroupez automatiquement des parties, vous pouvez
"
doctitlees = "Cambiar el texto y los estilos de objeto de extensión para las indicaciones dinámicas textuales"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Der Text, der für Crescendo und Decrescendo gestzt wird, kann geändert
und @code{'dotted-line}.
"
doctitlede = "Text und Strecker-Stile für Dynamik-Texte ändern"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Le texte par défaut des crescendos et decrescendos se change en
@code{decrescendoText}. The style of the spanner line can be changed by
modifying the @code{'style} property of @code{DynamicTextSpanner}. The
default value is @code{'hairpin}, and other possible values include
-@code{'line}, @code{'dashed-line} and @code{'dotted-line}.
+@code{'line}, @code{'dashed-line} and @code{'dotted-line}.
"
doctitle = "Changing text and spanner styles for text dynamics"
doctitlees = "Modificar el aspecto continuo de una ligadura de expresión a punteado o intermitente"
texidoc = "
-The appearance of slurs may be changed from solid to dotted or dashed.
+The appearance of slurs may be changed from solid to dotted or dashed.
"
doctitle = "Changing the appearance of a slur from solid to dotted or dashed"
"
doctitlees = "Cambiar el símbolo de la marca de respiración"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Das Schriftzeichen für das Atemzeichen kann verändert werden, indem
"
doctitlede = "Das Atemzeichen-Symbol verändern"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
On peut choisir le glyphe imprimé par cette commande, en modifiant la
texidoc = "
The glyph of the breath mark can be tuned by overriding the text
property of the @code{BreathingSign} layout object with any markup
-text.
+text.
"
doctitle = "Changing the breath mark symbol"
doctitlees = "Cambiar la nomenclatura de los acordes del cifrado americano por la notación alemana o semi-alemana"
texidoc = "
-The english naming of chords (default) can be changed to german
-(@code{\\germanChords} replaces B and Bes to H and B) or semi-german
+The english naming of chords (default) can be changed to german
+(@code{\\germanChords} replaces B and Bes to H and B) or semi-german
(@code{\\semiGermanChords} replaces B and Bes to H and Bb).
music = \chordmode {
c1/c cis/cis
b/b bis/bis bes/bes
-}
+}
%% The following is only here to print the names of the
%% chords styles; it can be removed if you do not need to
texidoc = "
The default font families for text can be overridden with
-@code{make-pango-font-tree}.
+@code{make-pango-font-tree}.
"
doctitle = "Changing the default text font family"
} % begin verbatim
\paper {
- % change for other default global staff size.
+ % change for other default global staff size.
myStaffSize = #20
%{
run
lilypond -dshow-available-fonts blabla
- to show all fonts available in the process log.
+ to show all fonts available in the process log.
%}
#(define fonts
\relative c'' {
c4^\markup {
- roman: foo \bold bla \italic bar \italic \bold baz
+ roman: foo \bold bla \italic bar \italic \bold baz
}
c'4_\markup {
\override #'(font-family . sans)
mono: foo \bold bla \italic bar \italic \bold baz
}
}
-}
+}
\upper
}
\new Staff {
- \override Staff.StaffSymbol #'line-count = #4
+ \override Staff.StaffSymbol #'line-count = #4
\lower
}
>>
"
doctitlees = "Cambiar las posiciones de las alteraciones del bajo cifrado"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Versetzungszeichen und Pluszeichen können vor oder nach den Ziffern erscheinen,
Though the simplest way to resize staves is to use
@code{#(set-global-staff-size xx)}, an individual staff's size can be
changed by scaling the properties @code{'staff-space} and
-@code{fontSize}.
+@code{fontSize}.
"
doctitle = "Changing the staff size"
doctitlees = "Cambiar el tempo sin indicación metronómica"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Um das Tempo für die MIDI-Ausgabe zu ändern, ohne eine Tempoangabe in den
"
doctitlede = "Das Tempo ohne Metronom-Angabe verändern"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Vous pouvez indiquer un changement de tempo pour le fichier MIDI sans
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Standardmäßig wird nur der Zähler des N-tolen-Bruchs über der Klammer
doctitlede = "Die Zahl der N-tole verändern"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
L'apparence du chiffre est déterminée par la propriété @code{text} dans
"
doctitlees = "Excepciones para los nombres de acorde"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Eigenschaft @code{chordNameExceptions} kann benutzt werden, um eine
texidoc = "
The property @code{chordNameExceptions} can be used to store a list of
-special notations for specific chords.
+special notations for specific chords.
"
doctitle = "Chord name exceptions"
}
\layout {
- ragged-right = ##t
+ ragged-right = ##t
}
<< \context ChordNames \theMusic
\context Voice \theMusic
->>
+>>
"
doctitlees = "Nombre de acorde maj7"
+
%% Translation of GIT committish: d4f58bb3ad4e7fe1967a6b48f25e3addffc8aa14
texidocde = "
Das Aussehen des großen Septakkords kann mit @code{majorSevenSymbol} verändert werden.
texidoc = "
-The layout of the major 7 can be tuned with @code{majorSevenSymbol}.
+The layout of the major 7 can be tuned with @code{majorSevenSymbol}.
"
doctitle = "chord name major7"
texidoc = "
It is possible to color note heads depending on their pitch and/or
their names: the function used in this example even makes it possible
-to distinguish enharmonics.
+to distinguish enharmonics.
"
doctitle = "Coloring notes depending on their pitch"
"
doctitlees = "Combinar dos partes sobre el mismo pentagrama"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Funktion, die Stimmen kombiniert (also der @code{\\partcombine}-Befehl)
"
doctitlede = "Zwei Stimmen auf einem System kombinieren"
+
%% Translation of GIT committish: c39256c433c9e0d80429fb768cde5834541524f8
texidocfr = "
L'outil de combinaison de parties (la commande @code{\\partcombine})
@code{'(2 2 2 3)}:
"
-doctitlees = "Símbolos de dirección, símbolos de agrupación de compás"
+doctitlees = "Símbolos de dirección símbolos de agrupación de compás"
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
@code{'(2 2 2 3)}:
"
- doctitlede = "Dirigirzeichen, Taktgruppenzeichen"
+ doctitlede = "Dirigirzeichen Taktgruppenzeichen"
règles par défaut contenues dans le fichier @w{@code{scm/beam-settings.scm}}.
"
- doctitlefr = "Signes de direction, signes de sous-groupe"
+ doctitlefr = "Signes de direction signes de sous-groupe"
lsrtags = "rhythms"
texidoc = "
is grouped according to the default setting in
@file{scm/beam-settings.scm}:
"
- doctitle = "Conducting signs, measure grouping signs"
+ doctitle = "Conducting signs measure grouping signs"
} % begin verbatim
"
doctitlees = "Glissando contemporáneo"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein modernes Glissando ohne eine Endnote kann gesetzt werden, indem
"
doctitlede = "Moderne Glissandi"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
De nos jours, il peut arriver que la note d'arrivée d'un glissando soit
\cadenzaOn
c4\glissando
\hideNotes
- c,,4
+ c,,4
\unHideNotes
\cadenzaOff
\bar "|"
doctitlees = "Controlar la colocación de las digitaciones de acordes"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Position von Fingersatzzahlen kann exakt kontrolliert werden.
"
doctitlede = "Position von Fingersatz in Akkorden kontrollieren"
+
%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
texidocfr = "
"
doctitlees = "Controlar la ordenación vertical de las inscripciones"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die vertikale Anordnung von Beschriftungen wird mit der
"
doctitlede = "Die vertikale Anordnung von Beschriftungen kontrollieren"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Les symboles s'ordonnent verticalement suivant la propriété
first example. In the second, the prall trill (the @code{Script}) has
the lowest, so it is on the inside. When two objects have the same
priority, the order in which they are entered determines which one
-comes first.
+comes first.
"
doctitle = "Controlling the vertical ordering of scripts"
\relative c''' {
\once \override TextScript #'script-priority = #-100
a2^\prall^\markup { \sharp }
-
+
\once \override Script #'script-priority = #-100
a2^\prall^\markup { \sharp }
}
visibility of tuplet brackets, set the property
@code{'bracket-visibility} to either @code{#t} (always print a
bracket), @code{#f} (never print a bracket) or @code{#'if-no-beam}
-(only print a bracket if there is no beam).
+(only print a bracket if there is no beam).
"
doctitle = "Controlling tuplet bracket visibility"
\override TupletBracket #'bracket-visibility = ##f
<< \music s4^"#f" >>
}
-}
+}
doctitlees = "Crear un grupeto de anticipación"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Einen Doppelschlag mit Vorhalt zu erstellen, wobei die untere Note das
"
doctitlede = "Einen Doppelschlag mit Vorhalt erstellen"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Obtenir un @emph{grupetto} retardé et dans lequel la note la plus basse
texidoc = "
In music that contains many occurrences of the same sequence of notes
-at different pitches, the following music function may prove useful.
+at different pitches, the following music function may prove useful.
It takes a note, of which only the pitch is used. This example
creates the rhythm used throughout Mars, from Gustav Holst's The
-Planets.
+Planets.
"
doctitle = "Creating a sequence of notes on various pitches"
"
doctitlees = "Crear arpegios entre notas de voces distintas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein Arpeggio kann zwischen Noten aus unterschidlichen Stimmen auf demselben
"
doctitlede = "Arpeggios zwischen unterschiedlichen Stimmen erzeugen"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Affecter le graveur @code{Span_arpeggio_engraver} au contexte de la
texidoc = "
An arpeggio can be drawn across notes in different voices on the same
staff if the @code{Span_arpeggio_engraver} is moved to the @code{Staff}
-context:
+context:
"
doctitle = "Creating arpeggios across notes in different voices"
To create blank staves, generate empty measures then remove the
@code{Bar_number_engraver} from the @code{Score} context, and the
@code{Time_signature_engraver}, @code{Clef_engraver} and
-@code{Bar_engraver} from the @code{Staff} context.
+@code{Bar_engraver} from the @code{Staff} context.
"
doctitle = "Creating blank staves"
#(set-global-staff-size 20)
\score {
- {
- \repeat unfold 12 { s1 \break }
+ {
+ \repeat unfold 12 { s1 \break }
}
\layout {
indent = 0\in
"
doctitlees = "Crear arpegios que se cruzan entre pentagramas dentro de un sistema de piano"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Arpeggio über mehrere Systeme können in anderen Kontexten als dem
"
doctitlede = "Arpeggio über mehrere Systeme in anderen Kontexten"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Dans une double portée pour piano (@code{PianoStaff}), un arpège peut
texidoc = "
In a @code{PianoStaff}, it is possible to let an arpeggio cross between
the staves by setting the property @code{PianoStaff.connectArpeggios}.
-
+
"
doctitle = "Creating cross-staff arpeggios in a piano staff"
"
doctitlees = "Creación de arpegios que se cruzan entre pentagramas dentro de otros contextos"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
In einem Klaviersystem (@code{PianoStaff}) ist es möglich, ein Arpeggio
"
doctitlede = "Arpeggio zwischen Systemen in einem Klaviersystem erstellen"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Il est possible de distribuer un arpège sur plusieurs portées d'un
texidoc = "
Cross-staff arpeggios can be created in contexts other than
@code{PianoStaff} if the @code{Span_arpeggio_engraver} is included in
-the @code{Score} context.
+the @code{Score} context.
"
doctitle = "Creating cross-staff arpeggios in other contexts"
"
doctitlees = "Crear indicaciones metronómicas en modo de marcado"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Neue Metronombezeichnungen können als Textbeschriftung erstellt werden,
"
doctitlede = "Eine Metronombezeichnung als Textbeschriftung erstellen"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Vous pouvez créer des indications de tempo sous la forme d'étiquettes
texidoc = "
Unlike text scripts, rehearsal marks cannot be stacked at a particular
-point in a score: only one @code{RehearsalMark} object is created.
+point in a score: only one @code{RehearsalMark} object is created.
Using an invisible measure and bar line, an extra rehearsal mark can be
added, giving the appearance of two marks in the same column. This
method may also prove useful for placing rehearsal marks at both the
-end of one system and the start of the following system.
+end of one system and the start of the following system.
"
doctitle = "Creating simultaneous rehearsal marks"
a4 \startTextSpan
b4 c
a4 \stopTextSpan
-
+
\override TextSpanner #'style = #'line
\once \override TextSpanner
#'(bound-details left stencil-align-dir-y) = #CENTER
a4 \startTextSpan
b4 c
a4 \stopTextSpan
-
+
\override TextSpanner #'style = #'dashed-line
\override TextSpanner #'(bound-details left text) =
\markup { \draw-line #'(0 . 1) }
a4 \startTextSpan
b4 c
a4 \stopTextSpan
-
+
\set Staff.middleCPosition = #-13
\override TextSpanner #'dash-period = #10
\override TextSpanner #'dash-fraction = #0.5
\new Staff \with { \consists "Custos_engraver" } \relative c' {
\override Staff.Custos #'neutral-position = #4
-
+
\override Staff.Custos #'style = #'hufnagel
c1^"hufnagel" \break
<d a' f'>1
-
+
\override Staff.Custos #'style = #'medicaea
c1^"medicaea" \break
<d a' f'>1
-
+
\override Staff.Custos #'style = #'vaticana
c1^"vaticana" \break
<d a' f'>1
-
+
\override Staff.Custos #'style = #'mensural
c1^"mensural" \break
<d a' f'>1
"
doctitlees = "Personalizar los diagramas de posiciones"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Eigenschaften von Bunddiagrammen können in
"
doctitlees = "Personalizar diagramas de posiciones de marcado"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Bunddiagramme können mit der Eigenschaft @code{'fret-diagram-details}
"
doctitlede = "Anpassung von Beschriftungs-Bunddiagrammen"
+
%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
texidocfr = "
<<
\chords { c1 | c | c | d }
-
+
\new Voice = "mel" {
\textLengthOn
% Set global properties of fret diagram
"
doctitlees = "Dirección predeterminada de las plicas sobre la tercera línea del pentagrama"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Richtung von Hälsen auf der mittleren Linie kann mit der @code{Stem}-Eigenschaft
"
doctitlees = "Definición de posiciones predefinidas para otros instrumentos"
+
%% Translation of GIT committish: 33f623301a41fcc53efadf96bca1c72834763415
texidocde = "
Vordefinierte Bunddiagramme können für neue Instrumente hinzugefügt werden
"
doctitlede = "Eigene vordefinierte Bunddiagramme für andere Instrumente erstellen"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocfr = "
These fretboards are not transposable because they contain string
-information. This is planned to be corrected in the future.
+information. This is planned to be corrected in the future.
"
doctitle = "Defining predefined fretboards for other instruments"
#(set-global-staff-size 16)
primerosNames = \chordmode {
- d:6 d a:maj7 d:maj7
+ d:6 d a:maj7 d:maj7
g
}
primeros = {
\new Staff {
\new Voice \with {
\remove "New_fingering_engraver"
- }
+ }
\relative c'' {
\primeros
}
\set TabStaff.stringTunings = #cuatroTuning
\primeros
}
-
+
>>
- \layout {
+ \layout {
\context {
\Score
\override SpacingSpanner
\layout { }
}
-\score {
+\score {
\new Staff <<
\new Voice {
r\mf
doctitlees = "Mostrar corchete o llave en grupos de un solo pentagrama"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn nur ein System einer Systemgruppe vom Typ @code{ChoirStaff} oder
wie das zweite Beispiel zeigt.
"
- doctitlede = "Klammer anzeigen, wenn nur ein System gesetzt wird"
+ doctitlede = "Klammer anzeigen wenn nur ein System gesetzt wird"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Lorsque, dans des regoupements de type @code{ChoirStaff} ou
Note that in contexts such as @code{PianoStaff} and @code{GrandStaff}
where the systems begin with a brace instead of a bracket, another
-property has to be set, as shown on the second system in the example.
+property has to be set, as shown on the second system in the example.
"
doctitle = "Display bracket with only one staff in a system"
\header {
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- doctitlees = "Alteraciones de estilo dodecafónico para todas las notas, incluidas las naturales"
+ doctitlees = "Alteraciones de estilo dodecafónico para todas las notas incluidas las naturales"
texidoces = "
En las obras de principios del s.XX, empezando por Schoenberg, Berg y
Webern (la \"Segunda\" escuela de Viena), cada nota de la escala de
e2\glissando g
}
\\
- {
+ {
% original voice with chords rearranged so that
% glissando is attached to a & c
<e a,>2\glissando <g c,>
texidoc = "
The @code{print-function} can be overridden to draw a box around an
-arbitrary grob.
+arbitrary grob.
"
doctitle = "Drawing boxes around grobs"
\override Score.RehearsalMark #'stencil =
#(make-stencil-boxer 0.15 0.3 ly:text-interface::print)
b8
-
+
\revert Stem #'stencil
c4. c4
\mark "F"
texidoc = "
PostScript code can be directly inserted inside a @code{\\markup}
-block.
+block.
"
doctitle = "Embedding native PostScript in a \\markup block"
\relative c'' {
a4-\markup { \postscript #"3 4 moveto 5 3 rlineto stroke" }
-\markup { \postscript #"[ 0 1 ] 0 setdash 3 5 moveto 5 -3 rlineto stroke " }
-
+
b4-\markup { \postscript #"3 4 moveto 0 0 1 2 8 4 20 3.5 rcurveto stroke" }
s2
a'1
nuestro ordenador.
"
- doctitlees = "Los grabadores, uno por uno"
+ doctitlees = "Los grabadores uno por uno"
texidoc = "
The notation problem, creating a certain symbol, is handled by plugins.
You may only see the first example in this document; please download
-this snippet and run it from your own computer.
+this snippet and run it from your own computer.
"
doctitle = "Engravers one-by-one"
\key d \major
\clef bass
g8-. r
- r4
+ r4
fis8-.
r8
r4
\description "Handles clefs, bar lines, keys, accidentals. It can contain
@code{Voice} contexts."
-
- \consists "Output_property_engraver"
-
+
+ \consists "Output_property_engraver"
+
\consists "Font_size_engraver"
\consists "Volta_engraver"
- \consists "Separating_line_group_engraver"
+ \consists "Separating_line_group_engraver"
\consists "Dot_column_engraver"
\consists "Ottava_spanner_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-6 . 6)
extraVerticalExtent = ##f
- verticalExtent = ##f
+ verticalExtent = ##f
localKeySignature = #'()
- % explicitly set instrument, so we don't get
+ % explicitly set instrument, so we don't get
% weird effects when doing instrument names for
% piano staves
instrumentName = #'()
shortInstrumentName = #'()
-
+
\accepts "Voice"
}
localKeySignature = #'()
\consists "Font_size_engraver"
-
+
% must come before all
- \consists "Output_property_engraver"
+ \consists "Output_property_engraver"
\consists "Arpeggio_engraver"
\consists "Multi_measure_rest_engraver"
\consists "Text_spanner_engraver"
MyStaff = \context {
\MyStaff
- \consists "Accidental_engraver"
+ \consists "Accidental_engraver"
\consists "Key_engraver"
}
\score {
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Überbindungen können manuell gesetzt werden, indem man die
doctitlede = "Bindebögen manuell setzen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Il est possible de graver manuellement les liaisons de tenue, en
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Eigenschaft @code{tupletSpannerDuration} bestimmt, wie lange jede
Mehr Information über @code{make-moment} gibt es in \"Verwaltung der Zeiteinheiten\".
"
- doctitlede = "Mehrere Triolen notieren, aber nur einmal \\times benutzen"
+ doctitlede = "Mehrere Triolen notieren aber nur einmal \\times benutzen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
Read the relevant sections of the Notation Reference for more
-information about @code{make-moment}.
+information about @code{make-moment}.
"
doctitle = "Entering several tuplets using only one \\times command"
derecha.
"
- doctitlees = "Digitaciones, indicación del número de cuerda y digitaciones de mano derecha"
+ doctitlees = "Digitaciones indicación del número de cuerda y digitaciones de mano derecha"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
und Fingersatz für die rechte Hand.
"
- doctitlede = "Fingersatz, Saitennummern und Fingersatz für die rechte Hand"
+ doctitlede = "Fingersatz Saitennummern und Fingersatz für die rechte Hand"
+
%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
texidocfr = "
gauche, des indications de corrde et des doigtés pour la main droite.
"
- doctitlefr = "Doigtés, indications de cordeet doigtés main droite"
+ doctitlefr = "Doigtés indications de cordeet doigtés main droite"
texidoc = "
right-hand fingering.
"
- doctitle = "Fingerings, string indications, and right-hand fingerings"
+ doctitle = "Fingerings string indications and right-hand fingerings"
} % begin verbatim
#(define RH rightHandFinger)
* a golpe symbol to indicate a slap on the guitar body with the nail of
-the ring finger
-
-
-* an arrow to indicate (the direction of) strokes
-
-
-* different letters for fingering (\"p\": thumb, \"i\": index finger,
-\"m\": middle finger, \"a\": ring finger and \"x\": little finger)
-
-
-* 3- and 4-finger rasgueados; stroke upwards with all fingers, ending
-with an up- and down using the index finger
-
-
-* abanicos: strokes (in tuples) with thumb (down), little and index
-finger (both up). There's also an abanico 2 where middle and ring
-finger are used instead of the little finger.
-
-
-* alza pua: fast playing with the thumb
+the ring finger * an arrow to indicate (the direction of) strokes *
+different letters for fingering (@qq{p}: thumb, @qq{i}: index finger,
+@qq{m}: middle finger, @qq{a}: ring finger and @qq{x}: little finger) *
+3- and 4-finger rasgueados; stroke upwards with all fingers, ending
+with an up- and down using the index finger * abanicos: strokes (in
+tuples) with thumb (down), little and index finger (both up). There's
+also an abanico 2 where middle and ring finger are used instead of the
+little finger. * alza pua: fast playing with the thumb
Most figures use arrows in combination with fingering; with abanicos
and rasgueados, noteheads are printed only for the first chord.
This snippet contains some header-like code that can be copied as
-@samp{flamenco.ly} and included in source files.
+@samp{flamenco.ly} and included in source files.
"
doctitle = "Flamenco notation"
} % begin verbatim
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%%%%% Cut here ----- Start 'flamenco.ly'
+%%%%%%% Cut here ----- Start 'flamenco.ly'
% Text indicators
abanico = \markup { \italic Abanico }
-0.6 1.0 lineto
0.5 1.0 lineto
stroke
-"}
+"}
strokeUpGolpe = \markup { \column { \golpe \line { \strokeUp }}}
iUpGolpe = \markup { \column { \golpe \line { \small i } \line { \strokeUp }}}
\override NoteHead #'no-ledgers = ##f
}
-%%%%%%% Cut here ----- End 'flamenco.ly'
+%%%%%%% Cut here ----- End 'flamenco.ly'
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
part = \relative c' {
<a e' a cis e>8^\iDown
r4
r2^\golpe
-
+
<a e' a cis e>8^\iUp
<a e' a cis e>8^\iDown
<a e' a cis e>8^\iUpGolpe
<a e' a cis e>8^\iDown
r2
-
+
<a e' a cis e>16^\aUp
- \headsOff
+ \headsOff
<a e' a cis e>^\mUp
<a e' a cis e>^\iUp
<a e' a cis e>^\iDown~
}
<a e' a cis e>2
r4
-
+
\tupletsOff
\times 2/3 {
<a e' a cis e>8^\pDown
<a e' a cis e>^\iUp
\headsOn
}
-
+
\times 2/3 {
<a e' a cis e>8^\pDown
\headsOff
<a e' a cis e>^\iUp
\headsOn
}
-
+
\times 2/3 {
<a e' a cis e>8^\pDown
\headsOff
<a e' a cis e>^\iUp
\headsOn
}
-
+
\tupletsOff
\override Beam #'positions = #'(2 . 2)
\times 2/3 {
<e a>^\strokeDown
}
\tupletsOn
-
+
\once \override TextScript #'extra-offset = #'(0 . -1)
<g, b f'>1_\golpe^\mUp
\bar "|."
doctitlees = "Corchetes rectos y extremos de barra sueltos"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Gerade Fähnchen an einzelnen Noten und überstehende Balkenenden bei
doctitlede = "Gerade Fähnchen und überstehende Balkenenden"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
En combinant @code{stemLeftBeamCount}, @code{stemRightBeamCount} et des
texidoc = "
Flat flags on lone notes and beam nibs at the ends of beamed figures
-are both possible with a combination of @code{stemLeftBeamCount},
+are both possible with a combination of @code{stemLeftBeamCount},
@code{stemRightBeamCount} and paired @code{[]} beam indicators.
Sometimes it may make sense for a lone note surrounded by rests to
carry both a left- and right-pointing flat flag. Do this with paired
-@code{[]} beam indicators alone (Example 4).
+@code{[]} beam indicators alone (Example 4).
-(Note that @code{\\set stemLeftBeamCount} is always equivalent to
-@code{\\once \\set}. In other words, the beam count settings are not
-@qq{sticky}, so the pair of flat flags attached to the lone
-@code{c'16[]} in the last example have nothing to do with the
+(Note that @code{\\set stemLeftBeamCount} is always equivalent to
+@code{\\once \\set}. In other words, the beam count settings are not
+@qq{sticky}, so the pair of flat flags attached to the lone
+@code{c'16[]} in the last example have nothing to do with the
@code{\\set} two notes prior.)
c16[]
r8.
}
-
+
% Example 2
\new RhythmicStaff {
r8.
\set stemRightBeamCount = #0
c16[]
}
-
+
% Example 3
\new RhythmicStaff {
c16 c
\set stemLeftBeamCount = #2
c16 c c
}
-
+
% Example 4
\new RhythmicStaff {
c16 c
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn es zu Zusammenstößen kommt, kann mit folgender Lösung eine andere
"
doctitlede = "Horizontale Verschiebung von Noten erzwingen"
+
%% Translation of GIT committish: c39256c433c9e0d80429fb768cde5834541524f8
texidocfr = "
Quand LilyPond est dépassé, la propriété @code{force-hshift} de l'objet
c c c d d
}
}
-
+
\new Voice = "mel" {
\textLengthOn
% Set global properties of fret diagram
\override TextScript #'size = #1.2
- \override TextScript
+ \override TextScript
#'fret-diagram-details #'finger-code = #'below-string
\override TextScript #'fret-diagram-details #'dot-color = #'black
\fret-diagram #"s:1.2;w:4;h:3;f:2;d:0.35;p:0.55;4-2-2;3-1-1;2-o;1-o;"
}
}
-
+
%% These chords will be in normal orientation
%% C major for guitar, barred on third fret
}
}
}
-
+
%% C major for guitar, barred on third fret
%% Double barre used to test barre function
% verbose style
}
}
}
-
+
%% C major for guitar, with capo on third fret
% verbose style
c'2^\markup {
}
}
}
-
+
%% simple D chord
d'2^\markup {
\override #'(fret-diagram-details . (
}
% These chords will be in landscape orientation
- \override TextScript
+ \override TextScript
#'fret-diagram-details #'orientation = #'landscape
%% C major for guitar, barred on third fret
}
}
}
-
+
%% C major for guitar, barred on third fret
%% Double barre used to test barre function
% verbose style
}
}
}
-
+
%% C major for guitar, with capo on third fret
% verbose style
c'2^\markup {
}
}
}
-
+
%% simple D chord
d'2^\markup {
\override #'(fret-diagram-details . (
}
% These chords will be in opposing-landscape orientation
- \override TextScript #'fret-diagram-details
+ \override TextScript #'fret-diagram-details
#'orientation = #'opposing-landscape
%% C major for guitar, barred on third fret
}
}
}
-
+
%% C major for guitar, barred on third fret
%% Double barre used to test barre function
% verbose style
}
}
}
-
+
%% C major for guitar, with capo on third fret
% verbose style
c'2^\markup {
}
}
}
-
+
%% simple D chord
d'2^\markup {
\override #'(fret-diagram-details . (
"
doctitlees = "Líneas de rejilla: modificar su aspecto"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Erscheinung der Gitternetzlinien kann durch einige Eigenschaften
"
doctitlede = "Gitternetzlinien: Aussehen verändern"
+
%% Translation of GIT committish: ca543ea73189a1e53af94973dad0b8a5042c130c
texidocfr = "
Modifier certaines des propriétés du cadrillage temporel aura pour effet
\override Staff.StaffSymbol #'line-count = #0
\override Staff.TimeSignature #'transparent = ##t
\override Staff.Clef #'transparent = ##t
-
+
% dummy notes to force regular note spacing
\once \override Score.GridLine #'thickness = #4.0
c8 c c
"
doctitlees = "Ritmos rasgueados de guitarra"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
In Guitarrennotation kann neben Melodie, Akkordbezeichnungen und
doctitlede = "Schlagrhythmus für Guitarren"
+
%% Translation of GIT committish: fa7695ea860d7ab2db86581dd5f8bc4f413f6705
texidocfr = "
En matière de notation pour guitare, il arrive que soient indiqués les
"
doctitlees = "Ocultar la línea de extensión de las expresiones textuales de dinámica"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Dynamik-Texte (wie cresc. und dim.) werden mit einer gestrichelten Linie
"
doctitlede = "Crescendo-Linien von Dynamik-Texten unterdrücken"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Les crescendos et decrescendos indiqués textuellement -- tels que
texidoc = "
Text style dynamic changes (such as cresc. and dim.) are printed with a
dashed line showing their extent. This line can be suppressed in the
-following way:
+following way:
"
doctitle = "Hiding the extender line for text dynamics"
"
- doctitle = "Horizontally aligning custom dynamics (e.g. \"sempre pp\", \"piu f\", \"subito p\")"
+ doctitle = "Horizontally aligning custom dynamics (e.g. \"sempre pp\" \"piu f\" \"subito p\")"
} % begin verbatim
\header { title = "Horizontally aligning custom dynamics" }
% Drawback: One needs to set DynamicText #'X-offset!
% Drawback: Aligned at the right edge of the additional text, not at the center of pp
semppMII =
-#(make-dynamic-script (markup #:line(#:right-align
+#(make-dynamic-script (markup #:line(#:right-align
#:normal-text #:italic "sempre" #:dynamic "pp")))
\context StaffGroup <<
If you need to move the fret according with a rythmic position inside
the bar (in the example, the third beat of the measure) the second
example is better, because the fret is aligned with the third beat
-itself.
+itself.
"
doctitle = "How to change fret diagram position"
b4.~^\markup { \fret-diagram #"6-x;5-2;4-4;3-2;2-2;1-4;" } b4. a8\break
% HERE IS THE SECOND METHOD
<<
- { a8 b4.~ b4. a8}
+ { a8 b4.~ b4. a8}
{ s4 s4 s4^\markup { \fret-diagram #"6-x;5-2;4-4;3-2;2-2;1-4;" }
}
>>
lsrtags = "text, vocal-music"
texidoc = "
-This can be achieved by separating those syllables by tildes.
+This can be achieved by separating those syllables by tildes.
"
doctitle = "How to put ties between syllables in lyrics"
} % begin verbatim
\lyrics {
- wa~o~a
+ wa~o~a
}
"
doctitlees = "Indicar acordes de pentagrama cruzado con corchetes de arpegio"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Eine Arpeggioklammer kann anzeigen, dass Noten auf zwei unterschiedlichen
context.
-(Debussy, Les collines d’Anacapri, m. 65)
+(Debussy, Les collines d’Anacapri, m. 65)
"
doctitle = "Indicating cross-staff chords with arpeggio bracket"
"
doctitlees = "Insertar una cesura"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Zäsurzeichen können erstellt werden, indem die @code{'text}-Eigenschaft
Zäsurzeichen ist auch möglich.
"
doctitlede = "Eine Zäsur einfügen"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Une surcharge de la propriété @code{'text} de l'objet
texidoc = "
Caesura marks can be created by overriding the @code{'text} property of
the @code{BreathingSign} object. A curved caesura mark is also
-available.
+available.
"
doctitle = "Inserting a caesura"
contains a @code{\\score} block instead of texts or marks.
"
- doctitle = "Inserting score fragments above a staff, as markups"
+ doctitle = "Inserting score fragments above a staff as markups"
} % begin verbatim
tuning = \markup {
"
doctitlees = "Símbolos de porcentaje sueltos"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Isolierte Prozentwiederholungen können auch ausgegeben werden. Das wird
"
doctitlede = "Isolierte Prozentwiederholungen"
+
%% Translation of GIT committish: e98b2d804c2a136edfa28adc894bb584f676c884
texidocfr = "
Des symboles de pourcentage isolés peuvent aussi être obtenus, au
"
doctitlees = "Plantilla para combo de jazz"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Hier ist ein ziemlich kompliziertes Beispiel für ein Jazz-Ensemble. Achtung:
"
doctitlede = "Vorlage für Jazz-Combo"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Bien que compliqué de prime abord, voici un canevas tout à fait indiqué
\new Staff = "barisax" \bariSax
\new Staff = "trombone" \trombone
>>
-
+
\new StaffGroup = "rhythm" <<
\new ChordNames = "chords" \gtrHarmony
\new Staff = "guitar" \guitar
\new DrumStaff \drumContents
>>
>>
-
+
\layout {
\context { \RemoveEmptyStaffContext }
\context {
skipBars = ##t
}
}
-
+
\midi { }
}
texidoc = "
Laissez vibrer ties have a fixed size. Their formatting can be tuned
-using @code{'tie-configuration}.
+using @code{'tie-configuration}.
"
doctitle = "Laissez vibrer ties"
lsrtags = "staff-notation, fretted-strings"
texidoc = "
-Tablature can be formatted using letters instead of numbers.
+Tablature can be formatted using letters instead of numbers.
"
doctitle = "Letter tablature formatting"
\clef "G_8"
\music
}
- \new TabStaff \with {
+ \new TabStaff \with {
tablatureFormat = #letter-tablature-format
}
{
\override TextSpanner #'(bound-details right stencil-align-dir-y) = #CENTER
\override TextSpanner #'(bound-details left stencil-align-dir-y) = #CENTER
-
+
\override Glissando #'(bound-details right arrow) = ##t
\override Glissando #'arrow-length = #0.5
\override Glissando #'arrow-width = #0.25
-
+
a8\startTextSpan gis a4 b\glissando b,
g'4 c\stopTextSpan c2
}
@code{self-alignment-X} property of the @code{LyricText} object.
@code{#-1} is left, @code{#0} is center and @code{#1} is right;
however, you can use @code{#LEFT}, @code{#CENTER} and @code{#RIGHT} as
-well.
+well.
"
doctitle = "Lyrics alignment"
\once \override LyricText #'self-alignment-X = #LEFT
"This is left-aligned"
\once \override LyricText #'self-alignment-X = #CENTER
- "This is centered"
+ "This is centered"
\once \override LyricText #'self-alignment-X = #1
"This is right-aligned"
}
This snippet demonstrates how to connect different voices using ties.
Normally, ties only connect two notes in the same voice. By
introducing a tie in a different voice, and blanking the first up-stem
-in that voice, the tie appears to cross voices.
+in that voice, the tie appears to cross voices.
"
doctitle = "Making an object invisible with the 'transparent property"
"
doctitlees = "Hacer unas líneas del pentagrama más gruesas que las otras"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Für den pädagogischen Einsatz kann eine Linie des Notensystems dicker
"
doctitlede = "Eine Linie des Notensystems dicker als die anderen machen"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Vous pourriez avoir envie, dans un but pédagogique, de rendre certaines
middle line, or to emphasize the line of the G clef). This can be
achieved by adding extra lines very close to the line that should be
emphasized, using the @code{line-positions} property of the
-@code{StaffSymbol} object.
+@code{StaffSymbol} object.
"
doctitle = "Making some staff lines thicker than the others"
corresponding step. However, in this case lilypond is in greedy-mode
and uses extenders whenever possible. To break individual extenders,
one can simply use a modifier \\! to a number, which breaks any
-extender attributed to that number right before the number.
+extender attributed to that number right before the number.
"
doctitle = "Manually break figured bass extenders for only some numbers"
} % begin verbatim
-bassfigures = \figuremode {
+bassfigures = \figuremode {
\set useBassFigureExtenders = ##t
<6 4>4 <6 4\!> <6 4\!> <6 4\!> | <6\! 4\!> <6 4> <6 4\!> <6 4>
}
texidoc = "
This snippet provides a workaround for emitting measure counters using
-transparent percent repeats.
+transparent percent repeats.
"
doctitle = "Measure counter"
doctitlees = "Disposición Mensurstriche (líneas divisorias entre pentagramas)"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Das Mensurstiche-Layout, in welchem die Taktlinien nicht auf den Systemen,
"
doctitlede = "Mensurstriche-Layout (Taktstriche zwischen den Systemen"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
En musique mensurale, les barres de mesure ne traversent pas les
"
doctitlees = "Modificar los valores predeterminados para la notación abreviada de las articulaciones"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Abkürzungen sind in der Datei @samp{ly/script-init.ly} definiert, wo
"
doctitlede = "Die Standardwerte der Abkürzungen von Artikulationen verändern"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Les raccourcis sont répertoriés dans le fichier
for the shorthands can be modified. For example, to associate the
@code{-+} (@code{dashPlus}) shorthand with the trill symbol instead of
the default + symbol, assign the value @code{trill} to the variable
-@code{dashPlus}:
+@code{dashPlus}:
"
doctitle = "Modifying default values for articulation shorthand notation"
doctitlees = "Marcado de silencios multicompás"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "Textbeschriftungen, die an Mehrtaktpausen gehängt wird,
wird über oder unter der Pause zentriert. Lange Beschriftungen
doctitlede = "Textbeschriftung und Mehrtaktpausen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Lorsque du texte est attaché à un silence multi-mesures, il sera centré
"
doctitlees = "Anidado de grupos de pentagramas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Eigenschaft @code{systemStartDelimiterHierarchy} kann eingesetzt
"
doctitlede = "Systeme schachteln"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
La propriété @code{systemStartDelimiterHierarchy} permet de créer des
a Do antes de ser asignada a una variable.
"
- doctitlees = "Plantilla de orquesta, coro y piano"
+ doctitlees = "Plantilla de orquesta coro y piano"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Ce canevas illustre l'utilisation de contextes @code{StaffGroup} pour
d'être transposées puis affectées à une variable.
"
- doctitlefr = "Orchestre, chœur et piano"
+ doctitlefr = "Orchestre chœur et piano"
texidoc = "
This template demonstrates the use of nested @code{StaffGroup} and
transposed to C before being assigned to a variable.
"
- doctitle = "Orchestra, choir and piano template"
+ doctitle = "Orchestra choir and piano template"
} % begin verbatim
#(set-global-staff-size 17)
doctitlees = "Texto de octava alta y baja"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Intern setzt die @code{set-octavation}-Funktion die Eigenschaften
"
doctitlede = "Ottava-Text"
+
%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
texidocfr = "
En interne, la fonction @code{\\ottava} détermine les
texidoc = "
By putting the output of
- @code{lilypond-version} into a lyric, it is possible to print the
+ @code{lilypond-version} into a lyric, it is possible to print the
version number of LilyPond in a score, or in a document generated
- with @code{lilypond-book}. Another possibility is to append the
- version number to the doc-string, in this manner:
+ with @code{lilypond-book}. Another possibility is to append the
+ version number to the doc-string, in this manner:
"
doctitle = "Outputting the version number"
"
doctitlees = "Visibilidad del contador de repeticiones de tipo porcentaje"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Prozentwiederholungszähler können in regelmäßigen Intervallen angezeigt
werden, indem man die Eigenschaft @code{repeatCountVisibility} beeinflusst.
"
doctitlede = "Sichtbarkeit von Prozent-Wiederholungen"
+
%% Translation of GIT committish: e98b2d804c2a136edfa28adc894bb584f676c884
texidocfr = "
Le numéro de mesure répétée sera imprimé à intervalle régulier si vous
"
doctitlees = "Percent repeat counter"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ganztaktwiederholungen mit mehr als zwei Wiederholungen erhalten einen
"
doctitlede = "Prozent-Wiederholungen zählen"
+
%% Translation of GIT committish: e98b2d804c2a136edfa28adc894bb584f676c884
texidocfr = "
Les répétitions de plus de 2 mesures sont surmontées d'un compteur,
doctitle = "Percussion beaters"
} % begin verbatim
-stick = \markup {
- \with-dimensions #'(0 . 5) #'(0 . 5)
+stick = \markup {
+ \with-dimensions #'(0 . 5) #'(0 . 5)
\postscript #"
0 6 translate
0.8 -0.8 scale
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Dieses künstliche Beispiel zeigt, wie sowohl automatische als auch
doctitlede = "Zeilenumbrüche bei N-tolen mit Balken erlauben"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Cet exemple peu académique démontre comment il est possible d'insérer un saut
"
doctitlees = "Plantilla de piano (sencilla)"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Hier ein einfaches Klaviersystem.
"
doctitlede = "Vorlage für einfache Klaviernotation"
+
%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
texidocfr = "
Voici une simple partition pour piano avec quelques notes.
\clef treble
\key c \major
\time 4/4
-
- a4 b c d
+
+ a4 b c d
}
lower = \relative c {
\clef bass
\key c \major
\time 4/4
-
- a2 c
+
+ a2 c
}
\score {
"
doctitlees = "Plantilla de piano con letra centrada"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
旋律と歌詞のための譜表を持つ代わりに、歌詞をピアノ譜の 2 つの譜の間に置くことができます。
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Anstatt ein eigenes System für Melodie und Text zu schreiben, können
(und damit das zusätzliche System für die Gesangstimme auslassen).
"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Lorsque la mélodie est doublée au piano, cela ne nécessite pas forcément
\clef treble
\key c \major
\time 4/4
-
- a4 b c d
+
+ a4 b c d
}
lower = \relative c {
\clef bass
\key c \major
\time 4/4
-
- a2 c
+
+ a2 c
}
text = \lyricmode {
"
doctitlees = "Plantilla de piano con melodía y letra"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
これは一般的な歌曲のフォーマットです: 旋律と歌詞を持つ譜表と、その下にピアノ伴奏譜があります。
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Das nächste Beispiel ist typisch für ein Lied: Im oberen System die
doctitlede = "Vorlage für Klavier und Gesangsstimme"
+
%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
texidocfr = "
Il s'agit du format classique pour le chant : une portée pour la mélodie
et les paroles au-dessus de l'accompagnement au piano.
"
- doctitlefr = "Piano, mélodie et paroles"
+ doctitlefr = "Piano mélodie et paroles"
texidoc = "
Here is a typical song format: one staff with the melody and lyrics,
-with piano accompaniment underneath.
+with piano accompaniment underneath.
"
doctitle = "Piano template with melody and lyrics"
\clef treble
\key c \major
\time 4/4
-
- a b c d
+
+ a b c d
}
text = \lyricmode {
\clef treble
\key c \major
\time 4/4
-
- a4 b c d
+
+ a4 b c d
}
lower = \relative c {
\clef bass
\key c \major
\time 4/4
-
- a2 c
+
+ a2 c
}
\score {
<<
\new Voice = "mel" { \autoBeamOff \melody }
- \new Lyrics \lyricsto mel \text
+ \new Lyrics \lyricsto mel \text
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
"
doctitlees = "Posicionamiento de digitaciones de mano derecha"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Man kann die Positionierung von Fingersatz der rechten Hand besser
"
doctitlede = "Positionierung von Fingersatz der rechten Hand"
+
%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
texidocfr = "
texidoc = "
It is possible to exercise greater control over the placement of
right-hand fingerings by setting a specific property, as demonstrated
-in the following example. Note: you must use a chord construct
+in the following example. Note: you must use a chord construct
"
doctitle = "Placement of right-hand fingerings"
\relative c {
\clef "treble_8"
-
+
\set strokeFingerOrientations = #'(up down)
<c-\RH #1 e-\RH #2 g-\RH #3 c-\RH #4 >4
-
+
\set strokeFingerOrientations = #'(up right down)
<c-\RH #1 e-\RH #2 g-\RH #3 c-\RH #4 >4
-
+
\set strokeFingerOrientations = #'(left)
<c-\RH #1 e-\RH #2 g-\RH #3 c-\RH #4 >2
}
"
doctitlees = "Polifonía en tablaturas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Polyphonie kann in einer Tabulatur (@code{TabStaff}) genauso wie in einem
"
doctitlede = "Polyphonie in einer Tabulatur"
+
%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
texidocfr = "
doctitlees = "Posicionamiento de las notas de adorno con espacio flotante"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn man die Eigenschaft @code{'strict-grace-spacing} aktiviert,
doctitlede = "Positionierung von Verzierungen mit verschiebbarem Platz"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
Lorsque vous activez la propriété @code{'strict-grace-spacing},
ve a continuación:
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Anders als bei normalen Pausen gibt es keinen direkten Befehl, um die
doctitlede = "Positionierung von Ganztaktpausen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Si l'on peut positionner verticalement un silence simple en le
attaching it to a note. However, in polyphonic music multi-measure
rests in odd-numbered and even-numbered voices are vertically
separated. The positioning of multi-measure rests can be controlled as
-follows:
+follows:
"
doctitle = "Positioning multi-measure rests"
doctitle = "Positioning segno and coda (with line break)"
} % begin verbatim
-{
+{
\clef treble
\key g \major
\time 4/4
\repeat unfold 2 {
| c4 c c c
}
-
+
% Set segno sign as rehearsal mark and adjust size if needed
% \once \override Score.RehearsalMark #'font-size = #3
\mark \markup { \musicglyph #"scripts.segno" }
\repeat unfold 2 {
| c4 c c c
}
-
+
% Set coda sign as rehearsal mark and adjust size if needed
\once \override Score.RehearsalMark #'font-size = #4
\mark \markup { \musicglyph #"scripts.coda" }
\repeat unfold 2 {
| c4 c c c
}
-
+
% Should Coda be on anew line?
% Coda NOT on new line: use \nobreak
% Coda on new line: DON'T use \nobreak
% \noBreak
-
+
\bar "||"
-
+
% Set segno sign as rehearsal mark and adjust size if needed
\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
% \once \override Score.RehearsalMark #'font-size = #3
\mark \markup { \musicglyph #"scripts.segno" }
-
- % Here begins the trickery!
+
+ % Here begins the trickery!
% \cadenzaOn will suppress the bar count and \stopStaff removes the staff lines.
- \cadenzaOn
- \stopStaff
- % Some examples of possible text-displays
-
+ \cadenzaOn
+ \stopStaff
+ % Some examples of possible text-displays
+
% text line-aligned
% ==================
% Move text to the desired position
% \once \override TextScript #'extra-offset = #'( 2 . -3.5 )
% | s1*0^\markup { D.S. al Coda } }
-
+
% text center-aligned
% ====================
% Move text to the desired position
% \once \override TextScript #'extra-offset = #'( 6 . -5.0 )
% | s1*0^\markup { \center-column { D.S. "al Coda" } }
-
+
% text and symbols center-aligned
% ===============================
% Move text to the desired position and tweak spacing for optimum text alignment
\once \override TextScript #'X-offset = #8
\once \override TextScript #'Y-offset = #1.5
| s1*0^\markup { \center-column { "D.S. al Coda" \line { \musicglyph #"scripts.coda" \musicglyph #"scripts.tenuto" \musicglyph #"scripts.coda"} } }
-
+
% Increasing the unfold counter will expand the staff-free space
\repeat unfold 4 {
s4 s4 s4 s4
% Resume bar count and show staff lines again
\startStaff
\cadenzaOff
-
+
% Should Coda be on new line?
% Coda NOT on new line: DON'T use \break
% Coda on new line: use \break
- \break
-
+ \break
+
% Show up, you clef and key!
\once \override Staff.KeySignature #'break-visibility = #end-of-line-invisible
\once \override Staff.Clef #'break-visibility = #end-of-line-invisible
% Set coda sign as rehearsal mark and adjust size and position
-
+
% Put the coda sign ontop of the (treble-)clef dependend on coda's line-position
-
+
% Coda NOT on new line, use this:
% \once \override Score.RehearsalMark #'extra-offset = #'( -2 . 1.75 )
-
+
% Coda on new line, use this:
\once \override Score.RehearsalMark #'extra-offset = #'( -8.42 . 1.75 )
-
+
\once \override Score.RehearsalMark #'font-size = #5
\mark \markup { \musicglyph #"scripts.coda" }
"
doctitlees = "Situar los elementos de marcado de texto por dentro de las ligaduras"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Textbeschriftung kann innerhalb von Bögen gesetzt werden, wenn die
"
doctitlede = "Textbeschriftung innerhalb von Bögen positionieren"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Lorsqu'il vous faut inscrire une annotation à l'intérieur d'une liaison,
texidoc = "
Text markups need to have the @code{outside-staff-priority} property
-set to false in order to be printed inside slurs.
+set to false in order to be printed inside slurs.
"
doctitle = "Positioning text markups inside slurs"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Verhindern, dass zusätzliche Auflösungszeichen automatisch
hinzugefügt werden"
soll. Um dieses Verhalten zu ändern, muss die Eigenschaft
@code{extraNatural} im @code{Staff}-Kontext auf \"false\" gesetzt werden.
"
+
%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
texidocfr = "
En accord avec les règles standards de l'écriture musicale, on grave
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
-doctitlede = "Auflösungzeichen nicht setzen, wenn die Tonart wechselt"
+doctitlede = "Auflösungzeichen nicht setzen wenn die Tonart wechselt"
texidocde = "
Wenn die Tonart wechselt, werden automatisch Auflösungszeichen ausgegeben,
verhindert werden, indem die @code{printKeyCancellation}-Eigenschaft
im @code{Staff}-Kontext auf \"false\" gesetzt wird.
"
+
%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
texidocfr = "
Après un changement de tonalité, un bécarre est imprimé pour annuler
When the key signature changes, natural signs are automatically printed
to cancel any accidentals from previous key signatures. This may be
prevented by setting to @code{f} the @code{printKeyCancellation}
-property in the @code{Staff} context.
+property in the @code{Staff} context.
"
doctitle = "Preventing natural signs from being printed when the key signature changes"
"
doctitlees = "Imprimir puntos de repetición al prinicpio de la pieza"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein @code{|:}-Taktstrich kann auch zu Beginn eines Stückes ausgegeben werden, indem
"
doctitlede = "Ein Wiederholungszeichen zu Beginn eines Stückes ausgeben"
+
%% Translation of GIT committish: e98b2d804c2a136edfa28adc894bb584f676c884
texidocfr = "
Bien qu'allant à l'encontre des usages en matière de gravure, vous
doctitlees = "Imprimir números de compás a intervalos regulares"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Taktnummern können in regelmäßigen Intervallen gesetzt werden, indem
doctitlede = "Setzen der Taktnummern in regelmäßigen Intevallen"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
Vous pouvez imprimer un numéro de mesure à intervalle régulier plutôt
doctitlees = "Imprimir números de compás dentro de rectángulos o circunferencias"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Taktnummern können auch in Boxen oder Kreisen gesetzt werden.
doctitlede = "Setzen von Taktnummern in Kästen oder Kreisen"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
Les numéros de mesures peuvent être encadrés ou entourés d'un cercle.
"
doctitlees = "Impresión de reguladores utilizando la notación «al niente»"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Crescendo-Klammern können mit einem kleinen Kreis vor der Spitze
"
doctitlede = "Crescendo Klammern al niente schreiben"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Des crescendos ou decrescendos @emph{al niente} peuvent être indiqués de
texidoc = "
Hairpins may be printed with a circled tip (al niente notation) by
setting the @code{circled-tip} property of the @code{Hairpin} object to
-@code{#t}.
+@code{#t}.
"
doctitle = "Printing hairpins using al niente notation"
doctitle = "Printing marks at the end of a line"
} % begin verbatim
-\relative c'' {
+\relative c'' {
g2 c
d,2 a'
\once \override Score.RehearsalMark #'break-visibility = #end-of-line-visible
"
doctitlees = "Imprimir marcas en cualquier pentagrama"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Normalerweise werden Textzeichen nur über dem obersten Notensystem gesetzt. Sie
"
doctitlede = "Zeichen über jedem System ausgeben"
+
%% Translation of GIT committish: c2e8b1d6d671dbfc138f890cbc7e9882b7be2761
texidocfr = "
Bien que ces indications textuelles ne soient habituellement imprimées
doctitlees = "Impresión de indicaciones metronómicas y letras de ensayo debajo del pentagrama"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Normalerweise werden Metronom- und Übungszeichen über dem Notensystem ausgegeben.
"
doctitlede = "Metronom- und Übungszeichen unter das System setzen"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Les indications de tempo et les marques de repère s'impriment par défaut
texidoc = "
-By default, metronome and rehearsal marks are printed above the staff.
+By default, metronome and rehearsal marks are printed above the staff.
To place them below the staff simply set the @code{direction} property
of @code{MetronomeMark} or @code{RehearsalMark} appropriately.
\layout { ragged-right = ##f }
{
- % Metronome marks below the staff
+ % Metronome marks below the staff
\override Score.MetronomeMark #'direction = #DOWN
\tempo 8. = 120
c''1
\clef treble
\time 3/8
d''4.
-
+
\bar "|"
\time 3/4
r8 des''2( c''8)
-
+
\bar "|"
\time 7/8
r4. ees''2 ~
-
+
\bar "|"
\time 2/4
\tupletUp
\times 2/3 { ees''4 r4 d''4 ~ }
-
+
\bar "|"
\time 3/8
\tupletUp
\times 3/4 { d''4 r4 }
-
+
\bar "|"
\time 2/4
e''2
-
+
\bar "|"
\time 3/8
es''4.
-
+
\bar "|"
\time 3/4
r8 d''2 r8
\clef percussion
\time 3/4
r4 c'2 ~
-
+
\bar "|"
c'2.
-
+
\bar "|"
R2.
-
+
\bar "|"
r2 g'4 ~
-
+
\bar "|"
g'2. ~
-
+
\bar "|"
g'2.
}
\clef percussion
\time 3/4
R2.
-
+
\bar "|"
g'2. ~
-
+
\bar "|"
g'2.
-
+
\bar "|"
r4 g'2 ~
-
+
\bar "|"
g'2 r4
-
+
\bar "|"
g'2.
}
doctitlees = "Imprimir el número de compás en el primer compás"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Standardmäßig wird die erste Taktzahl einer Paritur nicht gesetzt,
doctitlede = "Setzen der Taktnummer für den ersten Takt"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
Par défaut, LilyPond n'affiche pas le premier numéro de mesure s'il est
texidoc = "
If @code{strict-note-spacing} is set spacing of notes is not influenced
by bars or clefs within a system. Rather, they are placed just before
-the note that occurs at the same time. This may cause collisions.
+the note that occurs at the same time. This may cause collisions.
"
doctitle = "Proportional strict notespacing"
} % begin verbatim
\relative c'' <<
- \override Score.SpacingSpanner #'strict-note-spacing = ##t
+ \override Score.SpacingSpanner #'strict-note-spacing = ##t
\set Score.proportionalNotationDuration = #(ly:make-moment 1 16)
\new Staff {
c8[ c \clef alto c c \grace { d16 } c8 c] c4
doctitlees = "Citar otra voz con transposición"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Zitate berücksichtigen sowohl die Transposition der Quelle als auch
"
doctitlede = "Eine Stimme mit Transposition zitieren"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Les citations tiennent compte de la transposition, aussi bien celle de
"
doctitlees = "Citar otra voz"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die @code{quotedEventTypes}-Eigenschaft bestimmt die
"
doctitlede = "Eine andere Stimme zitieren"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Les types d'événement pris en charge pour la citation peuvent se régler
@code{quotedEventTypes}.
For a list of event types, consult the @qq{Music classes} section of
-the Internals Reference.
+the Internals Reference.
"
doctitle = "Quoting another voice"
doctitlees = "Redefinición de los valores globales predeterminados para notas de adorno"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die globalen Standardeinstellungen für Verzierungsnoten werden in
doctitlede = "Globale Umdefinition von Verzierungsnoten"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
Vous pouvez modifier les valeurs des variables @code{startGraceMusic},
doctitlees = "Suprimir los números de compás de toda la partitura"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Taktnummern können vollkommen aus den Noten entfernt werden, indem
doctitlede = "Entfernung von Taktnummern in einer Partitur"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
Désactiver le graveur concerné --- @code{Bar_number_engraver} ---
"
doctitlees = "Quitar la primera línea vacía"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein leeres Notensystem kann auch aus der ersten Zeile einer Partitur
"
doctitlede = "Die erste leere Notenzeile auch entfernen"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Par défaut, le premier système comportera absolument toutes les portées.
The lower staff of the second staff group is not removed, because the
setting applies only to the specific staff inside of which it is
-written.
+written.
"
doctitle = "Removing the first empty line"
} % begin verbatim
\layout {
- \context {
- \RemoveEmptyStaffContext
+ \context {
+ \RemoveEmptyStaffContext
% To use the setting globally, uncomment the following line:
% \override VerticalAxisGroup #'remove-first = ##t
}
texidoces = "
Los silencios se pueden imprimir en distintos estilos.
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Pausenstile"
"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Les silences peuvent être gravés selon différents styles.
r\maxima^\markup \typewriter { mensural }
r\longa r\breve r1 r2 r4 r8 r16 s32 s64 s128 s128
\bar ""
-
+
\override Staff.Rest #'style = #'neomensural
r\maxima^\markup \typewriter { neomensural }
r\longa r\breve r1 r2 r4 r8 r16 s32 s64 s128 s128
\bar ""
-
+
\override Staff.Rest #'style = #'classical
r\maxima^\markup \typewriter { classical }
r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 s128
\bar ""
-
+
\override Staff.Rest #'style = #'default
r\maxima^\markup \typewriter { default }
r\longa r\breve r1 r2 r4 r8 r16 r32 r64 r128 s128
example shows two solutions to this problem, by redefining ordinary
rests to be printed as slashes. (If the duration of each beat is not a
quarter note, replace the @code{r4} in the definitions with a rest of
-the appropriate duration).
+the appropriate duration).
"
doctitle = "Rhythmic slashes"
This snippet comes with a useful optional macro for the jEdit text
-editor.
+editor.
"
doctitle = "Score for diatonic accordion"
\set Staff.midiInstrument = #"choir aahs"
\key c \major
\relative c''
- {
- % disable the following line to see the the noteheads while writing the song
- \NoNoteHead
+ {
+ % disable the following line to see the the noteheads while writing the song
+ \NoNoteHead
\override NoteHead #'no-ledgers = ##t
% The beam between 8th-notes is used to draw the push-line
- %How to fast write the push-lines:
- % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
+ %How to fast write the push-lines:
+ % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
% 2. uncomment the line \NoNoteHead
% 3. compile
- % 4. Mark the positions on which push/pull changes.
- % In the score-picture click on the position the push- or pull-part starts
+ % 4. Mark the positions on which push/pull changes.
+ % In the score-picture click on the position the push- or pull-part starts
% (on the noteHead, the cursor will change to a hand-icon).
% The cursor in the source code will jump just at this position.
% a) If a push-part starts there, replace the 'c' by an 'e['
% b) If a pull-part starts there, replace the 'c' by an 's'
- % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
- % 6. For the pull-parts overwrite the 'c' with 's'
- % 7. For every push-part replace the last 'c' with 'e]'
- % 8. Switch into 'insert-mode' again
+ % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
+ % 6. For the pull-parts overwrite the 'c' with 's'
+ % 7. For every push-part replace the last 'c' with 'e]'
+ % 8. Switch into 'insert-mode' again
% 9. At last it should look lik e.g. (s s e[ c | c c c c c c c c | c c c c c c e] s s)
% 10. re-enable the line \NoNoteHead
\autoBeamOff
- \ZeroBeam
- s8 s s e[ c c c c c c e] | s s s s s
+ \ZeroBeam
+ s8 s s e[ c c c c c c e] | s s s s s
}
}
%{
%}
-% Accordion melody in tabulator score
+% Accordion melody in tabulator score
% 1. Place a copy of the piano melody below
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then change the second line using the transformation paper
-% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
+% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
% Tips:
% - In jEdit Search & Replace mark the Option 'Keep Dialog'
AccordionTabTwoCBesDur = {
% pull 1
- %<f' bes'>8 <f' a'>8 <d' bes'>8 |
-<g'' a''>8 <g'' b''>8 <e'' a''>8 |
+ %<f' bes'>8 <f' a'>8 <d' bes'>8 |
+<g'' a''>8 <g'' b''>8 <e'' a''>8 |
% push 2
- %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
-<g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
+ %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
+<g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
% pull 3
% <f' bes'>2 r8 }
<g'' a''>2 r8 }
- AccordionTab= { \dynamicUp
+ AccordionTab= { \dynamicUp
% 1. Place a copy of the piano melody above
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
-% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
+% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
+% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
% change the second line using the transformation paper
% Tips:
% - In jEdit Search & Replace mark the Option 'Keep Dialog'
-% -
+% -
\AccordionTabTwoCBesDur
}
-
- \layout {
+
+ \layout {
\context {
- \Staff
+ \Staff
\consists "Grid_point_engraver"
gridInterval = #(ly:make-moment 4 4) % 4/4 - tact. How many beats per bar
% The following line has to be adjusted O-F-T-E-N.
- \override GridPoint #'Y-extent = #'(-2 . -21)
+ \override GridPoint #'Y-extent = #'(-2 . -21)
}
\context {
\ChoirStaff
- \remove "System_start_delimiter_engraver"
+ \remove "System_start_delimiter_engraver"
}
}
\set Staff.instrumentName="Voice"
\set Staff.midiInstrument="voice oohs"
\key bes \major
- \partial 8*3
+ \partial 8*3
\clef treble
- {
- \context Voice = "melodyVoi"
+ {
+ \context Voice = "melodyVoi"
{ <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 }
\bar "|."
}
}
staffAccordionMel = \new Staff \with { \remove "Clef_engraver" } {
- #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
- %do not remember them for the rest of the measure.
+ #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
+ %do not remember them for the rest of the measure.
\time 4/4
\set Staff.instrumentName="Accordion"
\set Staff.midiInstrument="voice oohs"
#{ \override Stem #'length = #$(* 7.0 mag)
\override NoteHead #'font-size =
#$(inexact->exact (* (/ 6.0 (log 2.0)) (log mag))) #})
-
+
AltOff = {
\revert Stem #'length
\revert NoteHead #'font-size
staffBassRhytm = \new Staff=staffbass \with { \remove "Clef_engraver" } {
% This is not a RhythmicStaff because it must be possible to append lyrics.
-
+
\override Score.GridLine #'extra-offset = #'( 13.0 . 0.0 ) % x.y
- \override Staff.StaffSymbol #'line-positions = #'( 0 )
+ \override Staff.StaffSymbol #'line-positions = #'( 0 )
% Shows one horizontal line. The vertical line (simulating a bar-line) is simulated by a grid
- % Search for 'grid' in this page to find all related functions
+ % Search for 'grid' in this page to find all related functions
\time 4/4
- {
- \context Voice = "VoiceBassRhytm"
+ {
+ \context Voice = "VoiceBassRhytm"
\stemDown \AltOn #0.6
\relative c''
- {
+ {
\BassRhytm
}
\AltOff
}
}
-\new Score
+\new Score
\with {
- \consists "Grid_line_span_engraver" %The vertical line (simulating a bar-line) in the staffBassRhytm is a gridline
+ \consists "Grid_line_span_engraver" %The vertical line (simulating a bar-line) in the staffBassRhytm is a gridline
}
-\new ChoirStaff
+\new ChoirStaff
<<
- \harmonies
+ \harmonies
\staffVoice
\context Lyrics = "lmelodyVoi" \with {alignBelowContext=astaffvoice} { \lyricsto "melodyVoi" \verse }
\staffAccordionMel
modifies the second list, moving @code{key-cancellation} before
@code{staff-bar}; by modifying the second list, break alignment
behavior only changes in the middle of a system, not at the beginning
-or the end.
+or the end.
"
doctitle = "Separating key cancellations from key signature changes"
\override Score.BreakAlignment #'break-align-orders =
#'#((left-edge ambitus breathing-sign clef staff-bar
key-cancellation key-signature time-signature custos)
-
+
(left-edge ambitus breathing-sign clef key-cancellation
staff-bar key-signature time-signature custos)
-
+
(left-edge ambitus breathing-sign clef key-cancellation
key-signature staff-bar time-signature custos))
"
doctitlees = "Establecer el comportamiento de los reguladores en las barras de compás"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn die Note, an welcher eine Crescendo-Klammer endet, die erste Note
@code{'to-barline} geändert werden:
"
doctitlede = "Das Verhalten von Crescendo-Klammern an Taktlinien beeinflussen"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
En principe, un soufflet -- (de)crescendo imprimé sous forme graphique --
"
doctitlees = "Ajustar la longitud mínima de los reguladores"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wenn Crescendo-Klammern zu kurz sind, können sie verlängert werden, indem
"
doctitlede = "Die Mindestlänge von Crescendo-Klammern bestimmen"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Si un soufflet est trop court, il suffit d'ajuster la propriété
texidoc = "
If hairpins are too short, they can be lengthened by modifying the
-@code{minimum-length} property of the @code{Hairpin} object.
+@code{minimum-length} property of the @code{Hairpin} object.
"
doctitle = "Setting the minimum length of hairpins"
"
doctitlees = "Shortening volta brackets"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Volta-Klammern werden normalerweise über alle Noten der Klammer gezogen, aber
"
doctitlede = "Volta-Klammern verkürzen"
+
%% Translation of GIT committish: e98b2d804c2a136edfa28adc894bb584f676c884
texidocfr = "
Les crochets indiquant les fins alternatives s'étalent tout au long ce
By default, the volta brackets will be drawn over all of the
alternative music, but it is possible to shorten them by setting
@code{voltaSpannerDuration}. In the next example, the bracket only
-lasts one measure, which is a duration of 3/4.
+lasts one measure, which is a duration of 3/4.
"
doctitle = "Shortening volta brackets"
"
doctitlees = "Imprimir los acordes cuando se produce un cambio"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Akkordsymbole können so eingestellt werden, dass sie nur zu Beginn der Zeile
<e d'>^\smallFlageolet_\smallFlageolet
% it works only if you wrap the note inside a chord. By default,
- % all articulations will be printed above, so you have to tweak
+ % all articulations will be printed above, so you have to tweak
% the direction.
s4^"Works if written inside a chord:"
<e-\tweak #'direction #DOWN -\smallFlageolet d'^\smallFlageolet>
"
doctitlees = "Hoja guía de acordes o «lead sheet» sencilla"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Ein Liedblatt besteht aus Akkordbezeichnungen, einer Melodie und dem Liedtext:
letra y acordes.
"
- doctitlees = "Plantilla de pentagrama único con música, letra y acordes"
+ doctitlees = "Plantilla de pentagrama único con música letra y acordes"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
これは旋律、単語、コードを持つ歌曲の楽譜のためのテンプレートです。
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Mit diesem Beispiel können Sie einen Song mit Melodie,
Text und Akkorden schreiben.
"
- doctitlede = "Vorlage für eine Notenzeile mit Noten, Text und Akkorden"
+ doctitlede = "Vorlage für eine Notenzeile mit Noten Text und Akkorden"
+
%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
texidocfr = "
les paroles, les accords.
"
- doctitlefr = "Paroles, musique et accords"
+ doctitlefr = "Paroles musique et accords"
texidoc = "
This template allows the preparation of a song with melody, words, and
-chords.
+chords.
"
- doctitle = "Single staff template with notes, lyrics, and chords"
+ doctitle = "Single staff template with notes lyrics and chords"
} % begin verbatim
melody = \relative c' {
\clef treble
\key c \major
\time 4/4
-
+
a4 b c d
}
trastes.
"
- doctitlees = "Plantilla para un pentagrama único con música, letra, acordes y trastes"
+ doctitlees = "Plantilla para un pentagrama único con música letra acordes y trastes"
texidoc = "
Here is a simple lead sheet template with melody, lyrics, chords and
fret diagrams.
"
- doctitle = "Single staff template with notes, lyrics, chords and frets"
+ doctitle = "Single staff template with notes lyrics chords and frets"
} % begin verbatim
verseI = \lyricmode {
doctitlees = "Plantilla de pentagrama único con música y acordes"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
旋律とコードを持つリード譜を欲しくはありませんか？他を見る必要はありません！
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Wollen Sie ein Liedblatt mit Melodie und Akkorden schreiben? Hier ist
doctitlede = "Vorlage für eine Notenzeile mit Akkorden"
+
%% Translation of GIT committish: 9ba35398048fdf1ca8c83679c7c144b1fd48e75b
texidocfr = "
Vous avez besoin de la partition d'une mélodie avec les accords ?
\clef treble
\key c \major
\time 4/4
-
+
f4 e8[ c] d4 g
a2 ~ a
}
\harmonies
}
\new Staff \melody
- >>
+ >>
\layout{ }
\midi { }
}
"
doctitlees = "Plantilla de pentagrama único don notas y letra"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
この小さなテンプレートは歌詞を持つ簡単な旋律を表しています。カット＆ペーストして、音符@c
行を変更するか、コメント アウトしてください。
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Das nächste Beispiel zeigt eine einfache Melodie mit Text. Kopieren
doctitlede = "Vorlage für ein Notensystem mit Noten und Gesangstext"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
\clef treble
\key c \major
\time 4/4
-
+
a4 b c d
}
un archivo, escriba las notas y ¡ya está!
"
- doctitlees = "Plantilla de un solo pentagrama, con notas únicamente"
+ doctitlees = "Plantilla de un solo pentagrama con notas únicamente"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
これをファイルにカット＆ペーストして、音符を付け加えれば完了です！
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Das erste Beispiel zeigt ein Notensystem mit Noten, passend für ein
doctitlede = "Vorlage für ein Notensystem"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Cet exemple simpliste se compose d'une portée agrémentée de quelques
texidoc = "
This very simple template gives you a staff with notes, suitable for a
solo instrument or a melodic fragment. Cut and paste this into a file,
-add notes, and you're finished!
+add notes, and you're finished!
"
doctitle = "Single staff template with only notes"
\clef treble
\key c \major
\time 4/4
-
+
a4 b c d
}
texidoc = "
Although @code{s} skips cannot be used in @code{\\lyricmode} (it is
taken to be a literal @qq{s}, not a space), double quotes (@code{\"\"})
-or underscores (@code{_}) are available.So for example:
+or underscores (@code{_}) are available.So for example:
"
doctitle = "Skips in lyric mode (2)"
texidoc = "
The @code{s} syntax for skips is only available in note mode and chord
mode. In other situations, for example, when entering lyrics, using the
-@code{\\skip} command is recommended.
+@code{\\skip} command is recommended.
"
doctitle = "Skips in lyric mode"
\header {
%% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
- doctitlees = "Marca de pizzicato de chasquido (@q{pizzicato de Bartók})"
+ doctitlees = "Marca de pizzicato de chasquido (`pizzicato de Bartók')"
texidoces = "
El pizzicato de chasquido (también llamado @q{Pizzicato de Bartók}) es un
@q{pizzicato fuerte en que la cuerda se pulsa verticalmente produciendo un
denoted by a circle with a vertical line going from the center upwards
outside the circle.
"
- doctitle = "Snap-pizzicato (@qq{Bartok pizzicato})"
+ doctitle = "Snap-pizzicato ("Bartok pizzicato")"
} % begin verbatim
"
doctitlees = "Elemento de marcado de texto independiente en dos columnas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Isolierter Text kann in mehreren Spalten mit @code{\\markup}-Befehlen
"
doctitlede = "Isolierter Text in zwei Spalten"
+
%% Translation of GIT committish: c2e8b1d6d671dbfc138f890cbc7e9882b7be2761
texidocfr = "
L'utilisation de la commande @code{\\markup} permet de distribuer un bloc
lsrtags = "rhythms"
texidoc = "
-In some notational conventions beams are allowed to extend over rests.
+In some notational conventions beams are allowed to extend over rests.
Depending on preference, these beams may drop 'stemlets' to help the
eye appreciate the rhythm better, and in some modern music the rest
itself is omitted and only the stemlet remains.
Some @code{\\markup} elements are included in the source to highlight
-the different notations.
+the different notations.
"
doctitle = "Stemlets"
{
c'16^\markup { traditional } d' r f'
g'16[^\markup { beams over rests } f' r d']
-
+
% N.B. use Score.Stem to set for the whole score.
\override Staff.Stem #'stemlet-length = #0.75
-
+
c'16[^\markup { stemlets over rests } d' r f']
g'16[^\markup { stemlets and no rests } f' \once \override Rest #'transparent = ##t r d']
}
texidoc = "
Make an extender line for string number indications, showing that a
-series of notes is supposed to be played all on the same string.
+series of notes is supposed to be played all on the same string.
"
doctitle = "String number extender lines"
\textSpannerDown
a8\startTextSpan
b c d e f\stopTextSpan
- \stringNumberSpanner "4"
- g\startTextSpan a
+ \stringNumberSpanner "4"
+ g\startTextSpan a
bes4 a g2\stopTextSpan
}
"
doctitlees = "Plantilla de cuarteto de cuerda (sencilla)"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
これは簡単な弦楽四重奏のためのテンプレートです。これは拍子記号と調号のために
@code{@bs{}global} セクションを使っています。
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Dieses Beispiel demonstriert die Partitur für ein Streichquartett. Hier
doctitlede = "Vorlage für Streichquartett (einfach)"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Voici un canevas pour quatuor à cordes. Notez l'utilisation de la
violinOne = \new Voice \relative c'' {
\set Staff.instrumentName = #"Violin 1 "
-
+
c2 d
e1
-
+
\bar "|."
}
-
+
violinTwo = \new Voice \relative c'' {
\set Staff.instrumentName = #"Violin 2 "
-
+
g2 f
e1
-
+
\bar "|."
}
viola = \new Voice \relative c' {
- \set Staff.instrumentName = #"Viola "
+ \set Staff.instrumentName = #"Viola "
\clef alto
-
+
e2 d
c1
-
+
\bar "|."
}
cello = \new Voice \relative c' {
\set Staff.instrumentName = #"Cello "
\clef bass
-
+
c2 b
a1
-
+
\bar "|."
}
"
doctitlees = "Plantilla de cuarteto de cuerda con particellas independientes"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
\"弦楽四重奏テンプレート\" は適切な弦楽四重奏の楽譜を作り出しますが、個々の@c
別々のファイルに分ける場合は、指定されたコメントを外すことを忘れないでください！
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Mit diesem Beispiel können Sie ein schönes Streichquartett notieren,
doctitlede = "Vorlage für Streichquartett mit einzelnen Stimmen"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Grâce à ce canevas, vous pouvez obtenir une partition d'excellente
individualisés !
"
- doctitlefr = "Quatuor à cordes, avec parties séparées"
+ doctitlefr = "Quatuor à cordes avec parties séparées"
texidoc = "
The @qq{String quartet template} snippet produces a nice string
produce the appropriate part.
-Do not forget to remove specified comments when using separate files!
+Do not forget to remove specified comments when using separate files!
"
doctitle = "String quartet template with separate parts"
"
doctitlees = "Subdivisión de las barras de semicorchea"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Balken von aufeinanderfolgenden Sechszehnteln (oder kürzeren Notenwerten)
doctitlede = "Balken in Untergruppen teilen"
+
%% Translation of GIT committish: b3196fadd8f42d05ba35e8ac42f7da3caf8a3079
texidocfr = "
Les ligatures d'une succession de notes de durée inférieure à la croche
(set! stencil (ly:stencil-combine-at-edge stencil Y -1 x-rule 0.0))
stencil))
-% The corresponding markup command, based on the \box command defined
+% The corresponding markup command, based on the \box command defined
% in scm/define-markup-commands.scm
#(define-markup-command (NWS-box layout props arg) (markup?)
"Draw a box round @var{arg}. Looks at @code{thickness},
@code{box-padding} and @code{font-size} properties to determine line
-thickness and padding around the markup."
+thickness and padding around the markup."
(let* ((th (chain-assoc-get 'thickness props 0.1))
(size (chain-assoc-get 'font-size props 0))
(pad (* (magstep size)
change the style permanently. By using \\revert Staff.TimeSignature
#'style, this setting can be reversed. To apply the single-digit style
to only one time signature, use the \\override command and prefix it
-with a \\once.
+with a \\once.
"
doctitle = "Time signature printing only the numerator as a number (instead of the fraction)"
} % begin verbatim
\relative c'' {
- \time 3/4
+ \time 3/4
c4 c c
% Change the style permanently
\override Staff.TimeSignature #'style = #'single-digit
- \time 2/4
+ \time 2/4
c c
- \time 3/4
+ \time 3/4
c c c
% Revert to default style:
\revert Staff.TimeSignature #'style
\set Score.skipBars = ##t
\key g \major
\time 4/4
-
+
%make the staff lines invisible on staves
\override Staff.BarLine #'transparent = ##t
\skip 1*8 % the actual music
\bar "|."
}
-
+
discantusNotes = {
\transpose c' c'' {
\clef "treble"
tenorLyrics = \lyricmode {
Ju -- bi -- la -- te | % two bars
"..." |
- -us.
+ -us.
}
bassusNotes = {
bassusLyrics = \lyricmode {
Ju -- bi- |
"..." |
- -us.
+ -us.
}
incipitDiscantus = \markup{
\override NoteHead #'style = #'neomensural
\override Rest #'style = #'neomensural
\override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
+ \cadenzaOn
\clef "neomensural-c1"
\key f \major
\time 2/2
\remove Ligature_bracket_engraver
\consists Mensural_ligature_engraver
}
- line-width=4.5\cm
+ line-width=4.5\cm
}
}
}
incipitAltus = \markup{
\score{
- {
+ {
\set Staff.instrumentName="Altus "
\override NoteHead #'style = #'neomensural
\override Rest #'style = #'neomensural
\override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
+ \cadenzaOn
\clef "neomensural-c3"
\key f \major
\time 2/2
\remove Ligature_bracket_engraver
\consists Mensural_ligature_engraver
}
- line-width=4.5\cm
+ line-width=4.5\cm
}
}
}
\override NoteHead #'style = #'neomensural
\override Rest #'style = #'neomensural
\override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
+ \cadenzaOn
\clef "neomensural-c4"
\key f \major
\time 2/2
\remove Ligature_bracket_engraver
\consists Mensural_ligature_engraver
}
- line-width=4.5\cm
+ line-width=4.5\cm
}
}
}
\override NoteHead #'style = #'neomensural
\override Rest #'style = #'neomensural
\override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
+ \cadenzaOn
\clef "bass"
\key f \major
\time 2/2
\remove Ligature_bracket_engraver
\consists Mensural_ligature_engraver
}
- line-width=4.5\cm
+ line-width=4.5\cm
}
}
}
<<
\new StaffGroup = choirStaff <<
\new Voice =
- "discantusNotes" << \global
- \set Staff.instrumentName=\incipitDiscantus
+ "discantusNotes" << \global
+ \set Staff.instrumentName=\incipitDiscantus
\discantusNotes >>
\new Lyrics =
"discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
-
+
\new Voice =
- "altusNotes" << \global
- \set Staff.instrumentName=\incipitAltus
+ "altusNotes" << \global
+ \set Staff.instrumentName=\incipitAltus
\altusNotes >>
\new Lyrics =
"altusLyrics" \lyricsto altusNotes { \altusLyrics }
-
+
\new Voice =
- "tenorNotes" << \global
- \set Staff.instrumentName=\incipitTenor
+ "tenorNotes" << \global
+ \set Staff.instrumentName=\incipitTenor
\tenorNotes >>
\new Lyrics =
"tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
-
+
\new Voice =
- "bassusNotes" << \global
+ "bassusNotes" << \global
\set Staff.instrumentName=\incipitBassus
\bassusNotes >>
>>
\new Lyrics =
- "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
+ "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
%Keep the bass lyrics outside of the staff group to avoid bar lines
%between the lyrics.
>>
-
+
\layout {
\context {
\Score
\override BarLine #'transparent = ##t
}
% the next three instructions keep the lyrics between the barlines
- \context { \Lyrics
- \consists "Bar_engraver"
- \override BarLine #'transparent = ##t }
+ \context { \Lyrics
+ \consists "Bar_engraver"
+ \override BarLine #'transparent = ##t }
\context { \StaffGroup \consists "Separating_line_group_engraver" }
\context {
\Voice
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Noten mit minimaler Anzahl an Versetzungszeichen transponieren."
texidocde = "Dieses Beispiel benutzt Scheme-Code, um enharmonische
Variante gewählt.
"
+
%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
texidocfr = "
Cet exemple, grâce à un peu de code Scheme, donne la priorité aux
F flat -> E
-In this manner, the most natural enharmonic notes are chosen.
+In this manner, the most natural enharmonic notes are chosen.
"
doctitle = "Transposing pitches with minimum accidentals (\"Smart\" transpose)"
las claves y las notas, pero no lo hacen en la segunda línea.
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
doctitlede = "Eigenschaften des Schlüssels optimieren"
texidocde = "
Änderungen die ursprüngliche relative Positionierung von Schlüssel und
Noten, auf der zweiten Zeile nicht.
"
+
%% Translation of GIT committish: 59968a089729d7400f8ece38d5bc98dbb3656a2b
texidocfr = "
La commande @code{\\clef \"treble_8\"} équivaut à définir @code{clefGlyph},
The following examples show the possibilities when setting these
properties manually. On the first line, the manual changes preserve the
standard relative positioning of clefs and notes, whereas on the second
-line, they do not.
+line, they do not.
"
doctitle = "Tweaking clef properties"
\set Staff.clefOctavation = #0
\set Staff.clefPosition = #0
c'1
-
+
% Return to the normal clef:
\set Staff.middleCPosition = #0
doctitlees = "Trucar la disposición de las notas de adorno dentro de la música"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Das Layout von Verzierungsausdrücken kann in der Musik verändert
doctitlede = "Veränderung des Layouts von Verzierungen innerhalb der Noten"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
Il est possible de changer globalement la mise en forme des petites
using the functions @code{add-grace-property} and
@code{remove-grace-property}. The following example undefines the
@code{Stem} direction for this grace, so that stems do not always point
-up, and changes the default note heads to crosses.
+up, and changes the default note heads to crosses.
"
doctitle = "Tweaking grace layout within music"
"
doctitlees = "Uso del corchete recto al comienzo de un grupo de pentagramas"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Die Klammer zu Beginn von Systemgruppen kann auch in eine eckige Klammer
"
doctitlede = "Eine eckige Klammer zu Beginn von Systemgruppen benutzen"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Un regroupement de portées sera indiqué par un simple rectangle
texidoc = "
The system start delimiter @code{SystemStartSquare} can be used by
setting it explicitly in a @code{StaffGroup} or @code{ChoirStaffGroup}
-context.
+context.
"
doctitle = "Use square bracket at the start of a staff group"
} % begin verbatim
\score {
- \new StaffGroup { <<
+ \new StaffGroup { <<
\set StaffGroup.systemStartDelimiter = #'SystemStartSquare
\new Staff { c'4 d' e' f' }
\new Staff { c'4 d' e' f' }
"
doctitlees = "Utilizar ligaduras dobles para acordes legato"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Einige Komponisten schreiben doppelte Bögen, wenn Legato-Akkorde notiert
"
doctitlede = "Doppelte Bögen für Legato-Akkorde benutzen"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Certains auteurs utilisent deux liaisons lorsqu'ils veulent
texidoc = "
Some composers write two slurs when they want legato chords. This can
-be achieved by setting @code{doubleSlurs}.
+be achieved by setting @code{doubleSlurs}.
"
doctitle = "Using double slurs for legato chords"
doctitlees = "Utilizar la barra que tacha las notas de adorno con notas normales"
+
%% Translation of GIT committish: 21c8461ea87cd670a35a40b91d3ef20de03a0409
texidocfr = "
Le trait que l'on trouve sur les hampes des acciaccatures peut
texidoc = "
When a note head with a special shape cannot easily be generated with
-graphic markup, PostScript code can be used to generate the shape.
-This example shows how a parallelogram-shaped note head is generated.
+graphic markup, PostScript code can be used to generate the shape.
+This example shows how a parallelogram-shaped note head is generated.
"
doctitle = "Using PostScript to generate special note head shapes"
lsrtags = "tweaks-and-overrides"
texidoc = "
-With the @code{\\tweak} command, every grob can be tuned directly.
+With the @code{\\tweak} command, every grob can be tuned directly.
Here are some examples of available tweaks.
"
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Überbindungen werden teilweise benutzt, um Arpeggios zu notieren. In
doctitlede = "Überbingungen für Arpeggio genutzen"
+
%% Translation of GIT committish: e71f19ad847d3e94ac89750f34de8b6bb28611df
texidocfr = "
Les liaisons de tenue servent parfois à rendre un accord arpégé. Dans
notes need not be consecutive. This can be achieved by setting the
@code{tieWaitForNote} property to @code{#t}. The same feature is also
useful, for example, to tie a tremolo to a chord, but in principle, it
-can also be used for ordinary consecutive notes.
+can also be used for ordinary consecutive notes.
"
doctitle = "Using ties with arpeggios"
texidoc = "
Various scripts may be used for texts (like titles and lyrics) by
-entering them in UTF-8 encoding, and using a Pango based backend.
+entering them in UTF-8 encoding, and using a Pango based backend.
Depending on the fonts installed, this fragment will render Bulgarian
(Cyrillic), Hebrew, Japanese and Portuguese.
Red Hat Fedora
taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
- ttfonts-zh_CN fonts-ja fonts-hebrew
+ ttfonts-zh_CN fonts-ja fonts-hebrew
Debian GNU/Linux
apt-get install emacs-intl-fonts xfonts-intl-.* \
ttf-kochi-gothic ttf-kochi-mincho \
- xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
+ xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
%}
% Cyrillic font
"
doctitlees = "Indicaciones dinámicas y textuales alineadas verticalmente"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Indem man die @code{'Y-extent}-Eigenschaft auf einen passenden Wert setzt,
"
doctitlede = "Vertikale Ausrichtung von Dynamik und Textbeschriftung beeinflussen"
+
%% Translation of GIT committish: ae814f45737bd1bdaf65b413a4c37f70b84313b7
texidocfr = "
Vous pourrez, en jouant sur la propriété @code{'Y-extent}, aligner les
Dynamics that occur at, begin on, or end on the same note will be
vertically aligned. To ensure that dynamics are aligned when they do
not occur on the same note, increase the @code{staff-padding} property
-of the @code{DynamicLineSpanner} object.
+of the @code{DynamicLineSpanner} object.
"
doctitle = "Vertically aligning dynamics across multiple notes"
"
doctitlees = "Alineación vertical de la letra y los compases de ossia"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Dieser Schnipsel zeigt, wie man die Kontexteigenschaften
"
doctitlede = "Gesangstext und Ossia vertikal ausrichten"
+
%% Translation of GIT committish: d78027a94928ddcdd18fd6534cbe6d719f80b6e6
texidocfr = "
Cet exemple illustre la manière de positionner une portée d'ossia et
"
doctitlees = "Plantilla de conjunto vocal con reducción de piano automática"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
このテンプレートは、\"合唱テンプレート\"で示された標準の SATB ボーカル譜に自動@c
定義を何回も使用することができます。ボーカルの音符 (例えば、@code{tenorMusic}
の音符) に変更が加えられた場合、その変更はピアノ譜にも適用されます。
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
In diesem Beispiel wird ein automatischer Klavierauszug zu der
tenorMusic), verändert sich auch der Klavierauszug entsprechend.
"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Ce canevas ajoute une réduction pour piano à une partition standard pour
"
doctitlees = "Plantilla para conjunto vocal con letras alineadas encima y debajo de los pentagramas"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
このテンプレートは基本的に単純な \"合唱\" テンプレートと同じですが、歌詞が
@code{alignAboveContext} と @code{alignBelowContext} を用いて配置されています。
"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
In diesem Beispiel werden die Texte mit den Befehlen
doctitlede = "Vorlage für Vokalensemble mit dem Gesangstext über und unter dem System"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Ce canevas ressemble beaucoup à celui pour chœur à quatre voix mixtes.
% we could remove the line about this with the line below, since we want
% the alto lyrics to be below the alto Voice anyway.
% \new Lyrics \lyricsto altos \altoWords
-
+
\new Staff = men <<
\clef bass
\new Voice = "tenors" { \voiceOne << \global \tenorMusic >> }
"
doctitlees = "Plantilla de conjunto vocal"
+
%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
texidocja = "
これは標準の 4 パート SATB (ソプラノ、アルト、テナー、バス) ボーカル譜です。@c
もっと大きな合唱では、すべてのパートで使用されるセクションをインクルードすると@c
便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。\"賛美@c
歌\" テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされています。"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
doctitlede = "Vorlage für Vokalensemble"
+
%% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
texidocfr = "
Ce fichier constitue un canevas standard de partition pour chœur à
\voiceTwo << \global \bassMusic >>
}
>>
- \new Lyrics = basses { s1 }
+ \new Lyrics = basses { s1 }
\context Lyrics = sopranos \lyricsto sopranos \sopWords
\context Lyrics = altos \lyricsto altos \altoWords
\context Lyrics = tenors \lyricsto tenors \tenorWords
\context Lyrics = basses \lyricsto basses \bassWords
- >>
+ >>
\layout {
\context {
% a little smaller so lyrics
doctitlees = "Corchetes de primera y segunda vez debajo de los acordes"
+
%% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
texidocde = "
Indem man den @code{Volta_engraver} zu dem entsprechenden Notensystem
including markup is to use an identifier for the text and embed it in
the command list using the Scheme syntax @code{#(list (list 'volta
textIdentifier))}. Start- and end-repeat commands can be added as
-separate list elements:
+separate list elements:
"
doctitle = "Volta text markup using repeatCommands"
projects / lilypond.git / commitdiff