@node Automatic staff changes
-@subsection Automatic staff changes
+@unnumberedsubsubsec Automatic staff changes
@cindex Automatischer Systemwechsel
Stimmen können angewiesen werden, automatisch zwischen dem
befinden.
@node Manual staff switches
-@subsection Manual staff switches
+@unnumberedsubsubsec Manual staff switches
@cindex manuelle Systemwechsel
@cindex Systemwechsel, manuell
@node Pedals
-@subsection Pedals
+@unnumberedsubsubsec Pedals
@cindex Pedalbezeichnung
Klaviere haben Pedale, mit denen die Klangeigenschaften beeinflusst werden
Im Handbuch: @ref{Laissez vibrer ties}
@node Staff switch lines
-@subsection Staff switch lines
+@unnumberedsubsubsec Staff switch lines
@cindex Stimmkreuzung
@node Cross staff stems
-@subsection Cross staff stems
+@unnumberedsubsubsec Cross staff stems
Akkorde, die über zwei Systeme reichen, können erstellt werden,
indem die Länge der Hälse im unteren System vergrößert wird,
@node Introducing chord names
-@subsection Introducing chord names
+@unnumberedsubsubsec Introducing chord names
@cindex Akkordbezeichnungen
LilyPond bringt Unterstützung zur Ausgabe von Akkordsymbolen
@node Chords mode
-@subsection Chords mode
+@unnumberedsubsubsec Chords mode
@cindex Akkord-Modus
Im Akkord-Modus wird eine Anzahl von Tonhöhen (ein Akkord)
@node Printing chord names
-@subsection Printing chord names
+@unnumberedsubsubsec Printing chord names
@cindex Akkordsymbole
@cindex Ausgabe von Akkordbezeichnungen
* Other vocal issues::
@end menu
@node Setting simple songs
-@subsection Setting simple songs
+@unnumberedsubsubsec Setting simple songs
UNTRANSLATED NODE: IGNORE ME
@node Entering lyrics
-@subsection Entering lyrics
+@unnumberedsubsubsec Entering lyrics
UNTRANSLATED NODE: IGNORE ME
@node Aligning lyrics to a melody
-@subsection Aligning lyrics to a melody
+@unnumberedsubsubsec Aligning lyrics to a melody
UNTRANSLATED NODE: IGNORE ME
* Extenders and hyphens::
@end menu
@node Automatic syllable durations
-@subsection Automatic syllable durations
+@unnumberedsubsubsec Automatic syllable durations
UNTRANSLATED NODE: IGNORE ME
@node Another way of entering lyrics
-@subsection Another way of entering lyrics
+@unnumberedsubsubsec Another way of entering lyrics
UNTRANSLATED NODE: IGNORE ME
@node Assigning more than one syllable to a single note
-@subsection Assigning more than one syllable to a single note
+@unnumberedsubsubsec Assigning more than one syllable to a single note
UNTRANSLATED NODE: IGNORE ME
@node More than one note on a single syllable
-@subsection More than one note on a single syllable
+@unnumberedsubsubsec More than one note on a single syllable
UNTRANSLATED NODE: IGNORE ME
@node Extenders and hyphens
-@subsection Extenders and hyphens
+@unnumberedsubsubsec Extenders and hyphens
UNTRANSLATED NODE: IGNORE ME
@node Working with lyrics and identifiers
-@subsection Working with lyrics and identifiers
+@unnumberedsubsubsec Working with lyrics and identifiers
UNTRANSLATED NODE: IGNORE ME
@node Flexibility in placement
-@subsection Flexibility in placement
+@unnumberedsubsubsec Flexibility in placement
UNTRANSLATED NODE: IGNORE ME
* Lyrics independent of notes::
@end menu
@node Lyrics to multiple notes of a melisma
-@subsection Lyrics to multiple notes of a melisma
+@unnumberedsubsubsec Lyrics to multiple notes of a melisma
UNTRANSLATED NODE: IGNORE ME
@node Divisi lyrics
-@subsection Divisi lyrics
+@unnumberedsubsubsec Divisi lyrics
UNTRANSLATED NODE: IGNORE ME
@node Switching the melody associated with a lyrics line
-@subsection Switching the melody associated with a lyrics line
+@unnumberedsubsubsec Switching the melody associated with a lyrics line
UNTRANSLATED NODE: IGNORE ME
@node Lyrics independent of notes
-@subsection Lyrics independent of notes
+@unnumberedsubsubsec Lyrics independent of notes
UNTRANSLATED NODE: IGNORE ME
@node Spacing lyrics
-@subsection Spacing lyrics
+@unnumberedsubsubsec Spacing lyrics
UNTRANSLATED NODE: IGNORE ME
@node More about stanzas
-@subsection More about stanzas
+@unnumberedsubsubsec More about stanzas
UNTRANSLATED NODE: IGNORE ME
-@subsection Adding stanza numbers
-@subsection Adding dynamics marks
-@subsection Adding singer names
-@subsection Printing stanzas at the end
-@subsection Printing stanzas at the end in multiple columns
+@unnumberedsubsubsec Adding stanza numbers
+@unnumberedsubsubsec Adding dynamics marks
+@unnumberedsubsubsec Adding singer names
+@unnumberedsubsubsec Printing stanzas at the end
+@unnumberedsubsubsec Printing stanzas at the end in multiple columns
@node Ambitus
-@subsection Ambitus
+@unnumberedsubsubsec Ambitus
UNTRANSLATED NODE: IGNORE ME
@node Other vocal issues
-@subsection Other vocal issues
+@unnumberedsubsubsec Other vocal issues
UNTRANSLATED NODE: IGNORE ME
@node Showing melody rhythms
-@subsection Showing melody rhythms
+@unnumberedsubsubsec Showing melody rhythms
Manchmal soll nur der Rhythmus einer Melodie dargestellt werden. Das
erreicht man mit einem Schlagzeug-Notensystem. Alle Tonhöhen werden
@node Entering percussion
-@subsection Entering percussion
+@unnumberedsubsubsec Entering percussion
@cindex Percussion
@cindex Drums
Programmreferenz: @internalsref{note-event}.
@node Percussion staves
-@subsection Percussion staves
+@unnumberedsubsubsec Percussion staves
@cindex Perkussion
@cindex Schlagzeug
@c FIXME: check name -tr
@node Ghost notes
-@subsection Ghost notes
+@unnumberedsubsubsec Ghost notes
Geisternoten für Schlagzeug und Perkussion können mit dem
Klammer- (@code{\parenthesize})-Befehl, beschrieben in @ref{Parentheses},
@end menu
@node String number indications
-@subsection String number indications
+@unnumberedsubsubsec String number indications
@cindex String numbers
@node Tablatures basic
-@subsection Tablatures basic
+@unnumberedsubsubsec Tablatures basic
@cindex Tablatures basic
Tabulatur-Notation wird für die Notation von Zupfinstrumenten benutzt.
@node Non-guitar tablatures
-@subsection Non-guitar tablatures
+@unnumberedsubsubsec Non-guitar tablatures
@cindex Non-guitar tablatures
Die Stimmung der Saiten kann verändert werden. Die Stimmung muss als
@node Banjo tablatures
-@subsection Banjo tablatures
+@unnumberedsubsubsec Banjo tablatures
@cindex Banjo tablatures
LilyPond unterstützt die Basisnotation für das fünfsaitige Banjo. Die
@node Fret diagrams
-@subsection Fret diagrams
+@unnumberedsubsubsec Fret diagrams
@cindex Fret-Diagramme
@cindex Griffsymbole
@cindex Gitarrengriffsymbole
@node Right hand fingerings
-@subsection Right hand fingerings
+@unnumberedsubsubsec Right hand fingerings
Fingersatz für die rechte Hand in Akkorden kann notiert werden, indem
der Befehl @code{@var{note}-\rightHandFinger @var{finger}}
@node Other guitar issues
-@subsection Other guitar issues
+@unnumberedsubsubsec Other guitar issues
Dieses Beispiel zeigt, wie Griff - und Barre-Angaben
eingefügt werden können.
@node Bagpipe definitions
-@subsection Bagpipe definitions
+@unnumberedsubsubsec Bagpipe definitions
LilyPond besitzt spezielle Definitionen, mit der die Musik
des schottischen Hochland-Dudelsacks notiert wird. Um sie
@node Bagpipe example
-@subsection Bagpipe example
+@unnumberedsubsubsec Bagpipe example
So sieht die bekannte Melodie Amazing Grace aus, wenn man sie für
Dudelsack notiert.
@node Ancient note heads
-@subsection Ancient note heads
+@unnumberedsubsubsec Ancient note heads
@cindex Notenköpfe, Alte Musik
@node Ancient accidentals
-@subsection Ancient accidentals
+@unnumberedsubsubsec Ancient accidentals
@cindex Vorzeichen, Alte Musik
Beispiele: @lsrdir{ancient}.
@node Ancient rests
-@subsection Ancient rests
+@unnumberedsubsubsec Ancient rests
@cindex Pausen, Alte Musik
@node Ancient clefs
-@subsection Ancient clefs
+@unnumberedsubsubsec Ancient clefs
@cindex Schlüssel, Alte Musik
@node Ancient flags
-@subsection Ancient flags
+@unnumberedsubsubsec Ancient flags
@cindex Fähnchen, Alte Musik
@node Ancient time signatures
-@subsection Ancient time signatures
+@unnumberedsubsubsec Ancient time signatures
@cindex Taktart, Alte Musik
@cindex Mensur
@node Ancient articulations
-@subsection Ancient articulations
+@unnumberedsubsubsec Ancient articulations
@cindex articulations
ist das rechte Ende der Episem-Linie oft zu weit rechts.
@node Custodes
-@subsection Custodes
+@unnumberedsubsubsec Custodes
@cindex Custodes
@node Divisiones
-@subsection Divisiones
+@unnumberedsubsubsec Divisiones
@cindex divisio
@cindex divisiones
Beispiele: @lsr{expressive,breathing-sign.ly}.
@node Ligatures
-@subsection Ligatures
+@unnumberedsubsubsec Ligatures
@cindex Ligaturen
@end menu
@node White mensural ligatures
-@subsection White mensural ligatures
+@unnumberedsubsubsec White mensural ligatures
@cindex Mensuralligaturen
@cindex Weiße Mensuralligaturen
Die horizontale Positionierung ist sehr schlecht.
@node Gregorian square neumes ligatures
-@subsection Gregorian square neumes ligatures
+@unnumberedsubsubsec Gregorian square neumes ligatures
@cindex Quadratische Neumenligaturen
@cindex Gregorianische quadratische Neumenligaturen
Präfixen in arbiträrer Reihenfolge notiert werden kann.
@node Gregorian Chant contexts
-@subsection Gregorian Chant contexts
+@unnumberedsubsubsec Gregorian Chant contexts
@cindex VaticanaVoiceContext
@cindex VaticanaStaffContext
@node Mensural contexts
-@subsection Mensural contexts
+@unnumberedsubsubsec Mensural contexts
@cindex MensuralVoiceContext
@cindex MensuralStaffContext
@end lilypond
@node Musica ficta accidentals
-@subsection Musica ficta accidentals
+@unnumberedsubsubsec Musica ficta accidentals
In der europäischen Musik vor 1600 wurden vom Sänger oftmals
chromatische Alterationen erwartet, die nicht notiert wurden.
@internalsref{AccidentalSuggestion}-Objekt.
@node Figured bass
-@subsection Figured bass
+@unnumberedsubsubsec Figured bass
@cindex Basso continuo
@cindex Generalbass
@end menu
@node Artificial harmonics (strings)
-@subsection Artificial harmonics (strings)
+@unnumberedsubsubsec Artificial harmonics (strings)
@cindex Flageolett
@node Automatic staff changes
-@subsection Automatic staff changes
+@unnumberedsubsubsec Automatic staff changes
@cindex Cambio automático de pentagrama
Se puede hacer que las voces cambien automáticamente entre los pentagramas inferior y
@node Manual staff switches
-@subsection Manual staff switches
+@unnumberedsubsubsec Manual staff switches
@cindex manual, cambio de pentagrama
@cindex pentagrama, cambios manuales de
@node Pedals
-@subsection Pedals
+@unnumberedsubsubsec Pedals
@cindex Pedales
El piano tiene pedales que alteran la forma en que se produce el sonido. Generalmente un
En este manual: @ref{Laissez vibrer ties}.
@node Staff switch lines
-@subsection Staff switch lines
+@unnumberedsubsubsec Staff switch lines
@cindex seguimiento de voz
@node Cross staff stems
-@subsection Cross staff stems
+@unnumberedsubsubsec Cross staff stems
Los acordes que cruzan pentagramas se pueden producir mediante el incremento de la longitud
de la plica en el pentagrama inferior, de manera que alcance a la plica que está en el pentagrama
@c awkward name; awkward section name.
@c still, the Basic "chords" seems like a good name... :(
@node Introducing chord names
-@subsection Introducing chord names
+@unnumberedsubsubsec Introducing chord names
@cindex acordes, nombres
LilyPond tiene la capacidad de imprimir nombres de acordes. Los acordes se pueden introducir
@node Chords mode
-@subsection Chords mode
+@unnumberedsubsubsec Chords mode
@cindex Acordes, modo de
En el modo de acordes, se introducen conjuntos de notas o acordes con sus nombres usuales.
@node Printing chord names
-@subsection Printing chord names
+@unnumberedsubsubsec Printing chord names
@cindex impresión de los nombres de acorde
@cindex acordes, nombres de
@node Setting simple songs
-@subsection Setting simple songs
+@unnumberedsubsubsec Setting simple songs
@cindex \addlyrics
@node Entering lyrics
-@subsection Entering lyrics
+@unnumberedsubsubsec Entering lyrics
@cindex letra
@funindex \lyricmode
@node Aligning lyrics to a melody
-@subsection Aligning lyrics to a melody
+@unnumberedsubsubsec Aligning lyrics to a melody
@funindex \lyricmode
@funindex \addlyrics
@end menu
@node Automatic syllable durations
-@subsection Automatic syllable durations
+@unnumberedsubsubsec Automatic syllable durations
@cindex duraciones automáticas de las sílabas
@cindex letra y melodías
@end example
@node Another way of entering lyrics
-@subsection Another way of entering lyrics
+@unnumberedsubsubsec Another way of entering lyrics
El texto también se puede introducir sin @code{\addlyrics} ni
@code{\lyricsto}. En este caso,
@node Assigning more than one syllable to a single note
-@subsection Assigning more than one syllable to a single note
+@unnumberedsubsubsec Assigning more than one syllable to a single note
@funindex _
@node More than one note on a single syllable
-@subsection More than one note on a single syllable
+@unnumberedsubsubsec More than one note on a single syllable
@cindex melisma
@cindex melismata
insertar a mano.
@node Extenders and hyphens
-@subsection Extenders and hyphens
+@unnumberedsubsubsec Extenders and hyphens
@cindex melisma
@cindex extender
@node Working with lyrics and identifiers
-@subsection Working with lyrics and identifiers
+@unnumberedsubsubsec Working with lyrics and identifiers
@cindex letra, identificadores de
Para definir identificadores que contengan texto, se debe usar la función @code{\lyricmode}.
@node Flexibility in placement
-@subsection Flexibility in placement
+@unnumberedsubsubsec Flexibility in placement
A menudo se aplican a una melodía distintos versos de una canción de formas ligeramente
distintas. Tales variantes pueden aún captarse mediante
@node Lyrics to multiple notes of a melisma
-@subsection Lyrics to multiple notes of a melisma
+@unnumberedsubsubsec Lyrics to multiple notes of a melisma
Existe la posibilidad de que el texto tenga un melisma en un verso, pero
varias sílabas en otro. Una solución es hacer que la voz más rápida
@node Divisi lyrics
-@subsection Divisi lyrics
+@unnumberedsubsubsec Divisi lyrics
Puede presentar letras alternativas (o divisi) nombrando contextos de
voz y aplicando la letra a los mencionados contextos específicos.
@node Switching the melody associated with a lyrics line
-@subsection Switching the melody associated with a lyrics line
+@unnumberedsubsubsec Switching the melody associated with a lyrics line
Son posibles variaciones más complejas en la disposición del texto. Se puede
cambiar la melodía para una línea de la letra durante el texto. Esto se hace
@node Lyrics independent of notes
-@subsection Lyrics independent of notes
+@unnumberedsubsubsec Lyrics independent of notes
En cierta música vocal compleja, podría ser deseable colocar la
letra de forma totalmente independiente de las notas. La música que se define
@node Spacing lyrics
-@subsection Spacing lyrics
+@unnumberedsubsubsec Spacing lyrics
@cindex Spacing lyrics
@cindex Lyrics, increasing space between
@node More about stanzas
-@subsection More about stanzas
+@unnumberedsubsubsec More about stanzas
@cindex número de verso
-@subsection Adding stanza numbers
+@unnumberedsubsubsec Adding stanza numbers
Los números de los versos se pueden añadir estableciendo @code{stanza}, p.ej.,
Estos números aparecerán inmediatamente antes de la primera sílaba.
-@subsection Adding dynamics marks
+@unnumberedsubsubsec Adding dynamics marks
Los versos que difieren en su fuerza se pueden especificar escribiendo una
indicación dinámica antes de cada verso. En Lilypond, todo lo que aparece delante de
@cindex cantor, nombre del
@cindex nombre del cantor
-@subsection Adding singer names
+@unnumberedsubsubsec Adding singer names
También se pueden poner los nombres de los cantantes. Se imprimen al comienzo de la
línea, igual que los nombres de instrumento. Se crean estableciendo un valor para
@end lilypond
-@subsection Printing stanzas at the end
+@unnumberedsubsubsec Printing stanzas at the end
En ocasiones es conveniente tener un verso ajustado a la música,
y el resto añadido en forma de estrofa al final
@end lilypond
-@subsection Printing stanzas at the end in multiple columns
+@unnumberedsubsubsec Printing stanzas at the end in multiple columns
Cuando una pieza tiene muchos versos, a menudo se imprimen
en varias columnas a lo largo de toda la página. Con frecuencia un número de verso fuera del margen
@node Ambitus
-@subsection Ambitus
+@unnumberedsubsubsec Ambitus
@cindex ambitus
El término @emph{ambitus} o ámbito, denota el rango de notas que abarca una voz dada
@node Other vocal issues
-@subsection Other vocal issues
+@unnumberedsubsubsec Other vocal issues
@ignore
yeah, I'm giving up somewhat by stuffing a bunch of things in
@node Showing melody rhythms
-@subsection Showing melody rhythms
+@unnumberedsubsubsec Showing melody rhythms
En ocasiones podría desear que se muestre sólo el ritmo de una melodía. Esto
se puede hacer con la pauta rítmica. Todas las alturas de las notas en dicha pauta
@node Entering percussion
-@subsection Entering percussion
+@unnumberedsubsubsec Entering percussion
@cindex percusión
@cindex batería
Referencia del programa: @internalsref{note-event}.
@node Percussion staves
-@subsection Percussion staves
+@unnumberedsubsubsec Percussion staves
@cindex percusión
@cindex batería
@c FIXME: check name -gp
@node Ghost notes
-@subsection Ghost notes
+@unnumberedsubsubsec Ghost notes
Las notas fantasma para la batería e instrumentos de percusión se pueden crear utilizando la instrucción
@code{\parenthesize} detallada en @ref{Parentheses}. Sin embargo,
@end menu
@node String number indications
-@subsection String number indications
+@unnumberedsubsubsec String number indications
@cindex Cuerda, número de la
@node Tablatures basic
-@subsection Tablatures basic
+@unnumberedsubsubsec Tablatures basic
@cindex Tablatura, principios básicos
La notación de tablatura se utiliza para la notación de música de instrumentos de cuerda
@node Non-guitar tablatures
-@subsection Non-guitar tablatures
+@unnumberedsubsubsec Non-guitar tablatures
@cindex Tablaturas para instr. distintos de la guitarra
Puede cambiar la afinación de las cuerdas. Una afinación de cuerdas se da como
@node Banjo tablatures
-@subsection Banjo tablatures
+@unnumberedsubsubsec Banjo tablatures
@cindex Banjo, tablaturas de
LilyPond contempla el banjo de cinco cuerdas de una manera básica. Cuando haga tablaturas
@node Fret diagrams
-@subsection Fret diagrams
+@unnumberedsubsubsec Fret diagrams
@cindex trastes, diagramas de
@cindex acordes, diagramas de
@node Right hand fingerings
-@subsection Right hand fingerings
+@unnumberedsubsubsec Right hand fingerings
Se pueden introducir las digitaciones de la mano derecha de los acordes, usando
@code{@var{nota}-\rightHandFinger @var{dedo}}
@node Other guitar issues
-@subsection Other guitar issues
+@unnumberedsubsubsec Other guitar issues
Este ejemplo muestra cómo incluir indicaciones de posición y cejilla
de guitarra:
@node Bagpipe definitions
-@subsection Bagpipe definitions
+@unnumberedsubsubsec Bagpipe definitions
LilyPond contiene definiciones especiales para la música de gaita escocesa de las
tierras altas; para usarlas, escriba
@node Bagpipe example
-@subsection Bagpipe example
+@unnumberedsubsubsec Bagpipe example
La conocida melodía Amazing Grace tiene este aspecto en notación de
gaita.
@node Ancient note heads
-@subsection Ancient note heads
+@unnumberedsubsubsec Ancient note heads
@cindex cabezas de nota antiguas
@node Ancient accidentals
-@subsection Ancient accidentals
+@unnumberedsubsubsec Ancient accidentals
@cindex alteraciones accidentales
Ejemplos: @lsrdir{ancient}
@node Ancient rests
-@subsection Ancient rests
+@unnumberedsubsubsec Ancient rests
@cindex silencios antiguos
@node Ancient clefs
-@subsection Ancient clefs
+@unnumberedsubsubsec Ancient clefs
@cindex claves
@node Ancient flags
-@subsection Ancient flags
+@unnumberedsubsubsec Ancient flags
@cindex corchetes
notación mensural).
@node Ancient time signatures
-@subsection Ancient time signatures
+@unnumberedsubsubsec Ancient time signatures
@cindex compás, indicación de
seleccionar directamente con @code{\time}. En su lugar, utilice un elemento de marcado @code{\markup}.
@node Ancient articulations
-@subsection Ancient articulations
+@unnumberedsubsubsec Ancient articulations
@cindex articulaciones
el extremo derecho de la línea episemática se encuentra a menudo demasiado lejos hacia la derecha.
@node Custodes
-@subsection Custodes
+@unnumberedsubsubsec Custodes
@cindex custos
@cindex custodias
@node Divisiones
-@subsection Divisiones
+@unnumberedsubsubsec Divisiones
@cindex divisio
@cindex divisiones
@node Ligatures
-@subsection Ligatures
+@unnumberedsubsubsec Ligatures
@cindex Ligaduras
@end menu
@node White mensural ligatures
-@subsection White mensural ligatures
+@unnumberedsubsubsec White mensural ligatures
@cindex ligaduras mensurales
@cindex ligaduras mensurales blancas
El espaciado horizontal es pobre.
@node Gregorian square neumes ligatures
-@subsection Gregorian square neumes ligatures
+@unnumberedsubsubsec Gregorian square neumes ligatures
@cindex ligaduras de neumas cuadrados
@cindex ligaduras gregorianas de neumas cuadrados
con los prefijos de cabeza en un orden arbitrario.
@node Gregorian Chant contexts
-@subsection Gregorian Chant contexts
+@unnumberedsubsubsec Gregorian Chant contexts
@cindex VaticanaVoiceContext
@cindex VaticanaStaffContext
@node Mensural contexts
-@subsection Mensural contexts
+@unnumberedsubsubsec Mensural contexts
@cindex MensuralVoiceContext
@cindex MensuralStaffContext
@end lilypond
@node Musica ficta accidentals
-@subsection Musica ficta accidentals
+@unnumberedsubsubsec Musica ficta accidentals
En la música europea de hasta aprox. 1600, se esperaba de los cantantes que
alterasen cromáticamente ciertas notas de acuerdo con su propia iniciativa. Esto recibe el nombre
@internalsref{AccidentalSuggestion}.
@node Figured bass
-@subsection Figured bass
+@unnumberedsubsubsec Figured bass
@cindex Bajo continuo
@end menu
@node Artificial harmonics (strings)
-@subsection Artificial harmonics (strings)
+@unnumberedsubsubsec Artificial harmonics (strings)
@cindex armónicos artificiales
@node Automatic staff changes
-@subsection Automatic staff changes
+@unnumberedsubsubsec Automatic staff changes
@cindex Changements de portées automatiques
Les voix peuvent passer automatiquement d'une portée à l'autre, au moyen
@node Manual staff switches
-@subsection Manual staff switches
+@unnumberedsubsubsec Manual staff switches
@cindex changements de portées manuels
@cindex changement de portée, manuel
@node Pedals
-@subsection Pedals
+@unnumberedsubsubsec Pedals
@cindex Pédales
Le piano possède deux pédales, parfois trois, permettant de modifier
Dans ce manuel : @ref{Laissez vibrer ties}.
@node Staff switch lines
-@subsection Staff switch lines
+@unnumberedsubsubsec Staff switch lines
@cindex voix entre deux portées
@node Cross staff stems
-@subsection Cross staff stems
+@unnumberedsubsubsec Cross staff stems
Pour écrire des accords qui enjambent deux portées, on allonge la hampe
de l'accord de l'une des deux portées de façon à ce qu'elle rejoigne celle de
@c awkward name; awkward section name.
@c still, the Basic "chords" seems like a good name... :(
@node Introducing chord names
-@subsection Introducing chord names
+@unnumberedsubsubsec Introducing chord names
@cindex accords, chiffrage jazz
LilyPond permet de désigner les accords par leur chiffrage jazz.
@node Chords mode
-@subsection Chords mode
+@unnumberedsubsubsec Chords mode
Dans le mode accords, introduit par la commande @code{\chordmode}, les
accords ne sont indiqués que par leur note fondamentale.
@node Printing chord names
-@subsection Printing chord names
+@unnumberedsubsubsec Printing chord names
@cindex chiffrages d'accords
@cindex accords
@node Setting simple songs
-@subsection Setting simple songs
+@unnumberedsubsubsec Setting simple songs
@cindex \addlyrics
@node Entering lyrics
-@subsection Entering lyrics
+@unnumberedsubsubsec Entering lyrics
@cindex paroles
@funindex \lyricmode
@node Aligning lyrics to a melody
-@subsection Aligning lyrics to a melody
+@unnumberedsubsubsec Aligning lyrics to a melody
@funindex \lyricmode
@funindex \addlyrics
@end menu
@node Automatic syllable durations
-@subsection Automatic syllable durations
+@unnumberedsubsubsec Automatic syllable durations
@cindex durée automatique des syllabes
@cindex paroles et mélodies
@end example
@node Another way of entering lyrics
-@subsection Another way of entering lyrics
+@unnumberedsubsubsec Another way of entering lyrics
On peut aussi se passer de @code{\addlyrics} et de @code{\lyricsto} pour
saisir des paroles. Dans ce cas, les syllabes sont entrées comme des
@node Assigning more than one syllable to a single note
-@subsection Assigning more than one syllable to a single note
+@unnumberedsubsubsec Assigning more than one syllable to a single note
@funindex _
@node More than one note on a single syllable
-@subsection More than one note on a single syllable
+@unnumberedsubsubsec More than one note on a single syllable
@cindex mélisme
@cindex vocalise
alors prolonger vous-même les syllabes concernées.
@node Extenders and hyphens
-@subsection Extenders and hyphens
+@unnumberedsubsubsec Extenders and hyphens
@cindex mélisme
@cindex extenseur
@node Working with lyrics and identifiers
-@subsection Working with lyrics and identifiers
+@unnumberedsubsubsec Working with lyrics and identifiers
@cindex paroles, identificateurs
La fonction @code{\lyricmode} permet de définir un identificateur pour
@node Flexibility in placement
-@subsection Flexibility in placement
+@unnumberedsubsubsec Flexibility in placement
Une même mélodie peut se voir traitée différemment suivant les couplets.
La commande @code{\lyricsto} permet de prendre en compte ces variantes.
@node Lyrics to multiple notes of a melisma
-@subsection Lyrics to multiple notes of a melisma
+@unnumberedsubsubsec Lyrics to multiple notes of a melisma
Il peut survenir que les paroles comportent un mélisme pour l'un des
couplets, mais plusieurs syllabes pour d'autres. Une solution consiste à
@node Divisi lyrics
-@subsection Divisi lyrics
+@unnumberedsubsubsec Divisi lyrics
En donnant un nom à chaque voix et en leur attribuant spécifiquement
des paroles, on peut créer des paroles alternatives --- également
@node Switching the melody associated with a lyrics line
-@subsection Switching the melody associated with a lyrics line
+@unnumberedsubsubsec Switching the melody associated with a lyrics line
On peut créer des variations plus complexes à partir d'une mélodie à
plusieurs voix. Les paroles peuvent suivre l'une ou l'autre des
@node Lyrics independent of notes
-@subsection Lyrics independent of notes
+@unnumberedsubsubsec Lyrics independent of notes
Dans certaines musiques vocales assez complexes, on peut avoir intérêt à
imprimer les paroles indépendamment des notes. La mélodie sur laquelle
@node Spacing lyrics
-@subsection Spacing lyrics
+@unnumberedsubsubsec Spacing lyrics
@cindex espacer des paroles
@cindex paroles, accroître l'espacement
@node More about stanzas
-@subsection More about stanzas
+@unnumberedsubsubsec More about stanzas
@cindex numéro de couplet
-@subsection Adding stanza numbers
+@unnumberedsubsubsec Adding stanza numbers
On peut ajouter un numéro aux couplets en définissant la variable
@code{stanza} :
@noindent
Ces numéros se placeront juste avant le début de la première syllabe.
-@subsection Adding dynamics marks
+@unnumberedsubsubsec Adding dynamics marks
Lorsque des couplets ont des nuances différentes, vous pouvez ajouter
une nuance devant chaque numéro. L'objet @code{StanzaNumber} contient
@cindex nom de personnage
@cindex nom du chanteur
-@subsection Adding singer names
+@unnumberedsubsubsec Adding singer names
On peut également ajouter le nom de chaque rôle ; ils s'imprimeront au
début de chaque ligne comme les noms d'instruments. Il faut pour cela
@end lilypond
-@subsection Printing stanzas at the end
+@unnumberedsubsubsec Printing stanzas at the end
Il peut parfois s'avérer opportun d'aligner un seul couplet sur la
mélodie, et de présenter tous les autres en bloc à la fin du morceau.
@end lilypond
-@subsection Printing stanzas at the end in multiple columns
+@unnumberedsubsubsec Printing stanzas at the end in multiple columns
Si les couplets sont vraiment nombreux, il est possible de les imprimer
sur plusieurs colonnes. De plus, l'exemple suivant vous montrera
@node Ambitus
-@subsection Ambitus
+@unnumberedsubsubsec Ambitus
@cindex ambitus
L'@emph{ambitus} est l'amplitude des hauteurs d'une voix donnée dans une
@node Other vocal issues
-@subsection Other vocal issues
+@unnumberedsubsubsec Other vocal issues
@ignore
yeah, I'm giving up somewhat by stuffing a bunch of things in
@node Showing melody rhythms
-@subsection Showing melody rhythms
+@unnumberedsubsubsec Showing melody rhythms
Au moyen d'une portée rythmique -- @q{rhythmic staff} en anglais -- on
peut montrer seulement le rythme d'une mélodie : toutes les notes sont
@node Entering percussion
-@subsection Entering percussion
+@unnumberedsubsubsec Entering percussion
@cindex percussions
@cindex batterie
Référence du Programme : @internalsref{note-event}.
@node Percussion staves
-@subsection Percussion staves
+@unnumberedsubsubsec Percussion staves
@cindex percussions
@cindex batterie
@c FIXME: check name -gp
@node Ghost notes
-@subsection Ghost notes
+@unnumberedsubsubsec Ghost notes
Des notes fantômes peuvent être créées pour les parties de percussion,
grâce à la commande @code{\parenthesize} décrite dans
@end menu
@node String number indications
-@subsection String number indications
+@unnumberedsubsubsec String number indications
@cindex cordes numérotées
@cindex numéro de corde
@node Tablatures basic
-@subsection Tablatures basic
+@unnumberedsubsubsec Tablatures basic
@cindex tablatures de base
La notation en tablature est utilisée pour certains instruments à cordes
@node Non-guitar tablatures
-@subsection Non-guitar tablatures
+@unnumberedsubsubsec Non-guitar tablatures
@cindex tablatures, autres
Vous pouvez bien sûr accorder vos cordes différemment. Cet accord est
@node Banjo tablatures
-@subsection Banjo tablatures
+@unnumberedsubsubsec Banjo tablatures
@cindex Tablatures de banjo
LilyPond permet d'écrire des tablatures de base pour le banjo à cinq
@node Fret diagrams
-@subsection Fret diagrams
+@unnumberedsubsubsec Fret diagrams
@cindex schémas d'accords
@cindex schémas de barrés
@node Right hand fingerings
-@subsection Right hand fingerings
+@unnumberedsubsubsec Right hand fingerings
Les doigtés de la main droite, dans les accords, peuvent être ajoutés au moyen
de @code{@var{note}-\rightHandFinger @var{doigté}}
@node Other guitar issues
-@subsection Other guitar issues
+@unnumberedsubsubsec Other guitar issues
Voici comment insérer des indications de position.
@node Bagpipe definitions
-@subsection Bagpipe definitions
+@unnumberedsubsubsec Bagpipe definitions
LilyPond inclut des définitions spécifiques destinées à la notation pour
cornemuse écossaise ; pour les utiliser, il suffit d'ajouter
@node Bagpipe example
-@subsection Bagpipe example
+@unnumberedsubsubsec Bagpipe example
Et voici en guise d'exemple, à quoi ressemble le chant populaire
@emph{Amazing Grace}, noté dans l'idiome de la cornemuse.
@node Ancient note heads
-@subsection Ancient note heads
+@unnumberedsubsubsec Ancient note heads
@cindex têtes de note, musique ancienne
@node Ancient accidentals
-@subsection Ancient accidentals
+@unnumberedsubsubsec Ancient accidentals
@cindex altérations
@node Ancient rests
-@subsection Ancient rests
+@unnumberedsubsubsec Ancient rests
@cindex silences, musique ancienne
@node Ancient clefs
-@subsection Ancient clefs
+@unnumberedsubsubsec Ancient clefs
@cindex clefs
@cindex clés
@node Ancient flags
-@subsection Ancient flags
+@unnumberedsubsubsec Ancient flags
@cindex crochets
@node Ancient time signatures
-@subsection Ancient time signatures
+@unnumberedsubsubsec Ancient time signatures
@cindex métrique
@node Ancient articulations
-@subsection Ancient articulations
+@unnumberedsubsubsec Ancient articulations
@cindex articulations
l'est, son extension à droite est trop longue.
@node Custodes
-@subsection Custodes
+@unnumberedsubsubsec Custodes
@cindex custos
@cindex custodes
@node Divisiones
-@subsection Divisiones
+@unnumberedsubsubsec Divisiones
@cindex divisio
@cindex divisiones
@node Ligatures
-@subsection Ligatures
+@unnumberedsubsubsec Ligatures
@cindex Ligatures
@end menu
@node White mensural ligatures
-@subsection White mensural ligatures
+@unnumberedsubsubsec White mensural ligatures
@cindex Ligatures mensurales
@cindex Ligatures mensurales blanches
@node Gregorian square neumes ligatures
-@subsection Gregorian square neumes ligatures
+@unnumberedsubsubsec Gregorian square neumes ligatures
@cindex neumes carrés et ligatures
@cindex grégorien, ligatures de neumes carrés
@node Gregorian Chant contexts
-@subsection Gregorian Chant contexts
+@unnumberedsubsubsec Gregorian Chant contexts
@cindex VaticanaVoiceContext
@cindex VaticanaStaffContext
@node Mensural contexts
-@subsection Mensural contexts
+@unnumberedsubsubsec Mensural contexts
@cindex MensuralVoiceContext
@cindex MensuralStaffContext
@node Musica ficta accidentals
-@subsection Musica ficta accidentals
+@unnumberedsubsubsec Musica ficta accidentals
Dans la musique européenne antérieure au XVIIe siècle, les chanteurs
étaient censés altérer les notes de leur propre initiative. On appelait
@node Figured bass
-@subsection Figured bass
+@unnumberedsubsubsec Figured bass
@cindex basse continue
@cindex basse chiffrée
@end menu
@node Artificial harmonics (strings)
-@subsection Artificial harmonics (strings)
+@unnumberedsubsubsec Artificial harmonics (strings)
@cindex harmoniques
@unnumberedsubsubsec More about stanzas
@cindex stanza number
-@subsection Adding stanza numbers
+@unnumberedsubsubsec Adding stanza numbers
Stanza numbers can be added by setting @code{stanza}, e.g.,
These numbers are put just before the start of the first syllable.
-@subsection Adding dynamics marks
+@unnumberedsubsubsec Adding dynamics marks
Stanzas differing in loudness may be indicated by putting a
dynamics mark before each stanza. In Lilypond, everthing coming in
@cindex singer name
@cindex name of singer
-@subsection Adding singer names
+@unnumberedsubsubsec Adding singer names
Names of singers can also be added. They are printed at the start of
the line, just like instrument names. They are created by setting
@end lilypond
-@subsection Printing stanzas at the end
+@unnumberedsubsubsec Printing stanzas at the end
Sometimes it is appropriate to have one stanza set
to the music, and the rest added in verse form at
@end lilypond
-@subsection Printing stanzas at the end in multiple columns
+@unnumberedsubsubsec Printing stanzas at the end in multiple columns
When a piece of music has many verses, they are often printed in
multiple columns across the page. An outdented verse number often
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