Docs: LM: Move Scores and parts

 - was LM 5.3
 - moved to LM 3.4.4 (new subsection)

diff --git a/Documentation/learning/fundamental.itely b/Documentation/learning/fundamental.itely
index 4bc867b8ba18fa6799c50cfbcd001e4ffb534cf0..83f440293731c5a2666f1e6a86e2e3760c9046b9 100644 (file)
--- a/Documentation/learning/fundamental.itely
+++ b/Documentation/learning/fundamental.itely
@@ -2269,6 +2269,7 @@ But what if you want something that isn't covered there?  Read on.
 * Soprano and cello::
 * Four-part SATB vocal score::
 * Building a score from scratch::
+* Scores and parts::
 @end menu
 
 @node Soprano and cello
@@ -2903,3 +2904,126 @@ PedalOrganMusic = \relative c {
 @end lilypond
 
 
+@node Scores and parts
+@subsection Scores and parts
+
+In orchestral music, all notes are printed twice.  Once in a part for
+the musicians, and once in a full score for the conductor.  Variables can
+be used to avoid double work.  The music is entered once, and stored in
+a variable.  The contents of that variable is then used to generate
+both the part and the full score.
+
+It is convenient to define the notes in a special file.  For example,
+suppose that the file @file{horn-music.ly} contains the following part
+of a horn/@/bassoon duo
+
+@example
+hornNotes = \relative c @{
+  \time 2/4
+  r4 f8 a cis4 f e d
+@}
+@end example
+
+@noindent
+Then, an individual part is made by putting the following in a file
+
+@example
+\include "horn-music.ly"
+\header @{
+  instrument = "Horn in F"
+@}
+
+@{
+ \transpose f c' \hornNotes
+@}
+@end example
+
+The line
+
+@example
+\include "horn-music.ly"
+@end example
+
+@noindent
+substitutes the contents of @file{horn-music.ly} at this position in
+the file, so @code{hornNotes} is defined afterwards.  The command
+@code{\transpose f@tie{}c'} indicates that the argument, being
+@code{\hornNotes}, should be transposed by a fifth upwards.  Sounding
+@code{f} is denoted by notated @code{c'}, which corresponds with the
+tuning of a normal French Horn in@tie{}F.  The transposition can be seen
+in the following output
+
+@lilypond[quote,ragged-right]
+\transpose f c' \relative c {
+  \time 2/4
+  r4 f8 a cis4 f e d
+}
+@end lilypond
+
+In ensemble pieces, one of the voices often does not play for many
+measures.  This is denoted by a special rest, the multi-measure
+rest.  It is entered with a capital @code{R} followed by a duration
+(@code{1}@tie{}for a whole note, @code{2}@tie{}for a half note,
+etc.).  By multiplying the
+duration, longer rests can be constructed.  For example, this rest
+takes 3@tie{}measures in 2/4 time
+
+@example
+R2*3
+@end example
+
+When printing the part, multi-rests
+must be condensed.  This is done by setting a run-time variable
+
+@example
+\set Score.skipBars = ##t
+@end example
+
+@noindent
+This command sets the property @code{skipBars} in the
+@code{Score} context to true (@code{##t}).  Prepending the rest and
+this option to the music above, leads to the following result
+
+@lilypond[quote,ragged-right]
+\transpose f c' \relative c {
+  \time 2/4
+  \set Score.skipBars = ##t
+  R2*3
+  r4 f8 a cis4 f e d
+}
+@end lilypond
+
+
+The score is made by combining all of the music together.  Assuming
+that the other voice is in @code{bassoonNotes} in the file
+@file{bassoon-music.ly}, a score is made with
+
+@example
+\include "bassoon-music.ly"
+\include "horn-music.ly"
+
+<<
+  \new Staff \hornNotes
+  \new Staff \bassoonNotes
+>>
+@end example
+
+@noindent
+leading to
+
+@lilypond[quote,ragged-right]
+\relative c <<
+  \new Staff {
+    \time 2/4 R2*3
+    r4 f8 a cis4 f e d
+  }
+  \new Staff {
+    \clef bass
+    r4 d,8 f | gis4 c | b bes |
+    a8 e f4 | g d | gis f
+  }
+>>
+@end lilypond
+
+
+

diff --git a/Documentation/learning/working.itely b/Documentation/learning/working.itely
index 892734e2b03ae9a5dcb6d023a97c1335d526cafc..ec77340e4936f0a99e5689b5901d4421d44801cc 100644 (file)
--- a/Documentation/learning/working.itely
+++ b/Documentation/learning/working.itely
@@ -21,7 +21,6 @@ this chapter.
 @menu
 * Suggestions for writing LilyPond input files::
 * When things don't work::
-* Scores and parts::
 * Make and Makefiles::
 @end menu
 
@@ -832,134 +831,6 @@ example.
 
 
 
-@node Scores and parts
-@section Scores and parts
-
-TODO: this is really old stuff from the really old tutorial.
-Rewrite, fix, etc.  Or maybe delete entirely.  -gp
-Include section on tags   -td
-and then move to section 5. Working ...  -td
-
-In orchestral music, all notes are printed twice.  Once in a part for
-the musicians, and once in a full score for the conductor.  Variables can
-be used to avoid double work.  The music is entered once, and stored in
-a variable.  The contents of that variable is then used to generate
-both the part and the full score.
-
-It is convenient to define the notes in a special file.  For example,
-suppose that the file @file{horn-music.ly} contains the following part
-of a horn/@/bassoon duo
-
-@example
-hornNotes = \relative c @{
-  \time 2/4
-  r4 f8 a cis4 f e d
-@}
-@end example
-
-@noindent
-Then, an individual part is made by putting the following in a file
-
-@example
-\include "horn-music.ly"
-\header @{
-  instrument = "Horn in F"
-@}
-
-@{
- \transpose f c' \hornNotes
-@}
-@end example
-
-The line
-
-@example
-\include "horn-music.ly"
-@end example
-
-@noindent
-substitutes the contents of @file{horn-music.ly} at this position in
-the file, so @code{hornNotes} is defined afterwards.  The command
-@code{\transpose f@tie{}c'} indicates that the argument, being
-@code{\hornNotes}, should be transposed by a fifth upwards.  Sounding
-@code{f} is denoted by notated @code{c'}, which corresponds with the
-tuning of a normal French Horn in@tie{}F.  The transposition can be seen
-in the following output
-
-@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
-  \time 2/4
-  r4 f8 a cis4 f e d
-}
-@end lilypond
-
-In ensemble pieces, one of the voices often does not play for many
-measures.  This is denoted by a special rest, the multi-measure
-rest.  It is entered with a capital @code{R} followed by a duration
-(@code{1}@tie{}for a whole note, @code{2}@tie{}for a half note,
-etc.).  By multiplying the
-duration, longer rests can be constructed.  For example, this rest
-takes 3@tie{}measures in 2/4 time
-
-@example
-R2*3
-@end example
-
-When printing the part, multi-rests
-must be condensed.  This is done by setting a run-time variable
-
-@example
-\set Score.skipBars = ##t
-@end example
-
-@noindent
-This command sets the property @code{skipBars} in the
-@code{Score} context to true (@code{##t}).  Prepending the rest and
-this option to the music above, leads to the following result
-
-@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
-  \time 2/4
-  \set Score.skipBars = ##t
-  R2*3
-  r4 f8 a cis4 f e d
-}
-@end lilypond
-
-
-The score is made by combining all of the music together.  Assuming
-that the other voice is in @code{bassoonNotes} in the file
-@file{bassoon-music.ly}, a score is made with
-
-@example
-\include "bassoon-music.ly"
-\include "horn-music.ly"
-
-<<
-  \new Staff \hornNotes
-  \new Staff \bassoonNotes
->>
-@end example
-
-@noindent
-leading to
-
-@lilypond[quote,ragged-right]
-\relative c <<
-  \new Staff {
-    \time 2/4 R2*3
-    r4 f8 a cis4 f e d
-  }
-  \new Staff {
-    \clef bass
-    r4 d,8 f | gis4 c | b bes |
-    a8 e f4 | g d | gis f
-  }
->>
-@end lilypond
-
-
-
 @node Make and Makefiles
 @section Make and Makefiles