@menu
* A::
+* accelerando::
* accent::
* accessory::
-* accidental::
-* accelerando::
* acciaccatura::
+* accidental::
* adagio::
* allegro::
* alteration::
* bar line::
* baritone::
* baritone clef::
-* bass clef::
* bass::
+* bass clef::
* beam::
* beat::
* bind::
* cluster::
* comma::
* common meter::
-* compound interval::
* complement::
+* compound interval::
* conjunct movement::
* consonance::
* contralto::
-* counterpoint::
-* counter tenor::
* copying music::
+* counter tenor::
+* counterpoint::
* crescendo::
* cue-notes::
* custos::
* disjunct movement::
* dissonance::
* dissonant interval::
+* dominant::
* dominant ninth chord::
* dominant seventh chord::
-* dominant::
* dorian mode::
* dot (augmentation dot)::
* dotted note::
* legato::
* legato curve::
* leger line::
-* lilypond::
* ligature::
+* lilypond::
* line::
* long appoggiatura::
* longa::
-* lyrics::
* lyric tie::
-* major interval::
+* lyrics::
* major::
+* major interval::
* meantone temperament::
* measure::
* mediant::
* middle C::
* minor::
* minor interval::
+* mixolydian mode::
* mode::
* modulation::
* mordent::
* motive::
* movement::
* multi-measure rest::
-* mixolydian mode::
* natural sign::
-* neighbour tones::
+* neighbor tones::
* ninth::
* non-legato::
* note::
* note head::
* note value::
-* octave sign::
* octave::
+* octave sign::
* ornament::
* ossia::
* ottava::
* perfect interval::
* phrase::
* phrasing::
-* pickup::
* piano::
+* pickup::
* pitch::
* pizzicato::
* polyphony::
@ref{Pitch names}
+@node accelerando
+@section accelerando
+
+ES: accelerando,
+I: accelerando,
+F: accelerando, en accélérant,
+D: accelerando, schneller werden,
+NL: accelerando,
+DK: accelerando,
+S: accelerando,
+FI: accelerando, kiihdyttäen.
+
+Increase tempo.
+
+
@node accent
@section accent
@ref{ornament}.
+@node acciaccatura
+@section acciaccatura
+
+A grace note which takes its time from the rest or note preceding the
+principal note to which it is attached. The acciaccatura is drawn as a
+small eighth note (quaver) with a line drawn through the flag and
+stem.
+
+@seealso
+
+@ref{appoggiatura}, @ref{grace notes}, @ref{ornament}.
+
+
@node accidental
@section accidental
@end lilypond
-@node accelerando
-@section accelerando
-
-ES: accelerando,
-I: accelerando,
-F: accelerando, en accélérant,
-D: accelerando, schneller werden,
-NL: accelerando,
-DK: accelerando,
-S: accelerando,
-FI: accelerando, kiihdyttäen.
-
-Increase tempo.
-
-@node acciaccatura
-@section acciaccatura
-
-A grace note which takes its time from the rest or note preceding the
-principal note to which it is attached. The acciaccatura is drawn as a
-small eighth note (quaver) with a line drawn through the flag and
-stem.
-
-@seealso
-
-@ref{appoggiatura}, @ref{grace notes}, @ref{ornament}.
-
-
@node adagio
@section adagio
@ref{C clef}, @ref{F clef}.
-@node bass clef
-@section bass clef
-
-ES: clave de fa en cuarta,
-I: chiave di basso,
-F: clef de fa quatrième ligne,
-D: Bassschlüssel,
-NL: bassleutel,
-DK: basnøgle,
-S: basklav,
-FI: bassoavain.
-
-A clef setting with middle C on the first top ledger line.
-
-@seealso
-
-@ref{F clef}.
-
-
@node bass
@section bass
@ref{strings}.
+@node bass clef
+@section bass clef
+
+ES: clave de fa en cuarta,
+I: chiave di basso,
+F: clef de fa quatrième ligne,
+D: Bassschlüssel,
+NL: bassleutel,
+DK: basnøgle,
+S: basklav,
+FI: bassoavain.
+
+A clef setting with middle C on the first top ledger line.
+
+@seealso
+
+@ref{F clef}.
+
+
@node beam
@section beam
@ref{meter}.
+@node complement
+@section complement
+
+ES: intervalo invertido,
+I: rivolto,
+F: intervalle complémentaire,
+D: Komplementärintervall,
+NL: complementair interval,
+DK: komplementærinterval,
+S: komplementärintervall (?),
+FI: täydentävä intervalli.
+
+@seealso
+
+@ref{inverted interval}.
+
+
@node compound interval
@section compound interval
@ref{interval}.
-@node complement
-@section complement
-
-ES: intervalo invertido,
-I: rivolto,
-F: intervalle complémentaire,
-D: Komplementärintervall,
-NL: complementair interval,
-DK: komplementærinterval,
-S: komplementärintervall (?),
-FI: täydentävä intervalli.
-
-@seealso
-
-@ref{inverted interval}.
-
-
@node conjunct movement
@section conjunct movement
@ref{alto}.
+@node copying music
+@section copying music
+
+A music copyist did fast freehand scores and parts on preprinted staff lines
+for performance. Some of their conventions (e.g., the placement of note heads
+on stems) varied slightly from those of engravers. Some of their working
+methods were superior and could well be adopted by music typesetters. This
+required more skill than engraving.
+
+
+@node counter tenor
+@section counter tenor
+
+ES: contratenor,
+I: controtenore,
+F: contre-tenor,
+D: Countertenor, Kontratenor,
+NL: contratenor,
+DK: kontratenor,
+S: kontratenor, counter tenor,
+FI: kontratenori.
+
+@seealso
+
+@ref{contralto}.
+
+
@node counterpoint
@section counterpoint
@end lilypond
-@node counter tenor
-@section counter tenor
-
-ES: contratenor,
-I: controtenore,
-F: contre-tenor,
-D: Countertenor, Kontratenor,
-NL: contratenor,
-DK: kontratenor,
-S: kontratenor, counter tenor,
-FI: kontratenori.
-
-@seealso
-
-@ref{contralto}.
-
-
-@node copying music
-@section copying music
-
-A music copyist did fast freehand scores and parts on preprinted staff lines
-for performance. Some of their conventions (e.g., the placement of note heads
-on stems) varied slightly from those of engravers. Some of their working
-methods were superior and could well be adopted by music typesetters. This
-required more skill than engraving.
-
-
@node crescendo
@section crescendo
@ref{harmony}.
+@node dominant
+@section dominant
+
+ES: dominante,
+I: dominante,
+F: dominante,
+D: Dominante,
+NL: dominant,
+DK: dominant,
+S: dominant,
+FI: dominantti, huippusointu.
+
+The fifth @ref{scale degree} in @ref{functional harmony}.
+
+
@node dominant ninth chord
@section dominant ninth chord
@ref{chord}, @ref{functional harmony}.
-@node dominant
-@section dominant
-
-ES: dominante,
-I: dominante,
-F: dominante,
-D: Dominante,
-NL: dominant,
-DK: dominant,
-S: dominant,
-FI: dominantti, huippusointu.
-
-The fifth @ref{scale degree} in @ref{functional harmony}.
-
-
@node dorian mode
@section dorian mode
@ref{ledger line}.
-@node lilypond
-@section lilypond
-
-ES: estanque de nenúfares,
-I: stagno del giglio,
-F: étang de lis,
-UK: lily pond,
-D: Seerosenteich,
-NL: le@-lie@-vij@-ver,
-DK: liliedam,
-S: liljedamm,
-FI: liljalampi.
-
-A pond with lilies floating in it, also the name of a music typesetter.
-
-
@node ligature
@section ligature
notation, the need for ligatures to denote such patterns disappeared.
+@node lilypond
+@section lilypond
+
+ES: estanque de nenúfares,
+I: stagno del giglio,
+F: étang de lis,
+UK: lily pond,
+D: Seerosenteich,
+NL: le@-lie@-vij@-ver,
+DK: liliedam,
+S: liljedamm,
+FI: liljalampi.
+
+A pond with lilies floating in it, also the name of a music typesetter.
+
+
@node line
@section line
@ref{note value}.
-@node lyrics
-@section lyrics
-
-ES: letra (de la canción),
-I: ?,
-F: paroles,
-D: Liedtext, Gesangtext,
-NL: liedtekst,
-DK: ?,
-S: ?,
-FI: sanoitus.
-
-
@node lyric tie
@section lyric tie
@ref{elision}.
-@node major interval
-@section major interval
-
-ES: intervalo mayor,
-I: intervallo maggiore,
-F: intervalle majeur,
-D: großes Intervall,
-NL: groot interval,
-DK: stort interval,
-S: stort intervall,
-FI: suuri intervalli.
-
-@seealso
+@node lyrics
+@section lyrics
-@ref{interval}.
+ES: letra (de la canción),
+I: ?,
+F: paroles,
+D: Liedtext, Gesangtext,
+NL: liedtekst,
+DK: ?,
+S: ?,
+FI: sanoitus.
@node major
@ref{diatonic scale}.
+@node major interval
+@section major interval
+
+ES: intervalo mayor,
+I: intervallo maggiore,
+F: intervalle majeur,
+D: großes Intervall,
+NL: groot interval,
+DK: stort interval,
+S: stort intervall,
+FI: suuri intervalli.
+
+@seealso
+
+@ref{interval}.
+
+
@node meantone temperament
@section meantone temperament
@ref{interval}.
+@node mixolydian mode
+@section mixolydian mode
+
+@seealso
+
+@ref{diatonic scale}.
+
+
@node mode
@section mode
-@node mixolydian mode
-@section mixolydian mode
-
-@seealso
-
-@ref{diatonic scale}.
-
-
@node natural sign
@section natural sign
@ref{accidental}.
-@node neighbour tones
-@section neighbour tones
+@node neighbor tones
+@section neighbor tones
@seealso
@end lilypond
-@node octave sign
-@section octave sign
-
-@seealso
-
-@ref{G clef}, @ref{F clef}.
-
-
@node octave
@section octave
@ref{interval}.
+@node octave sign
+@section octave sign
+
+@seealso
+
+@ref{G clef}, @ref{F clef}.
+
+
@node ornament
@section ornament
the melody. Phrasing may be indicated by a @ref{slur}.
+@node piano
+@section piano
+
+ES: piano,
+I: piano,
+F: piano,
+D: piano, leise,
+NL: piano,
+DK: piano,
+S: piano,
+FI, piano, hiljaa.
+
+@emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft,
+@emph{mezzo piano} (@b{mp}) medium soft.
+
+
@node pickup
@section pickup
@ref{anacrusis}.
-@node piano
-@section piano
-
-ES: piano,
-I: piano,
-F: piano,
-D: piano, leise,
-NL: piano,
-DK: piano,
-S: piano,
-FI, piano, hiljaa.
-
-@emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft,
-@emph{mezzo piano} (@b{mp}) medium soft.
-
-
@node pitch
@section pitch
S: sekund,
FI: sekunti.
-The @ref{interval} between two neigbouring tones of a scale. A
+The @ref{interval} between two neigboring tones of a scale. A
@ref{diatonic scale} consists of alternating @ref{semitone}s and
@ref{whole tone}s, hence the size of a se@-cond depends on the scale
degrees in question.
FI: puolisävel.
The @ref{interval} of a minor second. The (usually) smallest interval
-in European composed music. The interval between two neighbouring
+in European composed music. The interval between two neighboring
tones on the piano keyboard -- including black and white keys -- is a
semitone. An octave may be divided into 12@w{ }semitones.
@ref{interval}, @ref{chromatic scale}.
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