to make a few chords, but why do I have to type
- < { a() e } { c () g } >
+ < { a~ e } { c ~ g } >
instead of
- <a( c(> <)e )g>
+ <a~ c~> <e g>
-to generate slurs between the chords?
+to generate ties between the chords?
A: When you type
< { a } { c } > < { e } { g } >
-Slurs have to be confined to `voices', and the a and the e are in
+Ties have to be confined to `voices', and the a and the e are in
different {} blocks, so they are in different voices. You should view
the desired construct as a "generalised chord" (two voices stacked
vertically). It might help you visualise this by using the following
formatting:
- < { a () e }
- { c () g }
+ < { a ~ e }
+ { c ~ g }
>
Q: and where do the beams come into this picture?
A: Beams are voicegroup-wide, and may be entered in any part of the
voicegroup:
- < { [a () e] } { c () g } >
- < { [a () e } { c () g] } >
- < { [a () e] } { [c () g] } >
+ < { [a ~ e] } { c ~ g } >
+ < { [a ~ e } { c ~ g] } >
+ < { [a ~ e] } { [c ~ g] } >
These all give the same result.
-% title:
-% description:Cadenza to Mozart Horn concerto 3
-% composer(s):unknown
-% entered-by:HWN
-% copyright: public domain
-%
-% Tested Features: cadenza mode
+%{MudelaHeader
+ title:
+ description:Cadenza to Mozart Horn concerto 3
+ composer(s):unknown
+ entered-by:HWN
+ copyright: public domain
+ Tested Features: cadenza mode
-\version "0.0.56";
+EndMudelaHeader
+%}
+
+\version "0.0.57";
cad = \melodic {
c'4.\mf g8
- [e'^"accel" ()d' c' b]
- [b()c'] g-\fermata
+ [e'^"accel" ~ d' c' b]
+ [b~ c'] g-\fermata
\bar \empty;
c [c_"rubato" e g c']
\octave c'';
- e4. e [g ()f_"rit" e d]
+ e4. e [g ~ f_"rit" e d]
\duration 16;
- dis4()e4
+ dis4~ e4
\bar \empty ;
r8 [c d] [e f g gis]
\duration 4;
- a-> 'f()'e g
- f-> 'd()'cis e
+ a-> 'f~ 'e g
+ f-> 'd~ 'cis e
\duration 8;
d4^\fermata
\bar \empty ;
r8 'a ['b cis]
\duration 16; [d cis d e]
- f4()[f e d c]
+ f4~ [f e d c]
'b4
\octave c'; [d'8 c'8 a8]2/3
g2
\bar \empty ;
[g c e g] [c' e g c']\octave c'';
- [e 'g c e] g4^\fermata %()% BUG!
+ [e 'g c e] g4^\fermata %~ % BUG!
\bar \empty ;
[g8.(_"a tempo" e g8. )e]
a4. g8 [f8 e8 d8 c8]
-% test the Collision resolution
-\version "0.0.56";
+%{MudelaHeader
+
+ filename: collisions.ly
+ title:
+ description:
+ composer(s): HWN
+ entered-by: HWN
+ copyright: public domain
+
+ Tested Features:%test the Collision resolution
+EndMudelaHeader
+%}
+\version "0.0.57";
+
two_voice_steminvert = \melodic {
< \multivoice
{ \octave c'; \stem 1;
- c d e f() g2 g a }
+ c d e f~ g2 g a }
{ \stem -1;
- g f e g ()g2 g2 }
+ g f e g ~ g2 g2 }
>
}
two_voice = \melodic {
< \multivoice
{ \octave c'; \stem -1;
- c d e f g2() g a }
+ c d e f g2~ g a }
{ \stem 1;
- g f e g ()g2 g2 }
+ g f e g ~ g2 g2 }
>
}
-% Ludwig van Beethoven (1770-1792)
-%
-% Opus 62
-% Ouverture zu Collins Trauerspiel "Coriolan"
-%
-% a 5 bar fragment of the alto part
-%
-% Copyright (c) 1997 Jan Nieuwenhuizen <jan@digicash.com>
+%{MudelaHeader
+
+ filename: coriolan-alto.ly
+ title:Ouverture zu Collins Trauerspiel "Coriolan" Opus 62
+ description: a 5 bar fragment of the alto part
+ composer(s): Ludwig van Beethoven (1770-1792)
+ entered-by: JCN
+ copyright: public domain
+
+ Tested Features:
+EndMudelaHeader
+%}
+
%
% when lily can handle this, i-ll type the other 304 bars
% (maybe even sooner :-)
%
-\version "0.0.56";
+
+\version "0.0.57";
alto = \melodic{
-%%MudelaHeader
-% title:
-% description:
-% composer(s):
-% entered-by:
-% copyright:
-%
-% Tested Features:
-%%End
+%{MudelaHeader
-\version "0.0.56";
+ filename:
+ title:
+ description:
+ composers:
+ entered-by:
+ copyright:
+
+ Tested Features:
+EndMudelaHeader
+%}
+\version "0.0.57";
-% "Ah, vous dirais-je, maman" (Mozart, KV 265)
-%
-% bare bones version. (written down from memory :-)
-% for lyrics, see twinkle.ly
+%{MudelaHeader
+
+ filename: kortjakje.ly
+ title: Ah, vous dirais-je, maman (variations)
+ description: bare bones version. (written down from memory :-)
+ composers:Mozart, KV 265
+ entered-by: HWN
+ copyright: none
+
+ Tested Features: example file with comments
+EndMudelaHeader
+%}
+\version "0.0.57";
+
% the % is a comment.
-%
-% copyright: None
-%
-\version "0.0.56";
+
% declare melody (which will be in *one* staff ) for the lead voice
melodie = \melodic {
(| % start a slur
% NOTE: the slurstart should be directly after the note
) % end a slur.
- g r8 g8 (| ) a r8 a8 (| ) g r4
- f r8 f8 (| ) e4 r8 e8 ( |) d4 r8 d8 (| ) c4 r4
+ g r8 g8 ~ a r8 a8 ~ g r4
+ f r8 f8 ~ e4 r8 e8 ~ | d4 r8 d8 ~ c4 r4
}
% more of this.
\octave 'c ;
e 'g d 'g c 'g 'b 'g e 'g d 'g c 'g 'b 'g
%%%% var 1
- r8 e8() c r8 e8() c r8 f8()c r8 e8()c
- r8 d8()'b r8 c8()'a r8 'a8()'f r8 'e8()'c
+ r8 e8~ c r8 e8~ c r8 f8~ c r8 e8~ c
+ r8 d8~ 'b r8 c8~ 'a r8 'a8~ 'f r8 'e8~ 'c
}
\score{
--- /dev/null
+%{MudelaHeader
+
+ filename: slurs.ly
+ title:
+ description:
+ composer(s): HWN
+ entered-by: HWN
+ copyright: GPL
+
+ Tested Features: test slurs and ties
+EndMudelaHeader
+%}
+
+\version "0.0.57";
+
+\score{\staff{
+ melodicregs
+ \melodic{\octave c';
+ \duration 4;
+ c ~ c ~ g ~ c ~
+ d ~ e ~ f ~ g ~
+ a ~ b ~ 'c ~ c
+
+ < c e ( > <)d f>
+ \octave c'';
+ < c e ( > <)d f>
+ \octave c';
+ < c e ( > <)d' f'>
+ < { c ~ d }
+ { e ~ f }
+ >
+
+
+
+ }
+
+ }
+}
-% standchen.ly
-%
-% St\"andchen (Serenade) "Leise flehen meine Lieder" D.957 No.4
-% Franz Schubert (1797-1828)
-% Text by Ludwig Rellstab (1799-1860)
-%
-% Copyright (c) 1995,1996,1997 Jan Nieuwenhuizen <jandigicash.com>
-%
-% The purpose of this file is to demonstrate features of LilyPond.
-% (there is an accompanying LaTeX file, standchen.tex)
-%
-\version "0.0.56";
+%{
+standchen.ly
+
+ St\"andchen (Serenade) "Leise flehen meine Lieder" D.957 No.4
+ Franz Schubert (1797-1828)
+ Text by Ludwig Rellstab (1799-1860)
+
+ Copyright (c) 1995,1996,1997 Jan Nieuwenhuizen <jandigicash.com>
+
+ The purpose of this file is to demonstrate features of LilyPond.
+ (there is an accompanying LaTeX file, standchen.tex)
+
+%}
+\version "0.0.57";
commands = \melodic{
\skip 2.*4;
%%4
r < [ 'a cis > e < 'a cis > e < 'a cis ] > |
%%5
- [ a()bes a ]2/3 d'4. a |
+ [ a~ bes a ]2/3 d'4. a |
%%6
- [ g()a g ]2/3 d'4 g r |
+ [ g~ a g ]2/3 d'4 g r |
%%7
- a4.^> g [ g()f e ]2/3 |
+ a4.^> g [ g~ f e ]2/3 |
%%8
f2 r4 |
%%9
- < { a'4.( )g' [ g'( f' )e' ]2/3 }
+ < { a'4.~ g' [ g'( f' )e' ]2/3 }
{ cis'4. e'_"dolce" \plet 2/3; e' \plet 1/1; } > |
%%10
< f'2. d'2. > |
%%11
- [ a (\pp )bes a ]2/3 f'4. a |
+ [ a ~ bes a ]2/3 f'4. a |
%%12
- [ g( ) a g ]2/3 e'4. d' |
+ [ g~ a g ]2/3 e'4. d' |
%%13
- c'4. bes [ bes( ) a g ]2/3 |
+ c'4. bes [ bes~ a g ]2/3 |
%%14
a2 r
- < { d'( | )c'4. g [ bes a g ]2/3 }
- { f \p ( | )e4._"dolce" bes
+ < { d'~ c'4. g [ bes a g ]2/3 }
+ { f \p ~ e4._"dolce" bes
\plet 2/3; g
\plet 1/1;
} > |
[ d'8. a16 ] f4. d |
%%19
%#% c'\grace\stemup
- [ bes (\pp ) a bes ]2/3 d'4. bes |
+ [ bes ~ a bes ]2/3 d'4. bes |
%%20
a2. |
%%21
%#% a\grace
- [ g( )fis g ]2/3 bes4.^> g |
+ [ g~ fis g ]2/3 bes4.^> g |
%%22
f!2. |
%%23
%%24
[ d'8. a16 ] fis4. d |
%%25
- [ b \mf( ) ais b ]2/3 d'4. b |
+ [ b \mf~ ais b ]2/3 d'4. b |
%%26
< a2. fis2. > |
%%27
- [ e' \f( )dis' e' ]2/3 g'4. cis' |
+ [ e' \f~ dis' e' ]2/3 g'4. cis' |
%%28
< d'2. fis2. > |
%#%\volta1
%%29
- < { bes2( [ d'8.( ))g16 ] }
+ < { bes2( [ d'8.~ )g16 ] }
{ g2 \mf [ bes8. bes16 ] } > |
%%30
< { a4. [ a-. a-. a-. ] }
%%32
< a2 fis2 \pp > < a4 fis4 > |
%%33
- < { b2( [ d'8.( ) )g16 ] }
+ < { b2( [ d'8.~ g16 ] }
{ g2 [ b8. b16 ] } > |
%%34
< { a4. [ a-. a-. a-. ] }
%%37
[ a8. a16 ] [ cis'8. cis'16 ] [ e'8. e'16 ] |
%%38
- d'4( )cis'4 r4 |
+ d'4~ cis'4 r4 |
%%39
%#% > a4. [ cis' e'8. >! d'16 ] |
a4. \> [ cis' e'8. \! d'16 ] |
%%40
cis'2 r4 |
%%41
- < fis'4. \> cis'4. \f > e' [ e'( )d' \! cis' ]2/3 |
+ < fis'4. \> cis'4. \f > e' [ e'~ d' \! cis' ]2/3 |
%%42
[ b8. cis'16 ] d'4^> b r |
%%43
%%44
[ b8. \> cis'16 ] d'4^> b \! r |
%%45
- [ b \p ( )ais b ]2/3 d'4. b |
+ [ b \p ~ ais b ]2/3 d'4. b |
%%46
<a!2. fis2. > |
%%47
- [ e' \f( )dis' e' ]2/3 g'4.^> cis' |
+ [ e' \f~ dis' e' ]2/3 g'4.^> cis' |
%%48
\textstyle "italic";
<
- { fis2.( \group "+1"; \stem -1; )f2. }
- { d'2. ( \stem 1; )d'4 r4_"decresc." d'4 }
+ { fis2.~ \group "+1"; \stem -1; f2. }
+ { d'2. ~ \stem 1; d'4 r4_"decresc." d'4 }
>
\textstyle "roman"; |
%%50
-% "Ah, vous dirais-je, maman"
-% "Altijd is Kortjakje ziek"
-% "Twinkle twinkle little star"
-%
-% Copyright: none
-\version "0.0.56";
-
-\version "0.0.55";
+%{MudelaHeader
+
+ filename: twinkle.ly
+ title: twinkle twinkle little star
+ description:
+ "Ah, vous dirais-je, maman"
+ "Altijd is Kortjakje ziek"
+ "Twinkle twinkle little star"
+
+ composers: ?
+ entered-by: HWN & JCN
+ copyright: public domain
+
+ Tested Features: lyrics
+EndMudelaHeader
+%}
+\version "0.0.57";
melody = \melodic{
\clef\violin;
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