--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Vaticana ligature uses four staff lines, special clef, and calligraphic
+notes.
+" }
+
+\include "gregorian-init.ly"
+
+cantus = \context VaticanaVoice = "cantus" {
+ \clef "vaticana-fa2"
+ \[ f\melisma \quilisma g \auctum \descendens a\melismaEnd \]
+ \[ \virga a\melisma g \pes a \inclinatum f \inclinatum d
+ c \pes d \quilisma e \pes f \virga g
+ a \flexa f \pes g \inclinatum f \inclinatum e\melismaEnd \]
+ \[ d\melisma \quilisma e f \flexa e \pes f\melismaEnd \]
+ \[ e\melisma \flexa d\melismaEnd \]
+}
+
+verba = \context Lyrics = "verba" \lyricmode {
+ Al- le- lu- ia.
+}
+
+\paper {
+ % linethickness = \staffspace / 7.0
+}
+
+\score {
+ <<
+ \cantus
+ \lyricsto "cantus" \verba
+ >>
+ \layout {
+ linewidth = 137.0 \mm
+ width = 137.0 \mm
+ indent = 0.0
+ raggedright = ##t
+ packed = ##t
+ \context {
+ \Score
+ \remove Bar_number_engraver
+ timing = ##f
+ barAlways = ##t
+ }
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+LilyPond gives you the ability to assign different colors to any grob
+in your score, such as NoteHeads, Alterations, Beams and so on, by
+simply overriding the #'color property and choosing your color (over
+200 colors are available, see the \"List of Colors\" Appendix in the
+Manual).
+" }
+
+\relative {
+ \override Accidental #'color = #darkgreen
+ \override Beam #'color = #cyan
+ \override NoteHead #'color = #darkyellow
+ c4
+ \override NoteHead #'color = #red
+ f
+ \override NoteHead #'color = #darkmagenta
+ g
+ \override NoteHead #'color = #darkblue
+ b
+ \override NoteHead #'color = #green
+ \override Stem #'color = #blue
+ e8 es d dis e4 r
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Odd 20th century time signatures (such as \"5/8\") can often be played
+as compound time signatures (e.g. \"3/8 + 2/8\"), which combine two or
+more inequal metrics. LilyPond can make such musics quite easy to read
+and play, by explicitly printing the compound time signatures and
+adapting the automatic beaming behaviour. (You can even add graphic
+measure groping indications, the appropriate snippet in this database.)
+
+" }
+
+#(define (compound-time one two num)
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line ((#:column (one num)) #:vcenter "+" (#:column (two num))))))
+
+
+\relative {
+ %% compound time signature hack
+ \time 5/8
+ \override Staff.TimeSignature #'stencil = #ly:text-interface::print
+ \override Staff.TimeSignature #'text = #(compound-time "2" "3" "8" )
+ #(override-auto-beam-setting '(end 1 8 5 8) 1 4)
+ c8 d e fis gis | c fis, gis e d | c8 d e4 gis8
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+In 20th century music, time signatures tend to change frequently and to
+be more complex. Therefore, printing graphic indications (such as
+brackets and triangles) above the top staff has become quite useful, if
+not essential, to conductors or even players. LilyPond is able to do
+that easily with its integrated Measure_grouping_engraver.
+
+Beware: you can no longer use the \time command; use instead the
+#(set-time-signature x x '(x x)) function, which is quite more
+powerful, especially for compound time signatures such as 5/8.
+" }
+
+\new Staff \with {
+ \consists "Measure_grouping_engraver"
+ }
+
+\relative c' {
+ #(set-time-signature 2 4 '(2 2))
+ c8 a'4 a8~
+ #(set-time-signature 5 8 '(3 2))
+ a8 bes4 r8 bes8->
+ #(set-time-signature 2 4 '(2 2))
+ c,8 g'4 g8~
+ #(set-time-signature 5 8 '(3 2))
+ g8 a4 g a4.->
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Regular vertical lines can be drawn between staves to show notes
+synchronization; however, in case of monophonic music, you may want to
+make the second stave invisible, and make the lines shorter like in
+this snippet.
+" }
+
+%% sets of grid
+\layout {
+ \context {
+ \Staff
+ \consists "Grid_point_engraver"
+ gridInterval = #(ly:make-moment 1 8)
+%% lines length
+ \override GridPoint #'Y-extent = #'(6 . 0)
+ }
+ \context {
+ \StaffGroup
+ \remove "System_start_delimiter_engraver"
+ }
+}
+
+\layout {
+ ragged-right = ##t
+}
+\new Score
+\with {
+ \consists "Grid_line_span_engraver"
+%% centers grid lines horizontally below noteheads
+ \override NoteColumn #'X-offset = #-0.5
+}
+
+\new ChoirStaff <<
+ \new Staff
+ {
+ \time 12/8
+ \stemUp
+ \relative {
+ c'4. d8 e8 f g4 f8 e8.[ d16 c8] }
+ }
+ \new Staff
+ {
+%% making sure the lines will be placed outside the Staff
+ \override Score.GridLine #'extra-offset = #'( 0.0 . -4.0 )
+
+%% hides staff and notes so that only the grid lines are visible
+ \override NoteHead #'transparent = ##t
+ \override NoteHead #'no-ledgers = ##t
+ \override Stem #'transparent = ##t
+ \override Beam #'transparent = ##t
+ \override Staff.BarLine #'transparent = ##t
+ \override Staff.StaffSymbol #'line-count = #0
+ \override Staff.TimeSignature #'transparent = ##t
+ \override Staff.Clef #'transparent = ##t
+
+% you have to put 'dummy' notes here to force regular grid spacing...
+ \once \override Score.GridLine #'thickness = #4.0
+ c8 c8 c8
+ \once \override Score.GridLine #'thickness = #3.0
+ c8 c8 c8
+ \once \override Score.GridLine #'thickness = #4.0
+ c8 c8 c8
+ \once \override Score.GridLine #'thickness = #3.0
+ c8 c8 c8
+ }
+>>
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+LilyPond makes drums input quite easy, with powerful pre-configured
+tools such as the \drummode function and the DrumStaff context: drums
+are placed to their own staff positions (with a special clef symbol)
+and have note heads according to the drum. You can easily attach an
+extra symbol to the drum, and restrict the number of lines.
+" }
+
+drh = \drummode { cymc4.^"crash" hhc16^"h.h." hh \repeat "unfold" 5 {hhc8 hho hhc8 hh16 hh} hhc4 r4 r2 }
+drl = \drummode {\repeat "unfold" 3 {bd4 sn8 bd bd4 << bd ss >> } bd8 tommh tommh bd toml toml bd tomfh16 tomfh }
+timb = \drummode { \repeat "unfold" 2 {timh4 ssh timl8 ssh r timh r4 ssh8 timl r4 cb8 cb} }
+
+\score {
+ \repeat "volta" 2 {
+ <<
+ \new DrumStaff \with {
+ drumStyleTable = #timbales-style
+ \override StaffSymbol #'line-count = #2
+ \override BarLine #'bar-size = #2
+ } <<
+ \set Staff.instrumentName = "timbales"
+ \timb
+ >>
+ \new DrumStaff <<
+ \set Staff.instrumentName = "drums"
+ \new DrumVoice {\stemUp \drh }
+ \new DrumVoice {\stemDown \drl }
+ >>
+ >>
+ }
+ \layout {}
+
+ \midi {
+ \context {
+ \Score
+ tempoWholesPerMinute = #(ly:make-moment 120 4)
+ }
+ }
+
+
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+The shapeNoteStyles property gives you the ability to define various
+note heads styles for each step of the scale (as defined by the key
+signature or the \"tonic\" property).
+
+This property requires a set of symbols, which can be purely arbitrary
+(geometrical expressions such as triangle, cross, xcircle etc. are
+allowed) or based on old American engraving tradition (you can use some
+latin note names as well).
+
+That said, if you're trying to imitate old American song books, you may
+also want to try LilyPond's predefined note heads styles, through
+shortcut commands such as \aikenHeads or \sacredHarpHeads.
+
+This exemple shows different ways to obtain shape note heads, and
+demonstrates the ability to transpose a melody without losing the
+correspondance between harmonic functions and note heads styles.
+" }
+
+fragment = {
+ \key c \major
+ c1 d e f g a b c
+ \break
+}
+
+\relative {
+ \set shapeNoteStyles = ##(do re mi fa #f la ti)
+ \fragment
+}
+%{
+\transpose c d
+ \relative {
+ \set shapeNoteStyles = ##(do re mi fa #f la ti)
+ \fragment
+}
+
+\relative {
+ \set shapeNoteStyles = ##(cross triangle fa #f mensural xcircle diamond)
+ \fragment
+}
+%}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+The @code{print-function} can be overridden to draw a box around an
+arbitrary grob.
+" }
+
+\relative c'' {
+
+ \override TextScript #'stencil =
+ #(make-stencil-boxer 0.1 0.3 ly:text-interface::print)
+
+ c'4^"foo"
+
+ \override Stem #'stencil =
+ #(make-stencil-boxer 0.05 0.25 ly:stem::print)
+
+ \override Score.RehearsalMark #'stencil =
+ #(make-stencil-boxer 0.15 0.3 ly:text-interface::print)
+ b8
+ \revert Stem #'stencil
+
+
+ c4. c4 \mark "F" c1
+}
+
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+The \circle command allows you to draw circles around various objects
+(for example fingering indications). However, some objects require
+specific tweaks: rehearsal marks depend on the Score.markFormatter
+context, bar numbers on the Score.BarNumber context, and so on.
+
+You can tweak the printing of your circles by setting some properties
+such as #'thickness, #'circle-padding or #'font-size.
+" }
+
+\relative c'{
+c1
+\set Score.markFormatter
+ = #(lambda (mark context)
+ (make-circle-markup (format-mark-numbers mark context)))
+\mark \default
+c2 d^\markup{\circle \finger "2"}
+\override Score.BarNumber #'break-visibility = #all-visible
+\override Score.BarNumber #'stencil
+ = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+With the \tweak command, you can tune every grob directly. Here are
+some examples of available tweaks.
+" }
+
+\paper {
+ ragged-right = ##t
+}
+
+{
+ \set fingeringOrientations = #'(right)
+ <
+ \tweak #'font-size #3 c
+ \tweak #'color #red d-\tweak #'font-size #8 -4
+ \tweak #'style #'cross g
+ \tweak #'duration-log #1 a
+ >4
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+In an orchestral score (Beethoven's Coriolan overture), there are
+different instrument groups, and some of the instruments may be
+transposed. Instruments are indicated either with a long or short name.
+
+
+" }
+
+\header {
+ title = "Ouvertûre"
+ subtitle = "Zu Heinrich Joseph v. Collins Trauerspiel"
+ subsubtitle = \markup { \large \bold "Coriolan" }
+ opus = "Op. 62"
+ piece = \markup { \large Allegro con brio }
+ composer = "Ludwig van Beethoven (1770-1827)"
+}
+
+#(set-global-staff-size 16)
+
+raisedFlat = \markup { \raise #0.4 \smaller \smaller \flat }
+
+flauti = \relative c' {
+ \set Staff.instrumentName = #"2 Flauti "
+ \set Staff.shortInstrumentName = #"Fl. "
+ \time 4/4
+ c1
+ \break c
+% \break c
+% \break c
+ \bar"|."
+}
+
+oboi = \relative c' {
+ \set Staff.instrumentName = #"2 Oboi "
+ \set Staff.shortInstrumentName = #"Ob. "
+ c1 c
+}
+
+clarinetti = \relative c' {
+ \set Staff.instrumentName = \markup { \column { "Clarinetti "
+\line { "in B" \raisedFlat } } }
+ \set Staff.shortInstrumentName = \markup { \smaller { "Cl(B"
+\raisedFlat ") " } }
+
+ c1 c
+}
+
+fagotti = \relative c {
+ \set Staff.instrumentName = #"2 Fagotti "
+ \set Staff.shortInstrumentName = #"Fg. "
+ \clef bass
+ c1 c
+}
+
+corni = \relative c' {
+ \set Staff.instrumentName = \markup { \column { "Corni " \line {
+"in E" \raisedFlat } } }
+ \set Staff.shortInstrumentName = \markup { \smaller { "Cor(E"
+\raisedFlat ") " } }
+ c1 c
+}
+
+trombe = \relative c' {
+ \set Staff.instrumentName = \markup \column { "2 Trombe " "(C) " }
+ \set Staff.shortInstrumentName = \markup \column { "Tbe. " "(C) " }
+ c1 c
+}
+
+timpani = \relative c {
+ \set Staff.instrumentName = \markup \column { "Timpani " "(C-G) " }
+ \set Staff.shortInstrumentName = #"Timp. "
+ \clef bass
+ c1 c
+}
+
+violinoI = \relative c' {
+ \set Staff.instrumentName = #"Violino I "
+ \set Staff.shortInstrumentName = #"Vl. I "
+ c1 c
+}
+
+violinoII = \relative c' {
+ \set Staff.instrumentName = #"Violino II "
+ \set Staff.shortInstrumentName = #"Vl. II "
+ c1 c
+}
+
+viola = \relative c' {
+ \set Staff.instrumentName = #"Viola "
+ \set Staff.shortInstrumentName = #"Vla. "
+ \clef alto
+ c1 c
+}
+
+violoncello = \relative c {
+ \set Staff.instrumentName = \markup \column { "Violoncello " "e"
+"Contrabasso " }
+ \set Staff.shortInstrumentName = \markup \column { "Vc. " "Cb. " }
+ \clef bass
+ c1 c
+}
+
+
+\paper {
+ indent=10.0\mm
+ line-width=150.0\mm
+ ragged-bottom = ##t
+}
+
+#(set-global-staff-size 16)
+\book {
+ \score {
+ << \override Score.VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 6)
+ \new StaffGroup = "legni" <<
+ \new Staff = "flauti" \flauti
+ \new Staff = "oboi" \oboi
+ \new Staff = "clarinetti" \clarinetti
+ \new Staff = "fagotti" \fagotti
+ >>
+ \new StaffGroup = "ottoni" <<
+ \new Staff = "corni" \corni
+ \new Staff = "trombe" \trombe
+ >>
+ \new StaffGroup = "timpani" <<
+ \new Staff = "timpani" \timpani
+ {
+ \skip 1
+ % Hmm: this forces a staff-bracket, that's good!
+ % However, I can't find where is decided on staff-bracket yes/no
+ }
+ >>
+ \new StaffGroup = "archi" <<
+ \new GrandStaff = "violini" <<
+ \new Staff = "violinoI" \violinoI
+ \new Staff = "violinoII" \violinoII
+ >>
+ \new Staff = "viola" \viola
+ \new Staff = "violoncello" \violoncello
+ >>
+ >>
+ \layout {
+ \context {
+ \RemoveEmptyStaffContext
+ }
+ \context {
+ \Score
+ \override TimeSignature #'style = #'C
+ }
+ }
+ }
+ % this is ignored?
+ \paper {
+ indent=10.0\mm
+ line-width=150.0\mm
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+If you want to see exactly what amount of space takes your system, you
+can display it by overriding the #'stencil property in the System
+context: as you can see here, the system size is determined by
+including every postscript element such as slurs or key symbol.
+" }
+
+\layout {
+ \context {
+ \Score
+ \override System #'stencil = #box-grob-stencil
+ }
+}
+
+\new Voice
+{
+ \unset Staff.minimumVerticalExtent
+ \override Score.RehearsalMark #'font-size = #20
+
+ \slurDown c4 ( g4 c''4)
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+By setting the Scheme property 'debug-skylines, you can make a nice
+funky artwork out of you score :-)
+
+More seriously, drawing your skyline can be helpful to debug spacing
+and collision issues. (Still, it does make your score pretty; so just
+try it, no matter how you really need to...)
+" }
+
+#(ly:set-option 'debug-skylines #t)
+\book {
+ \score {
+ {
+ a,,1 | a'4 b' c'' d'' \break
+ \repeat unfold 2 {a' b' c'' d''} | b''''1
+ }
+ }
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+The \markup command is quite versatile. In this snippet, it contains a
+\score bloc instead of texts or marks.
+" }
+
+tuning = \markup {
+ \score {
+ \new Staff \with {
+ \remove Time_signature_engraver
+ } {
+ \clef bass <c, g, d g>1
+ }
+ \layout { ragged-right = ##t }
+ }
+}
+
+
+\header {
+ title = "Solo Cello Suites"
+ subtitle = "Suite IV"
+ subsubtitle = \markup { "Originalstimmung:" \tuning }
+}
+
+\relative {
+ \time 4/8
+ \times 2/3 { c'8 d e } \times 2/3 {c d e}
+ \times 2/3 { c8 d e } \times 2/3 {c d e}
+ g8 a8 g8 a
+ g8 a8 g8 a
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+The \whiteout command underlays a white box under a markup. Since staff
+lines are in a lower layer than most other grobs, this white box will
+not overlap any other grob.
+" }
+
+\paper
+{
+ ragged-right = ##t
+}
+{
+ \override TextScript #'extra-offset = #'(2 . 4)
+ c'4-\markup { \whiteout \pad-markup #0.5 foo } c
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Here are some examples of how various markup texts can be obtained with
+LilyPond syntax. You won't probably be needing all of them in a
+standard score, but hey, you never know...
+" }
+
+{
+ f'1-\markup {
+ foo
+ \raise #0.2 \hbracket \bold bar
+
+ \override #'(baseline-skip . 4)
+ \bracket \column {
+ baz
+ bazr
+ bla
+ }
+ \hspace #2.0
+ \override #'(font-encoding . fetaMusic) {
+ \lookup #"noteheads-0"
+ }
+ \semiflat
+ { }
+ \combine "X" "+"
+ \combine "o" "/"
+ }
+ g'1-\markup {
+ % \char-number #"abc1234abc"
+ \box \column {
+ \line { "string 1" }
+ \line { "string 2" }
+ %% \concat { "f" "i" }
+ }
+ " "
+ \draw-circle #1 #0.3 ##f
+ " "
+ \draw-circle #1 #0.3 ##t
+ " "
+ \italic Norsk
+ \super "2"
+ " "
+ \raise #3.0 \whiteout white-out
+ \circle \dynamic p
+ \with-color #green Green
+ \dynamic sfzp
+ \huge { "A" \smaller "A" \smaller \smaller "A"
+ \smaller \smaller \smaller "A" }
+ \sub "alike"
+ }
+ c''4
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.23"
+
+\header { texidoc = "
+Scripts can be stacked. The order is determined by a priority field,
+but when objects have the same priority, the input order determines the
+order. Objects specified first are closest to the note.
+
+You may also want to override the #'script-priority to give your Script
+or TextScript overall priority (if you do so, remember to use \once if
+you don't want the whole score to be affected).
+" }
+
+\layout { ragged-right = ##t}
+
+\relative c'' { c4^"inner up"^"outer up"_"inner down"_"outer down" }
projects / lilypond.git / commitdiff