-% INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %\r
-% Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17" %\r
-% on melodies from Bellini's "Norma" %\r
-%*****************************************************************%\r
-\r
-\version "2.11.51"\r
-\r
-#(set-global-staff-size 15)\r
-\paper{\r
- ragged-end=##t\r
- line-width=17\cm\r
- indent=0\cm\r
-}\r
-\r
-\layout {\r
- \context { \Score\r
- \remove "Bar_number_engraver"\r
- \override PaperColumn #'keep-inside-line = ##t\r
- \override NonMusicalPaperColumn #'keep-inside-line = ##t\r
- }\r
-}\r
-\r
-%%%% shortcuts\r
-% fingering orientations\r
- sfol = \set fingeringOrientations = #'(left)\r
- sfor = \set fingeringOrientations = #'(right)\r
- sfod = \set fingeringOrientations = #'(down)\r
- sfou = \set fingeringOrientations = #'(up)\r
-\r
-% string number orientations\r
- ssnol = \set stringNumberOrientations = #'(left) %(down right up)\r
- ssnou = \set stringNumberOrientations = #'(up)\r
- ssnod = \set stringNumberOrientations = #'(down)\r
- ssnor = \set stringNumberOrientations = #'(right)\r
-\r
-% define fingering offset\r
-FO = #(define-music-function (parser location offsetX offsetY) (number? number?)\r
- #{\r
- \once \override Voice.Fingering #'extra-offset = #(cons $offsetX $offsetY )\r
- #})\r
-\r
-% markups\r
- rit = \markup \center-align { \bold { \italic { " rit." } } }\r
- dim = \markup \center-align { \italic { " dim." }}\r
- andantino = \markup \left-align { \italic { \bold { \fontsize #+2.5 { "Andantino" }}}}\r
- benmarcato = \markup { \italic { \bold { "il canto ben marcato" }}}\r
-\r
-%%% THE MUSIC %%%\r
-\r
-melody = \relative c {\r
- \clef "treble_8"\r
- \key d \major\r
- \time 4/4\r
-% \override Staff.TimeSignature #'transparent = ##t\r
- \voiceOne\r
- \override Fingering #'staff-padding = #'()\r
- \sfol\r
- e,32 a' c e \r
- e, a c e \r
- e,, a' c e \r
- e, a c e \r
- f4\rest <e'-4>4-> | % m. 1\r
-\r
- e,,,32 gis' b e \r
- e, gis b e \r
- e,, gis' b e \r
- e, gis b e \r
- f4\rest \FO #'0.4 #'0.5 <gis-1 e'-4>4 | % m. 2\r
-\r
- d4\rest <b e>-> d4\rest^\rit <b e>4-> | % m. 3\r
- <gis b e>1 | % m. 4\r
-\r
- \bar "||"\r
- \key a \minor\r
- \override TupletNumber #'stencil = ##f\r
- \override TupletBracket #'bracket-visibility = ##f\r
- R1 % m. 5\r
-\r
- e'4^\benmarcato e8. d16-4 \r
- d4-4 \times 2/3{\sfou \FO #'-0.3 #'0.6 <c-2>4 b8} | % end of m. 6\r
-\r
- \FO #'-0.3 #'0.3 \r
- <a-3>4 \times 2/3{c4 b8} a4 e'8. e16 | % m. 7\r
-\r
- \FO #'-0.3 #'0.3 \r
- <g-4>4 \times 2/3{\sfol \FO #'0.3 #'0.0 <f-1>4 e8} e4 % beg of m. 8\r
- \times 2/3{\sfou <d-4>4 c8} | % end of m. 8\r
-\r
- b4 \times 2/3{d4-4 c8} \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9\r
-\r
- e4 e8. d16-4 d4 \times 2/3{c4 b8} | % m. 10\r
-\r
- \times 2/3{a4 a8 b4 c8} % beg of m. 11\r
- \sfou \FO #'-0.3 #'0.3 \r
- <d-4>4^\< \times 2/3{e4 <d f>8\!} | % end of m. 11\r
-}\r
-\r
-bass = \relative c {\r
- \key d \major\r
- \time 4/4\r
- \voiceTwo\r
- \override Fingering #'staff-padding = #'()\r
- \r
- e,8\fp[ e'] e,[ e'] e,[ \sfol <c''-1> <a'-2> c,] | % m. 1\r
-\r
- e,,8\fp[ e'] e,[ e'] e,[ \sfod \FO #'0.2 #'-0.2 <b''-1> % beg m. 2\r
- \sfol \FO #'0.3 #'0.0 <e-1> b] | % end m. 2\r
-\r
- e,,8 e' gis e e, e' gis_\dim e | % m. 3\r
-\r
- e,1 | % m. 4\r
-\r
-%% new section starts here in A minor\r
- \override TupletNumber #'stencil = ##f\r
- \override TupletBracket #'bracket-visibility = ##f\r
- \set tupletSpannerDuration = #(ly:make-moment 1 4)\r
- \once \override TextScript #'staff-padding = #1.7\r
- \times 2/3{a8\p[^\andantino e' a c a e ] a,[ e' a c a e ]} | % m. 5 \r
-\r
- \once \override DynamicText #'extra-offset = #'( -2.1 . 0.0 ) % beg m. 6\r
- \once \override TextScript #'staff-padding = #'()\r
- \once \override TextScript #'extra-offset = #'( 0.0 . 2.0 )\r
- \times 2/3{a,8[\p_\markup {\italic { "dol." } } e' a c a e]} \r
- \times 2/3{e,8[ \sfou <e'-3> <gis-1> c gis e]} | % end m. 6\r
-\r
- \times 2/3{a,8[ <e'-2> a c e, b'] a,[ e' a c a e]} | % m. 7\r
-\r
- \times 2/3{f,8[ f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f] fis,[ d' a' d a d,]} | % m. 8\r
-\r
- \times 2/3{<g,-3>8[ d' g d' g, d] % beg m. 9\r
- \sfod \FO #'0.0 #'-2.0 <gis,-4>[ \sfou <e'-2> <gis-1> b gis e]} | % end m. 9\r
-\r
- \times 2/3{a,8[ e' a c a e] e,[ e' gis c gis e]} | % m. 10\r
-\r
- \times 2/3{a,8[ e' a b a e] f,[ f' a d a f]} | % m. 11\r
-}\r
-\r
-\r
-\score {\r
- \context Staff = "guitar" << \r
- \context Voice = "upper" { \melody }\r
- \context Voice = "lower" { \bass }\r
- >>\r
- \layout { }\r
- \r
- \midi {\r
- \context {\r
- \Score\r
- }\r
- }\r
-}\r
-\r
-\r
-\r
+% INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
+% Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17" %
+% on melodies from Bellini's "Norma" %
+%*****************************************************************%
+
+\version "2.11.51"
+
+#(set-global-staff-size 15)
+\paper {
+ line-width = 17\cm
+ indent = 0\cm
+}
+
+\layout {
+ \context {
+ \Score
+ \remove "Bar_number_engraver"
+ \override PaperColumn #'keep-inside-line = ##t
+ \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ }
+}
+
+%%%% shortcuts
+% fingering orientations
+sfol = \set fingeringOrientations = #'(left)
+sfor = \set fingeringOrientations = #'(right)
+sfod = \set fingeringOrientations = #'(down)
+sfou = \set fingeringOrientations = #'(up)
+
+% string number orientations
+ssnol = \set stringNumberOrientations = #'(left) %(down right up)
+ssnou = \set stringNumberOrientations = #'(up)
+ssnod = \set stringNumberOrientations = #'(down)
+ssnor = \set stringNumberOrientations = #'(right)
+
+% define fingering offset
+FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
+#{
+ \once \override Voice.Fingering #'extra-offset = #(cons $offsetX $offsetY)
+#})
+
+% markups
+rit = \markup \center-align { \bold { \italic { " rit." } } }
+dim = \markup \center-align { \italic { " dim." } }
+andantino = \markup \left-align { \italic { \bold { \fontsize #2.5 { "Andantino" } } } }
+benmarcato = \markup { \italic { \bold { "il canto ben marcato" } } }
+pdolce = #(make-dynamic-script (markup #:line (#:dynamic "p" #:normal-text #:italic "dol.")))
+
+%%% THE MUSIC %%%
+
+melody = \relative c {
+ \clef "treble_8"
+ \key d \major
+ \time 4/4
+ \voiceOne
+ \sfol
+ e,32 a' c e
+ e, a c e
+ e,, a' c e
+ e, a c e
+ f4\rest <e'-4>4-> | % m. 1
+
+ e,,,32 gis' b e
+ e, gis b e
+ e,, gis' b e
+ e, gis b e
+ f4\rest \FO #'0.4 #'0.5 <gis-1 e'-4>4 | % m. 2
+
+ d4\rest <b e>-> d4\rest^\rit <b e>4-> | % m. 3
+ <gis b e>1 | % m. 4
+
+ \bar "||"
+ \key a \minor
+ R1 % m. 5
+
+ e'4^\benmarcato e8. d16-4
+ d4-4 \times 2/3 { \sfou \FO #'-0.3 #'0.6 <c-2>4 b8 } | % end of m. 6
+
+ \FO #'-0.3 #'0.3
+ <a-3>4 \times 2/3 { c4 b8 } a4 e'8. e16 | % m. 7
+
+ \FO #'-0.3 #'0.3
+ <g-4>4 \times 2/3 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
+ \times 2/3 { \sfou <d-4>4 c8 } | % end of m. 8
+
+ b4 \times 2/3 { d4-4 c8 } \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
+
+ e4 e8. d16-4 d4 \times 2/3 { c4 b8 } | % m. 10
+
+ \times 2/3 { a4 a8 b4 c8 } % beg of m. 11
+ \sfou \FO #'-0.3 #'0.3
+ <d-4>4^\< \times 2/3 { e4 <d f>8\! } | % end of m. 11
+}
+
+bass = \relative c {
+ \key d \major
+ \time 4/4
+ \voiceTwo
+
+ e,8\fp[ e'] e,[ e'] e, \sfol <c''-1> <a'-2> c, | % m. 1
+
+ e,,8\fp[ e'] e,[ e'] e, \sfod \FO #'0.2 #'-0.2 <b''-1> % beg m. 2
+ \sfol \FO #'0.3 #'0.0 <e-1> b | % end m. 2
+
+ e,,8 e' gis e e, e' gis_\dim e | % m. 3
+
+ e,1 | % m. 4
+
+ %% new section starts here in A minor
+ #(revert-auto-beam-setting '(end 1 12 4 4) 1 4)
+ #(revert-auto-beam-setting '(end 1 12 4 4) 3 4)
+ \once \override TextScript #'staff-padding = #1.7
+ \times 2/3 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
+
+ \times 2/3 { a,8\pdolce e' a c a e } % beg m. 6
+ \times 2/3 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
+
+ \times 2/3 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
+
+ \times 2/3 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
+
+ \times 2/3 { <g,-3>8 d' g d' g, d % beg m. 9
+ \sfod \FO #'0.0 #'-2.0 <gis,-4> \sfou <e'-2> <gis-1> b gis e } | % end m. 9
+
+ \times 2/3 { a,8 e' a c a e e, e' gis c gis e } | % m. 10
+
+ \times 2/3 { a,8 e' a b a e f, f' a d a f } | % m. 11
+}
+
+\score {
+ \new Staff = "guitar" <<
+ \context Voice = "upper" { \melody }
+ \context Voice = "lower" { \bass }
+ >>
+ \layout {
+ \context {
+ \Score
+ \override Fingering #'staff-padding = #'()
+ \override TupletNumber #'stencil = ##f
+ \override TupletBracket #'bracket-visibility = ##f
+ }
+ }
+ \midi { }
+}
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