--- /dev/null
+ISOLANG = es
+depth = ../..
+SUBDIRS = user
+STEPMAKE_TEMPLATES = documentation
+
+include $(depth)/make/stepmake.make
+
+local-WWW: $(outdir)/index.html lang-merge
+
+lang-merge:
+ ln -f $(outdir)/index.html $(depth)/Documentation/$(outdir)/index.$(ISOLANG).html
--- /dev/null
+ISOLANG = es
+depth = ../../..
+LOCALSTEPMAKE_TEMPLATES = lilypond ly doclang
+include $(depth)/make/stepmake.make
+
--- /dev/null
+@node Advanced notation
+@chapter Advanced notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Text::
+* Preparing parts::
+* Orchestral music::
+* Contemporary notation::
+* Educational use::
+@end menu
+@node Text
+@section Text
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Text scripts::
+* Text and line spanners::
+* Text spanners::
+* Text marks::
+* Text markup::
+* Nested scores::
+* Overview of text markup commands::
+* Font selection::
+* New dynamic marks::
+@end menu
+@node Text scripts
+@subsection Text scripts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Text and line spanners
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Text and line spanners
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Text spanners
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Text spanners
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Text marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Text marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Text markup
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Text markup
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Nested scores
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Nested scores
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Overview of text markup commands
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Overview of text markup commands
+
+UNTRANSLATED NODE: IGNORE ME
+
+@include markup-commands.tely
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Font selection
+@subsection Font selection
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node New dynamic marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection New dynamic marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Preparing parts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Preparing parts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Multi measure rests::
+* Metronome marks::
+* Rehearsal marks::
+* Bar numbers::
+* Instrument names::
+* Instrument transpositions::
+* Ottava brackets::
+* Different editions from one source::
+@end menu
+@node Multi measure rests
+@subsection Multi measure rests
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Metronome marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Metronome marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Rehearsal marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Rehearsal marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Bar numbers
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Bar numbers
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Instrument names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Instrument names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Instrument transpositions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Instrument transpositions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ottava brackets
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ottava brackets
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Different editions from one source
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Different editions from one source
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Orchestral music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Orchestral music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Automatic part combining::
+* Hiding staves::
+* Quoting other voices::
+* Formatting cue notes::
+* Aligning to cadenzas::
+@end menu
+@node Automatic part combining
+@subsection Automatic part combining
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Hiding staves
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Hiding staves
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Quoting other voices
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Quoting other voices
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Formatting cue notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Formatting cue notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Aligning to cadenzas
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Aligning to cadenzas
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Contemporary notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Contemporary notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Polymetric notation::
+* Time administration::
+* Proportional notation::
+* Clusters::
+* Special noteheads::
+* Feathered beams::
+* Improvisation::
+* Selecting notation font size::
+@end menu
+@node Polymetric notation
+@subsection Polymetric notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Time administration
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Time administration
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Proportional notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Proportional notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Clusters
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Clusters
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Special noteheads
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Special noteheads
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Feathered beams
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Feathered beams
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Improvisation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Improvisation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Selecting notation font size
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Selecting notation font size
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Educational use
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Educational use
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Balloon help::
+* Blank music sheet::
+* Hidden notes::
+* Shape note heads::
+* Easy Notation note heads::
+* Analysis brackets::
+* Coloring objects::
+* Parentheses::
+* Grid lines::
+@end menu
+@node Balloon help
+@subsection Balloon help
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Blank music sheet
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Blank music sheet
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Hidden notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Hidden notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Shape note heads
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Shape note heads
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Easy Notation note heads
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Easy Notation note heads
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Analysis brackets
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Analysis brackets
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Coloring objects
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Coloring objects
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Parentheses
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Parentheses
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Grid lines
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Grid lines
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Basic notation
+@chapter Basic notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Pitches::
+* Rhythms::
+* Polyphony::
+* Staff notation::
+* Connecting notes::
+* Expressive marks::
+* Repeats::
+@end menu
+@node Pitches
+@section Pitches
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Normal pitches::
+* Accidentals::
+* Cautionary accidentals::
+* Micro tones::
+* Note names in other languages::
+* Relative octaves::
+* Octave check::
+* Transpose::
+* Rests::
+* Skips::
+@end menu
+@node Normal pitches
+@subsection Normal pitches
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Accidentals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Accidentals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Cautionary accidentals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Cautionary accidentals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Micro tones
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Micro tones
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Note names in other languages
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Note names in other languages
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Relative octaves
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Relative octaves
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Octave check
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Octave check
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Transpose
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Transpose
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Rests
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Rests
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Skips
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Skips
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Rhythms
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Rhythms
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Durations::
+* Augmentation dots::
+* Tuplets::
+* Scaling durations::
+* Bar check::
+* Barnumber check::
+* Automatic note splitting::
+@end menu
+@node Durations
+@subsection Durations
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Augmentation dots
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Augmentation dots
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Tuplets
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Tuplets
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Scaling durations
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Scaling durations
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Bar check
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Bar check
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Barnumber check
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Barnumber check
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Automatic note splitting
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Automatic note splitting
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Polyphony
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Polyphony
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Chords::
+* Stems::
+* Basic polyphony::
+* Explicitly instantiating voices::
+* Collision Resolution::
+@end menu
+@node Chords
+@subsection Chords
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Stems
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Stems
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Basic polyphony
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Basic polyphony
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Explicitly instantiating voices
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Explicitly instantiating voices
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Collision Resolution
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Collision Resolution
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Staff notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Staff notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Clef::
+* Key signature::
+* Time signature::
+* Partial measures::
+* Bar lines::
+* Unmetered music::
+* System start delimiters::
+* Staff symbol::
+* Writing music in parallel::
+@end menu
+@node Clef
+@subsection Clef
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Key signature
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Key signature
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Time signature
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Time signature
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Partial measures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Partial measures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Bar lines
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Bar lines
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Unmetered music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Unmetered music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node System start delimiters
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection System start delimiters
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Staff symbol
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Staff symbol
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Writing music in parallel
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Writing music in parallel
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Connecting notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Connecting notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Ties::
+* Slurs::
+* Phrasing slurs::
+* Laissez vibrer ties::
+* Automatic beams::
+* Manual beams::
+* Grace notes::
+@end menu
+@node Ties
+@subsection Ties
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Slurs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Slurs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Phrasing slurs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Phrasing slurs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Laissez vibrer ties
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Laissez vibrer ties
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Automatic beams
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Automatic beams
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Manual beams
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Manual beams
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Grace notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Grace notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Expressive marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Expressive marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Articulations::
+* Fingering instructions::
+* Dynamics::
+* Breath marks::
+* Trills::
+* Glissando::
+* Arpeggio::
+* Falls and doits::
+@end menu
+@node Articulations
+@subsection Articulations
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Fingering instructions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Fingering instructions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Dynamics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Dynamics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Breath marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Breath marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Trills
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Trills
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Glissando
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Glissando
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Arpeggio
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Arpeggio
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Falls and doits
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Falls and doits
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Repeats
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Repeats
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Repeat types::
+* Repeat syntax::
+* Repeats and MIDI::
+* Manual repeat commands::
+* Tremolo repeats::
+* Tremolo subdivisions::
+* Measure repeats::
+@end menu
+@node Repeat types
+@subsection Repeat types
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Repeat syntax
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Repeat syntax
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Repeats and MIDI
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Repeats and MIDI
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Manual repeat commands
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Manual repeat commands
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Tremolo repeats
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Tremolo repeats
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Tremolo subdivisions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Tremolo subdivisions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Measure repeats
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Measure repeats
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Changing defaults
+@chapter Changing defaults
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Automatic notation::
+* Interpretation contexts::
+* The \override command::
+@end menu
+@node Automatic notation
+@section Automatic notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Automatic accidentals::
+* Setting automatic beam behavior::
+@end menu
+@node Automatic accidentals
+@subsection Automatic accidentals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Setting automatic beam behavior
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Setting automatic beam behavior
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Interpretation contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Interpretation contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Contexts explained::
+* Creating contexts::
+* Changing context properties on the fly::
+* Modifying context plug-ins::
+* Layout tunings within contexts::
+* Changing context default settings::
+* Defining new contexts::
+* Aligning contexts::
+@end menu
+@node Contexts explained
+@subsection Contexts explained
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Creating contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Creating contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Changing context properties on the fly
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Changing context properties on the fly
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Modifying context plug-ins
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Modifying context plug-ins
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Layout tunings within contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Layout tunings within contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Changing context default settings
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Changing context default settings
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Defining new contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Defining new contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Aligning contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Aligning contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node The \override command
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section The \override command
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Constructing a tweak::
+* Navigating the program reference::
+* Layout interfaces::
+* Determining the grob property::
+* Objects connected to the input::
+* \set vs. \override::
+* Difficult tweaks::
+@end menu
+@node Constructing a tweak
+@subsection Constructing a tweak
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Navigating the program reference
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Navigating the program reference
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Layout interfaces
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Layout interfaces
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Determining the grob property
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Determining the grob property
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Objects connected to the input
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Objects connected to the input
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node \set vs. \override
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection \set vs. \override
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Difficult tweaks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Difficult tweaks
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Cheat sheet
+@appendix Cheat sheet
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Converting from other formats
+@chapter Converting from other formats
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Invoking midi2ly::
+* Invoking etf2ly::
+* Invoking musicxml2ly::
+* Invoking abc2ly::
+* Generating LilyPond files::
+@end menu
+@node Invoking midi2ly
+@section Invoking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Invoking etf2ly
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Invoking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Invoking musicxml2ly
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Invoking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Invoking abc2ly
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Invoking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Generating LilyPond files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Generating LilyPond files
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Instrument-specific notation
+@chapter Instrument-specific notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Piano music::
+* Chord names::
+* Vocal music::
+* Rhythmic music::
+* Guitar::
+* Bagpipe::
+* Ancient notation::
+* Other instrument specific notation::
+@end menu
+@node Piano music
+@section Piano music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Automatic staff changes::
+* Manual staff switches::
+* Pedals::
+* Staff switch lines::
+* Cross staff stems::
+@end menu
+@node Automatic staff changes
+@subsection Automatic staff changes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Manual staff switches
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Manual staff switches
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Pedals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Pedals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Staff switch lines
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Staff switch lines
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Cross staff stems
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Cross staff stems
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Chord names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Chord names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Introducing chord names::
+* Chords mode::
+* Printing chord names::
+@end menu
+@node Introducing chord names
+@subsection Introducing chord names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Chords mode
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Chords mode
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Printing chord names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Printing chord names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Vocal music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Vocal music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Setting simple songs::
+* Entering lyrics::
+* Hyphens and extenders::
+* The Lyrics context::
+* Melismata::
+* Another way of entering lyrics::
+* Flexibility in placement::
+* Spacing lyrics::
+* More about stanzas::
+* Ambitus::
+* Other vocal issues::
+@end menu
+@node Setting simple songs
+@subsection Setting simple songs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Entering lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Entering lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Hyphens and extenders
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Hyphens and extenders
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node The Lyrics context
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection The Lyrics context
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Melismata
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Melismata
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Another way of entering lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Another way of entering lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Flexibility in placement
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Flexibility in placement
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Lyrics to multiple notes of a melisma::
+* Divisi lyrics::
+* Switching the melody associated with a lyrics line::
+* Specifying melismata within the lyrics::
+* Lyrics independent of notes::
+@end menu
+@node Lyrics to multiple notes of a melisma
+@subsubsection Lyrics to multiple notes of a melisma
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Divisi lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Divisi lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Switching the melody associated with a lyrics line
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Switching the melody associated with a lyrics line
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Specifying melismata within the lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Specifying melismata within the lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Lyrics independent of notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Lyrics independent of notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Spacing lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Spacing lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node More about stanzas
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection More about stanzas
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Adding stanza numbers
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Adding dynamics marks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Adding singer names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Printing stanzas at the end
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Printing stanzas at the end in multiple columns
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ambitus
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ambitus
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Other vocal issues
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Other vocal issues
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Rhythmic music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Rhythmic music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Showing melody rhythms::
+* Entering percussion::
+* Percussion staves::
+* Ghost notes::
+@end menu
+@node Showing melody rhythms
+@subsection Showing melody rhythms
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Entering percussion
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Entering percussion
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Percussion staves
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Percussion staves
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ghost notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ghost notes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Guitar
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Guitar
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* String number indications::
+* Tablatures basic::
+* Non-guitar tablatures::
+* Banjo tablatures::
+* Fret diagrams::
+* Right hand fingerings::
+* Other guitar issues::
+@end menu
+@node String number indications
+@subsection String number indications
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Tablatures basic
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Tablatures basic
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Non-guitar tablatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Non-guitar tablatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Banjo tablatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Banjo tablatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Fret diagrams
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Fret diagrams
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Right hand fingerings
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Right hand fingerings
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Other guitar issues
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Other guitar issues
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Bagpipe
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Bagpipe
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Bagpipe definitions::
+* Bagpipe example::
+@end menu
+@node Bagpipe definitions
+@subsection Bagpipe definitions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Bagpipe example
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Bagpipe example
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ancient notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Ancient notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Ancient note heads::
+* Ancient accidentals::
+* Ancient rests::
+* Ancient clefs::
+* Ancient flags::
+* Ancient time signatures::
+* Ancient articulations::
+* Custodes::
+* Divisiones::
+* Ligatures::
+* Gregorian Chant contexts::
+* Mensural contexts::
+* Musica ficta accidentals::
+* Figured bass::
+@end menu
+@node Ancient note heads
+@subsection Ancient note heads
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ancient accidentals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ancient accidentals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ancient rests
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ancient rests
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ancient clefs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ancient clefs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ancient flags
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ancient flags
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ancient time signatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ancient time signatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ancient articulations
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ancient articulations
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Custodes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Custodes
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Divisiones
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Divisiones
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ligatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Ligatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* White mensural ligatures::
+* Gregorian square neumes ligatures::
+@end menu
+@node White mensural ligatures
+@subsubsection White mensural ligatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Gregorian square neumes ligatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubsection Gregorian square neumes ligatures
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Gregorian Chant contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Gregorian Chant contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Mensural contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Mensural contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Musica ficta accidentals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Musica ficta accidentals
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Figured bass
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Figured bass
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Other instrument specific notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Other instrument specific notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Artificial harmonics (strings)::
+@end menu
+@node Artificial harmonics (strings)
+@subsection Artificial harmonics (strings)
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Introduction
+@chapter Introduction
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Engraving::
+* Automated engraving::
+* What symbols to engrave?::
+* Music representation::
+* Example applications::
+* About this manual::
+@end menu
+@node Engraving
+@section Engraving
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Automated engraving
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Automated engraving
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node What symbols to engrave?
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section What symbols to engrave?
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Music representation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Music representation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Example applications
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Example applications
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node About this manual
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section About this manual
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node LilyPond-book
+@chapter
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* An example of a musicological document::
+* Integrating LaTeX and music::
+* Integrating Texinfo and music::
+* Integrating HTML and music::
+* Integrating DocBook and music::
+* Music fragment options::
+* Invoking lilypond-book::
+* Filename extensions::
+* Many quotes of a large score::
+* Inserting LilyPond output into OpenOffice.org::
+* Inserting LilyPond output into other programs::
+@end menu
+@node An example of a musicological document
+@section An example of a musicological document
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Integrating LaTeX and music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Integrating La
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Integrating Texinfo and music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Integrating Texinfo and music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Integrating HTML and music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Integrating HTML and music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Integrating DocBook and music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Integrating DocBook and music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@unnumberedsubsec Common conventions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@unnumberedsubsec Including a LilyPond file
+
+UNTRANSLATED NODE: IGNORE ME
+
+@unnumberedsubsec Including LilyPond code
+
+UNTRANSLATED NODE: IGNORE ME
+
+@unnumberedsubsec Processing the DocBook document
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Music fragment options
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Music fragment options
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Invoking lilypond-book
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Invoking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Filename extensions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Filename extensions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Many quotes of a large score
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Many quotes of a large score
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Inserting LilyPond output into OpenOffice.org
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Inserting LilyPond output into OpenOffice.org
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Inserting LilyPond output into other programs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Inserting LilyPond output into other programs
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Top
+@top GNU LilyPond --- The music typesetter
+
+UNTRANSLATED NODE: IGNORE ME
+
+@include dedication.itely
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+* Preface::
+* Introduction::
+* Tutorial::
+* Putting it all together::
+* Working on LilyPond projects::
+* Tweaking output::
+* Basic notation::
+* Instrument-specific notation::
+* Advanced notation::
+* Changing defaults::
+* Non-musical notation::
+* Spacing issues::
+* Interfaces for programmers::
+* Running LilyPond::
+* LilyPond-book::
+* Converting from other formats::
+* Literature list::
+* Scheme tutorial::
+* Notation manual tables::
+* Templates::
+* Cheat sheet::
+* GNU Free Documentation License::
+* LilyPond command index::
+* LilyPond index::
+@end menu
+@include macros.itexi
+@include preface.itely
+@include introduction.itely
+@include tutorial.itely
+@include putting.itely
+@include working.itely
+@include tweaks.itely
+@include basic-notation.itely
+@include instrument-notation.itely
+@include advanced-notation.itely
+@include changing-defaults.itely
+@include non-music.itely
+@include spacing.itely
+@include programming-interface.itely
+@include running.itely
+@include lilypond-book.itely
+@include converters.itely
+@include literature.itely
+@include scheme-tutorial.itely
+@include notation-appendices.itely
+@include templates.itely
+@include cheatsheet.itely
+@include fdl.itexi
+@node LilyPond command index
+@appendix LilyPond command index
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node LilyPond index
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendix LilyPond index
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Literature list
+@appendix Literature list
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Non-musical notation
+@chapter Non-musical notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Input files::
+* Titles and headers::
+* MIDI output::
+* Displaying LilyPond notation::
+* Skipping corrected music::
+@end menu
+@node Input files
+@section Input files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* File structure (introduction)::
+* Multiple scores in a book::
+* Extracting fragments of notation::
+* File structure::
+* A single music expression::
+* Including LilyPond files::
+* Text encoding::
+@end menu
+@node File structure (introduction)
+@subsection File structure (introduction)
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Multiple scores in a book
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Multiple scores in a book
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Extracting fragments of notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Extracting fragments of notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node File structure
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection File structure
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node A single music expression
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection A single music expression
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Including LilyPond files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Including LilyPond files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Text encoding
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Text encoding
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Titles and headers
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Titles and headers
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Creating titles::
+* Custom titles::
+@end menu
+@node Creating titles
+@subsection Creating titles
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Custom titles
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Custom titles
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node MIDI output
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section MIDI output
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Creating MIDI files::
+* MIDI block::
+* MIDI instrument names::
+@end menu
+@node Creating MIDI files
+@subsection Creating MIDI files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node MIDI block
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection MIDI block
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node MIDI instrument names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection MIDI instrument names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Displaying LilyPond notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Displaying LilyPond notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Skipping corrected music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Skipping corrected music
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Notation manual tables
+@appendix Notation manual tables
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Chord name chart::
+* MIDI instruments::
+* List of colors::
+* The Feta font::
+* Note head styles::
+@end menu
+@node Chord name chart
+@appendixsec Chord name chart
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node MIDI instruments
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec MIDI instruments
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node List of colors
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec List of colors
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubheading Normal colors
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubheading X color names
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubheading Color Names without a numerical suffix:
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubheading Color names with a numerical suffix
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsubheading Grey Scale
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node The Feta font
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec The Feta font
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Note head styles
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec Note head styles
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Preface
+@unnumbered Preface
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Interfaces for programmers
+@chapter Interfaces for programmers
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Music functions::
+* Programmer interfaces::
+* Building complicated functions::
+* Markup programmer interface::
+* Contexts for programmers::
+* Scheme procedures as properties::
+@end menu
+@node Music functions
+@section Music functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Overview of music functions::
+* Simple substitution functions::
+* Paired substitution functions::
+* Mathematics in functions::
+* Void functions::
+* Functions without arguments::
+* Overview of available music functions::
+@end menu
+@node Overview of music functions
+@subsection Overview of music functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Simple substitution functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Simple substitution functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Paired substitution functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Paired substitution functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Mathematics in functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Mathematics in functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Void functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Void functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Functions without arguments
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Functions without arguments
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Overview of available music functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Overview of available music functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@include identifiers.tely
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Programmer interfaces
+@section Programmer interfaces
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Input variables and Scheme::
+* Internal music representation::
+@end menu
+@node Input variables and Scheme
+@subsection Input variables and Scheme
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Internal music representation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Internal music representation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Building complicated functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Building complicated functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Displaying music expressions::
+* Music properties::
+* Doubling a note with slurs (example)::
+* Adding articulation to notes (example)::
+@end menu
+@node Displaying music expressions
+@subsection Displaying music expressions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Music properties
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Music properties
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Doubling a note with slurs (example)
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Doubling a note with slurs (example)
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Adding articulation to notes (example)
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Adding articulation to notes (example)
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Markup programmer interface
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Markup programmer interface
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Markup construction in Scheme::
+* How markups work internally::
+* New markup command definition::
+@end menu
+@node Markup construction in Scheme
+@subsection Markup construction in Scheme
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node How markups work internally
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection How markups work internally
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node New markup command definition
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection New markup command definition
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Contexts for programmers
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Contexts for programmers
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Context evaluation::
+* Running a function on all layout objects::
+@end menu
+@node Context evaluation
+@subsection Context evaluation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Running a function on all layout objects
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Running a function on all layout objects
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Scheme procedures as properties
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Scheme procedures as properties
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Putting it all together
+@chapter Putting it all together
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Extending the templates::
+* How LilyPond files work::
+* Score is a single musical expression::
+* An orchestral part::
+@end menu
+@node Extending the templates
+@section Extending the templates
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node How LilyPond files work
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section How LilyPond files work
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Score is a single musical expression
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Score is a single musical expression
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node An orchestral part
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section An orchestral part
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Running LilyPond
+@chapter Running LilyPond
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Invoking lilypond::
+* Notes for the MacOS X app::
+* Updating files with convert-ly::
+* Reporting bugs::
+* Error messages::
+* Editor support::
+* Point and click::
+@end menu
+@node Invoking lilypond
+@section Invoking lilypond
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Command line options
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Environment variables
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Notes for the MacOS X app
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Notes for the MacOS X app
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Updating files with convert-ly
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Updating with
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Reporting bugs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Reporting bugs
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Error messages
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Error messages
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Editor support
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Editor support
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Point and click
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Point and click
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Scheme tutorial
+@appendix Scheme tutorial
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Spacing issues
+@chapter Spacing issues
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Paper and pages::
+* Music layout::
+* Vertical spacing::
+* Horizontal spacing::
+* Breaks::
+* Displaying spacing::
+* Vertical collision avoidance::
+@end menu
+@node Paper and pages
+@section Paper and pages
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Paper size::
+* Page formatting::
+@end menu
+@node Paper size
+@subsection Paper size
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Page formatting
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Page formatting
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Music layout
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Music layout
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Setting the staff size::
+* Score layout::
+@end menu
+@node Setting the staff size
+@subsection Setting the staff size
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Score layout
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Score layout
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Vertical spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Vertical spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Vertical spacing inside a system::
+* Vertical spacing between systems::
+* Controlling spacing of individual systems::
+* Two-pass vertical spacing::
+@end menu
+@node Vertical spacing inside a system
+@subsection Vertical spacing inside a system
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Vertical spacing between systems
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Vertical spacing between systems
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Controlling spacing of individual systems
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Controlling spacing of individual systems
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Two-pass vertical spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Two-pass vertical spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Horizontal spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Horizontal Spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Horizontal spacing overview::
+* New spacing area::
+* Changing horizontal spacing::
+* Line length::
+@end menu
+@node Horizontal spacing overview
+@subsection Horizontal spacing overview
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node New spacing area
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection New spacing area
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Changing horizontal spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Changing horizontal spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Line length
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Line length
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Breaks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Breaks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Line breaking::
+* Page breaking::
+* Optimal page breaking::
+* Optimal page turning::
+@end menu
+@node Line breaking
+@subsection Line breaking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Page breaking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Page breaking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Optimal page breaking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Optimal page breaking
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Optimal page turning
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Optimal page turning
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Displaying spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Displaying spacing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Vertical collision avoidance
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Vertical collision avoidance
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Templates
+@appendix Templates
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Single staff::
+* Piano templates::
+* String quartet::
+* Vocal ensembles::
+* Ancient notation templates::
+* Jazz combo::
+* Lilypond-book templates::
+@end menu
+@node Single staff
+@appendixsec Single staff
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Notes only
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Notes and lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Notes and chords
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Notes, lyrics, and chords.
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Piano templates
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec Piano templates
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Solo piano
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Piano and melody with lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Piano centered lyrics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Piano centered dynamics
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node String quartet
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec String quartet
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec String quartet
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec String quartet parts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Vocal ensembles
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec Vocal ensembles
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec SATB vocal score
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec SATB vocal score and automatic piano reduction
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec SATB with aligned contexts
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Ancient notation templates
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec Ancient notation templates
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Transcription of mensural music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Gregorian transcription template
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Jazz combo
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec Jazz combo
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Lilypond-book templates
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsec Lilypond-book templates
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec LaTeX
+
+UNTRANSLATED NODE: IGNORE ME
+
+@appendixsubsec Texinfo
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c This file is part of lilypond.tely
+@ignore
+ Translation of GIT committish: faafde735e1765f06d55a2e656e0d6cd4d11dfeb
+
+ When revising a translation, copy the HEAD committish of the
+ version that you are working on. See TRANSLATION for details.
+@end ignore
+
+@ignore
+Tutorial guidelines:
+- unless you have a really good reason, use either
+ @l ilypond[quote,ragged-right,verbatim]
+ or
+ @l ilypond[quote,ragged-right,verbatim,fragment,relative=2]
+ (without spaces)
+ Don't use any other relative=X commands (make it a non-fragment
+ example), and don't use fragment without relative=2.
+- use "aes" and "ees" instead of "as" and "aes". I know it's not
+ correct Dutch naming, but let's not confuse people with this until
+ we get to the Basic notation chapter.
+@end ignore
+
+
+
+@c old info that will probably be removed.
+@c TODO:
+@c * more details about running lilypond; error messages,
+@c compiling/viewing (emacs?)
+@c * where to go from First steps+More basics?
+
+@c wherever possible, do not include index entries here; the
+@c index should point to stuff in the reference manual. -gp
+
+@c Your first LilyPond score in 10 minutes?
+
+@node Tutorial
+@chapter Tutorial
+
+Este tutorial comienza con una introducción al lenguaje musical LilyPond
+y cómo producir música impresa. Después de este primer contacto,
+explicaremos cómo crear notación musical usual.
+
+@ifhtml
+Muchas personas aprenden a utilizar programas probando y enredando con ellos.
+Esto también puede hacerse con LilyPond. Si hace click sobre una imagen
+en la versión en HTML de este manual, podrá ver la entrada exacta de LilyPond
+que se utilizó para generar esa imagen.
+Pruébelo sobre esta imagen:
+
+@c no verbatim here
+@lilypond[quote,ragged-right]
+\relative c'' {
+ c-\markup { \bold \huge { Pulse aquí. } }
+}
+@end lilypond
+
+Cortando y pegando todo lo que se encuentra dentro de la sección @qq{ly snippet} (fragmento de tipo ly), tendrá una
+plantilla inicial para sus experimentos. Si le agrada esta forma de aprender,
+probablemente quiera imprimir o añadir a sus favoritos la dirección de la
+@ref{Cheat sheet}, que es una relación en forma de tabla de los comandos más comunes
+de manera que sirvan de referencia rápida.
+@end ifhtml
+
+@menu
+* First steps::
+* Single staff notation::
+* Multiple notes at once::
+* Songs::
+* Final touches::
+@end menu
+
+
+@node First steps
+@section First steps
+
+Esta sección le ofrece una introducción básica al trabajo con LilyPond.
+
+@menu
+* Compiling a file::
+* Simple notation::
+* Working on text files::
+* How to read the tutorial::
+@end menu
+
+
+@node Compiling a file
+@subsection Compiling a file
+
+El primer ejemplo demuestra cómo empezar a trabajar con LilyPond. Para
+crear una partitura, escribimos un archivo de texto que especifica la
+notación. Por ejemplo, si escribimos
+
+@example
+@{
+ c' e' g' e'
+@}
+@end example
+
+@noindent
+el resultado tiene este aspecto
+
+@c in this case we don't want verbatim
+@lilypond[quote,ragged-right]
+{
+ c' e' g' e'
+}
+@end lilypond
+
+@strong{Adevertencia:} Todo el código que se da como entrada a LilyPond tiene que
+llevar @strong{@{ llaves @}} rodeando dicha entrada. Las llaves deberían también estar
+rodeadas por espacios a no ser que se encuentren al principio o al final de una línea,
+para evitar ambigüedades. Es posible que se omitan en algunos ejemplos del presente
+manual ¡pero no las omita en su propia música!
+
+@cindex Case sensitive
+Además la entrada de LilyPond es @strong{sensible a las mayúsculas}. @code{ @{ c d e @} }
+es una entrada válida; @code{ @{ C D E @} } producirá un mensaje de error.
+
+@sp 1
+
+@subheading Entering music and viewing output
+
+En esta sección vamos a explicar qué comandos hay que ejecutar
+y cómo, para ver o imprimir el resultado.
+
+@subsubheading MacOS X
+
+Si hace doble click sobre LilyPond.app, se abrirá con un archivo
+de ejemplo. Guárdelo, por ejemplo, como @file{prueba.ly} en el Escritorio, y
+a continuación procéselo con la orden de menú @samp{Compilar > Componer archivo}.
+El PDF resultante se mostrará en la pantalla.
+
+Advierta que la primera vez que ejecute LilyPond, tardará un minuto
+o dos porque todas las tipografías del sistema han de ser analizadas previamente.
+
+Para posteriores usos de LilyPond, debería comenzar eligiendo "Nuevo"
+o "Abrir". Tiene que grabar el archivo antes de componerlo tipográficamente.
+Si se produce algún error durante el proceso, observe la ventana del registro.
+
+@subsubheading Windows
+
+En Windows, abra un editor de texto@footnote{Cualquier editor normal u
+orientado a programadores que tenga soporte para UTF-8 servirá, por ejemplo
+el Bloc de Notas. No utilice un procesador de texto porque estos programas
+introducen códigos de formato que confundirían a LilyPond.} e introduzca
+
+@verbatim
+{
+ c' e' g' e'
+}
+@end verbatim
+
+Guárdelo en elescritorio como @file{prueba.ly} y asegúrese de que el
+nombre del archivo no es @file{prueba.ly.TXT}. Al hacer doble click sobre
+@file{prueba.ly} el archivo se procesará
+y mostrará el archivo PDF resultante. Para editar un archivo
+@file{.ly} existente, pulse con el botón derecho y elija @qq{Editar fuente}.
+
+Si hace doble click sobre el icono de LilyPond que se encuentra en el
+escritorio, se abrirá un editor sencillo de texto con un archivo de ejemplo.
+Guárdelo con un nombre como @file{prueba.ly} en su escritorio, y a
+continuación haga doble click sobre el archivo para procesarlo.
+Transcurridos unos segundos, obtendrá un archivo @file{prueba.pdf}
+en el escritorio. Haga doble click sobre este archivo PDF para ver la
+partitura compuesta tipográficamente. Un método alternativo para procesar
+el archivo @file{prueba.ly}
+es arrastrarlo y soltarlo sobre el icono de LilyPond utilizando el ratón.
+
+Al hacer doble click sobre el archivo no sólo se obtiene como resultado
+un archivo PDF, sino también un archivo @file{.log} que contiene cierta
+información acerca de lo que LilyPond ha hecho con el archivo.
+Si se produce algún error, examine este archivo de registro.
+
+
+@subsubheading Unix
+
+Comience abriendo una ventana de terminal e inicando un editor de texto. Por
+ejemplo, puede abrir un xterm y ejecutar
+@code{joe}@footnote{Existen macros para los adictos a VIM, y hay
+un @code{LilyPond-mode (modo de LilyPond)} para adictos a Emacs. Si no han sido
+instalados aún, consulte el archivo @file{INSTALL.txt}. El
+entorno de edición más sencillo es @file{LilyPondTool}. Consulte
+@ref{Editor support} para más información.}. En su
+editor de texto, introduzca la siguiente entrada y guarde el archivo como
+@file{prueba.ly}
+
+@verbatim
+{
+ c' e' g' e'
+}
+@end verbatim
+
+@noindent
+Para procesar @file{prueba.ly}, haga lo siguiente:
+
+@example
+lilypond prueba.ly
+@end example
+
+@noindent
+Verá algo parecido a:
+
+@example
+lilypond prueba.ly
+GNU LilyPond 2.10.0
+Procesando `prueba.ly'
+Anaizando...
+Interpretando la música... [1]
+Preprocesando los objetos gráficos...
+Calculando los cortes de línea... [2]
+Salida de la página hacia `prueba.ps'...
+Convirtiendo a `prueba.pdf'...
+@end example
+
+@cindex PDF file
+@cindex Viewing music
+
+@noindent
+El resultado es el archivo @file{prueba.pdf} que podrá imprimir o ver
+con las utilidades estándar de su sistema operativo.@footnote{Si
+su sistema no dispone de dichas herramientas, puede probar
+@uref{http://@/www@/.cs@/.wisc@/.edu/@/~ghost/,Ghostscript}, un programa
+de libre disposición para ver e imprimir archivos PDF y PostScript.}
+
+
+@node Simple notation
+@subsection Simple notation
+
+LilyPond añadirá ciertos elementos de notación de manera automática. En el siguiente
+ejemplo hemos especificado solamente cuatro alturas, pero LilyPond ha
+añadido la clave, la indicación de compás y los ritmos.
+
+@lilypond[quote,ragged-right,verbatim]
+{
+ c' e' g' e'
+}
+@end lilypond
+
+@noindent
+Este comportamiento se puede modificar, pero en general estos valores automáticos son adecuados.
+
+
+@subheading Pitches
+
+La manera más sencilla de introducir las notas es mediante la utilización del modo @code{\relative}. En
+este modo se supone que el @rglos{interval} entre la nota anterior y la actual
+se encuentra dentro de una @rglos{fourth}. Comenzamos
+introduciendo la pieza musical más elemental, una @rglos{scale}.
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c' {
+ c d e f
+ g a b c
+}
+@end lilypond
+
+La nota inicial es @rglos{middle C}. Cada nota sucesiva
+se encuentra dentro de una cuarta de la nota previa (en otras palabras: la primera
+@samp{c} es el Do más cercano al Do central; a éste le sigue el Re más cercano a la
+nota previa, y así sucesivamente). Podemos crear melodías con intervalos mayores:
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c' {
+ d f a g
+ c b f d
+}
+@end lilypond
+
+@noindent
+Como puede observar, este ejemplo no comienza en el Do central. La primera nota
+(la @samp{d}) es el Re más cercano al Do central.
+
+Para poner intervalos mayores de una cuarta, podemos elevar la octava
+añadiendo una comilla simple @code{'} (o apóstrofe) al nombre de la nota. También podemos bajar
+la octava adjuntando una coma @code{,} al nombre de la nota.
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ a a, c' f,
+ g g'' a,, f'
+}
+@end lilypond
+
+@noindent
+Para subir o bajar una nota en dos (¡o más!) octavas, utilizamos varias @code{''} ó
+@code{,,} (pero tenga cuidado de utilizar dos comillas simples @code{''} ¡y no una
+comilla doble @code{"}@tie{}!) El valor inicial de
+@code{\relative c'} también puede modificarse de esta forma.
+
+
+@subheading Durations (rhythms)
+
+La @rglos{duration} de una nota se especifica mediante un número después del nombre de la nota. @samp{1} significa @rglos{whole note}, @samp{2} significa @rglos{half note},
+@samp{4} significa @rglos{quarter note} y así sucesivamente. Las barras de corchea se añaden
+automáticamente.
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ a1
+ a2 a4 a8 a
+ a16 a a a a32 a a a a64 a a a a a a a a2
+}
+@end lilypond
+
+@noindent
+Si no especifica una duración, se utiliza la duración previa para la nota siguiente.
+La duración de la primera nota es por omisión una negra.
+
+Para crear @rglos{dotted notes}, añada un punto @samp{.} al número de la duración.
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ a a a4. a8
+ a8. a16 a a8. a8 a4.
+}
+@end lilypond
+
+
+@subheading Rests
+
+Un @rglos{rest} se introduce igual que una nota, con el nombre @samp{r}:
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ a r r2
+ r8 a r4 r4. r8
+}
+@end lilypond
+
+
+@subheading Time signature
+
+La @rglos{time signature}) se puede establecer con el comando @code{\time} :
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ \time 3/4
+ a4 a a
+ \time 6/8
+ a4. a
+ \time 4/4
+ a4 a a a
+}
+@end lilypond
+
+
+@subheading Clef
+
+La @rglos{clef} se peude establecer utilizando el comando @code{\clef} :
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c' {
+ \clef treble
+ c1
+ \clef alto
+ c1
+ \clef tenor
+ c1
+ \clef bass
+ c1
+}
+@end lilypond
+
+
+@subheading All together
+
+He aquí un pequeño ejemplo que muestra todos los elementos anteriores juntos:
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c, {
+ \time 3/4
+ \clef bass
+ c2 e8 c' g'2.
+ f4 e d c4 c, r4
+}
+@end lilypond
+
+@moreinfo
+@quotation
+@table @asis
+@item Introducir alturas y duraciones
+ver @ref{Pitches} y @ref{Durations}.
+@item Silencios
+ver @ref{Rests}.
+@item Indicaciones de compás y otros comandos de tiempo
+ver @ref{Time signature}.
+@item Claves
+ver @ref{Clef}.
+@end table
+@end quotation
+
+
+@node Working on text files
+@subsection Working on text files
+
+Los archivos de entrada de LilyPond se tratan como los archivos de la mayoría de los lenguajes de programación:
+son sensibles a las mayúsculas, insensibles al número de espacios, las expresiones
+se forman con llaves @{ @} y los comentarios se denotan por un signo de porcentaje (@code{%}) o por
+@code{%@{ ... %@}}.
+
+Si la frase anterior no tiene sentido para usted ¡no se preocupe! A continuación explicaremos el
+significado de todos estos términos:
+
+@itemize
+
+@cindex Case sensitive
+@item @strong{Sensible a las mayúsculas}:
+tiene importancia el hecho de que introduzca una letra
+en minúsculas (p.ej. @code{a, b, s, t}) o en mayúsculas (p.ej.
+@code{A, B, S, T}). Las notas son minúsculas: @code{ @{ c d e @} }
+es una entrada válida; @code{ @{ C D E @} } produciría un mensaje de error.
+
+@item @strong{Insensible al número de espacios}:
+no importa cuántos
+espacios (o saltos de línea) añada. @code{ @{ c d e @}} significa lo mismo
+que @code{ @{ c @ @ @ @ @ d e @} } y que
+@example
+ @{
+c d
+ e @}
+@end example
+
+@noindent
+Por supuesto, el ejemplo anterior es difícil de leer. Una regla práctica
+es sangrar los bloques de código con un carácter de tabulación, o bien con dos espacios:
+@example
+@{
+ c d e
+@}
+@end example
+
+@item @strong{Expresiones:}
+Todo fragmento de código de entrada para LilyPond ha de llevar
+@strong{@{ llaves @}} antes y después de la entrada. Estas llaves le dicen a
+LilyPond que la entrada es una expresión musical unitaria, igual que
+los paréntesis @samp{()} en las matemáticas. Las llaves deben ir rodeadas
+de un espacio a no ser que se encuentren al comienzo o al final de una
+línea, para evitar cualquier ambigüedad.
+
+Una función (como, por ejemplo @code{\relative @{ @}} ) también es una expresión musical
+unitaria.
+
+@cindex comments
+@cindex line comment
+@cindex block comment
+@item @strong{Comentarios}:
+Un comentario es una nota para el lector humano de la entrada musical; se ignora
+cuando esta entrada se analiza, de manera que no tiene ningún efecto sobre la salida impresa.
+Existen dos tipos de comentarios. El símbolo de porcentaje @samp{%}
+introduce un comentario de línea; todo lo que se encuentra después de @samp{%} en esa línea
+se ignora. Un comentario de bloque marca una sección entera de entrada musical
+como comentario. Todo lo que está encerrado dentro de @code{%@{} y @code{%@}} se
+ignora. El siguiente fragmento muestra algunos posibles usos para los comentarios:
+
+@example
+% a continuación van las notas de campanitas del lugar
+ c4 c g' g a a g2
+
+%@{
+ Esta línea y las notas que aprecen más abajo
+ se ignoran, por estar dentro de un
+ comentario de bloque.
+
+ g g f f e e d d c2
+%@}
+@end example
+
+@end itemize
+
+Hay más trucos para elaborar archivos de entrada en
+@ref{Suggestions for writing LilyPond files}.
+
+
+@node How to read the tutorial
+@subsection How to read the tutorial
+
+Como vimos en @ref{Working on text files}, la entrada de LilyPond debe estar
+rodeada de llaves @{ @} o de @code{\relative c'' @{ ... @}}. Durante el
+resto del presente manual, la mayor parte de los ejemplos omitirán las llaves.
+
+Si está leyendo la documentación HTML y quiere ver el código de LilyPond exacto
+que se utilizó para crear el ejemplo, sencillamente haga click
+sobre la imagen. Si no está leyendo la versión en HTML, podría
+copiar y pegar la entrada que se muestra, pero @strong{deberá} añadir
+@code{\relative c'' @{ @}} de la siguiente manera:
+
+@example
+\relative c'' @{
+ ... aquí va el ejemplo...
+@}
+@end example
+
+¿Por qué omitir las llaves? Casi todos los ejemplos
+del presente manual se pueden insertar en medio de un fragmento mayor de
+música. Para estos ejemplos no tiene ningún sentido añadir
+@code{\relative c'' @{ @}} (no debería poner un @code{\relative}
+dentro de otro @code{\relative}), de forma que usted no podría copiar
+un ejemplo pequeño procedente de la documentación y pegarlo dentro de su propia
+pieza.
+
+
+@node Single staff notation
+@section Single staff notation
+
+Esta sección es una introducción a la notación corriente que se utiliza para una voz
+o un pentagrama.
+
+@menu
+* Relative note names::
+* Accidentals and key signatures::
+* Ties and slurs::
+* Articulation and dynamics::
+* Automatic and manual beams::
+* Advanced rhythmic commands::
+@end menu
+
+
+@node Relative note names
+@subsection Relative note names
+
+Como hemos visto en @ref{Simple notation}, LilyPond calcula la altura de
+cada nota de forma relativa respecto de la nota anterior@footnote{Existe otra forma de
+itroducir las alturas, @ref{Absolute note names}, pero en la práctica el modo
+relativo es mucho más cómodo y seguro de utilizar.}. Si no se añade ninguna marca de octava
+(@code{'} y @code{,}), se supone que cada altura se encuentra dentro de una
+cuarta desde la nota anterior.
+
+LilyPond examina las alturas basándose en los nombres de las notas (dicho de otra forma:
+una cuarta aumentada @emph{no} es lo mismo que una quinta disminuida. Si
+empezamos en un Do, un Fa sostenido situado a continuación se colocará por encima del Do, mientras que
+un Sol bemol se colocará por debajo del Do.
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+c2 fis
+c2 ges
+@end lilypond
+
+@moreinfo
+@quotation
+@table @asis
+@item Octavas relativas
+ver @ref{Relative octaves}.
+@item Comorobación de octava
+ver @ref{Octave check}.
+@end table
+@end quotation
+
+
+
+@node Accidentals and key signatures
+@subsection Accidentals and key signatures
+
+@subheading Accidentals
+
+Una nota @rglos{sharp} se hace añadiendo @samp{is} al
+nombre, y una nota @rglos{flat} añadiendo @samp{es}. Como
+ha podido adivinar, un @rglos{double sharp} o @rglos{double flat} se hace
+añadiendo @samp{isis} o @samp{eses}@footnote{Esta sintaxis
+derivó de las convenciones de las lenguas nórdicas y germánicas para nombrar las notas
+como el alemán y el holandés. Para utilizar otros nombres para las alteraciones accidentales, vea
+@ref{Note names in other languages}.}
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+cis1 ees fisis, aeses
+@end lilypond
+
+@cindex key signature, setting
+@subheading Key signatures
+
+LA armadura de la tonadlidad se establece mediante el comando @code{\key} seguido de
+una nota y @code{\major} o @code{\minor}.
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+\key d \major
+a1
+\key c \minor
+a
+@end lilypond
+
+@sp 1
+
+@subheading Warning: key signatures and pitches
+
+Para determinar si hay que imprimir una alteración accidental, LilyPond examina las
+notas y la armadura de la tonalidad. La armadura solamente afecta a las
+alteraciones @emph{impresas}, ¡no a las propias notas! Esta es una
+funcionalidad que frecuentemente es causa de confusión a los que se inician con el programa, por ello permítanos explicarla
+en detalle.
+
+LilyPond hace una clara distinción entre el contenido musical y la
+presentación. La alteración (bemol, becuadro o sostenido) de una nota es parte de
+la altura, y por tanto es contenido musical. Si una alteración (un
+signo @emph{impreso} de bemol, becuadro o sostenido) se imprime o no delante de la
+nota correspondiente, es una cuestión de presentación. La presentación es algo que
+sigue unas reglas, así que las alteraciones accidentales se imprimen automáticamente según
+dichas reglas. Las alturas de las notas en su música son obras de arte, por tanto no serán
+añadidas automáticamente, y usted deberá introducir aquello que quiera oír.
+
+En el siguiente ejemplo
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+\key d \major
+d cis fis
+@end lilypond
+
+@noindent
+ninguna nota lleva una alteración impresa, pero de todas formas usted debe añadir la @samp{is} a
+@code{cis} y a @code{fis}.
+
+El texto @samp{e} no significa @qq{imprimir una bolita negra en la
+primera línea del pentagrama.} Más bien significa: @qq{hay una nota
+Mi natural.} En la tonalidad de La bemol mayor, @emph{lleva} una
+alteración accidental:
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+\key aes \major
+e
+@end lilypond
+
+Poner todas las alteraciones de forma explícita puede que requiera algo más de trabajo
+al teclear, pero la ventaja es que la transposición es más fácil, y las
+alteraciones se pueden imprimir siguiendo varias convenciones distintas. Consulte
+@ref{Automatic accidentals} para ver ejemplos de cómo las alteraciones se pueden imprimir
+de acuerdo a reglas diferentes.
+
+@moreinfo
+@quotation
+@table @asis
+@item Alteraciones accidentales
+ver @ref{Accidentals} y @ref{Automatic accidentals}.
+@item Armadura de la tonalidad
+ver @ref{Key signature}.
+@end table
+@end quotation
+
+
+@node Ties and slurs
+@subsection Ties and slurs
+
+@cindex ties
+@subheading Ties
+Una @rglos{tie} se crea adjuntando un carácter tilde @samp{~} a la primera
+nota ligada
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+g4~ g c2~
+c4 ~ c8 a8 ~ a2
+@end lilypond
+
+@cindex slurs
+@subheading Slurs
+
+Una @rglos{slur} es una curva que se traza abarcando varias notas. Las notas inicial
+y final se marcan mediante @samp{(} y @samp{)} respectivamente.
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+d4( c16) cis( d e c cis d) e( d4)
+@end lilypond
+
+@cindex slurs, phrasing
+@cindex phrasing slurs
+@subheading Phrasing slurs
+
+@cindex phrasing slurs
+Las ligaduras que se utilizan para indicar fraseos más largos se pueden introducir mediante @code{\(} y
+@code{\)}. Puede haber al mismo tiempo ligaduras de legato y ligaduras de fraseo,
+pero no es posible tener legatos simultáneos o ligaduras de expresión
+simultáneas.
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+a8(\( ais b c) cis2 b'2 a4 cis,\)
+@end lilypond
+
+@sp 1
+
+@cindex slurs versus ties
+@subheading Warnings: slurs vs. ties
+
+Una ligadura de espresión parece una @rglos{ligadura}, pero tiene un sisgnificado distinto. Una
+ligadura (de unión) sencillamente hace que la primera nota sea más larga, y sólo se puede utilizar sobre
+parejas de notas iguales. Las ligaduras de expresión indican las articulaciones
+de las notas, y se pueden utilizar sobre grupos mayores de notas. Las ligaduras de unión y de expresión
+se pueden anidar unas dentro de otras.
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+c2~( c8 fis fis4 ~ fis2 g2)
+@end lilypond
+
+@moreinfo
+@quotation
+@table @asis
+@item Ligaduras de unión
+ver @ref{Ties}.
+@item Ligaduras de expresión
+ver @ref{Slurs}.
+@item Ligaduras de fraseo
+ver @ref{Phrasing slurs}.
+@end table
+@end quotation
+
+
+@node Articulation and dynamics
+@subsection Articulation and dynamics
+
+@cindex articulation
+@cindex accents
+@cindex staccato
+@subheading Articulations
+
+Las @rglos{articulations} más corrientes se pueden añadir a las notas utilizando un guión @samp{-}
+seguido de un carácter único:
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+c-. c-- c-> c-^ c-+ c-_
+@end lilypond
+
+@cindex fingering
+@subheading Fingerings
+De manera similar, las indicaciones de digitación se pueden añadir a una nota utilizando un guión
+(@samp{-}) seguido del dígito deseado:
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+c-3 e-5 b-2 a-1
+@end lilypond
+
+Las articulaciones y digitaciones normalmente se colocan de forma automática, pero puede
+especificar una dirección mediante @samp{^} (encima) o @samp{_} (debajo). También
+puede usar varias articulaciones sobre la misma nota. Sin embargo, casi siempre
+es mejor dejar que LilyPond determine las dirección de las articulaciones.
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+c_-^1 d^. f^4_2-> e^-_+
+@end lilypond
+
+@subheading Dynamics
+Las expresiones de matiz o signos dinámicos se hacen añadiendo las marcas (con una barra invertida) a la
+nota:
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+c\ff c\mf c\p c\pp
+@end lilypond
+
+@cindex dynamics
+@cindex decrescendo
+@cindex crescendo
+
+Los crescendi y decrescendi comienzan con los comandos @code{\<} y
+@code{\>}. Una expresión terminal de matiz, como por ejemplo @code{\f}, dará por terminado el
+(de)crescendo, o bien se puede usar el comando @code{\!}:
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+c2\< c2\ff\> c2 c2\!
+@end lilypond
+
+@moreinfo
+@quotation
+@table @asis
+@item Articulaciones
+ver @ref{Articulations}.
+@item Digitaciones
+ver @ref{Fingering instructions}.
+@item Matices
+ver @ref{Dynamics}.
+@end table
+@end quotation
+
+
+@node Automatic and manual beams
+@subsection Automatic and manual beams
+
+@cindex beams, by hand
+Todas las @rglos{beam}s se dibujan automáticamente:
+@c aquí hay un problema con el plural. FVD
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+a8 ais d ees r d c16 b a8
+@end lilypond
+
+@noindent
+Si no le gustan las barras automáticas, pueden forzarse
+manualmente. Marque la primera nota que comprende la barra con @samp{[} y la última
+con @samp{]}.
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+a8[ ais] d[ ees r d] a b
+@end lilypond
+
+@moreinfo
+@quotation
+@table @asis
+@item Barras automáticas
+ver @ref{Automatic beams}.
+@item Barras manuales
+ver @ref{Manual beams}.
+@end table
+@end quotation
+
+
+@node Advanced rhythmic commands
+@subsection Advanced rhythmic commands
+
+@cindex pickup
+@cindex anacruse
+@cindex partial measure
+@subheading Partial measure
+
+Una anacrusa (o @rglos{anacrusis}) se introduce con la palabra clave
+@code{\partial}. Va seguida de una duración: @code{\partial 4} es
+una anacrusa de negra y @code{\partial 8} de corchea.
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+\partial 8
+f8 c2 d
+@end lilypond
+
+@cindex tuplets
+@cindex triplets
+@subheading Tuplets
+
+Los grupos especiales como los tresillos se hacen con la palabra clave @code{\times}. Requiere dos
+argumentos: una fracción y un fragmento de música. La duración del fragmento
+de música se multiplica por la fracción. Los tresillos hacen que las notas ocupen
+2/3 de su duración expresa, por tanto un tresillo lleva una fracción de 2/3
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+\times 2/3 { f8 g a }
+\times 2/3 { c r c }
+\times 2/3 { f,8 g16[ a g a] }
+\times 2/3 { d4 a8 }
+@end lilypond
+
+@cindex grace notes
+@cindex acciaccatura
+@cindex appoggiatura
+@subheading Grace notes
+
+Los mordentes se crean con el comando @code{\grace}, aunque
+también se pueden conseguir precediendo una expresión musical por la
+palabra clave @code{\appoggiatura} o @code{\acciaccatura}
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+c2 \grace { a32[ b] } c2
+c2 \appoggiatura b16 c2
+c2 \acciaccatura b16 c2
+@end lilypond
+
+@moreinfo
+@quotation
+@table @asis
+@item Mordentes
+ver @ref{Grace notes},
+@item Grupos especiales
+ver @ref{Tuplets},
+@item Anacrusas
+ver @ref{Partial measures}.
+@end table
+@end quotation
+
+
+@node Multiple notes at once
+@section Multiple notes at once
+
+Esta sección es una introducción a las notas simultáneas:
+varios instrumentos, varios pentragramas para un solo instrumento (p.ej. piano)
+y acordes.
+
+La palabra @q{polifonía} en música hace referencia al hecho de tener más de una voz en un momento determinado
+dentro de una pieza musical. La palabra @q{polifonía} en LilyPond se refiere al hecho de tener más de
+una voz en el mismo pentragrama.
+
+@menu
+* Music expressions explained::
+* Multiple staves::
+* Piano staves::
+* Single staff polyphony::
+* Combining notes into chords::
+@end menu
+
+
+@node Music expressions explained
+@subsection Music expressions explained
+
+En los archivos de entrada de LilyPond, la música se representa mediante @emph{expresiones
+musicales}. Una sola nota es una expresión musical, aunque no es una
+entrada válida por sí sola.
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+a4
+@end lilypond
+
+Al encerrar un grupo de notas dentro de llaves creamos una expresión musical:
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+{ a4 g4 }
+@end lilypond
+
+Si colocamos un grupo de expresiones musicales (p.ej.: notas) dentro de llaves, eso significa que
+se encuentran en secuencia (es decir, cada una sigue a la anterior). El resultado
+es otra expresión musical:
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+{ { a4 g } f g }
+@end lilypond
+
+@subheading Simultaneous music expressions: multiple staves
+
+Esta técnica es muy útil para la música polifónica. Para introducir música
+con más voces o con más pentragramas, lo que hacemos es combinar varias expresiones en
+paralelo. Para indicar que dos voces se deben interpretar al mismo tiempo,
+sencillamente introduzca una combinación simultánea de expresiones musicales. Una
+expresión musical @q{simultánea} se forma encerrando las expresiones dentro de
+@code{<<} y @code{>>}. En el ejemplo que sigue, tres secuencias (cada una de las cuales
+contiene dos notas diferentes) se combinan de forma simultánea:
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ <<
+ { a4 g }
+ { f e }
+ { d b }
+ >>
+}
+@end lilypond
+
+Tenga en cuenta que hemos sangrado cada nivel jerárquico de la entrada con un margen
+distinto. A LilyPond no le importa cuánto (o cuán poco) espacio haya
+al comienzo de una línea, pero el establecimiento de márgenes distintos dentro del código de LilyPond, de esta forma, lo
+hace mucho más fácil de leer por nosotros los seres humanos.
+
+@strong{Advertencia}: cada nota se entiende relativa a la
+nota anterior de la entrada, no relativa a la @code{c''} dentro del
+comando inicial @code{\relative}.
+
+
+@subheading Simultaneous music expressions: single staff
+
+Para determinar el número de pentagramas en una pieza, LilyPond examina la primera
+expresión. Si ésta consiste en una sola nota, hay un solo pentagrama; si hay una
+expresión simultánea, hay más de un pentagrama.
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ c2 <<c e>>
+ << { e f } { c <<b d>> } >>
+}
+@end lilypond
+
+@cindex expression
+@cindex music expression
+@subheading Analogy: mathematical expressions
+
+Este mecanismo es semejante a las fórmulas
+matemáticas: una fórmula grande se construye combinando fórmulas pequeñas. Dichas
+fórmulas se llaman expresiones, y su definición es recursiva de tal forma que
+puede construir expresiones de un tamaño y complejidad arbitrarios. Por ejemplo:
+
+@example
+1
+
+1 + 2
+
+(1 + 2) * 3
+
+((1 + 2) * 3) / (4 * 5)
+@end example
+
+Ésta es una secuencia de expresiones donde cada expresión se encuentra contenida dentro
+de la siguiente, más grande. Las expresiones más simples son números, y las mayores
+se hacen combinando expresiones mediante operadores (como @samp{+},
+@samp{*} y @samp{/}) y paréntesis. Del mismo modo que las expresiones matemáticas,
+las expresiones musicales se pueden anidar a una profundidad arbitraria, lo que se hace necesario
+para músicas complejas como las partituras plifónicas.
+
+
+@node Multiple staves
+@subsection Multiple staves
+
+Como ya hemos visto en @ref{Music expressions explained}, los archivos de entrada para LilyPond
+se construyen a base de expresiones musicales. Si la partitura comienza con
+expresiones musicales simultáneas, LilyPond crea varios pentagramas. Sin embargo
+es más fácil ver lo que ocurre si creamos cada uno de los pentagramas de forma explícita.
+
+Para imprimir más de un pentagrama, cada fragmento de música que constituye un
+pentagrama se marca escribiendo @code{\new Staff} antes de él. Estos
+elementos @code{Staff} se combinan después en paralelo con @code{<<} y
+@code{>>}:
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ <<
+ \new Staff { \clef treble c }
+ \new Staff { \clef bass c,, }
+ >>
+}
+@end lilypond
+
+El comando @code{\new} inaugura un @q{contexto de notación}. Un contexto de
+notación se un entorno dentro del que los acontecimientos musicales (como las notas o los
+comandos @code{\clef}) se interpretan. Para piezas sencillas, tales
+contextos de notación se crean automáticamente. Para piezas más complicadas, es mejor
+marcar los contextos de forma explícita.
+
+Existen varias clases de contextos. @code{Score}, @code{Staff}
+y @code{Voice} manejan la notación melódica, mientras que @code{Lyrics} se ocupa de los textos
+cantados y @code{ChordNames} imprime los nombres de los acordes.
+
+En términos de sintaxis, la anteposición de @code{\new} a una expresión musical
+crea una expresión musical mayor. De esta forma es emejante al signo
+menos de las matemáticas. La fórmula @math{(4+5)} es una expresión, por tanto
+@math{-(4+5)} es una expresión más amplia.
+
+Las indicaciones de compás escritas en un pentagrama afecta al resto, pero
+la armadura de la tonalidad de un pentagarma @emph{no} afecta a los otros
+pentagramas@footnote{Este comportamiento se puede cambiar si uno lo desea; consulte
+@ref{Changing defaults} para ver más detalles.}.
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ <<
+ \new Staff { \clef treble \time 3/4 c }
+ \new Staff { \clef bass \key d \major c,, }
+ >>
+}
+@end lilypond
+
+
+
+
+@node Piano staves
+@subsection Piano staves
+
+@cindex staff switch, manual
+@cindex cross staff voice, manual
+La música para piano se compone tipográficamente en forma de dos pentagramas unidos mediante una llave. El aspecto impreso de
+este sistema de pentagramas se parece al ejemplo polifónico que aparece en @ref{Multiple staves},
+pero en esta ocasión la expresión completa se coloca dentro de un @code{PianoStaff}:
+
+@example
+\new PianoStaff <<
+ \new Staff @dots{}
+ \new Staff @dots{}
+>>
+@end example
+
+He aquí un pequeño ejemplo:
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ \new PianoStaff <<
+ \new Staff { \time 2/4 c4 e g g, }
+ \new Staff { \clef bass c,, c' e c }
+ >>
+}
+@end lilypond
+
+@moreinfo
+@quotation
+Ver @ref{Piano music}.
+@end quotation
+
+
+@node Single staff polyphony
+@subsection Single staff polyphony
+
+@cindex polyphony
+@cindex multiple voices
+@cindex voices, more -- on a staff
+Cuando distintas líenas melódicas se combinan sobre un solo pentagrama, se
+imprimen como voces polifónicas; cada voz lleva sus propias plicas, ligaduras y
+barras de corchea, y la voz superior tiene las plicas hacia arriba mientras que la voz inferior las
+tiene hacia abajo.
+
+La introducción de estas partes se hace escribiendo cada voz en forma de secuencia (con
+@code{@{...@}}) y combinando éstas de forma simultánea, separando las
+voces con @code{\\}
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+<<
+ { a4 g2 f4~ f4 } \\
+ { r4 g4 f2 f4 }
+>>
+@end lilypond
+
+Para el tipografiado de música polifónica, puede ser conveniente la utilización de silencios separadores, o sea,
+silencios que no aparecen impresos. Son muy útiles para rellenar
+voces que temporalmente no están cantando. He aquí el mismo ejemplo con un
+silencio separador (@samp{s}) en vez de un silencio normal (@samp{r}):
+
+@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
+<<
+ { a4 g2 f4~ f4 } \\
+ { s4 g4 f2 f4 }
+>>
+@end lilypond
+
+@noindent
+Una vez más, las expresiones de este tipo se pueden anidar de forma arbitraria.
+
+@lilypond[quote,fragment,verbatim,relative=2,fragment]
+<<
+ \new Staff <<
+ { a4 g2 f4~ f4 } \\
+ { s4 g4 f2 f4 }
+ >>
+ \new Staff <<
+ \clef bass
+ { <c g>1 ~ <c g>4 } \\
+ { e,,4 d e2 ~ e4}
+ >>
+>>
+@end lilypond
+
+@moreinfo
+@quotation
+Ver @ref{Basic polyphony}.
+@end quotation
+
+
+@node Combining notes into chords
+@subsection Combining notes into chords
+
+@cindex chords
+Los acordes se hacen rodeando las notas con paréntesis en ángulo simples. Los paréntesis
+en ángulo son los símbolos @samp{<} (menor que) and @samp{>} (mayor que).
+
+@lilypond[quote,fragment,verbatim,relative=2,fragment]
+r4 <c e g>4 <c f a>2
+@end lilypond
+
+Se pueden combinar las marcas como barras y ligaduras con acordes. Se deben
+colocar por fuera de los paréntesis en ángulo:
+
+@lilypond[quote,fragment,verbatim,relative=2,fragment]
+r4 <c e g>8[ <c f a>]~ <c f a>2
+@end lilypond
+
+@lilypond[quote,fragment,verbatim,relative=2,fragment]
+r4 <c e g>8\>( <c e g> <c e g>4 <c f a>\!)
+@end lilypond
+
+
+@node Songs
+@section Songs
+
+Esta sección es una introducción a la música vocal y a las partituras de canciones sencillas.
+
+@menu
+* Printing lyrics::
+* A lead sheet::
+@end menu
+
+
+@node Printing lyrics
+@subsection Printing lyrics
+
+@cindex Lyrics
+@cindex Songs
+Consideremos una melodía sencilla:
+
+@lilypond[quote,ragged-right,verbatim]
+\relative c'' {
+ a4 e c8 e r4
+ b2 c4( d)
+}
+@end lilypond
+
+La letra se puede asignar a esas notas, combinando ambas con la
+palabra clave @code{\addlyrics}. La letra se escribe separando cada
+sílaba mediante un espacio.
+
+@lilypond[quote,ragged-right,verbatim]
+<<
+ \relative c'' {
+ a4 e c8 e r4
+ b2 c4( d)
+ }
+ \addlyrics { One day this shall be free }
+>>
+@end lilypond
+
+@cindex melisma
+@cindex extender line
+Esta melodía acaba en un @rglos{melisma}, una sílaba única (@q{suelta})
+que se canta sobre más de una nota. Esto se indica mediante unla @emph{línea
+de estensión}. Se escribe como dos guiones bajos @code{__}:
+
+@lilypond[quote,ragged-right,verbatim]
+<<
+ \relative c'' {
+ a4 e c8 e r4
+ b2 c4( d)
+ }
+ \addlyrics { One day this shall be free __ }
+>>
+@end lilypond
+
+De forma parecida, los guiones entre las palabras se pueden escribir como dos guiones,
+dando como resultado unas líneas cortas entre cada dos sílabas:
+
+@c aquí no se pone ragged-right porque los guiones se perderían.
+@lilypond[quote,verbatim]
+<<
+ \relative c' {
+ \time 2/4
+ f4 f c c
+ }
+ \addlyrics { A -- le -- gri -- a }
+>>
+@end lilypond
+
+@moreinfo
+@quotation
+Otras posibilidades como poner varios versos debajo de una melodía, se
+discuten en @ref{Vocal music}.
+@end quotation
+
+
+@node A lead sheet
+@subsection A lead sheet
+
+@cindex Lead sheets
+@cindex chords
+@cindex chord names
+
+En la música pop es muy común denotar el acompañamiento con los nombres de los acordes.
+Estos acordes se pueden escribir como notas:
+
+@lilypond[quote,ragged-right,verbatim]
+\chordmode { c2 f4. g8 }
+@end lilypond
+
+Ahora, cada altura se lee como la fundamental de un acorde en vez de como una nota.
+Este modo se activa con @code{\chordmode}. Otros acordes pueden
+construirse añadiendo modificadores después de un signo de dos puntos. El
+ejemplo que sigue muestra algunos modificadores corrientes:
+
+@lilypond[quote,verbatim,ragged-right]
+\chordmode { c2 f4:m g4:maj7 gis1:dim7 }
+@end lilypond
+
+Para canciones con acordes, éstos no se imprimen sobre pentagramas, sino como nombres en su
+propia línea. Esto se consigue utilizando @code{\chords} en sustitución
+de @code{\chordmode}. Esto utiliza la misma sintaxis que @code{\chordmode},
+pero pinta las notas dentro de un contexto de @code{ChordNames}, con el
+siguiente resultado:
+
+@lilypond[quote,verbatim,ragged-right]
+\chords { c2 f4.:m g4.:maj7 gis8:dim7 }
+@end lilypond
+
+@cindex lead sheet
+Cuando se combinan, los nombres de acorde, la letra y la melodía forman
+una hoja de canción con acordes (@q{lead sheet}):
+
+@lilypond[quote,verbatim,ragged-right]
+<<
+ \chords { c2 g:sus4 f e }
+ \relative c'' {
+ a4 e c8 e r4
+ b2 c4( d)
+ }
+ \addlyrics { One day this shall be free __ }
+>>
+@end lilypond
+
+
+@moreinfo
+@quotation
+Puede ver una lista completa de los modificadores y otras opciones de presentación
+en @ref{Chords}.
+@end quotation
+
+
+@node Final touches
+@section Final touches
+
+Éste es el último apartado del tutorial; muestra la forma de dar los toques finales
+a piezas sencillas, y ofrece una introducción al resto
+del manual.
+
+@menu
+* Version number::
+* Adding titles::
+* Absolute note names::
+* Organizing pieces with identifiers::
+* After the tutorial::
+* How to read the manual::
+@end menu
+
+
+@node Version number
+@subsection Version number
+
+@cindex versioning
+La indicación @code{\version} indica para qué versión de LilyPond se escribió
+el archivo. Para marcar un archivo para la versión 2.10.1, escriba
+
+@example
+\version "2.11.15"
+@end example
+
+@noindent
+en la parte de arriba de su archivo de LilyPond.
+
+Estas anotaciones hacen menos problemáticas las subsiguientes actualizaciones de LilyPond.
+Los cambios en la sintaxis se tratan mediante un programa especial,
+@file{convert-ly} (ver @ref{Updating files with convert-ly}), y utiliza
+@code{\version} para determinar qué reglas hay que aplicar.
+
+
+@node Adding titles
+@subsection Adding titles
+
+La información sobre el título, autor, número de Opus y similares se escriben
+en el bloque @code{\header}. Éste se encuentra fuera de la expresión musical
+principal; el bloque @code{\header}normalmente se sitúa por debajo del
+@ref{Version number}.
+
+@example
+\version "2.11.15"
+\header @{
+ title = "Symphony"
+ composer = "Me"
+ opus = "Op. 9"
+@}
+
+@{
+ @dots{} music @dots{}
+@}
+@end example
+
+Cuando se procesa el archivo, el título y el autor se imprimen por encima
+de la música. Puede obtener más información sobre los títulos en @ref{Creating
+titles}.
+
+
+@node Absolute note names
+@subsection Absolute note names
+
+Hasta el momento siempre hemos utilizado @code{\relative} para definir las alturas. Ésta es la
+forma más sencilla de escribir la mayor parte de la música, pero existe otra dorma de definir
+las alturas: el modo absoluto.
+
+Si omite el @code{\relative}, LilyPond tratará todas las alturas como
+valores absolutos. Una @code{c'} significará siembre un Do central, una @code{b} significará
+siempre la nota inmediatamente por debajo del Do central, y una @code{g,} significará
+siempre la nota de primera línea del pentagrama en clave de Fa.
+
+@lilypond[quote,verbatim,ragged-right]
+{
+ \clef bass
+ c' b g, g,
+ g, f, f c'
+}
+@end lilypond
+
+He aquí una escala que abarca cuatro octavas:
+
+@lilypond[quote,verbatim,ragged-right]
+{
+ \clef bass
+ c, d, e, f,
+ g, a, b, c
+ d e f g
+ a b c' d'
+ \clef treble
+ e' f' g' a'
+ b' c'' d'' e''
+ f'' g'' a'' b''
+ c'''1
+}
+@end lilypond
+
+Como puede ver, escribir una melodía en clave de Sol implica escibir gran cantidad de
+apóstrofes ' . Consideremos este fragmento de Mozart:
+
+@lilypond[quote,verbatim,ragged-right]
+{
+ \key a \major
+ \time 6/8
+ cis''8. d''16 cis''8 e''4 e''8
+ b'8. cis''16 b'8 d''4 d''8
+}
+@end lilypond
+
+Todos estos apóstrofes hacen casi ilegible el código de entrada y será origen de numerosos
+errores. Con @code{\relative}, el ejemplo anterior es mucho más fácil
+de leer:
+
+@lilypond[quote,verbatim,ragged-right]
+\relative c'' {
+ \key a \major
+ \time 6/8
+ cis8. d16 cis8 e4 e8
+ b8. cis16 b8 d4 d8
+}
+@end lilypond
+
+Si comete un error con una marca de octava (@code{'} o @code{,}) mientras
+trabaja en el modo @code{\relative}, será muy obvio (muchas notas estarán
+en la octava equivocada). Mientras trabaja en el modo absoluto, un solo fallo
+no será tan visible, y tampoco será tan fácil de localizar.
+
+Sin ambargo, el modo absoluto es útil para escribir música que contenga intervalos grandes, y
+será extremadamente útil para hacer archivos de LilyPond generados por ordenador.
+
+
+@node Organizing pieces with identifiers
+@subsection Organizing pieces with identifiers
+
+Cuando los elementos que hemos discutido anteriormente se combinan para producir
+archivos mayores, las expresiones musicales se hacen enormes. En música
+polifónica con muchos pentagramas, los archivos de entrada pueden volverse muy propensos a la confusión. Podemos
+reducir esta confusión utilizando los @emph{identificadores}.
+
+Con los identificadores (también conocidos como variables o macros), podemos trocear las
+expresiones musicales complejas. Un identificador se asigna de la manera siguiente:
+
+@example
+musicaConNombre = @{ @dots{} @}
+@end example
+
+El contenido de la expresión musical @code{musicaConNombre} se puede usar
+posteriormente colocando una barra invertida delante del nombre
+(@code{\musicaConNombre}, igual que un comando normal de LilyPond). Los identificadores
+se deben definir @emph{antes} de la expresión musical principal.
+
+@lilypond[quote,verbatim,ragged-right]
+violin = \new Staff { \relative c'' {
+ a4 b c b
+}}
+cello = \new Staff { \relative c {
+ \clef bass
+ e2 d
+}}
+{
+ <<
+ \violin
+ \cello
+ >>
+}
+@end lilypond
+
+@noindent
+El nombre de un identificador debe consistir enteramente en caracteres alfabéticos, es decir
+sin números, guiones bajos ni guiones.
+
+Es posible utilizar variables para otras muchas clases de objetos en el código de
+entrada. Por ejemplo:
+
+@example
+width = 4.5\cm
+name = "Wendy"
+aFivePaper = \paper @{ paperheight = 21.0 \cm @}
+@end example
+
+Dependiendo de su contenido, el identificador se puede usar en distintos
+lugares. El siguiente ejemplo utiliza las variables anteriores:
+
+@example
+\paper @{
+ \aFivePaper
+ line-width = \width
+@}
+@{ c4^\name @}
+@end example
+
+
+@node After the tutorial
+@subsection After the tutorial
+
+Después de terminar el tutorial, quizá debería probar a escribir una o dos
+piezas. Comience con una de las @ref{Templates} y añada algunas
+notas. Si necesita un tipo de notación que no ha sido tratada en el
+tutorial, eche un vistazo a la Referencia de Notación, empezando por
+@ref{Basic notation}. Si quiere escribir música para un conjunto
+instrumental que no está cubierto por ninguna plantilla,
+consulte @ref{Extending the templates}.
+
+Una vez que ha escrito algunas piezas cortas, lea el resto del
+Manual de aprendizaje (capítulos 3 al 5). ¡Por supuesto, no pasa nada por
+leerlos ahora mismo! Sin embargo, el resto del Manual
+de Aprendizaje da por sentado que está familiarizado con la entrada
+de LilyPond. Puede saltarse estos capítulos ahora
+@c should read skip
+y volver a ellos cuando haya adquirido más experiencia.
+
+
+@node How to read the manual
+@subsection How to read the manual
+
+Como ya vimos en @ref{How to read the tutorial}, muchos ejemplos del
+tutorial omitían el @code{\relative c'' @{ ... @}} alrededor del ejemplo
+mostrado.
+
+Durante el resto del manual seremos mucho menos estrictos respecto de los
+ejemplos impresos: a veces pueden omitir el
+@code{\relative c'' @{ ... @}}, pero otras veces se puede usar una nota inicial
+diferente (como @code{c'} o @code{c,,}), y en ocasiones
+¡todo el ejemplo estará en el modo de notas absoluto! Sin embargo, las ambigüedades de esta clase
+existen solamente allí donde las alturas no son lo más importante. En aquellos ejemplos
+en los que las alturas tienen importancia, hemos expresado explícitamente el modo @code{\relative}
+o bien el @code{@{ @}} de modo absoluto.
+
+Si aún tiene dudas respecto de la entrada de LilyPond exacta que se
+ha utilizado en un ejemplo, lea la versión HTML (si no lo está haciendo ya)
+y pulse con el ratón sobre la imagen de la música. De esta forma se mostrará la entrada
+exacta que LilyPond usó para generar este manual.
+
--- /dev/null
+@node Tweaking output
+@chapter Tweaking output
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Moving objects::
+* Fixing overlapping notation::
+* Common tweaks::
+* Default files::
+* Fitting music onto fewer pages::
+* Advanced tweaks with Scheme::
+* Avoiding tweaks with slower processing::
+@end menu
+@node Moving objects
+@section Moving objects
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Fixing overlapping notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Fixing overlapping notation
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Common tweaks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Common tweaks
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Default files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Default files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Fitting music onto fewer pages
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Fitting music onto fewer pages
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Advanced tweaks with Scheme
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Advanced tweaks with Scheme
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Avoiding tweaks with slower processing
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Avoiding tweaks with slower processing
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+@node Working on LilyPond projects
+@chapter Working on LilyPond projects
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* Suggestions for writing LilyPond files::
+* Saving typing with identifiers and functions::
+* Style sheets::
+* Updating old files::
+* Troubleshooting (taking it all apart)::
+* Minimal examples::
+@end menu
+@node Suggestions for writing LilyPond files
+@section Suggestions for writing LilyPond files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@menu
+
+UNTRANSLATED NODE: IGNORE ME
+
+* General suggestions::
+* Typesetting existing music::
+* Large projects::
+@end menu
+@node General suggestions
+@subsection General suggestions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Typesetting existing music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Typesetting existing music
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Large projects
+
+UNTRANSLATED NODE: IGNORE ME
+
+@subsection Large projects
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Saving typing with identifiers and functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Saving typing with identifiers and functions
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Style sheets
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Style sheets
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Updating old files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Updating old files
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Troubleshooting (taking it all apart)
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Troubleshooting (taking it all apart)
+
+UNTRANSLATED NODE: IGNORE ME
+
+@node Minimal examples
+
+UNTRANSLATED NODE: IGNORE ME
+
+@section Minimal examples
+
+UNTRANSLATED NODE: IGNORE ME
+
--- /dev/null
+# translation of es.po to Spanish
+# translation of LilyPond documentation
+# Copyright (C) 2006 Han-Wen Nienhuys, Jan Nieuwenhuizen
+# This file is distributed under the same license as the lilypond package.
+# Francisco Vila <francisco.vila@hispalinux.es>, 2007.
+#
+msgid ""
+msgstr ""
+"Project-Id-Version: es\n"
+"Report-Msgid-Bugs-To: \n"
+"POT-Creation-Date: 2007-02-24 10:14+0100\n"
+"PO-Revision-Date: 2007-02-28 11:37+0100\n"
+"Last-Translator: Francisco Vila <francisco.vila@hispalinux.es>\n"
+"Language-Team: spanish <es@li.org>\n"
+"MIME-Version: 1.0\n"
+"Content-Type: text/plain; charset=utf-8\n"
+"Content-Transfer-Encoding: 8bit\n"
+
+#: ../../buildscripts/add_html_footer.py:36
+#, python-format
+msgid "This page is for %(package_name)s-%(package_version)s (%(branch_str)s)."
+msgstr "Esta página corresponde a %(package_name)s-%(package_version)s (%(branch_str)s)."
+
+#: ../../buildscripts/add_html_footer.py:39
+#, python-format
+msgid "Report errors to <a href=\"%(mail_address_url)s\">%(mail_address)s</a>."
+msgstr "Informe de los fallos a <a href=\"%(mail_address_url)s\">%(mail_address)s</a>."
+
+#: ../../buildscripts/add_html_footer.py:52
+#, python-format
+msgid "Other languages: %s."
+msgstr "Otros idiomas: %s."
+
+#: ../../buildscripts/add_html_footer.py:53
+#, python-format
+msgid "About <A HREF=\"%s\">automatic language selection</A>."
+msgstr "Acerca de la <A HREF=\"%s\">selección automática del idioma</A>."
+
+#: ../../buildscripts/add_html_footer.py:236
+msgid "stable-branch"
+msgstr "rama estable"
+
+#: ../../buildscripts/add_html_footer.py:238
+msgid "development-branch"
+msgstr "rama de desarrollo"
+
+#: ../../buildscripts/langdefs.py:34
+msgid "English"
+msgstr "Inglés"
+
+#: ../../buildscripts/langdefs.py:35
+msgid "French"
+msgstr "Francés"
+
+#. @node in ../../../Documentation/user/lilypond.tely
+msgid "Top"
+msgstr "Arriba"
+
+#. @top in ../../../Documentation/user/lilypond.tely
+msgid "GNU LilyPond --- The music typesetter"
+msgstr "GNU LilyPond: el tipografiador de música"
+
+#. @node in ../../../Documentation/user/lilypond.tely
+#. @appendix in ../../../Documentation/user/lilypond.tely
+msgid "LilyPond command index"
+msgstr "Índice de comandos de LilyPond"
+
+#. @node in ../../../Documentation/user/lilypond.tely
+#. @appendix in ../../../Documentation/user/lilypond.tely
+msgid "LilyPond index"
+msgstr "Índice de LilyPond"
+
+#. @subsubheading in ../../../Documentation/user/macros.itexi
+msgid "Bugs"
+msgstr "Fallos"
+
+#. @subheading in ../../../Documentation/user/macros.itexi
+msgid "More information"
+msgstr "Más información"
+
+#. @subsubheading in ../../../Documentation/user/macros.itexi
+msgid "See also"
+msgstr "Véase también"
+
+#. @subsubheading in ../../../Documentation/user/macros.itexi
+msgid "Predefined commands"
+msgstr "Comandos predefinidos"
+
+#. @subsubheading in ../../../Documentation/user/macros.itexi
+msgid "Commonly tweaked properties"
+msgstr "Propiedades modificadas frecuentemente"
+
+#. @node in ../../../Documentation/user/preface.itely
+#. @unnumbered in ../../../Documentation/user/preface.itely
+msgid "Preface"
+msgstr "Preámbulo"
+
+#. @node in ../../../Documentation/user/introduction.itely
+#. @chapter in ../../../Documentation/user/introduction.itely
+msgid "Introduction"
+msgstr "Introducción"
+
+#. @node in ../../../Documentation/user/introduction.itely
+#. @section in ../../../Documentation/user/introduction.itely
+msgid "Engraving"
+msgstr "Grabado"
+
+#. @node in ../../../Documentation/user/introduction.itely
+#. @section in ../../../Documentation/user/introduction.itely
+msgid "Automated engraving"
+msgstr "Grabado automático"
+
+#. @node in ../../../Documentation/user/introduction.itely
+#. @section in ../../../Documentation/user/introduction.itely
+msgid "What symbols to engrave?"
+msgstr "¿Qué símbolos grabar?"
+
+#. @node in ../../../Documentation/user/introduction.itely
+#. @section in ../../../Documentation/user/introduction.itely
+msgid "Music representation"
+msgstr "Representación musical"
+
+#. @node in ../../../Documentation/user/introduction.itely
+#. @section in ../../../Documentation/user/introduction.itely
+msgid "Example applications"
+msgstr "Aplicaciones de ejemplo"
+
+#. @node in ../../../Documentation/user/introduction.itely
+#. @section in ../../../Documentation/user/introduction.itely
+msgid "About this manual"
+msgstr "Sobre el presente manual"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @chapter in ../../../Documentation/user/tutorial.itely
+msgid "Tutorial"
+msgstr "Tutorial"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @section in ../../../Documentation/user/tutorial.itely
+msgid "First steps"
+msgstr "Primeros pasos"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Compiling a file"
+msgstr "Compilar un archivo"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Entering music and viewing output"
+msgstr "Introducir música y ver la salida"
+
+#. @subsubheading in ../../../Documentation/user/tutorial.itely
+msgid "MacOS X"
+msgstr "MacOS X"
+
+#. @subsubheading in ../../../Documentation/user/tutorial.itely
+msgid "Windows"
+msgstr "Windows"
+
+#. @subsubheading in ../../../Documentation/user/tutorial.itely
+msgid "Unix"
+msgstr "Unix"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Simple notation"
+msgstr "Notación sencilla"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @section in ../../../Documentation/user/basic-notation.itely
+msgid "Pitches"
+msgstr "Alturas"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "interval"
+msgstr "intervalo"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "fourth"
+msgstr "cuarta"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "scale"
+msgstr "escala"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "middle C"
+msgstr "Do central"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Durations (rhythms)"
+msgstr "Duraciones (valores rítmicos)"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "duration"
+msgstr "duración"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "whole note"
+msgstr "redonda"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "half note"
+msgstr "blanca"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "quarter note"
+msgstr "negra"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "dotted notes"
+msgstr "figuras con puntillo"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Rests"
+msgstr "Silencios"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "rest"
+msgstr "silencio"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Time signature"
+msgstr "Indicación de compás"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "time signature"
+msgstr "indicación de compás"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Clef"
+msgstr "Clave"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "clef"
+msgstr "clave"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "All together"
+msgstr "Todo junto"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Working on text files"
+msgstr "Trabajar sobre archivos de texto"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "How to read the tutorial"
+msgstr "Cómo leer el tutorial"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @section in ../../../Documentation/user/tutorial.itely
+msgid "Single staff notation"
+msgstr "Notación en un solo pentagrama"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Relative note names"
+msgstr "Nombres de nota relativos"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Accidentals and key signatures"
+msgstr "Alteraciones accidentales y armaduras"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Accidentals"
+msgstr "Alteraciones accidentales"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "sharp"
+msgstr "sostenido"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "flat"
+msgstr "bemol"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "double sharp"
+msgstr "doble sostenido"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "double flat"
+msgstr "doble bemol"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Key signatures"
+msgstr "Armaduras"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Warning: key signatures and pitches"
+msgstr "Advertencia: armaduras y alturas"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Ties and slurs"
+msgstr "Ligaduras de unión y de expresión"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Ties"
+msgstr "Ligaduras de unión"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "tie"
+msgstr "ligadura de unión"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Slurs"
+msgstr "Ligaduras de expresión"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "slur"
+msgstr "ligadura de expresión"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Phrasing slurs"
+msgstr "Ligaduras de fraseo"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Warnings: slurs vs. ties"
+msgstr "Advertencias: ligaduras de expresión frente a ligaduras de unión"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Articulation and dynamics"
+msgstr "Articulaciones y matices dinámicos"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Articulations"
+msgstr "Articulaciones"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "articulations"
+msgstr "articulaciones"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Fingerings"
+msgstr "Digitaciones"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Dynamics"
+msgstr "Matices dinámicos"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Automatic and manual beams"
+msgstr "Barras automáticas y manuales"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "beam"
+msgstr "barra"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Advanced rhythmic commands"
+msgstr "Comandos rítmicos avanzados"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Partial measure"
+msgstr "Compás parcial"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "anacrusis"
+msgstr "anacrusa"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Tuplets"
+msgstr "Grupos especiales"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Grace notes"
+msgstr "Mordentes"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @section in ../../../Documentation/user/tutorial.itely
+msgid "Multiple notes at once"
+msgstr "Varias notas a la vez"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Music expressions explained"
+msgstr "Explicación a las expresiones musicales"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Simultaneous music expressions: multiple staves"
+msgstr "Expresiones musicales simultáneas: varios pentagramas"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Simultaneous music expressions: single staff"
+msgstr "Expresiones musicales simultáneas: un solo pentagrama"
+
+#. @subheading in ../../../Documentation/user/tutorial.itely
+msgid "Analogy: mathematical expressions"
+msgstr "Analogía: expresiones matemáticas"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Multiple staves"
+msgstr "Varios pentagramas"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Piano staves"
+msgstr "Sistemas de piano"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Single staff polyphony"
+msgstr "Polifonía en un solo pentagrama"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Combining notes into chords"
+msgstr "Combinar notas para formar acordes"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @section in ../../../Documentation/user/tutorial.itely
+msgid "Songs"
+msgstr "Canciones"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Printing lyrics"
+msgstr "Imprimir la letra"
+
+#. @rglos in ../../../Documentation/user/tutorial.itely
+msgid "melisma"
+msgstr "melisma"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "A lead sheet"
+msgstr "Hojas guía de acordes"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @section in ../../../Documentation/user/tutorial.itely
+msgid "Final touches"
+msgstr "Retoques finales"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Version number"
+msgstr "Número de la versión"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Adding titles"
+msgstr "Añadir títulos"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Absolute note names"
+msgstr "Nombres de nota absolutos"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "Organizing pieces with identifiers"
+msgstr "Organizar las piezas mediante identificadores"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "After the tutorial"
+msgstr "Más allá del tutorial"
+
+#. @node in ../../../Documentation/user/tutorial.itely
+#. @subsection in ../../../Documentation/user/tutorial.itely
+msgid "How to read the manual"
+msgstr "Cómo leer el manual"
+
+#. @node in ../../../Documentation/user/putting.itely
+#. @chapter in ../../../Documentation/user/putting.itely
+msgid "Putting it all together"
+msgstr "Juntándolo todo"
+
+#. @node in ../../../Documentation/user/putting.itely
+#. @section in ../../../Documentation/user/putting.itely
+msgid "Extending the templates"
+msgstr "Extender las plantillas"
+
+#. @node in ../../../Documentation/user/putting.itely
+#. @section in ../../../Documentation/user/putting.itely
+msgid "How LilyPond files work"
+msgstr "Cómo funcionan los archivos de LilyPond"
+
+#. @node in ../../../Documentation/user/putting.itely
+#. @section in ../../../Documentation/user/putting.itely
+msgid "Score is a single musical expression"
+msgstr "La partitura es una sola expresión musical"
+
+#. @node in ../../../Documentation/user/putting.itely
+#. @section in ../../../Documentation/user/putting.itely
+msgid "An orchestral part"
+msgstr "Una particella orquestal"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @chapter in ../../../Documentation/user/working.itely
+msgid "Working on LilyPond projects"
+msgstr "Trabajar en proyactos de LilyPond"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @section in ../../../Documentation/user/working.itely
+msgid "Suggestions for writing LilyPond files"
+msgstr "Sugerencias para escribir archivos de LilyPond"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @subsection in ../../../Documentation/user/working.itely
+msgid "General suggestions"
+msgstr "Sugerencias de tipo general"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @subsection in ../../../Documentation/user/working.itely
+msgid "Typesetting existing music"
+msgstr "Tipografiar música existente"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @subsection in ../../../Documentation/user/working.itely
+msgid "Large projects"
+msgstr "Proyectos grandes"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @section in ../../../Documentation/user/working.itely
+msgid "Saving typing with identifiers and functions"
+msgstr "Ahorrar tecleo mediante identificadores y funciones"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @section in ../../../Documentation/user/working.itely
+msgid "Style sheets"
+msgstr "Hojas de estilo"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @section in ../../../Documentation/user/working.itely
+msgid "Updating old files"
+msgstr "Actualizar archivos antiguos"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @section in ../../../Documentation/user/working.itely
+msgid "Troubleshooting (taking it all apart)"
+msgstr "Resolución de problemas (tomar cada parte por separado)"
+
+#. @node in ../../../Documentation/user/working.itely
+#. @section in ../../../Documentation/user/working.itely
+msgid "Minimal examples"
+msgstr "Ejemplos mínimos"
+
+#. @node in ../../../Documentation/user/tweaks.itely
+#. @chapter in ../../../Documentation/user/tweaks.itely
+msgid "Tweaking output"
+msgstr "Enredar sobre la salida"
+
+#. @node in ../../../Documentation/user/tweaks.itely
+#. @section in ../../../Documentation/user/tweaks.itely
+msgid "Moving objects"
+msgstr "Mover objetos"
+
+#. @node in ../../../Documentation/user/tweaks.itely
+#. @section in ../../../Documentation/user/tweaks.itely
+msgid "Fixing overlapping notation"
+msgstr "Arreglar notación con superposiciones"
+
+#. @node in ../../../Documentation/user/tweaks.itely
+#. @section in ../../../Documentation/user/tweaks.itely
+msgid "Common tweaks"
+msgstr "Enredos comunes"
+
+#. @node in ../../../Documentation/user/tweaks.itely
+#. @section in ../../../Documentation/user/tweaks.itely
+msgid "Default files"
+msgstr "Archivos por omisión"
+
+#. @node in ../../../Documentation/user/tweaks.itely
+#. @section in ../../../Documentation/user/tweaks.itely
+msgid "Fitting music onto fewer pages"
+msgstr "Encajar la música en menos páginas"
+
+#. @node in ../../../Documentation/user/tweaks.itely
+#. @section in ../../../Documentation/user/tweaks.itely
+msgid "Advanced tweaks with Scheme"
+msgstr "Trucos avanzados con Scheme"
+
+#. @node in ../../../Documentation/user/tweaks.itely
+#. @section in ../../../Documentation/user/tweaks.itely
+msgid "Avoiding tweaks with slower processing"
+msgstr "Evitar las artimañas con un proceso ralentizado"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @chapter in ../../../Documentation/user/basic-notation.itely
+msgid "Basic notation"
+msgstr "Notación básica"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Normal pitches"
+msgstr "Alturas normales"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Cautionary accidentals"
+msgstr "Alteraciones de precaución"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Micro tones"
+msgstr "Microtonos"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Note names in other languages"
+msgstr "Nombres de las notas en otros idiomas"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Relative octaves"
+msgstr "Octavas relativas"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Octave check"
+msgstr "Comprobación de la octava"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Transpose"
+msgstr "Transposición"
+
+# Saltos? FVD
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Skips"
+msgstr "Desplazamientos"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @section in ../../../Documentation/user/basic-notation.itely
+msgid "Rhythms"
+msgstr "Ritmos"
+
+# También Valores rimicos. FVD
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Durations"
+msgstr "Duraciones"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Augmentation dots"
+msgstr "Puntillos"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Scaling durations"
+msgstr "Escalar las duraciones"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Bar check"
+msgstr "Comprobación del compás"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Barnumber check"
+msgstr "Comprobación del número de compás "
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Automatic note splitting"
+msgstr "División automática de las notas"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @section in ../../../Documentation/user/basic-notation.itely
+msgid "Polyphony"
+msgstr "Polifonía"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Chords"
+msgstr "Acordes"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Stems"
+msgstr "Plicas"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Basic polyphony"
+msgstr "Polifonía básica"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Explicitly instantiating voices"
+msgstr "Voces explícitas"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Collision Resolution"
+msgstr "Resolución de las colisiones"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @section in ../../../Documentation/user/basic-notation.itely
+msgid "Staff notation"
+msgstr "Notación de los pentragramas"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Key signature"
+msgstr "Armadura de la tonalidad"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Partial measures"
+msgstr "Compases parciales"
+
+# También Líneas divisorias. FVD
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Bar lines"
+msgstr "Barras de compás"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Unmetered music"
+msgstr "Música sin compasear"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "System start delimiters"
+msgstr "Delimitadores del comienzo de un sistema"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Staff symbol"
+msgstr "Símbolo de pentagrama"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Writing music in parallel"
+msgstr "Escribir música en paralelo"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @section in ../../../Documentation/user/basic-notation.itely
+msgid "Connecting notes"
+msgstr "Conectar notas"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Laissez vibrer ties"
+msgstr "Ligaduras Laissez vibrer"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Automatic beams"
+msgstr "Barras automáticas"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Manual beams"
+msgstr "Barras manuales"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @section in ../../../Documentation/user/basic-notation.itely
+msgid "Expressive marks"
+msgstr "Expresiones"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Fingering instructions"
+msgstr "Indicaciones de digitación"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Breath marks"
+msgstr "Marcas de respiración"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Trills"
+msgstr "Trinos"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Glissando"
+msgstr "Glissando"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Arpeggio"
+msgstr "Arpegio"
+
+# FUZZY. FVD
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Falls and doits"
+msgstr "Caídas y elevaciones"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @section in ../../../Documentation/user/basic-notation.itely
+msgid "Repeats"
+msgstr "Repeticiones"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Repeat types"
+msgstr "Tipos de repetición"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Repeat syntax"
+msgstr "Sintaxis de la repetición"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Repeats and MIDI"
+msgstr "Las repeticiones y el MIDI"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Manual repeat commands"
+msgstr "Comandos de repetición manual"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Tremolo repeats"
+msgstr "Repeticiones de trémolo"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Tremolo subdivisions"
+msgstr "Subdivisiones del trémolo"
+
+#. @node in ../../../Documentation/user/basic-notation.itely
+#. @subsection in ../../../Documentation/user/basic-notation.itely
+msgid "Measure repeats"
+msgstr "Repetición de compases"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @chapter in ../../../Documentation/user/instrument-notation.itely
+msgid "Instrument-specific notation"
+msgstr "Notación específica de instrumentos"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @section in ../../../Documentation/user/instrument-notation.itely
+msgid "Piano music"
+msgstr "Música de piano"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Automatic staff changes"
+msgstr "Cambios automáticos de pentagrama"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Manual staff switches"
+msgstr "Cambios manuales de pentagrama"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Pedals"
+msgstr "Pedales"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Staff switch lines"
+msgstr "Líneas de cambio de pentagrama"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Cross staff stems"
+msgstr "Plicas de pentagrama cruzado"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @section in ../../../Documentation/user/instrument-notation.itely
+msgid "Chord names"
+msgstr "Nombres de acordes"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Introducing chord names"
+msgstr "Introducción a los nombres de acorde"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Chords mode"
+msgstr "Modo de acordes"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Printing chord names"
+msgstr "Imprimir los nombres de los acordes"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @section in ../../../Documentation/user/instrument-notation.itely
+msgid "Vocal music"
+msgstr "Música vocal"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Setting simple songs"
+msgstr "Elaborar canciones sencillas"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Entering lyrics"
+msgstr "Introducir la letra"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Hyphens and extenders"
+msgstr "Guiones y extensiones"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "The Lyrics context"
+msgstr "El contexto Lyrics"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Melismata"
+msgstr "Melismas"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Another way of entering lyrics"
+msgstr "Otra manera de introducir la letra"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Flexibility in placement"
+msgstr "Flexibilidad en la colocación"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Lyrics to multiple notes of a melisma"
+msgstr "Una sílaba de la letra sobre varias notas de un melisma"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Divisi lyrics"
+msgstr "Letras en divisi"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Switching the melody associated with a lyrics line"
+msgstr "Cambiar la melodía dependiendo de la letra"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Specifying melismata within the lyrics"
+msgstr "Especificar melismas dentro de la letra"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Lyrics independent of notes"
+msgstr "Letra independiente de las notas"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Spacing lyrics"
+msgstr "Espaciar las sílabas de la letra"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "More about stanzas"
+msgstr "Más acerca de los versos"
+
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Adding stanza numbers"
+msgstr "Añadir números de verso"
+
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Adding dynamics marks"
+msgstr "Añadir expresiones dinámicas"
+
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Adding singer names"
+msgstr "Añadir el nombre de los cantantes"
+
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Printing stanzas at the end"
+msgstr "Imprimir los versos al final"
+
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Printing stanzas at the end in multiple columns"
+msgstr "Imprimir los versos al final en varias columnas"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ambitus"
+msgstr "Tesitura"
+
+# long! FVD
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Other vocal issues"
+msgstr "Otros temas relacionados con la música vocal"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @section in ../../../Documentation/user/instrument-notation.itely
+msgid "Rhythmic music"
+msgstr "Música rítmica"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Showing melody rhythms"
+msgstr "Mostrar los ritmos de la melodía"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Entering percussion"
+msgstr "Introducir la percusión"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Percussion staves"
+msgstr "Pautas de percusión"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ghost notes"
+msgstr "Notas fantasma"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @section in ../../../Documentation/user/instrument-notation.itely
+msgid "Guitar"
+msgstr "Guitarra"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "String number indications"
+msgstr "Indicación de los números de cuerda"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Tablatures basic"
+msgstr "Fundamentos de las tablaturas"
+
+# ¡Distintos a la guitarra!. FVD
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Non-guitar tablatures"
+msgstr "Tablaturas para otros instrumentos"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Banjo tablatures"
+msgstr "Tablaturas de banjo"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Fret diagrams"
+msgstr "Diagramas de trastes"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Right hand fingerings"
+msgstr "Digitaciones de la mano derecha"
+
+# long! FVD
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Other guitar issues"
+msgstr "Otros temas relacionados con la música de guitarra"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @section in ../../../Documentation/user/instrument-notation.itely
+msgid "Bagpipe"
+msgstr "Gaita"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Bagpipe definitions"
+msgstr "Definiciones para la gaita"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Bagpipe example"
+msgstr "Ejemplo de música de gaita"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @section in ../../../Documentation/user/instrument-notation.itely
+msgid "Ancient notation"
+msgstr "Notación antigua"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ancient note heads"
+msgstr "Cabezas de nota antiguas"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ancient accidentals"
+msgstr "Alteraciones accidentales antiguos"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ancient rests"
+msgstr "Silencios antiguos"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ancient clefs"
+msgstr "Claves antiguas"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ancient flags"
+msgstr "Corchetes antiguos"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ancient time signatures"
+msgstr "Indicaciones antiguas de compás"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ancient articulations"
+msgstr "Articulaciones antiguas"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Custodes"
+msgstr "Custos"
+
+# ? FVD
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Divisiones"
+msgstr "Divisiones"
+
+# de neuma? FVD
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Ligatures"
+msgstr "Ligaduras"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "White mensural ligatures"
+msgstr "Ligaduras mensurales blancas"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsubsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Gregorian square neumes ligatures"
+msgstr "Ligaduras de neumas cuadrados gregorianos"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Gregorian Chant contexts"
+msgstr "Contextos del Canto Gregoriano"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Mensural contexts"
+msgstr "Contextos de la música mensural"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Musica ficta accidentals"
+msgstr "Alteraciones de la Musica Ficta"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Figured bass"
+msgstr "Bajo figurado"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @section in ../../../Documentation/user/instrument-notation.itely
+msgid "Other instrument specific notation"
+msgstr "Notación específica de otros instrumentos"
+
+#. @node in ../../../Documentation/user/instrument-notation.itely
+#. @subsection in ../../../Documentation/user/instrument-notation.itely
+msgid "Artificial harmonics (strings)"
+msgstr "Armónicos artificiales de los instrumentos de cuerda"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @chapter in ../../../Documentation/user/advanced-notation.itely
+msgid "Advanced notation"
+msgstr "Notación avanzada"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @section in ../../../Documentation/user/advanced-notation.itely
+msgid "Text"
+msgstr "Texto"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Text scripts"
+msgstr "Guiones de texto"
+
+# fuzzy. FVD
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Text and line spanners"
+msgstr "Extensiones de texto y de línea"
+
+# fuzzy. FVD
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Text spanners"
+msgstr "Extensiones de texto"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Text marks"
+msgstr "Indicaciones de texto"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Text markup"
+msgstr "Marcado del texto"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Nested scores"
+msgstr "Partituras anidadas"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Overview of text markup commands"
+msgstr "Panorámica de los comandos de marcado de texto"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Font selection"
+msgstr "Selección de la tipografía"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "New dynamic marks"
+msgstr "Indicaciones dinámicas contemporáneas"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @section in ../../../Documentation/user/advanced-notation.itely
+msgid "Preparing parts"
+msgstr "Preparación de particellas"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Multi measure rests"
+msgstr "Silencios multicompás"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Metronome marks"
+msgstr "Indicaciones metronómicas"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Rehearsal marks"
+msgstr "Llamadas de ensayo"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Bar numbers"
+msgstr "Numeración de compases"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Instrument names"
+msgstr "Nombres de instrumentos"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Instrument transpositions"
+msgstr "Transposición de los instrumentos"
+
+# fuzzy. FVD
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Ottava brackets"
+msgstr "Corchetes de octava"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Different editions from one source"
+msgstr "Distintas ediciones a partir de una misma fuente"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @section in ../../../Documentation/user/advanced-notation.itely
+msgid "Orchestral music"
+msgstr "Música orquestal"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Automatic part combining"
+msgstr "Combinación automática de las partes"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Hiding staves"
+msgstr "Ocultar pentagramas"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Quoting other voices"
+msgstr "Citar otras voces"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Formatting cue notes"
+msgstr "Formateo de las notas de aviso"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Aligning to cadenzas"
+msgstr "Alinear con una cadenza"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @section in ../../../Documentation/user/advanced-notation.itely
+msgid "Contemporary notation"
+msgstr "Notación contemporánea"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Polymetric notation"
+msgstr "Notación polimétrica"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Time administration"
+msgstr "Gestión del tiempo"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Proportional notation (introduction)"
+msgstr "Notación proporcional (introducción)"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Clusters"
+msgstr "Racimos (clusters)"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Special noteheads"
+msgstr "Cabezas de nota especiales"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Feathered beams"
+msgstr "Barras punteadas"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Improvisation"
+msgstr "Improvisación"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Selecting notation font size"
+msgstr "Seleccionar el tamaño de la tipografía para la notación"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @section in ../../../Documentation/user/advanced-notation.itely
+msgid "Educational use"
+msgstr "Utilización educativa"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Balloon help"
+msgstr "Globos de ayuda"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Blank music sheet"
+msgstr "Papel de música en blanco"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Hidden notes"
+msgstr "Notas ocultas"
+
+# Fuzzy.FVD
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Shape note heads"
+msgstr "Cabezas de notas con formas diversas"
+
+# Fuzzy.FVD
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Easy Notation note heads"
+msgstr "Cabezas de notas de Notación Fácil"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Analysis brackets"
+msgstr "Corchetes de análisis"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Coloring objects"
+msgstr "Colorear objetos"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Parentheses"
+msgstr "Paréntesis"
+
+#. @node in ../../../Documentation/user/advanced-notation.itely
+#. @subsection in ../../../Documentation/user/advanced-notation.itely
+msgid "Grid lines"
+msgstr "Líneas de rejilla"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @chapter in ../../../Documentation/user/changing-defaults.itely
+msgid "Changing defaults"
+msgstr "Cambiar los valores por omisión"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @section in ../../../Documentation/user/changing-defaults.itely
+msgid "Automatic notation"
+msgstr "Notación automática"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Automatic accidentals"
+msgstr "Alteraciones accidentales automáticas"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Setting automatic beam behavior"
+msgstr "Establecer el comportamiento de las barras automáticas"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @section in ../../../Documentation/user/changing-defaults.itely
+msgid "Interpretation contexts"
+msgstr "Contextos de interpretación"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Contexts explained"
+msgstr "Explicación de los contextos"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Creating contexts"
+msgstr "Crear contextos"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Changing context properties on the fly"
+msgstr "Cambiar las propiedades de un contexto al vuelo"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Modifying context plug-ins"
+msgstr "Modificar los complementos (plug-ins) de contexto"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Layout tunings within contexts"
+msgstr "Ajuste fino de la presentación dentro de los contextos"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Changing context default settings"
+msgstr "Cambiar los valores por omisión de los contextos"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Defining new contexts"
+msgstr "Definir contextos nuevos"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Aligning contexts"
+msgstr "Alinear los contextos"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @section in ../../../Documentation/user/changing-defaults.itely
+msgid "The \\override command"
+msgstr "El comando \\override"
+
+# ?? FVD
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Constructing a tweak"
+msgstr "Construir una artimaña"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Navigating the program reference"
+msgstr "Navegar por la referencia del programa"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Layout interfaces"
+msgstr "Interfaces de la presentación"
+
+# grob??? FVD
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Determining the grob property"
+msgstr "Determinar la propiedad grob"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Objects connected to the input"
+msgstr "Objetos conectados con la entrada"
+
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "\\set vs. \\override"
+msgstr "\\set frente a \\override"
+
+# ??FVD
+#. @node in ../../../Documentation/user/changing-defaults.itely
+#. @subsection in ../../../Documentation/user/changing-defaults.itely
+msgid "Difficult tweaks"
+msgstr "Artimañas difíciles"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @chapter in ../../../Documentation/user/non-music.itely
+msgid "Non-musical notation"
+msgstr "Notación no musical"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @section in ../../../Documentation/user/non-music.itely
+msgid "Input files"
+msgstr "Archivos de entrada"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "File structure (introduction)"
+msgstr "Estructura del archivo (introducción)"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "File structure"
+msgstr "Estructura del archivo"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "A single music expression"
+msgstr "Una expresión musical única"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "Multiple scores in a book"
+msgstr "Varias partituras en un libro"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "Extracting fragments of notation"
+msgstr "Extraer fragmentos de notación"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "Including LilyPond files"
+msgstr "Inclusión de archivos de LilyPond"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "Text encoding"
+msgstr "Codificación del texto"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @section in ../../../Documentation/user/non-music.itely
+msgid "Titles and headers"
+msgstr "Títulos y cabeceras"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "Creating titles"
+msgstr "Crear títulos"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "Custom titles"
+msgstr "Títulos personalizados"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @section in ../../../Documentation/user/non-music.itely
+msgid "MIDI output"
+msgstr "Salida MIDI"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "Creating MIDI files"
+msgstr "Crear archivos MIDI"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "MIDI block"
+msgstr "El bloque MIDI"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @subsection in ../../../Documentation/user/non-music.itely
+msgid "MIDI instrument names"
+msgstr "Nombres de los instrumentos MIDI"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @section in ../../../Documentation/user/non-music.itely
+msgid "Displaying LilyPond notation"
+msgstr "Presentar la notación de LilyPond"
+
+#. @node in ../../../Documentation/user/non-music.itely
+#. @section in ../../../Documentation/user/non-music.itely
+msgid "Skipping corrected music"
+msgstr "Saltar la música corregida"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @chapter in ../../../Documentation/user/spacing.itely
+msgid "Spacing issues"
+msgstr "Problemas de espaciado"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @section in ../../../Documentation/user/spacing.itely
+msgid "Paper and pages"
+msgstr "El papel y las páginas"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Paper size"
+msgstr "Tamaño del papel"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Page formatting"
+msgstr "Formateo de las páginas"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @section in ../../../Documentation/user/spacing.itely
+msgid "Music layout"
+msgstr "Disposición de la música"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Setting the staff size"
+msgstr "Establecer el tamaño del pentagrama"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Score layout"
+msgstr "Disposición de la partitura"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @section in ../../../Documentation/user/spacing.itely
+msgid "Displaying spacing"
+msgstr "Mostrar el espaciado"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @section in ../../../Documentation/user/spacing.itely
+msgid "Breaks"
+msgstr "Saltos"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Line breaking"
+msgstr "Saltos de línea"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Page breaking"
+msgstr "Saltos de página"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Optimal page breaking"
+msgstr "Saltos de página óptimos"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Optimal page turning"
+msgstr "Paso de página óptimo"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Explicit breaks"
+msgstr "Saltos de línea explícitos"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Using an extra voice for breaks"
+msgstr "Utilizar una voz adicional para los saltos de línea"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @section in ../../../Documentation/user/spacing.itely
+msgid "Vertical spacing"
+msgstr "Espaciado vertical"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Vertical spacing inside a system"
+msgstr "Especiado vertical dentro de un sistema"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Vertical spacing between systems"
+msgstr "Espaciado vertical entre sistemas"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Explicit staff and system positioning"
+msgstr "Posicionamiento explícito de los pentagramas y los sistemas"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Two-pass vertical spacing"
+msgstr "Espaciado vertical en dos fases"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Vertical collision avoidance"
+msgstr "Evitar las colisiones verticales"
+
+#. @node in ../../../Documentation/user/spacing.itely
+msgid "Horizontal spacing"
+msgstr "Espaciado horizontal"
+
+#. @section in ../../../Documentation/user/spacing.itely
+msgid "Horizontal Spacing"
+msgstr "Espaciado horizontal"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Horizontal spacing overview"
+msgstr "Panorámica del espaciado horizontal"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "New spacing area"
+msgstr "Área de espaciado nueva"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Changing horizontal spacing"
+msgstr "Cambiar el espaciado horizontal"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Line length"
+msgstr "Longitud de la línea"
+
+#. @node in ../../../Documentation/user/spacing.itely
+#. @subsection in ../../../Documentation/user/spacing.itely
+msgid "Proportional notation"
+msgstr "Notación proporcional"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @chapter in ../../../Documentation/user/programming-interface.itely
+msgid "Interfaces for programmers"
+msgstr "Interfaces para programadores"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @section in ../../../Documentation/user/programming-interface.itely
+msgid "Music functions"
+msgstr "Funciones musicales"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Overview of music functions"
+msgstr "Panorámica de las funciones musicales"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Simple substitution functions"
+msgstr "Funciones de sustitución sencillas"
+
+# fuzzy. FVD
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Paired substitution functions"
+msgstr "Funciones de sustitutión en parejas"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Mathematics in functions"
+msgstr "Matemáticas dentro de las funciones"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Void functions"
+msgstr "Funciones vacías"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Functions without arguments"
+msgstr "Funciones sin argumentos"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Overview of available music functions"
+msgstr "Pranorámica de las funciones musicales disponibles"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @section in ../../../Documentation/user/programming-interface.itely
+msgid "Programmer interfaces"
+msgstr "Interfaces para el programador"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Input variables and Scheme"
+msgstr "Variables de entrada y Scheme"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Internal music representation"
+msgstr "Representación interna de la música"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @section in ../../../Documentation/user/programming-interface.itely
+msgid "Building complicated functions"
+msgstr "Construcción de funciones complejas"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Displaying music expressions"
+msgstr "Presentación de expresiones musicales"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Music properties"
+msgstr "Propiedades de la música"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Doubling a note with slurs (example)"
+msgstr "Doblar una nota con ligaduras (ejemplo)"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Adding articulation to notes (example)"
+msgstr "Añadir articulación a las notas (ejemplo)"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @section in ../../../Documentation/user/programming-interface.itely
+msgid "Markup programmer interface"
+msgstr "Interfaz de marcado para el programador"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Markup construction in Scheme"
+msgstr "Construcción del marcado en Scheme"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "How markups work internally"
+msgstr "Cómo funciona internamente el marcado"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "New markup command definition"
+msgstr "Definición de un comando nuevo de marcado"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @section in ../../../Documentation/user/programming-interface.itely
+msgid "Contexts for programmers"
+msgstr "Contextos para programadores"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Context evaluation"
+msgstr "Evaluación de contextos"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @subsection in ../../../Documentation/user/programming-interface.itely
+msgid "Running a function on all layout objects"
+msgstr "Ejecutar una función sobre todos los objetos de la presentación"
+
+#. @node in ../../../Documentation/user/programming-interface.itely
+#. @section in ../../../Documentation/user/programming-interface.itely
+msgid "Scheme procedures as properties"
+msgstr "Procedimientos de Scheme como propiedades"
+
+#. @node in ../../../Documentation/user/running.itely
+#. @chapter in ../../../Documentation/user/running.itely
+msgid "Running LilyPond"
+msgstr "Ejecutar LilyPond"
+
+#. @node in ../../../Documentation/user/running.itely
+#. @section in ../../../Documentation/user/running.itely
+msgid "Invoking lilypond"
+msgstr "Invocar a LilyPond"
+
+#. @subsection in ../../../Documentation/user/running.itely
+msgid "Command line options"
+msgstr "Opciones de la línea de órdenes"
+
+#. @subsection in ../../../Documentation/user/running.itely
+msgid "Environment variables"
+msgstr "Variables de entorno"
+
+#. @node in ../../../Documentation/user/running.itely
+#. @section in ../../../Documentation/user/running.itely
+msgid "Notes for the MacOS X app"
+msgstr "Notas para la aplicación de MacOS X"
+
+#. @node in ../../../Documentation/user/running.itely
+msgid "Updating files with convert-ly"
+msgstr "Actualizar ficheros con convert-ly"
+
+#. @section in ../../../Documentation/user/running.itely
+msgid "Updating with @command{convert-ly}"
+msgstr "Actualizar ficheros con @command{convert-ly}"
+
+#. @node in ../../../Documentation/user/running.itely
+#. @section in ../../../Documentation/user/running.itely
+msgid "Reporting bugs"
+msgstr "Informar de fallos"
+
+#. @node in ../../../Documentation/user/running.itely
+#. @section in ../../../Documentation/user/running.itely
+msgid "Error messages"
+msgstr "Mensajes de error"
+
+#. @node in ../../../Documentation/user/running.itely
+#. @section in ../../../Documentation/user/running.itely
+msgid "Editor support"
+msgstr "Asistencia de los editores"
+
+#. @node in ../../../Documentation/user/running.itely
+#. @section in ../../../Documentation/user/running.itely
+msgid "Point and click"
+msgstr "Apuntar y pulsar"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+msgid "LilyPond-book"
+msgstr "LilyPond-book"
+
+#. @chapter in ../../../Documentation/user/lilypond-book.itely
+msgid "@command{lilypond-book}: Integrating text and music"
+msgstr "@command{lilypond-book}: Integrar texto y música"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "An example of a musicological document"
+msgstr "Un ejemplo de documento musicológico"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+msgid "Integrating LaTeX and music"
+msgstr "Integración de LaTeX y música"
+
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Integrating La@TeX{} and music"
+msgstr "Integración de La@TeX{} y música"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Integrating Texinfo and music"
+msgstr "Integración de Texinfo y música"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Integrating HTML and music"
+msgstr "Integración de HTML y música"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Integrating DocBook and music"
+msgstr "Integración de DocBook y música"
+
+#. @unnumberedsubsec in ../../../Documentation/user/lilypond-book.itely
+msgid "Common conventions"
+msgstr "Convenciones usuales"
+
+#. @unnumberedsubsec in ../../../Documentation/user/lilypond-book.itely
+msgid "Including a LilyPond file"
+msgstr "Incluir un archivo de LilyPond"
+
+#. @unnumberedsubsec in ../../../Documentation/user/lilypond-book.itely
+msgid "Including LilyPond code"
+msgstr "Incluir código de LilyPond"
+
+#. @unnumberedsubsec in ../../../Documentation/user/lilypond-book.itely
+msgid "Processing the DocBook document"
+msgstr "Procesar el documento de DocBook"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Music fragment options"
+msgstr "Opciones de fragmentos de música"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+msgid "Invoking lilypond-book"
+msgstr "Invocar lilypond-book"
+
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Invoking @command{lilypond-book}"
+msgstr "Invocar @command{lilypond-book}"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Filename extensions"
+msgstr "Extensiones de nombres de archivo"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Many quotes of a large score"
+msgstr "Muchas citas de una partitura extensa"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Inserting LilyPond output into OpenOffice.org"
+msgstr "Insertar la salida de LilyPond dentro de OpenOffice.org"
+
+#. @node in ../../../Documentation/user/lilypond-book.itely
+#. @section in ../../../Documentation/user/lilypond-book.itely
+msgid "Inserting LilyPond output into other programs"
+msgstr "Insertar la salida de LilyPond dentro de otros programas"
+
+#. @node in ../../../Documentation/user/converters.itely
+#. @chapter in ../../../Documentation/user/converters.itely
+msgid "Converting from other formats"
+msgstr "Conversión desde otros formatos"
+
+#. @node in ../../../Documentation/user/converters.itely
+msgid "Invoking midi2ly"
+msgstr "Invocar midi2ly"
+
+#. @section in ../../../Documentation/user/converters.itely
+msgid "Invoking @command{midi2ly}"
+msgstr "Invocar @command{midi2ly}"
+
+#. @node in ../../../Documentation/user/converters.itely
+msgid "Invoking etf2ly"
+msgstr "Invocar etf2ly"
+
+#. @section in ../../../Documentation/user/converters.itely
+msgid "Invoking @command{etf2ly}"
+msgstr "Invocar @command{etf2ly}"
+
+#. @node in ../../../Documentation/user/converters.itely
+msgid "Invoking musicxml2ly"
+msgstr "Invocar musicxml2ly"
+
+#. @section in ../../../Documentation/user/converters.itely
+msgid "Invoking @code{musicxml2ly}"
+msgstr "Invocar @command{musicxml2ly}"
+
+#. @node in ../../../Documentation/user/converters.itely
+msgid "Invoking abc2ly"
+msgstr "Invocar abc2ly"
+
+#. @section in ../../../Documentation/user/converters.itely
+msgid "Invoking @code{abc2ly}"
+msgstr "Invocar @code{abc2ly}"
+
+#. @node in ../../../Documentation/user/converters.itely
+#. @section in ../../../Documentation/user/converters.itely
+msgid "Generating LilyPond files"
+msgstr "Generar archivos de LilyPond"
+
+#. @node in ../../../Documentation/user/literature.itely
+#. @appendix in ../../../Documentation/user/literature.itely
+msgid "Literature list"
+msgstr "Lista bibliográfica"
+
+#. @node in ../../../Documentation/user/scheme-tutorial.itely
+#. @appendix in ../../../Documentation/user/scheme-tutorial.itely
+msgid "Scheme tutorial"
+msgstr "Tutorial de Scheme"
+
+#. @node in ../../../Documentation/user/notation-appendices.itely
+#. @appendix in ../../../Documentation/user/notation-appendices.itely
+msgid "Notation manual tables"
+msgstr "Tablas del manual sobre notación"
+
+#. @node in ../../../Documentation/user/notation-appendices.itely
+#. @appendixsec in ../../../Documentation/user/notation-appendices.itely
+msgid "Chord name chart"
+msgstr "Carta de nombres de acordes"
+
+#. @node in ../../../Documentation/user/notation-appendices.itely
+#. @appendixsec in ../../../Documentation/user/notation-appendices.itely
+msgid "MIDI instruments"
+msgstr "Instrumentos MIDI"
+
+#. @node in ../../../Documentation/user/notation-appendices.itely
+#. @appendixsec in ../../../Documentation/user/notation-appendices.itely
+msgid "List of colors"
+msgstr "Lista de colores"
+
+#. @subsubheading in ../../../Documentation/user/notation-appendices.itely
+msgid "Normal colors"
+msgstr "Colores normales"
+
+#. @subsubheading in ../../../Documentation/user/notation-appendices.itely
+msgid "X color names"
+msgstr "Nombres de los colores de X"
+
+#. @subsubheading in ../../../Documentation/user/notation-appendices.itely
+msgid "Color Names without a numerical suffix:"
+msgstr "Nombres de los colores sin sufijo numérico"
+
+#. @subsubheading in ../../../Documentation/user/notation-appendices.itely
+msgid "Color names with a numerical suffix"
+msgstr "Nombres de los colores con sufijo numérico"
+
+#. @subsubheading in ../../../Documentation/user/notation-appendices.itely
+msgid "Grey Scale"
+msgstr "Escala de grises"
+
+#. @node in ../../../Documentation/user/notation-appendices.itely
+#. @appendixsec in ../../../Documentation/user/notation-appendices.itely
+msgid "The Feta font"
+msgstr "La tipografía Feta"
+
+#. @node in ../../../Documentation/user/notation-appendices.itely
+#. @appendixsec in ../../../Documentation/user/notation-appendices.itely
+msgid "Note head styles"
+msgstr "Estilos de cabezas de nota"
+
+#. @node in ../../../Documentation/user/templates.itely
+#. @appendix in ../../../Documentation/user/templates.itely
+msgid "Templates"
+msgstr "Plantillas"
+
+#. @node in ../../../Documentation/user/templates.itely
+#. @appendixsec in ../../../Documentation/user/templates.itely
+msgid "Single staff"
+msgstr "Pentagrama único"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Notes only"
+msgstr "Sólo notas"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Notes and lyrics"
+msgstr "Notas y letra"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Notes and chords"
+msgstr "Notas y acordes"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Notes, lyrics, and chords."
+msgstr "Notas, letra y acordes"
+
+#. @node in ../../../Documentation/user/templates.itely
+#. @appendixsec in ../../../Documentation/user/templates.itely
+msgid "Piano templates"
+msgstr "Plantillas de piano"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Solo piano"
+msgstr "Piano solo"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Piano and melody with lyrics"
+msgstr "Piano y melodía con letra"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Piano centered lyrics"
+msgstr "Piano con letra centrada"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Piano centered dynamics"
+msgstr "Piano con dinámicas centradas"
+
+#. @node in ../../../Documentation/user/templates.itely
+#. @appendixsec in ../../../Documentation/user/templates.itely
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "String quartet"
+msgstr "Cuarteto de cuerda"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "String quartet parts"
+msgstr "Particellas de cuarteto de cuerda"
+
+#. @node in ../../../Documentation/user/templates.itely
+#. @appendixsec in ../../../Documentation/user/templates.itely
+msgid "Vocal ensembles"
+msgstr "Conjuntos vocales"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "SATB vocal score"
+msgstr "Partitura vocal SATB"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "SATB vocal score and automatic piano reduction"
+msgstr "Partitura vocal SATB y reducción para piano automática"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "SATB with aligned contexts"
+msgstr "SATB con contextos alineados"
+
+#. @node in ../../../Documentation/user/templates.itely
+#. @appendixsec in ../../../Documentation/user/templates.itely
+msgid "Ancient notation templates"
+msgstr "Plantillas para notación antigua"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Transcription of mensural music"
+msgstr "Transcripción de música mensural"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Gregorian transcription template"
+msgstr "Plantilla para transcripción de canto gragoriano"
+
+#. @node in ../../../Documentation/user/templates.itely
+#. @appendixsec in ../../../Documentation/user/templates.itely
+msgid "Jazz combo"
+msgstr "Combo de jazz"
+
+#. @node in ../../../Documentation/user/templates.itely
+#. @appendixsec in ../../../Documentation/user/templates.itely
+msgid "Lilypond-book templates"
+msgstr "Plantillas de lilypond-book"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "LaTeX"
+msgstr "LaTeX"
+
+#. @appendixsubsec in ../../../Documentation/user/templates.itely
+msgid "Texinfo"
+msgstr "Texinfo"
+
+# Hoja para copiar en un examen. Chuleta?? FVD
+#. @node in ../../../Documentation/user/cheatsheet.itely
+#. @appendix in ../../../Documentation/user/cheatsheet.itely
+msgid "Cheat sheet"
+msgstr "Hoja de referencia rápida"
+
+#. @node in ../../../Documentation/user/fdl.itexi
+#. @appendix in ../../../Documentation/user/fdl.itexi
+msgid "GNU Free Documentation License"
+msgstr "Licencia de documentación libre de GNU"
+
+#. @appendixsubsec in ../../../Documentation/user/fdl.itexi
+msgid "ADDENDUM: How to use this License for your documents"
+msgstr "ADDENDUM: cómo utilizar esta licencia para sus documentos"
+
+msgid "Up:"
+msgstr "Arriba:"
+
+msgid "Next:"
+msgstr "Siguiente:"
+
+msgid "Previous:"
+msgstr "Anterior:"
+
+msgid "Appendix"
+msgstr "Apéndice"
+
+msgid "Footnotes"
+msgstr "Notas al pie"
+
+#~ msgid "Controlling spacing of individual systems"
+#~ msgstr "Controlar el espaciado de los sistemas individuales"
+
+#~ msgid "Updating with"
+#~ msgstr "Actualizar con"
+
+# La is for LaTex. FVD
+#~ msgid "Integrating La"
+#~ msgstr "Integración de La"
+
+#~ msgid "Invoking"
+#~ msgstr "Invocar"
site = LanguageDef ('en', _('English'), webext='')
fr = LanguageDef ('fr', _('French'), double_punct_char_sep=' ')
+es = LanguageDef ('es', _('Spanish') )
#nl = LanguageDef ('nl', 'Nederlands')
# Outdated or broken translations may be disabled
# (please run 'make web-clean' before doing that):
#fr.enabled = False
-LANGUAGES = (site, fr)
+LANGUAGES = (site, fr, es)
if __name__ == '__main__':
print ' '.join ([l.code for l in LANGUAGES if l.enabled and l.code != 'en'])
projects / lilypond.git / commitdiff