* Documentation/user/notation.itely: fixed 2 typos

diff --git a/ChangeLog b/ChangeLog
index 16be619d052ec007a2b80bed5ec1e5eb2bc3b7e3..0a8aad7be59766032260dc5318b8bb9799408003 100644 (file)
--- a/ChangeLog
+++ b/ChangeLog
@@ -1,3 +1,7 @@
+2004-10-20  Jürgen Reuter  <reuter@ipd.uka.de>
+
+       * Documentation/user/notation.itely: fixed 2 typos
+
 2004-10-20  Werner Lemberg  <wl@gnu.org>
 
        * scm/framework-tex.scm (header-end): Don't set \outputscale.

diff --git a/Documentation/user/notation.itely b/Documentation/user/notation.itely
index de10780a6fb21b9beb2847ff3db04d7641a6940f..f6a0b956ebdc98d20a90f0a02cff96d924bb5000 100644 (file)
--- a/Documentation/user/notation.itely
+++ b/Documentation/user/notation.itely
@@ -4689,7 +4689,7 @@ The predefined variables @code{\germanChords},
 @code{\semiGermanChords} set these variables.  The effect is
 demonstrated here,
 
-@lilypondfile[raggedright,]{chord-names-german.ly}
+@lilypondfile[raggedright]{chord-names-german.ly}
 
 There are also two other chord name schemes implemented: an alternate
 Jazz chord notation, and a systematic scheme called Banter chords.  The
@@ -4740,7 +4740,7 @@ Fret diagrams can be added to music as a markup to the desired note. The
 markup contains information about the desired fret diagram, as shown in the
 following example
 
-@lilypond[verbatim, raggetright, quote]
+@lilypond[verbatim, raggedright, quote]
 \context Voice {
   d' ^\markup \fret-diagram #"6-x;5-x;4-o;3-2;2-3;1-2;"
   fis' ^\markup \override #'(size . 0.75) {