SUBDIRS = regression
-examples = les-nereides wilhelmus proportional bach-schenker cary
-
-LOCALSTEPMAKE_TEMPLATES=ly mutopia
-EXTRA_DIST_FILES=paddy.abc
-
include $(depth)/make/stepmake.make
+++ /dev/null
-% -*-coding: utf-8 -*-
-
-\header{
- composer = "J.S. Bach"
- title = "Wenn wir in höchsten Nöten sein"
- subtitle = "Analysis from Gene Biringer's Schenker Text, Ex. 5-27"
-% "BWV641"
- enteredby = "Kris Shaffer"
-}
-
-%%
-%% See http://www.shaffermusic.com/doc/schenker/index.html for more information
-%%
-
-I = \once \override NoteColumn #'ignore-collision = ##t
-
-\version "2.12.0"
-
-staffPiano = \new PianoStaff {
- \set Score.timing = ##f
- \set PianoStaff.followVoice = ##t
-
- <<
- \new Staff = "RH" { % Right hand
- \clef treble
- \key g \major
- \relative c'' {
- \override Staff.NoteCollision
- #'merge-differently-headed = ##t
- <<
- {
- \override Beam #'positions = #'(8 . 8)
- \override NoteHead #'transparent = ##t
- \override NoteHead #'duration-log = #1
- s1 b8[^\markup {
- \override #'(baseline-skip . 0.5)
- \column { \small {^ 3} }
- }
- s4. s1 a8^\markup {
- \override #'(baseline-skip . 0.5)
- \column { \small {^ 2} }
- }
- s4. s2 g8]^\markup {
- \override #'(baseline-skip . 0.5)
- \column { \small {^ 1} }
- }
- s4.
- \revert Beam #'positions
- \revert NoteHead #'transparent
- \revert NoteHead #'duration-log
- }
- \\
- {
- \override Stem #'transparent = ##t
- s1
- \once \override Slur #'height-limit = #6
- \once \override Slur #'extra-offset = #'(1.25 . 0)
- \slurDashed
- \I b2_( s2
- \once \override NoteHead #'transparent = ##t
- b4) s
- \once \override Slur #'height-limit = #3.25
- \once \override Slur #'extra-offset = #'(.75 . 0)
- a2_( s4
- \once \override NoteHead #'transparent = ##t
- a)
- g2
- \revert Stem #'transparent
- }
- \\
- \override Staff.NoteCollision
- #'merge-differently-headed = ##t
- {
- \override Beam #'positions = #'(4 . -3.25)
- \stemUp
- g8[ s s4 s2
- \stemDown
- \once \override NoteHead #'transparent = ##t
- \I b8] s8
- \override Beam #'positions = #'(3 . -2.25)
- \stemUp
- a8[ s s4
- \stemDown
- c8] s s2 s s
- }
- \\
- {
- \override Stem #'transparent = ##t
- \override Stem #'length = #0
- g4_\( fis^(_\markup { \tiny N } g)\)
- a^(^\markup { \tiny P } b2)
- b4^(^\markup { \tiny P }
- \stemUp
- \revert Stem #'transparent
- \override Stem #'length = #10
- c8)^( s
- \override Stem #'length = #14
- b4) s s
- \override Stem #'length = #0
- \override Stem #'transparent = ##t
- \once \override Slur #'extra-offset = #'(0 . 0.35)
- c4^\( b_(_\markup { \tiny P } a)\) s2
- \revert Stem #'length
- }
- \\
- {
- \override Stem #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \override Stem #'length = #0
- s1 s4 e4 s
- \change Staff = "LH"
- fis,4 s2
- \revert Stem #'transparent
- \revert NoteHead #'transparent
- \revert Stem #'length
- }
- \\
- {
- \override Stem #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \override Stem #'length = #0
- s1 s s2
- fis'4 s
- \change Staff = "LH"
- g,4 s s2
- \revert Stem #'transparent
- \revert NoteHead #'transparent
- \revert Stem #'length
- }
- >>
- \bar "|."
- }
- }
-
- \new Staff = "LH" { % Left hand
- \clef bass
- \key g \major
- \relative c' {
- \override Staff.NoteCollision
- #'merge-differently-headed = ##t
- <<
- {
- \override Beam #'positions = #'(-8 . -8)
- \override NoteHead #'transparent = ##t
- \stemDown
- \I g8[_\markup { \bold I } s4. s1 s s2
- \I d8_\markup { \bold V } s4.
- \I g,8]_\markup { \bold I } s4.
- \revert Beam #'positions
- \revert NoteHead #'transparent
- }
- \\
- {
- \override Stem #'transparent = ##t
- \stemDown
- \override TextScript #'extra-offset = #'(-11.75 . -12.25)
- \I g'2 s1 s s2 \I d2 g,2
- \revert Stem #'transparent
- }
- \\
- {
- \override Stem #'transparent = ##t
- \once \override NoteHead #'transparent = ##t
- \override Stem #'length = #0
- g'4
- \once \override TextScript #'padding = #0.25
- a4_(^\markup { \tiny P } b)
- fis4^(^\markup { \tiny P } e)
- \once \override NoteHead #'transparent = ##t
- \once \override Slur #'height-limit = #1.5
- c4^(
- d)^\markup { \tiny N }
- \once \override NoteHead #'transparent = ##t
- \once \override Slur #'extra-offset = #'(0 . 0.5)
- \I fis,4_(
- \revert Stem #'transparent
- \override Stem #'length = #10
- \stemDown
- g4) s
- \once \override Slur #'extra-offset = #'(0 . 0.25)
- \I c8_( s
- \override Stem #'transparent = ##t
- \revert Stem #'length
- a4)
- \once \override NoteHead #'transparent = ##t
- \I d4^( d,4) s2
- }
- \\
- {
- \override Stem #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \I g'4^( s b) s2
- \revert Stem #'transparent
- \revert NoteHead #'transparent
- \override Beam #'positions = #'(-4 . 1)
- \stemDown
- c,8[ s s4
- \stemUp
- fis,8] s
- \override Beam #'positions = #'(1 . -4)
- g8[ s
- \stemDown
- b8] s
- \revert Beam #'positions
- \override Stem #'transparent = ##t
- \override NoteHead #'transparent = ##t
- c4^( s d4) s s2
- }
- \\
- {
- \override Stem #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \override Stem #'length = #0
- \stemDown
- \once \override Slur #'height-limit = #3
- \once \override Slur #'extra-offset = #'(0 . 0.25)
- \I g4_( s2. e4) s2. s2 s1 s2
- \revert Stem #'transparent
- \revert NoteHead #'transparent
- }
- \\
- {
- \override Stem #'transparent = ##t
- \override NoteHead #'transparent = ##t
- \slurDashed
- \once \override Slur #'height-limit = #6.0
- \once \override Slur #'extra-offset = #'(0.5 . -0.25)
- \override Stem #'length = #0
- g4_( s2. s1 g,4) s s1 s2
- \revert Stem #'transparent
- \revert NoteHead #'transparent
- }
- >>
- \bar "|."
- }
- }
- >>
-}
-
-
-\score {
- <<
- \staffPiano
- >>
-
- \midi {
- }
-
- \layout {
- indent = 0.0
- ragged-right = ##t
- \context { \Staff \remove "Time_signature_engraver" }
- }
-}
-
-
-\paper {
-}
+++ /dev/null
-
-\version "2.12.0"
-
-\layout {
- indent = #0
- ragged-right = ##t
- \context {
- \Score
-
- proportionalNotationDuration = #(ly:make-moment 1 64)
- \override Beam #'breakable = ##t
- autoBeaming = ##f
- tupletFullLength = ##t
- \override BarNumber #'transparent = ##t
- \override BarLine #'transparent = ##t
- \override SpanBar #'transparent = ##t
- \override Beam #'break-overshoot = #'(-0.5 . 1.0)
- \override TextScript #'staff-padding = #6
- \override Glissando #'thickness = #3
- \override SpacingSpanner #'strict-grace-spacing = ##t
- \override TupletBracket #'bracket-visibility = ##t
- \override NoteColumn #'ignore-collision = ##t
- }
-}
-
-\paper {
- oddHeaderMarkup = \markup \fill-line { " " }
- evenHeaderMarkup = \markup \fill-line { " " }
- oddFooterMarkup = \markup {
- \fill-line {
- \bold \fontsize #3 \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string } }
- evenFooterMarkup = \markup {
- \fill-line {
- \bold \fontsize #3 \on-the-fly #print-page-number-check-first \fromproperty #'page:page-number-string } }
- printfirst-page-number = ##t
- print-page-number = ##t
- ragged-last-bottom = ##t
-}
-
-#(set-global-staff-size 14)
-
-
-%% definitions.
-
-
-ppX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "pp" #:hspace 0)))
-pX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "p" #:hspace 0)))
-mpX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "mp" #:hspace 0)))
-fX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "f" #:hspace 0)))
-ffX = #(make-dynamic-script (markup #:combine #:transparent #:dynamic "f" #:line(#:hspace 0 #:dynamic "ff" #:hspace 0)))
-sfp = #(make-dynamic-script "sfp")
-sfpp = #(make-dynamic-script "sfpp")
-sffp = #(make-dynamic-script "sffp")
-sffpp = #(make-dynamic-script "sffpp")
-
-beam = #(define-music-function (parser location left right) (number? number?)
- (cond ((and (= left 0) (> right 0))
- #{
- \set stemRightBeamCount = #$right
- #})
-
- ((and (> left 0) (= right 0))
- #{
- \set stemLeftBeamCount = #$left
- #})
-
- (else
- #{
- \set stemLeftBeamCount = #$left
- \set stemRightBeamCount = #$right
- #})
- )
-)
-
-fraction = #(define-music-function (parser location music) (ly:music?)
- #{ \tweak #'text #tuplet-number::calc-fraction-text $music #})
-
-triangle = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(do do do do do do do) $music #})
-
-semicircle = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(re re re re re re re) $music #})
-
-blackdiamond = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(mi mi mi mi mi mi mi) $music #})
-
-tiltedtriangle = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(fa fa fa fa fa fa fa) $music #})
-
-square = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(la la la la la la la) $music #})
-
-wedge = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(ti ti ti ti ti ti ti) $music #})
-
-harmonic = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(harmonic harmonic harmonic harmonic harmonic harmonic harmonic) $music #})
-
-cross = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = #'#(cross cross cross cross cross cross cross) $music #})
-
-white = #(define-music-function (parser location music) (ly:music?)
- #{ \once \override NoteHead #'duration-log = #1 $music #})
-
+++ /dev/null
-
-\header {
- dedication = "Carin Levine"
- instrument = "bass flute"
- title = "ČÁRY"
- year = "2004--2006"
-
- subtitle = \markup { \italic Sorcery (extract) }
- % Measures 6 - 10;
-
- composer = "Trevor Bača"
- copyright = "Copyright 2006 Trevor Bača - all rights reserved."
-
-}
-
-% Verbatim from composer's score.
-%
-% Upper staff gives fingerings;
-% Lower staff gives special types of breath.
-%
-% Copyright 2006 for the entire score;
-% All rights reserved by the composer.
-
-\version "2.12.0"
-
-\include "english.ly"
-\include "cary-layout.ly"
-
-\new Score <<
-
- \new StaffGroup <<
-
- \new Staff \with {
- \override Stem #'direction = #down
- \override Beam #'positions = #'(-7 . -7)
- \override TupletBracket #'direction = #down
- \override TupletBracket #'staff-padding = #5
- \override TupletBracket #'padding = #2.25
- \override VerticalAxisGroup #'minimum-Y-extent = #'(10 . 10)
- } <<
-
- \new Voice {
-
- \override Score.MetronomeMark #'extra-offset = #'(0 . 6)
- \override Score.MetronomeMark #'font-size = #3
- \tempo 8=42
- \time 5/16 s4 ~ s16 \noBreak % measure 6
- \time 4/8 s2 \noBreak % measure 7
- \time 4/8 s2 \noBreak % measure 8
-
- }
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- } {
-
- % measure 6
- \fraction \times 5/3 {
- \times 4/5 {
- a'64 [ % 36
- cs''64 % 37
- f''64 % 38
- cs''64 % 39
- ef'''64 ] % 40
- }
- \times 4/5 {
- g''64 [ % 41
- c''64 % 42
- e''64 % 43
- g''64 % 44
- ef'''64 ] % 45
- }
- bf''16 % 46
- }
-
- % measure 7
- r8 % 47
- \times 4/5 {
- d''32 [ % 48
- af''32 % 49
- e'32 % 50
- b'32 % 51
- b'32 ] % 52
- }
- ef'''4 % 53
-
- % measure 8
- b''8 [ % 54
- g''8 ] % 55
- d''4 % 56
-
- }
- >>
-
- \new Staff \with {
- \override Clef #'transparent = ##t
- \override StaffSymbol #'line-positions = #'(-4 -2 2 4)
- \override Stem #'direction = #down
- \override TupletBracket #'staff-padding = #5
- \override TupletBracket #'padding = #2.25
- \override VerticalAxisGroup #'minimum-Y-extent = #'(10 . 10)
- } <<
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- \override Stem #'direction = #up
- \override Stem #'stroke-style = #"grace"
- \override Stem #'font-size = #-3
- \override Rest #'transparent = ##t
- \override NoteHead #'no-ledgers = ##t
- \override Dots #'transparent = ##t
- \override TupletBracket #'transparent = ##t
- \override TupletNumber #'transparent = ##t
- } {
-
- % measure 6
- \fraction \times 5/3 {
- \square f''16 * 1/8 % 40
- \square f''16 * 1/8 % 41
- \square f''16 * 1/8 % 42
- \square f''16 * 1/8 % 43
- \square f''16 * 1/8 % 44
- \square f''16 * 1/8 % 45
- \square f''16 * 1/8 % 46
- \square f''16 * 1/8 % 47
- \times 2/3 {
- \square f''16 % 48
- \square f''16 * 1/2 % 49
- }
- \times 2/3 {
- \square f''16 * 1/4 % 50
- \square f''16 * 1/4 % 51
- \square f''16 * 1/4 % 52
- \square f''16 * 1/4 % 53
- \square f''16 * 1/4 % 54
- \square f''16 * 1/4 % 55
- }
- }
-
- % measure 7
- s8 % 56
- \square g''16 * 2/1 % 57
- \square g''16 % 58
- \square g''16 % 59
- \times 8/9 {
- s16 % 60
- f''16 * 1/4 % 61
- f''16 * 1/4 % 62
- f''16 * 1/4 % 63
- f''16 * 1/4 % 64
- f''16 * 1/4 % 65
- }
-
- % measure 8
- \times 4/5 {
- \times 4/7 {
- s4 % 66
- \triangle a''16 % 67
- \triangle a''16 % 68
- \triangle a''16 % 69
- }
- s8 % 70
- \triangle a''16 * 1/2 % 71
- \triangle a''16 * 1/2 % 72
- \triangle a''16 * 1/2 % 73
- \triangle a''16 * 1/2 % 74
- \triangle a''16 * 1/2 % 75
- \triangle g''16 * 1/2 % 76
- \triangle g''16 * 1/2 % 77
- \triangle g''16 * 1/2 % 78
- }
-
- }
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- \override Stem #'transparent = ##t
- \override Rest #'transparent = ##t
- \override Rest #'staff-position = #-0.5
- \override Dots #'transparent = ##t
- \override Beam #'transparent = ##t
- \override TupletBracket #'transparent = ##t
- \override TupletNumber #'transparent = ##t
- } {
-
- % measure 6
- \fraction \times 5/3 {
- \blackdiamond f'128 [ % 40
- \blackdiamond f'128 % 41
- \blackdiamond f'128 % 42
- \blackdiamond f'128 % 43
- \blackdiamond f'128 % 44
- \blackdiamond f'128 % 45
- \blackdiamond f'128 % 46
- \blackdiamond f'128 ] % 47
- \times 2/3 {
- \blackdiamond f'16 % 48
- \blackdiamond f'32 % 49
- }
- \times 2/3 {
- \blackdiamond f'64 % 50
- \blackdiamond f'64 % 51
- \blackdiamond f'64 % 52
- \blackdiamond f'64 % 53
- \blackdiamond f'64 % 54
- \blackdiamond f'64 % 55
- }
- }
-
- % measure 7
- s8 % 56
- \harmonic a'8 \glissando % 57
- \harmonic a'16 \glissando % 58
- \blackdiamond a'16 % 59
- \times 8/9 {
- s16 % 60
- \harmonic g'64 \glissando % 61
- \harmonic g'64 \glissando % 62
- \harmonic g'64 \glissando % 63
- \harmonic g'64 \glissando % 64
- \blackdiamond g'64 % 65
- }
-
- % measure 8
- \times 4/5 {
- \times 4/7 {
- s4 % 66
- \blackdiamond f'16 % 67
- \blackdiamond f'16 % 68
- \blackdiamond f'16 % 69
- }
- s8 % 70
- \blackdiamond f'32 % 71
- \blackdiamond f'32 % 72
- \blackdiamond f'32 % 73
- \blackdiamond f'32 % 74
- \blackdiamond f'32 % 75
- \harmonic e'32 \glissando % 76
- \harmonic e'32 \glissando % 77
- \blackdiamond e'32 % 78
- }
-
- }
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- \override Stem #'direction = #down
- \override Stem #'font-size = #-3
- \override Stem #'stroke-style = #"grace"
- \override Rest #'transparent = ##t
- \override NoteHead #'no-ledgers = ##t
- \override Dots #'transparent = ##t
- \override TupletBracket #'transparent = ##t
- \override TupletNumber #'transparent = ##t
- } {
-
- % measure 6
- \fraction \times 5/3 {
- s128 % 40
- s128 % 41
- s128 % 42
- s128 % 43
- s128 % 44
- s128 % 45
- s128 % 46
- s128 % 47
- \times 2/3 {
- \semicircle a16 % 48
- \semicircle a16 * 1/2 % 49
- }
- \times 2/3 {
- \semicircle a16 * 1/4 % 50
- \semicircle a16 * 1/4 % 51
- \semicircle a16 * 1/4 % 52
- \semicircle a16 * 1/4 % 53
- \semicircle a16 * 1/4 % 54
- \semicircle a16 * 1/4 % 55
- }
- }
-
- % measure 7
- s8 % 56
- s8 % 57
- s16 % 58
- \triangle a16 % 59
- \times 8/9 {
- s16 % 60
- s64 % 61
- s64 % 62
- s64 % 63
- s64 % 64
- \triangle a16 * 1/4 % 65
- }
-
- % measure 8
- \times 4/5 {
- \times 4/7 {
- s4 % 66
- \semicircle a16 % 67
- \semicircle a16 % 68
- \semicircle a16 % 69
- }
- s8 % 70
- \semicircle a16 * 1/2 % 71
- \semicircle a16 * 1/2 % 72
- \semicircle a16 * 1/2 % 73
- \semicircle a16 * 1/2 % 74
- \semicircle a16 * 1/2 % 75
- s32 % 76
- s32 % 77
- \semicircle a16 * 1/2 % 78
- }
-
- }
-
- \new Voice \with {
- \remove Forbid_line_break_engraver
- \override Stem #'direction = #down
- \override NoteHead #'transparent = ##t
- \override NoteHead #'no-ledgers = ##t
- \override Rest #'staff-position = #-18
- \override Stem #'length = #10
- \override Beam #'positions = #'(-13 . -13)
- \override DynamicLineSpanner #'staff-padding = #18
- \override TextSpanner #'(bound-details left text) = #(markup (#:italic "covered"))
- \override TextSpanner #'dash-period = #1
- \override TextSpanner #'dash-fraction = #0.2
- \override TextSpanner #'(bound-details left padding) = #0.5
- \override TextSpanner #'(bound-details right padding) = #0.5
- \override TextSpanner #'staff-padding = #4
- } {
-
- % measure 6
- \fraction \times 5/3 {
- \beam #0 #5 g,128 \sffp \< [ % 40
- \beam #5 #5 g,128 % 41
- \beam #5 #5 g,128 % 42
- \beam #5 #5 g,128 % 43
- \beam #5 #5 g,128 % 44
- \beam #5 #5 g,128 % 45
- \beam #5 #5 g,128 % 46
- \beam #5 #1 g,128 % 47
- \times 2/3 {
- \beam #1 #2 g,16 % 48
- \beam #3 #1 g,32 \fX % 49
- }
- \times 2/3 {
- \beam #1 #4 g,64 \sffp \< % 50
- \beam #4 #4 g,64 % 51
- \beam #4 #4 g,64 % 52
- \beam #4 #4 g,64 % 53
- \beam #4 #4 g,64 % 54
- \beam #4 #0 g,64 \fX ] % 55
- }
- }
-
- % measure 7
- r8 % 56
- g,8 \sf \< [ % 57
- g,16 % 58
- \beam #2 #0 g,16 \ffX ] % 59
- \times 8/9 {
- r16 % 60
- \beam #4 #4 g,64 \sfp \< [ % 61
- \beam #4 #4 g,64 % 62
- \beam #4 #4 g,64 % 63
- \beam #4 #4 g,64 % 64
- \beam #4 #0 g,64 \fX ] % 65
- }
-
- % measure 8
- \times 4/5 {
- \times 4/7 {
- r4 % 66
- \beam #2 #2 g,16 \fX [ % 67
- \beam #2 #2 g,16 \fX % 68
- \beam #2 #0 g,16 \fX ] % 69
- }
- r8 % 70
- \beam #3 #3 g,32 \fX [ % 71
- \beam #3 #3 g,32 \fX % 72
- \beam #3 #3 g,32 \fX % 73
- \beam #3 #3 g,32 \fX % 74
- \beam #3 #3 g,32 \fX % 75
- \beam #3 #3 g,32 \sf \< % 76
- \beam #3 #3 g,32 % 77
- \beam #3 #0 g,32 \ffX ] % 78
- }
-
- }
- >>
- >>
->>
+++ /dev/null
-%%% A simple scale in LilyPond
-
-\relative {
- c d e f g a b c
-}
-
-%{
-Type
-
- lilypond example-1
- xpdf example-1 # or your PDF viewer here
-
-For learning LilyPond, please read the tutorial
-
- http://lilypond.org/tutorial
-
-also included in the user-manual.
-%}
-
-%% Optional version number
-\version "2.12.0"
+++ /dev/null
-%%% Some tied, slurred and beamed notes of different taste in LilyPond
-\relative {
- a'2 ~ a4( e8[) e] a,16[ a a a]
-}
-
-%{
-Type
-
- lilypond example-2
- xpdf example-2 # or your PDF viewer here
-
-For learning LilyPond, please read the tutorial
-
- http://lilypond.org/tutorial
-
-also included in the user-manual.
-%}
-
-%% Optional version number
-\version "2.12.0"
-
+++ /dev/null
-%%% A full example with two staves
-
-\header {
- title = "And now, example 3"
- copyright = "public domain"
-}
-
-one = \relative {
- c' d e f
-}
-
-two = \relative {
- \clef "bass"
- c2 g2
-}
-
-<<
- \new Staff \one
- \new Staff \two
->>
-
-%{
-Type
-
- lilypond example-3
- xpdf example-3 # or your PDF viewer here
-
-For learning LilyPond, please read the tutorial
-
- http://lilypond.org/tutorial
-
-also included in the user-manual.
-%}
-
-%% Optional version number
-\version "2.12.0"
+++ /dev/null
-\version "2.13.4"
-
-\header {
- composer = "ARTHUR GRAY"
- title = "LES NÉRÉIDES"
- subtitle = "THE NEREIDS"
- enteredby = "JCN"
- piece = "Allegretto scherzando"
- copyright = "public domain"
-}
-
-%{
-
-Nastiest piece of competition at
-http://www.orphee.com/comparison/study.html, see
-http://www.orphee.com/comparison/gray.pdf
-
-Lines that contain tweaks (10 currently, not counting reverts) are
-marked with %tweak
-
-possibly more impressive to render without tweaks?
-
- grep -v tweak input/les-nereides.ly >> lnnt.ly
- lilypond lnnt.ly
-
-%}
-
-treble = \new Voice \relative c''{
- \key a \major
- r2
- | %2
- \stemUp
- r4 <cis eis a cis>\arpeggio r2
- | %3
- r4 <cis fis a cis>\arpeggio r8.
-
- \change Staff=bass
-
- cis,16^2(^\markup {\small \italic "m.d." }\sustainOff
- <fis fis,>8 <e! e,!>
- | %4
- <dis, a' dis>4)\sustainOn
-
- \change Staff=treble
-
- \slurUp
- \set PianoStaff.connectArpeggios = ##t
-
- \ottava #1
-
- \tieUp
- cis''''4^\markup { \small \italic "m.g." }\arpeggio~
- \grace {
- cis8
- \revert Stem #'direction
-
- a16[-5_( fis dis]
- \ottava #0
-
- cis32[ a-1 fis-4 dis] cis[ a fis)-2]
- % the small grace in lower staff comes after us
- s32
- }
-
-
- \stemUp
- cis'4( bis)
-
- | %5
- r8 <a' a,>8(\mf <gis gis,> <fis fis,>
-
- % \fingerUp
- \override Fingering #'direction = #UP
-
- <gis gis,> <fis fis,> e)-1-4-5 r
-
- | %6
- r <a a,>8(\mf <gis gis,> <fis fis,>
- <gis gis,> <fis fis,> e) r
-
- | %7
- \bar "||"
-}
-
-trebleTwo = \new Voice \relative c''{
- \stemDown
- \slurDown
- % \fingerDown
- \override Fingering #'direction = #DOWN
- s2
- | %1
- s1*2
- | %4
- s4
- <cis' a fis dis>4\arpeggio
- <e, gis, e d!>2
- | %5
- s8 cis4. d4
- % fair to count as one tweak?
- \override Fingering #'add-stem-support = ##t %tweak
- \override Fingering #'padding = #0.15
- \override Fingering #'slur-padding = #0.1
- <cis e,>8[( <d,_3 b'_1>
- | %6
- <cis_1 a'_2>)] cis'4. d4
- <cis e,>8[( <b d,>
- | %7
- <a cis,>)]
-}
-
-bass = \new Voice \relative c{
- \partial 2
- \key a \major
-
- \slurDown
- \dynamicUp
-
- r8. e,16(\f_2 <a a,>8[ <b b,>]
- | %2
- %\override Staff.SustainPedalLineSpanner #'staff-padding = #5 %tweak
-
- <cis cis,>4\sustainOn
- \change Staff=treble
- \stemDown
- <a'' eis cis>4)\arpeggio
-
- \change Staff=bass
- \stemNeutral
-
- r8. cis,,16(\sustainOff <fis fis,>8 <gis gis,>
-
- | %3
-
- <a a,>4\sustainOn
- \change Staff=treble
-
- \stemNeutral
- \stemDown
- <a' fis cis>)\arpeggio
- \change Staff=bass
- \stemNeutral
- r2
-
- | %4
- \stemDown
- <b,, b,>4
- \clef treble
- \stemNeutral
- <<
- %urg: staff-change: ! on dis
- <cis'' a fis dis!>\arpeggio
- >>
-
- \grace {
- \override Stem #'stroke-style = #"grace"
-
- s8
- s16 s s
- s32 s s
- s s s
- \clef bass
- <e,,, e,>32(\sustainOff\sustainOn
-
- \revert Stem #'stroke-style
- }
- <gis' e>2)
-
- | %5
- \slurUp
-
- % \fingerDown
- \override Fingering #'direction = #DOWN
-
-
- %\override Staff.SustainPedalLineSpanner #'staff-padding = #3.5 %tweak
- \set Staff.pedalSustainStyle = #'mixed
- %%a,8 e'[-5(<a-2 cis-3>])
-
-
- a,8\sustainOn e'[-5(<a cis>])-2-3
- %%r b,-5 <e-3 gis-5 d'>4
- r b,-5\sustainOff\sustainOn <e gis d'>4-3-5
- \slurNeutral
- e,8[-5(\sustainOff
-
- | %6
- a)-2]\sustainOn
- \slurUp
- e'[(<a cis>)] r b,\sustainOff\sustainOn <e gis d'>4
- \slurNeutral
- e,8[(\sustainOff
-
- | %7
- a)]
-}
-
-bassTwo = \new Voice \relative c{
- \skip 2
- \skip 1*2
- \skip 2
-
- \stemUp
- \slurUp
-
- cis'4( bis)
-}
-
-middleDynamics = {
- %\override Dynamics.TextScript #'padding = #-1 %tweak
- s2
- s1*2
- | %4
- s2
- \grace {
- s8
- s16 s s
- s32 s
- s\> s
- s32 s s\! s
-
- }
- \textLengthOn
- s32 s-"rall." s s s8 s4
- \textLengthOff
- | %5
- s2-"a tempo" s8
- s \> s s
- | %6
- s8\!
- s2 s8 s\> s
- | %7
- s8\!
-}
-
-theScore = \score{
- \context PianoStaff <<
- \new Staff = "treble" <<
- \overrideBeamSettings #'Score #'(4 . 4) #'end
- #'((* . (1 1 1 1))
- ((1 . 32) (4 4 4 4 4 4 4 4)))
- \treble
- \trebleTwo
- >>
- \new Dynamics <<
- \middleDynamics
- >>
- \new Staff = "bass" <<
- \clef bass
- \bass
- \bassTwo
- >>
- >>
- \layout {
- \context {
- \Score
- pedalSustainStrings = #'("Ped." "*Ped." "*")
- \remove Bar_number_engraver
- }
- }
-}
-
-\book{
- \score { \theScore }
-}
-
-%%% Local variables:
-%%% coding: utf-8
-%%% LilyPond-indent-level:2
-%%% End:
-
+++ /dev/null
-\version "2.12.0"
-\header {
- title = "Title"
- subtitle = "Subtitle"
- subsubtitle = "Subsubtitle"
- opus = "Opus 1"
- piece = "Piece"
- composer = "Composer"
- enteredby = "JCN"
- instrument = "Instrument printed over the score"
-
- % mutopia headers.
- mutopiatitle = ""
- mutopiacomposer = ""
- mutopiaopus = ""
- mutopiainstrument = "File under these instruments at mutopia."
- date = "1807"
-
- source = "Urtext edition"
-
- style = "Classical"
- copyright = "Public Domain"
- maintainer = "Jan Nieuwenhuizen"
- maintainerEmail = "janneke@gnu.org"
- lastupdated = "2001/Mar/19"
- mutopiapublicdomain = "\\parbox{\paper-width}{\\thefooter\\quad\\small
- \\\\This music is part of the Mutopia project,
- \\texttt{http://www.mutopiaproject.org/}\\\\It has been typeset
- and placed in the public domain by " + \maintainer +
- ".\\\\Unrestricted modification and redistribution is permitted
- and encouraged---copy this music and share it.}"
- tagline = \mutopiapublicdomain
- footer = "pre-Mutopia-2001/mm/dd-nn"
-}
-
-%% the music
-{ c'' }
\ No newline at end of file
+++ /dev/null
-%
-% This is NOT a lilypond input file. It is an ABC file, see
-% http://www.gre.ac.uk/~c.walshaw/abc/
-%
-% LilyPond includes import tools for Finale, Musedata, ABC, MIDI and PMX
-%
-X:1
-T:Paddy O'Rafferty
-C:Trad.
-M:6/8
-K:D
-dff cee|def gfe|dff cee|dfe dBA|dff cee|def gfe|faf gfe|1 dfe dBA:|2 dfe dcB||
-~A3 B3|gfe fdB|AFA B2c|dfe dcB|~A3 ~B3|efe efg|faf gfe|1 dfe dcB:|2 dfe dBA||
-fAA eAA|def gfe|fAA eAA|dfe dBA|fAA eAA|def gfe|faf gfe|dfe dBA:|
-
-
+++ /dev/null
-\version "2.12.0"
-
-\header
-{
- title = "Proportional notation"
- copyright = "© 2005 Trevor Bača - verbatim reproduction permitted."
-}
-
-\layout
-{
- indent = #0.0
- \context {
- \Voice
- \remove "Forbid_line_break_engraver"
- \override TupletNumber #'text = #tuplet-number::calc-fraction-text
- tupletFullLength = ##t
- \override Beam #'breakable = ##t
- }
- \context {
- \Score
- \override TupletBracket #'edge-text = #(cons
- (markup #:arrow-head X LEFT #f)
- (markup #:arrow-head X RIGHT #f))
- \override SpacingSpanner #'uniform-stretching = ##t
- \override SpacingSpanner #'strict-note-spacing = ##t
- proportionalNotationDuration = #(ly:make-moment 1 64)
- \override TimeSignature #'break-visibility = #end-of-line-invisible
- \override Beam #'break-overshoot = #'(-0.5 . 1.0)
- \override TupletBracket #'break-overshoot = #'(-0.5 . 1.0)
- \override TupletBracket #'staff-padding = #3.5
- }
- \context {
- % we want over print if necessary.
- \RhythmicStaff
- \remove "Separating_line_group_engraver"
- }
-}
-
-staffKind = "RhythmicStaff"
-
-%staffKind = "Staff"
-
-\relative c''
-\new StaffGroup <<
- \new \staffKind <<
- {
- \skip 2
- \skip 2
- \break \time 4/8
- \skip 1 \break \time 4/8
- \skip 1 \break \time 4/8
- }
-
- {
- \time 4/8
-
- \times 7/9 {
- \times 4/6 {
- r8 c32[ c c c c c c c] r4
- c32[ c32 c16 }
- \times 5/4 {
- c16 c c] c32[ c32 c16 c] r8 }
- }
-
- \times 10/12 {
- \times 7/6 {
- c32[ c32 c8 c16] r4
- c16[ c16 c16. c32
- }
- \times 5/8 {
- c16 c16 c16. c32] r8 c8[ c8] r4.
- }
- }
-
- \times 4/7 {
- r8
- c16[ c16
- \times 5/4 {
- c16 r16 c8 c c
- }
- }
-
- \times 3/4 {
- c8]
- c16[ c
- \times 2/3 {
- c16 c16]
- r4 }
- }
- }
- >>
- \new \staffKind
- <<
- {
- \times 9/5 {
- r8. c16[ c c
- \grace {
- \stemDown
- c32[ c32]
- \stemNeutral
- }
- c16 c c
- c
- }
- \times 4/7 {
- c16 c c c ]
- \times 5/4 {
- c16[ c32 c32]
- r4
- c32[ c c16
- }
- }
- \times 10/12 {
- \times 7/10 {
- c16 c16 c8] r4 c4
- c16[ c8 c16 c16 r8 c16
- }
- c16 c32 c32]
- r4.
- c16.[
- c32
- }
- c16 c16]
-
- }
- >>
->>
+++ /dev/null
-\version "2.12.0"
-\header {
- title = "Puer natus est nobis"
- subtitle = "Antiphona ad introitum VII"
- texidoc = "
-
-Demonstrate gregorian chant notation
-
-This file pretty nicely demonstrates what still does not work among
-ligatures: (i) horizontal spacing between ligatures and lyrics
-aligment is broken; (ii) there is no satisfactory support for
-initials; (iii) all scripts are broken as soon as they appear within
-ligatures, and episem is broken also outside of ligatures; (iv)
-augmentum dots is missing; (v) accidentals must be placed before the
-ligature (not demonstrated in this example)."
-
-}
-
-#(set-global-staff-size 26)
-\include "gregorian.ly"
-
-%%% N.B.: Yes, I know, the formatting of the following looks awful,
-%%% but this is intentional for editorial purposes (simplifies some
-%%% global search/replace operations in emacs).
-
-cantus = \new VaticanaVoice = "cantus" {
- \set Staff.instrumentName = \markup {
- \column {
- " " " " " " " " "VII" " "
- {
- \larger \larger \larger \larger
- \larger \larger \larger \larger
- \larger \larger \larger \larger
- "P"
- }
- }
- }
- \[
- g4\melisma %%% Pu-
- \pes
- d'\melismaEnd
- \]
- d'\augmentum %%% er
- \[
- d'\melisma %%% na-
- \pes e' \flexa
- d'\melismaEnd
- \]
- c' %%% tus
- \[
- c'\melisma %%% est
- c'
- c'\melismaEnd
- \]
- \[
- d'\melisma %%% no-
- \flexa c' e' \flexa
- d'\melismaEnd
- \]
- d'\augmentum %%% bis,
- \divisioMaior
- \[
- g\melisma %%% et
- \pes \deminutum
- d'\melismaEnd
- \]
- \[
- d'\melisma %%% fí-
- \pes e' \flexa
- d'\melismaEnd
- \]
- \[
- c'\melisma %%% li-
- \flexa
- b\melismaEnd
- \]
- a %%% us
- \[
- c'\melisma %%% da-
- c' \pes
- d'\melismaEnd
- \]
- c' %%% tus-
- c' %%% est
- \[
- c'\melisma %%% no-
- \pes d' \flexa c'
- c'\melismaEnd
- \]
- \[
- g\melisma %%% bis:
- \pes a \flexa
- g\melismaEnd\augmentum
- \]
- \divisioMaxima
- g %%% cu-
- a %%% ius
- c' %%% im-
- \[
- b\melisma %%% pé-
- \pes d' e'
- \pes f'\melismaEnd
- \]
- \[
- d'\melisma %%% ri-
- \flexa c'\melismaEnd
- \]
- c'\augmentum %%% um
- \divisioMinima
- c' %%% su-
- c' %%% per
- \[
- d'\melisma %%% hú-
- \flexa c'
- e' \flexa
- d'\melismaEnd
- \]
- \[
- c'\melisma %%% me-
- \flexa b\melismaEnd
- \]
- \[
- c'\melisma %%% rum
- c' c'\melismaEnd
- \]
- \[
- c'\melisma %%% e-
- \flexa a
- c' \flexa b
- \virga c' \inclinatum b
- \inclinatum a\melismaEnd
- \]
- \[
- b\melisma %%% ius:
- \augmentum \flexa
- a\melismaEnd \augmentum
- \]
- \divisioMaxima
- \[
- c'\melisma %%% et
- \flexa b\melismaEnd
- \]
- c' %%% vo-
- \[
- c'\melisma %%% cá-
- \pes e' \flexa
- d'\melismaEnd
- \]
- c' %%% bi-
- \[
- c'\melisma %%% tur
- c' c'\melismaEnd
- \]
- c' %%% no-
- \[
- c'\melisma %%% men
- c' c'\melismaEnd
- \]
- \[
- c'\melisma %%% e-
- \pes d' \flexa b
- \virga c' \inclinatum b
- \inclinatum a\melismaEnd
- \]
- \[
- b\melisma %%% ius,
- \augmentum \flexa
- a\melismaEnd\augmentum
- \]
- \divisioMaior
- \[
- c'\melisma %%% ma-
- \pes e'\melismaEnd
- \]
- d' %%% gni
- \[
- g\melisma %%% con-
- \pes \deminutum
- c'\melismaEnd
- \]
- c' %%% sí-
- \[
- c'\melisma %%% li-
- c' c' \flexa a\melismaEnd
- \]
- a %%% i
- \[
- a\melisma %%% An-
- \pes c' \flexa a
- \quilisma b \pes
- c'\melismaEnd
- \]
- \[
- g\melisma %%% ge-
- \pes a \flexa
- g\melismaEnd
- \]
- g\augmentum %%% lus.
- s_\markup { \italic { "Ps." } }
- \finalis
- \[
- g\melisma %%% Can-
- \pes c' \flexa b\melismaEnd
- \]
- \[
- c'\melisma %%% tá-
- \pes d'\melismaEnd
- \]
- d' %%% te
- d' %%% Dó-
- d' %%% mi-
- d' %%% no
- \[
- d'\melisma %%% cán-
- \pes f'\melismaEnd
- \]
- e' %%% ti-
- e' %%% cum
- \[
- e'\melisma %%% no-
- \flexa d'\melismaEnd
- \]
- \[
- d'\melisma %%% vum:
- \augmentum \pes
- e'\melismaEnd \augmentum
- \]
- \[
- d'\melisma %%% qui-
- \flexa b\melismaEnd
- \]
- \[
- c'\melisma %%% a
- \pes d'\melismaEnd
- \]
- d' %%% mi-
- d' %%% ra-
- \[
- d'\melisma %%% bí-
- \quilisma e'
- \pes f'\melismaEnd
- \]
- d' %%% li-
- c' %%% a
- \[
- c'\melisma %%% fe-
- c' c'\melismaEnd
- \]
- \[
- a\melisma %%% cit.
- \augmentum \flexa
- g\melismaEnd \augmentum
- \]
- \finalis
-}
-
-verba = \new Lyrics = "verba" \lyricmode {
- U -- ER na -- tus est no -- bis,
- et fí -- li -- us da -- tus est no -- "bis :"
- cu -- ius im -- pé -- ri -- um su -- per
- hú -- me -- rum e -- "ius :" et vo -- cá --
- bi -- tur no -- men e -- ius, ma -- gni
- con -- sí -- li -- i An -- ge -- lus.
- Can -- tá -- te Dó -- mi -- no cán --
- ti -- cum no -- "vum :" qui -- a mi -- ra --
- bí -- li -- a fe -- cit.
-}
-
-\paper {
-% line-thickness = \staff-space / 7.0
-% line-thickness = \staff-space / 3.0
-}
-
-\score {
- <<
- \cantus
- \lyricsto "cantus" \verba
- >>
- \layout {
- indent = 17.0\mm
- }
-}
-
-%%% Local Variables:
-%%% coding: utf-8
-%%% End:
+++ /dev/null
-%% sakura-sakura.ly
-
-\version "2.12.0"
-
-
-\header {
- title = "さくら さくら"
- subtitle = "(Sakura, sakura)"
-}
-
-
-\score {
-
- <<
- \relative c'' {
- %% Beams are melismata, no autobeams.
- \set Staff.autoBeaming = ##f
-
- | a4 a b2 | a4 a b2
- | a4 b c b | a4 b8[ a] f2
- | e4 c e f | e4 e8[ c] b2
- | a'4 b c b | a4 b8[ a] f2
- | e4 c e f | e4 e8[ c] b2
- | a'4 a b2 | a4 a b2
- | d,4 e b'8[ a] f4 | e1 \bar "|."
- }
- \addlyrics {
-
-
- %{
-
- Try the following if the default font doesn't work for you,
- run
-
- lilypond -dshow-available-fonts blabla
-
- this will show all fonts available to LilyPond, substitute
- FAMILY-NAME below and uncomment
-
- %}
- %% \override Lyrics . LyricText #'font-name = #"FAMILY-NAME"
-
- さ く ら さ く ら
- の や ま も さ と も
- み わ た す か ぎ り
- か す み か く も か
- あ さ ひ に に を う
- さ く ら さ く ら
- は な ざ か り
- }
- >>
- \layout { }
-
- \midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 120 4)
- }
- }
-
-
- }
-
-%%% Local Variables:
-%%% coding: utf-8
-%%% End:
+++ /dev/null
-
-%% A simple song in LilyPond
-<<
- \relative {
- \clef bass
- d,2 d c4 bes a2 \break
- c2 c d4 f g2
- }
- \addlyrics {
- My first Li -- ly song,
- Not much can go wrong!
- }
->>
-
-%% Optional helper for automatic updating by convert-ly. May be omitted.
-\version "2.12.0"
-
+++ /dev/null
-\version "2.12.0"
-\header{
- filename = "twinkle-pop.ly"
- composer = "traditional"
- enteredby = "HWN, chords by Johan Vromans"
- copyright = "public domain"
-}
-
-
-melodie = \relative c'' {
- \clef "violin"
- \time 2/4
-
- | c4 c | g' g | a a | g2
- | f4 f | e e | d d | c2
- | g'4 g | f f | e e | d d
- | g g | f f | e e | d d
- %% copy 1-8
- | c4 c | g' g | a a | g2
- | f4 f | e e | d d | c2 \bar "|."
-}
-
-acc = \chords {
- c2 c f c
- f c g:7 c
- g f c g:7
- g f c g:7
- %% copy 1-8
- c2 c f c
- f c g:7 c
-}
-
-text = \lyrics {
- \override LyricText #'font-shape = #'italic
-
- Ah!4 vous dir -- ai -- je ma man2
- Ce4 qui cau -- se mon tour -- ment2
- Pa4 -- pa veut que je rai -- so -- nne
- Comme4 un -- e grand -- e per -- so -- nne
- Moi4 je dis que les bon -- bons2
- Val4 -- ent mieux que la rai -- son2
-
-}
-
-\score {
- <<
- \acc
- \new Staff = "melody" \melodie
- \text
- >>
- \header{
- title = "Ah, vous dirais-je, maman "
- }
- \layout { }
-}
-
-\score {
- <<
- \context ChordNames \transpose c d\acc
- \context Staff = "melody" \transpose c d\melodie
- \context Lyrics \text
- >>
- \header{
- piece = \markup { "clarinet in B" \flat }
- }
- \layout { }
-}
+++ /dev/null
-\version "2.12.0"
-
-\header {
- texidoc = "Wilhelmus van Nassouwe"
- title = "Wilhelmus van Nassouwe"
- composer = "Valerius"
- subtitle = "Neder-landtsche gedenck-clanck"
- opus = "1626"
- copyright = "public domain"
- enteredby = "janneke@gnu.org"
-}
-
-%% hymn tricks
-noclefs = {
- s1
- \override Staff.Clef #'break-visibility =
- #all-invisible
-}
-
-setMargins = {
- %% \context Staff \applyContext #(set-extra-space 'TimeSignature
- %% 'first-note -> extra-space 4.5
-
- \override Staff.TimeSignature #'space-alist #'first-note = #'(extra-space . 9.5)
- \override Staff.KeySignature #'space-alist #'staff-bar = #'(extra-space . 15)
- \override Score.LeftEdge #'space-alist #'key-signature = #'(extra-space . 1)
-
-}
-
-pipeSymbol = {
- %% Set height of bar line to 2 staff-spaces
- \once \override Staff.BarLine #'bar-size = #2
- %% Move barline one staff-space up
- \once \override Staff.BarLine #'extra-offset = #'(0 . 1)
- \bar "|"
-}
-
-myBreak = { \bar "" \break }
-
-\layout {
- indent = 0.0\mm
- line-width = 120.0\mm
- textheight = 270.0\mm
-}
-
-voice = \relative c' {
- \clef violin
- \key g \major
- d4 | g g a a b | a8 \myBreak
- b8 | c4 b a a | g2. \myBreak
-
- d4 | g g a a | b a8 \myBreak
- b8 | c4 b a a| g2. \myBreak
-
- %% Hack for better left tekst margin
- %% b8[ c] | d2 e4 d2 c4 | b a8 \myBreak
- \set melismaBusyProperties = #'()
- b8[ c] |
- \unset melismaBusyProperties
- d2 e4 d2 c4 b | a8 \myBreak
- b8 | c4 b a g | a2. \myBreak
-
- d,4 | g4.\melisma a8\melismaEnd b2 a2 g4 | fis e8 \myBreak
- d8 | e4 g g fis |
-
- \override NoteHead #'style = #'neomensural
-
- g\breve
-
- %% justified lines:
- %%\override Staff.BarLine #'extra-offset = #'(12 . 0)
- %% ragged-right:
- \override Staff.BarLine #'extra-offset = #'(23 . 0)
- \bar "|."
-}
-
-stich = \relative c'' {
- \override Staff.NoteCollision #'merge-differently-dotted = ##t
- \set fontSize = #-3
- \override Stem #'length-fraction = #(magstep -3)
-
- \voiceTwo
- \partial 4
- s4 s s a8[ b] c[ a] s4.
- s8 s4 s a8 g s4 s2.
-
- s4 s s a8[ b] c[ a] s4.
- s8 s4 s a8 g s4 s2.
-
- s8 s s2 s4 s2 s4 s s8
- s8 s4 s s s s2.
-
- s4 g8[ fis g a] s2 s2 s4 s s8
- s8 e8[ fis]
-}
-
-modernText = \lyricmode {
- Wil -- hel -- mus van Nas -- sou -- we
- ben ik van duit -- sen bloed,
-
- den va -- der -- land ge -- trou -- we
- blijf ik tot in den dood.
-
- Een prin -- se van O -- ran -- je
- ben ik vrij on -- ver -- veerd,
-
- den ko -- ning van His -- pan -- je
- heb ik al -- tijd ge -- eerd.
-}
-
-text = \lyricmode {
- Wil -- hel -- mus van Nas -- sou -- we
- Ben ick van duyt -- schen bloet,
- Den Va -- der -- landt ghe -- trou -- we,
- blyf ick tot in den doot!
- %% Hack for better left text margin:
- %% Een Prin -- ce van O -- ran -- gien
- Een " " Prin -- ce van O -- ran -- gien
- Ben ick, vry, on -- ver -- veert;
- Den Co -- ninck van His -- pan -- gien
- Heb ick al -- tijt ghe -- eert.
-}
-
-oneHalfNoteTime = \markup {
- \override #'(baseline-skip . 0)
- \column {
- \line { \number "1" }
- \line { \smaller \smaller \note #"2" #-0.6 }
- }
-}
-
-\layout {
- ragged-right = ##t
-
- \context {
- \Score
- %% defaults
- %% (shortest-duration-space . 2.0)
- %% (spacing-increment . 1.2)
- %% (base-shortest-duration . ,(ly:make-moment 1 8))
- %% wider spacing
- \override SpacingSpanner #'shortest-duration-space = #3.0
- \override SpacingSpanner #'spacing-increment = #1.2
- \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 8)
- }
-}
-
-\score {
- \context Score <<
- \context Staff <<
- \override Staff.StaffSymbol #'width = #'80
- \set Staff.autoBeaming = ##f
- \set Score.timing = ##f
- \setMargins
-
- %% Less vertical space needed with lyrics
- \override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(2 . 2)
-
- %% Custom time signature
- \override Staff.TimeSignature #'stencil = #ly:text-interface::print
- \override Staff.TimeSignature #'text = #oneHalfNoteTime
- \override Staff.TimeSignature #'style = #'()
- \noclefs
-
- \new Voice = "voice" \voice
- \new Voice = "stich" \stich
- >>
- \lyricsto "voice" \new Lyrics {
- \override VerticalAxisGroup #'minimum-Y-extent = #'(2 . 2)
- \text
- }
- >>
- \layout {}
- \midi {}
-}
-
-%%% Local variables:
-%%% LilyPond-indent-level:2
-%%% End:
+++ /dev/null
-%% xiao-haizi-guai-guai.ly
-%%
-%% (xiao3: small,
-%% hai2zi5: child,
-%% guai1-guai1: well-behaved)
-
-\version "2.12.0"
-
-\header {
- title = "小孩子乖乖"
- subtitle = "(Xiao3 hai2zi5 guai1 guai1)"
-}
-
-<<
- \relative c'' {
- %% Beams are melismata, no autobeams.
- \set Staff.autoBeaming = ##f
-
- | g4 c8 a g4 g
- | e4 g8 a g4 g
- | a4 g8 e d4 d
- | e4 g8[ e] d[ e] c4
-
- | a'8 g a g e a g4
- | e8 g e d c4 r
- | a8 c d e c4 r \bar "|."
- }
- \addlyrics {
- 小 孩 子 乖 乖
- 把 門 兒 開 開
- 快 點 兒 開 開
- 我 要 進 來
-
- 不 開 不 開 不 能 開
- 你 是 大 野 狼
- 不 讓 你 進 來
- }
->>
-
-%%% Local Variables:
-%%% coding: utf-8
-%%% End:
projects / lilypond.git / commitdiff