%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.38"\r
-\r
-\header {\r
- doctitle = "Broken crescendo hairpin"\r
- lsrtags = "expressive-marks"\r
- texidoc = "\r
-In order to make parts of a crescendo hairpin invisible, the following\r
-method is used: A white rectangle is drawn on top of the respective\r
-part of the crescendo hairpin, making it invisible. The rectangle is\r
-defined as postscript code within a text markup.\r
-\r
-To fine-tune the position and size of the markup, the number\r
-preceding @code{setgray} in the postscript definition can be set to a\r
-value <1 making it grey. The two numbers before @code{scale} in the\r
-postscript code are responsible for the width and height of the\r
-rectangle, the two numbers before @code{translate} change the x- and\r
-y-origin of the rectangle. \r
-\r
-Make sure to put the hairpin in a lower layer than the text markup to\r
-actually draw the rectangle above the hairpin. \r
-" }\r
-\r
-\score {\r
- \relative c' {\r
- << {\r
- \dynamicUp\r
- \override DynamicLineSpanner #'staff-padding = #4\r
- r2 r16 c'8.\pp r4\r
- } \\ {\r
- \override DynamicLineSpanner #'layer = #0\r
- des,2\mf\< ~\r
- \override TextScript #'layer = #2\r
- des16_\markup {\r
- \postscript #"1.9 -8 translate 5 4 scale 1 setgray 0 0 moveto 0 1\r
- lineto 1 1 lineto 1 0 lineto 0 0 lineto fill"\r
- }\r
- r8. des4 ~ des16->\sff\r
- } >>\r
- }\r
- \layout { ragged-right = ##t }\r
-}\r
+\version "2.11.38"
+
+\header {
+ doctitle = "Broken crescendo hairpin"
+ lsrtags = "expressive-marks"
+ texidoc = "
+In order to make parts of a crescendo hairpin invisible, the following
+method is used: A white rectangle is drawn on top of the respective
+part of the crescendo hairpin, making it invisible. The rectangle is
+defined as postscript code within a text markup.
+
+To fine-tune the position and size of the markup, the number
+preceding @code{setgray} in the postscript definition can be set to a
+value <1 making it grey. The two numbers before @code{scale} in the
+postscript code are responsible for the width and height of the
+rectangle, the two numbers before @code{translate} change the x- and
+y-origin of the rectangle.
+
+Make sure to put the hairpin in a lower layer than the text markup to
+actually draw the rectangle above the hairpin.
+" }
+
+\score {
+ \relative c' {
+ << {
+ \dynamicUp
+ \override DynamicLineSpanner #'staff-padding = #4
+ r2 r16 c'8.\pp r4
+ } \\ {
+ \override DynamicLineSpanner #'layer = #0
+ des,2\mf\< ~
+ \override TextScript #'layer = #2
+ des16_\markup {
+ \postscript #"1.9 -8 translate 5 4 scale 1 setgray 0 0 moveto 0 1
+ lineto 1 1 lineto 1 0 lineto 0 0 lineto fill"
+ }
+ r8. des4 ~ des16->\sff
+ } >>
+ }
+ \layout { ragged-right = ##t }
+}
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.38"\r
-\layout { ragged-right = ##t }\r
-\header {\r
- doctitle = "Making an object invisible with the transparent property"\r
- lsrtags = "rhythms,tweaks-and-overrides"\r
- texidoc = "\r
-Setting the @code{transparent} property will cause an object to be\r
-printed in \"invisible ink\": the object is not printed, but all its\r
-other behavior is retained. The object still takes up space, it takes\r
-part in collisions, and slurs, ties and beams can be attached to it.\r
-\r
-\r
-The snippet demonstrates how to connect different voices using ties. \r
-Normally, ties only connect two notes in the same voice. By\r
-introducing a tie in a different voice, and blanking the first up-stem\r
-in that voice, the tie appears to cross voices. To prevent the blanked stem's\r
-flag from interfering with tie positioning, the stem is extended.\r
-" }\r
-\r
-\relative c'' {\r
- \time 2/4\r
- << {\r
- \once \override Stem #'transparent = ##t\r
- \once \override Stem #'length = #8\r
- b8 ~ b\noBeam\r
- \once \override Stem #'transparent = ##t\r
- \once \override Stem #'length = #8\r
- g ~ g\noBeam\r
- } \\ {\r
- b g g e\r
- } >>\r
-}\r
+\version "2.11.38"
+\layout { ragged-right = ##t }
+\header {
+ doctitle = "Making an object invisible with the transparent property"
+ lsrtags = "rhythms,tweaks-and-overrides"
+ texidoc = "
+Setting the @code{transparent} property will cause an object to be
+printed in \"invisible ink\": the object is not printed, but all its
+other behavior is retained. The object still takes up space, it takes
+part in collisions, and slurs, ties and beams can be attached to it.
+
+
+The snippet demonstrates how to connect different voices using ties.
+Normally, ties only connect two notes in the same voice. By
+introducing a tie in a different voice, and blanking the first up-stem
+in that voice, the tie appears to cross voices. To prevent the blanked stem's
+flag from interfering with tie positioning, the stem is extended.
+" }
+
+\relative c'' {
+ \time 2/4
+ << {
+ \once \override Stem #'transparent = ##t
+ \once \override Stem #'length = #8
+ b8 ~ b\noBeam
+ \once \override Stem #'transparent = ##t
+ \once \override Stem #'length = #8
+ g ~ g\noBeam
+ } \\ {
+ b g g e
+ } >>
+}
-\version "2.11.38"\r
-\r
-\header {\r
- doctitle = "Broken crescendo hairpin"\r
- lsrtags = "expressive-marks"\r
- texidoc = "\r
-In order to make parts of a crescendo hairpin invisible, the following\r
-method is used: A white rectangle is drawn on top of the respective\r
-part of the crescendo hairpin, making it invisible. The rectangle is\r
-defined as postscript code within a text markup.\r
-\r
-To fine-tune the position and size of the markup, the number\r
-preceding @code{setgray} in the postscript definition can be set to a\r
-value <1 making it grey. The two numbers before @code{scale} in the\r
-postscript code are responsible for the width and height of the\r
-rectangle, the two numbers before @code{translate} change the x- and\r
-y-origin of the rectangle. \r
-\r
-Make sure to put the hairpin in a lower layer than the text markup to\r
-actually draw the rectangle above the hairpin. \r
-" }\r
-\r
-\score {\r
- \relative c' {\r
- << {\r
- \dynamicUp\r
- \override DynamicLineSpanner #'staff-padding = #4\r
- r2 r16 c'8.\pp r4\r
- } \\ {\r
- \override DynamicLineSpanner #'layer = #0\r
- des,2\mf\< ~\r
- \override TextScript #'layer = #2\r
- des16_\markup {\r
- \postscript #"1.9 -8 translate 5 4 scale 1 setgray 0 0 moveto 0 1\r
- lineto 1 1 lineto 1 0 lineto 0 0 lineto fill"\r
- }\r
- r8. des4 ~ des16->\sff\r
- } >>\r
- }\r
- \layout { ragged-right = ##t }\r
-}\r
+\version "2.11.38"
+
+\header {
+ doctitle = "Broken crescendo hairpin"
+ lsrtags = "expressive-marks"
+ texidoc = "
+In order to make parts of a crescendo hairpin invisible, the following
+method is used: A white rectangle is drawn on top of the respective
+part of the crescendo hairpin, making it invisible. The rectangle is
+defined as postscript code within a text markup.
+
+To fine-tune the position and size of the markup, the number
+preceding @code{setgray} in the postscript definition can be set to a
+value <1 making it grey. The two numbers before @code{scale} in the
+postscript code are responsible for the width and height of the
+rectangle, the two numbers before @code{translate} change the x- and
+y-origin of the rectangle.
+
+Make sure to put the hairpin in a lower layer than the text markup to
+actually draw the rectangle above the hairpin.
+" }
+
+\score {
+ \relative c' {
+ << {
+ \dynamicUp
+ \override DynamicLineSpanner #'staff-padding = #4
+ r2 r16 c'8.\pp r4
+ } \\ {
+ \override DynamicLineSpanner #'layer = #0
+ des,2\mf\< ~
+ \override TextScript #'layer = #2
+ des16_\markup {
+ \postscript #"1.9 -8 translate 5 4 scale 1 setgray 0 0 moveto 0 1
+ lineto 1 1 lineto 1 0 lineto 0 0 lineto fill"
+ }
+ r8. des4 ~ des16->\sff
+ } >>
+ }
+ \layout { ragged-right = ##t }
+}
-\version "2.11.23"\r
-\layout { ragged-right = ##t }\r
-\header {\r
- doctitle = "Making an object invisible with the transparent property"\r
- lsrtags = "rhythms,tweaks-and-overrides"\r
- texidoc = "\r
-Setting the @code{transparent} property will cause an object to be\r
-printed in \"invisible ink\": the object is not printed, but all its\r
-other behavior is retained. The object still takes up space, it takes\r
-part in collisions, and slurs, ties and beams can be attached to it.\r
-\r
-\r
-The snippet demonstrates how to connect different voices using ties. \r
-Normally, ties only connect two notes in the same voice. By\r
-introducing a tie in a different voice, and blanking the first up-stem\r
-in that voice, the tie appears to cross voices. To prevent the blanked stem's\r
-flag from interfering with tie positioning, the stem is extended.\r
-" }\r
-\r
-\relative c'' {\r
- \time 2/4\r
- << {\r
- \once \override Stem #'transparent = ##t\r
- \once \override Stem #'length = #8\r
- b8 ~ b\noBeam\r
- \once \override Stem #'transparent = ##t\r
- \once \override Stem #'length = #8\r
- g ~ g\noBeam\r
- } \\ {\r
- b g g e\r
- } >>\r
-}\r
+\version "2.11.23"
+\layout { ragged-right = ##t }
+\header {
+ doctitle = "Making an object invisible with the transparent property"
+ lsrtags = "rhythms,tweaks-and-overrides"
+ texidoc = "
+Setting the @code{transparent} property will cause an object to be
+printed in \"invisible ink\": the object is not printed, but all its
+other behavior is retained. The object still takes up space, it takes
+part in collisions, and slurs, ties and beams can be attached to it.
+
+
+The snippet demonstrates how to connect different voices using ties.
+Normally, ties only connect two notes in the same voice. By
+introducing a tie in a different voice, and blanking the first up-stem
+in that voice, the tie appears to cross voices. To prevent the blanked stem's
+flag from interfering with tie positioning, the stem is extended.
+" }
+
+\relative c'' {
+ \time 2/4
+ << {
+ \once \override Stem #'transparent = ##t
+ \once \override Stem #'length = #8
+ b8 ~ b\noBeam
+ \once \override Stem #'transparent = ##t
+ \once \override Stem #'length = #8
+ g ~ g\noBeam
+ } \\ {
+ b g g e
+ } >>
+}
-<?xml version="1.0" encoding="UTF-8"?>\r
-<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 1.1 Partwise//EN"\r
- "http://www.musicxml.org/dtds/partwise.dtd">\r
-<score-partwise version="1.1">\r
- <movement-title>Layout options</movement-title>\r
- <identification>\r
- <encoding>\r
- <software>PrintMusic 2008 for Windows</software>\r
- <software>Dolet Light for PrintMusic 2008</software>\r
- <encoding-date>2007-11-04</encoding-date>\r
- </encoding>\r
- </identification>\r
- <defaults>\r
- <scaling>\r
- <millimeters>3.7703</millimeters>\r
- <tenths>40</tenths>\r
- </scaling>\r
- <page-layout>\r
- <page-height>954</page-height>\r
- <page-width>1804</page-width>\r
- <page-margins type="both">\r
- <left-margin>318</left-margin>\r
- <right-margin>212</right-margin>\r
- <top-margin>53</top-margin>\r
- <bottom-margin>74</bottom-margin>\r
- </page-margins>\r
- </page-layout>\r
- <system-layout>\r
- <system-margins>\r
- <left-margin>248</left-margin>\r
- <right-margin>206</right-margin>\r
- </system-margins>\r
- <system-distance>561</system-distance>\r
- <top-system-distance>436</top-system-distance>\r
- </system-layout>\r
- <music-font font-family="Maestro" font-size="10.7"/>\r
- <word-font font-family="Times New Roman" font-size="5.3"/>\r
- </defaults>\r
- <credit>\r
- <credit-words default-x="955" default-y="876" font-size="18" font-weight="bold" justify="center" valign="top">Layout options</credit-words>\r
- </credit>\r
- <part-list>\r
- <score-part id="P1">\r
- <part-name print-object="no">MusicXML Part</part-name>\r
- <score-instrument id="P1-I1">\r
- <instrument-name>Grand Piano</instrument-name>\r
- </score-instrument>\r
- <midi-instrument id="P1-I1">\r
- <midi-channel>1</midi-channel>\r
- <midi-program>1</midi-program>\r
- </midi-instrument>\r
- </score-part>\r
- </part-list>\r
- <!--=========================================================-->\r
- <part id="P1">\r
- <measure number="1" width="441">\r
- <print page-number="8"/>\r
- <attributes>\r
- <divisions>1</divisions>\r
- <key>\r
- <fifths>0</fifths>\r
- <mode>major</mode>\r
- </key>\r
- <time symbol="common">\r
- <beats>4</beats>\r
- <beat-type>4</beat-type>\r
- </time>\r
- <clef>\r
- <sign>G</sign>\r
- <line>2</line>\r
- </clef>\r
- </attributes>\r
- <sound tempo="120"/>\r
- <note>\r
- <rest/>\r
- <duration>4</duration>\r
- <voice>1</voice>\r
- </note>\r
- </measure>\r
- <!--=======================================================-->\r
- <measure number="2" width="378">\r
- <note>\r
- <rest/>\r
- <duration>4</duration>\r
- <voice>1</voice>\r
- </note>\r
- </measure>\r
- <!--=======================================================-->\r
- <measure number="3" width="819">\r
- <print new-page="yes" page-number="9"/>\r
- <note>\r
- <rest/>\r
- <duration>4</duration>\r
- <voice>1</voice>\r
- </note>\r
- <barline location="right">\r
- <bar-style>light-heavy</bar-style>\r
- </barline>\r
- </measure>\r
- </part>\r
- <!--=========================================================-->\r
-</score-partwise>\r
+<?xml version="1.0" encoding="UTF-8"?>
+<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 1.1 Partwise//EN"
+ "http://www.musicxml.org/dtds/partwise.dtd">
+<score-partwise version="1.1">
+ <movement-title>Layout options</movement-title>
+ <identification>
+ <encoding>
+ <software>PrintMusic 2008 for Windows</software>
+ <software>Dolet Light for PrintMusic 2008</software>
+ <encoding-date>2007-11-04</encoding-date>
+ </encoding>
+ </identification>
+ <defaults>
+ <scaling>
+ <millimeters>3.7703</millimeters>
+ <tenths>40</tenths>
+ </scaling>
+ <page-layout>
+ <page-height>954</page-height>
+ <page-width>1804</page-width>
+ <page-margins type="both">
+ <left-margin>318</left-margin>
+ <right-margin>212</right-margin>
+ <top-margin>53</top-margin>
+ <bottom-margin>74</bottom-margin>
+ </page-margins>
+ </page-layout>
+ <system-layout>
+ <system-margins>
+ <left-margin>248</left-margin>
+ <right-margin>206</right-margin>
+ </system-margins>
+ <system-distance>561</system-distance>
+ <top-system-distance>436</top-system-distance>
+ </system-layout>
+ <music-font font-family="Maestro" font-size="10.7"/>
+ <word-font font-family="Times New Roman" font-size="5.3"/>
+ </defaults>
+ <credit>
+ <credit-words default-x="955" default-y="876" font-size="18" font-weight="bold" justify="center" valign="top">Layout options</credit-words>
+ </credit>
+ <part-list>
+ <score-part id="P1">
+ <part-name print-object="no">MusicXML Part</part-name>
+ <score-instrument id="P1-I1">
+ <instrument-name>Grand Piano</instrument-name>
+ </score-instrument>
+ <midi-instrument id="P1-I1">
+ <midi-channel>1</midi-channel>
+ <midi-program>1</midi-program>
+ </midi-instrument>
+ </score-part>
+ </part-list>
+ <!--=========================================================-->
+ <part id="P1">
+ <measure number="1" width="441">
+ <print page-number="8"/>
+ <attributes>
+ <divisions>1</divisions>
+ <key>
+ <fifths>0</fifths>
+ <mode>major</mode>
+ </key>
+ <time symbol="common">
+ <beats>4</beats>
+ <beat-type>4</beat-type>
+ </time>
+ <clef>
+ <sign>G</sign>
+ <line>2</line>
+ </clef>
+ </attributes>
+ <sound tempo="120"/>
+ <note>
+ <rest/>
+ <duration>4</duration>
+ <voice>1</voice>
+ </note>
+ </measure>
+ <!--=======================================================-->
+ <measure number="2" width="378">
+ <note>
+ <rest/>
+ <duration>4</duration>
+ <voice>1</voice>
+ </note>
+ </measure>
+ <!--=======================================================-->
+ <measure number="3" width="819">
+ <print new-page="yes" page-number="9"/>
+ <note>
+ <rest/>
+ <duration>4</duration>
+ <voice>1</voice>
+ </note>
+ <barline location="right">
+ <bar-style>light-heavy</bar-style>
+ </barline>
+ </measure>
+ </part>
+ <!--=========================================================-->
+</score-partwise>