--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.12.0"
+
+\header {
+ lsrtags = "text"
+
+ texidoc = "
+By default the @code{\\mark} command centers objects over a bar line.
+This behavior can be modified to align at right or left.
+
+"
+ doctitle = "Aligning objects created with the \\mark command"
+} % begin verbatim
+
+\relative c' {
+ c1 \mark "(Center)"
+ c1
+ \once \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \mark "(Left)"
+ c4 c c c
+ c4 c c c
+ \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
+ \mark "(Right)"
+ c1
+}
+
"
doctitlees = "Permitir que las digitaciones se impriman dentro del pentagrama"
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+ texidocfr = "
+L'empilement des indications de doigté se fait par défaut à l'extérieur de la portée. Néanmoins, il est possible d'annuler ce comportement.
+
+"
+ doctitlefr = "Impression des doigtés à l'intérieur de la portée"
+
texidoc = "
By default, vertically oriented fingerings are positioned outside the
staff. However, this behavior can be canceled.
"
doctitlees = "Barras automáticas de dos en dos en los compases de 4/4 o de 2/2"
+%% Translation of GIT committish: 1154b407d42f303a024598296ad36ab6c93e2b5a
+ texidocfr = "
+Dans une métrique simple comme 4/4 ou 2/2, les croches sont ligaturées
+par défaut en deux groupes de quatre.
+
+En utilisant une macro qui modifie le comportement des ligatures
+automatiques, voici comment obtenir des ligatures basées sur la valeur
+d'une noire.
+
+"
+ doctitlefr = "Ligature automatique deux par deux, aussi bien en 4/4 qu'en 2/2"
+
texidoc = "
In a simple time signature of 2/2 or 4/4, 8th notes are beamed by
default as two sets of four.
"
doctitlees = "Controlar la colocación de las digitaciones de acordes"
+
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+
+ texidocfr = "
+Le positionnement des doigtés peut être contrôlé de manière très précise.
+
+"
+ doctitlefr = "Conrôle du positionnement des doigtés"
+
texidoc = "
The placement of fingering numbers can be controlled precisely.
\version "2.12.0"
\header {
- lsrtags = "expressive-marks, editorial-annotations,tweaks-and-overrides"
+texidoces = "
+La creación de un grupeto circular de anticipación entre dos notas,
+donde la nota inferior del grupeto utiliza una alteración, requiere
+varias sobreescriturasw de propiedades. La propiedad
+@code{outside-staff-priority} se debe establecer al valor #f, pues en
+caso contrario tendría prioridad sobre la propiedad @code{avoid-slur
+property}. El valor de @code{halign} se utiliza para colocar el
+grupeto horizontalmente.
+
+"
+
+doctitlees = "Crear un grupeto de anticipación"
+
+ lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
texidoc = "
Creating a delayed turn, where the lower note of the
"
doctitlees = "Personalizar diagramas de posiciones de marcado"
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+
+ texidocfr = "
+Les propriétés d'un diagramme de fret sont modifiables grâce au
+@code{'fret-diagram-details}. Lorsqu'ils sont générés sous forme
+de @code{\markup}, rien n'empêche de les modifier en jouant sur les
+réglages de l'objet @code{Voice.TextScript} ou bien directement sur
+le @qq{markup}.
+
+"
+ doctitlefr = "Personnalisation des diagrammes de fret"
+
lsrtags = "fretted-strings,tweaks-and-overrides"
texidoc = "Fret diagram properties can be set through
"
doctitlees = "Definición de posiciones predefinidas para otros instrumentos"
+%% Translation of GIT committish: cd4950757ab1ab6c89805b0b7c978bfca034f940
+
+ texidocfr = "
+La liste des diagrammes standards prédéfinis pour la guitare peut être
+ augmentée d'autres définitions spécifiques à d'autres instruments.
+Voici comment définir un nouvel accordage ainsi que quelques diagrammes
+prédéfinis pour le @qq{cuatro vénézuélien}.
+
+Cet exemple illustre aussi la manière d'ajouter des doigtés aux
+accords ; ils serviront de référence pour la boucle d'accord et seront
+indiqués dans les diagrammes et le @code{TabStaff}, mais pas dans la musique.
+
+Ces diagrammes ne peuvent pas être transposés, dans la mesure où ils
+contiennent des informations sur les cordes. Ceci est amené à évoluer.
+
+"
+ doctitlefr = "Création de diagrammes de fret prédéfinis pour d'autres instruments"
+
lsrtags = "fretted-strings"
texidoc = "Predefined fret diagrams can be added for new instruments
in addition to the standards used for guitar. This file shows how
"
doctitlees = "Digitaciones, indicación del número de cuerda y digitaciones de mano derecha"
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+
+ texidocfr = "
+L'exemple suivant illustre comment combiner des doigtés pour la main
+gauche, des indications de corrde et des doigtés pour la main droite.
+
+"
+ doctitlefr = "Doigtés, indications de cordeet doigtés main droite"
+
+
texidoc = "
This example combines left-hand fingering, string indications, and
right-hand fingering.
<<
\chords {
a2 a
- c2 c
- d1
+ \repeat unfold 3 {
+ c c c d d
+ }
}
\new Voice = "mel" {
\textLengthOn
% Set global properties of fret diagram
\override TextScript #'size = #1.2
- \override TextScript #'fret-diagram-details #'finger-code = #'below-string
+ \override TextScript
+ #'fret-diagram-details #'finger-code = #'below-string
\override TextScript #'fret-diagram-details #'dot-color = #'black
%% A chord for ukelele
}
}
+ %% These chords will be in normal orientation
+
+ %% C major for guitar, barred on third fret
+ % verbose style
+ % roman fret label, finger labels below string, straight barre
+ c'2^\markup {
+ % 110% of default size
+ \override #'(size . 1.1) {
+ \override #'(fret-diagram-details . (
+ (number-type . roman-lower)
+ (finger-code . below-string)
+ (barre-type . straight))) {
+ \fret-diagram-verbose #'((mute 6)
+ (place-fret 5 3 1)
+ (place-fret 4 5 2)
+ (place-fret 3 5 3)
+ (place-fret 2 5 4)
+ (place-fret 1 3 1)
+ (barre 5 1 3))
+ }
+ }
+ }
+
+ %% C major for guitar, barred on third fret
+ %% Double barre used to test barre function
+ % verbose style
+ c'2^\markup {
+ % 110% of default size
+ \override #'(size . 1.1) {
+ \override #'(fret-diagram-details . (
+ (number-type . arabic)
+ (dot-label-font-mag . 0.9)
+ (finger-code . in-dot)
+ (fret-label-font-mag . 0.6)
+ (fret-label-vertical-offset . 0)
+ (label-dir . -1)
+ (mute-string . "M")
+ (xo-font-magnification . 0.4)
+ (xo-padding . 0.3))) {
+ \fret-diagram-verbose #'((mute 6)
+ (place-fret 5 3 1)
+ (place-fret 4 5 2)
+ (place-fret 3 5 3)
+ (place-fret 2 5 4)
+ (place-fret 1 3 1)
+ (barre 4 2 5)
+ (barre 5 1 3))
+ }
+ }
+ }
+
+ %% C major for guitar, with capo on third fret
+ % verbose style
+ c'2^\markup {
+ % 110% of default size
+ \override #'(size . 1.1) {
+ \override #'(fret-diagram-details . (
+ (number-type . roman-upper)
+ (dot-label-font-mag . 0.9)
+ (finger-code . none)
+ (fret-label-vertical-offset . 0.5)
+ (xo-font-magnification . 0.4)
+ (xo-padding . 0.3))) {
+ \fret-diagram-verbose #'((mute 6)
+ (capo 3)
+ (open 5)
+ (place-fret 4 5 1)
+ (place-fret 3 5 2)
+ (place-fret 2 5 3)
+ (open 1))
+ }
+ }
+ }
+
+ %% simple D chord
+ d'2^\markup {
+ \override #'(fret-diagram-details . (
+ (finger-code . below-string)
+ (dot-radius . 0.35)
+ (string-thickness-factor . 0.3)
+ (dot-position . 0.5)
+ (fret-count . 3))) {
+ \fret-diagram-terse #"x;x;o;2-1;3-2;2-3;"
+ }
+ }
+
+ %% simple D chord, large top fret thickness
+ d'2^\markup {
+ \override #'(fret-diagram-details . (
+ (finger-code . below-string)
+ (dot-radius . 0.35)
+ (dot-position . 0.5)
+ (top-fret-thickness . 7)
+ (fret-count . 3))) {
+ \fret-diagram-terse #"x;x;o;2-1;3-2;2-3;"
+ }
+ }
+
+ % These chords will be in landscape orientation
+ \override TextScript
+ #'fret-diagram-details #'orientation = #'landscape
+
+ %% C major for guitar, barred on third fret
+ % verbose style
+ % roman fret label, finger labels below string, straight barre
+ c'2^\markup {
+ % 110% of default size
+ \override #'(size . 1.1) {
+ \override #'(fret-diagram-details . (
+ (number-type . roman-lower)
+ (finger-code . below-string)
+ (barre-type . straight))) {
+ \fret-diagram-verbose #'((mute 6)
+ (place-fret 5 3 1)
+ (place-fret 4 5 2)
+ (place-fret 3 5 3)
+ (place-fret 2 5 4)
+ (place-fret 1 3 1)
+ (barre 5 1 3))
+ }
+ }
+ }
+
+ %% C major for guitar, barred on third fret
+ %% Double barre used to test barre function
+ % verbose style
+ c'2^\markup {
+ % 110% of default size
+ \override #'(size . 1.1) {
+ \override #'(fret-diagram-details . (
+ (number-type . arabic)
+ (dot-label-font-mag . 0.9)
+ (finger-code . in-dot)
+ (fret-label-font-mag . 0.6)
+ (fret-label-vertical-offset . 0)
+ (label-dir . -1)
+ (mute-string . "M")
+ (xo-font-magnification . 0.4)
+ (xo-padding . 0.3))) {
+ \fret-diagram-verbose #'((mute 6)
+ (place-fret 5 3 1)
+ (place-fret 4 5 2)
+ (place-fret 3 5 3)
+ (place-fret 2 5 4)
+ (place-fret 1 3 1)
+ (barre 4 2 5)
+ (barre 5 1 3))
+ }
+ }
+ }
+
+ %% C major for guitar, with capo on third fret
+ % verbose style
+ c'2^\markup {
+ % 110% of default size
+ \override #'(size . 1.1) {
+ \override #'(fret-diagram-details . (
+ (number-type . roman-upper)
+ (dot-label-font-mag . 0.9)
+ (finger-code . none)
+ (fret-label-vertical-offset . 0.5)
+ (xo-font-magnification . 0.4)
+ (xo-padding . 0.3))) {
+ \fret-diagram-verbose #'((mute 6)
+ (capo 3)
+ (open 5)
+ (place-fret 4 5 1)
+ (place-fret 3 5 2)
+ (place-fret 2 5 3)
+ (open 1))
+ }
+ }
+ }
+
+ %% simple D chord
+ d'2^\markup {
+ \override #'(fret-diagram-details . (
+ (finger-code . below-string)
+ (dot-radius . 0.35)
+ (dot-position . 0.5)
+ (fret-count . 3))) {
+ \fret-diagram-terse #"x;x;o;2-1;3-2;2-3;"
+ }
+ }
+
+ %% simple D chord, large top fret thickness
+ d'2^\markup {
+ \override #'(fret-diagram-details . (
+ (finger-code . below-string)
+ (dot-radius . 0.35)
+ (dot-position . 0.5)
+ (top-fret-thickness . 7)
+ (fret-count . 3))) {
+ \fret-diagram-terse #"x;x;o;2-1;3-2;2-3;"
+ }
+ }
+
+ % These chords will be in opposing-landscape orientation
+ \override TextScript #'fret-diagram-details
+ #'orientation = #'opposing-landscape
+
%% C major for guitar, barred on third fret
% verbose style
% roman fret label, finger labels below string, straight barre
}
%% C major for guitar, barred on third fret
+ %% Double barre used to test barre function
% verbose style
c'2^\markup {
% 110% of default size
(fret-label-vertical-offset . 0)
(label-dir . -1)
(mute-string . "M")
- (orientation . landscape)
(xo-font-magnification . 0.4)
(xo-padding . 0.3))) {
\fret-diagram-verbose #'((mute 6)
(place-fret 3 5 3)
(place-fret 2 5 4)
(place-fret 1 3 1)
+ (barre 4 2 5)
(barre 5 1 3))
}
}
}
+ %% C major for guitar, with capo on third fret
+ % verbose style
+ c'2^\markup {
+ % 110% of default size
+ \override #'(size . 1.1) {
+ \override #'(fret-diagram-details . (
+ (number-type . roman-upper)
+ (dot-label-font-mag . 0.9)
+ (finger-code . none)
+ (fret-label-vertical-offset . 0.5)
+ (xo-font-magnification . 0.4)
+ (xo-padding . 0.3))) {
+ \fret-diagram-verbose #'((mute 6)
+ (capo 3)
+ (open 5)
+ (place-fret 4 5 1)
+ (place-fret 3 5 2)
+ (place-fret 2 5 3)
+ (open 1))
+ }
+ }
+ }
+
%% simple D chord
- d'1^\markup {
+ d'2^\markup {
+ \override #'(fret-diagram-details . (
+ (finger-code . below-string)
+ (dot-radius . 0.35)
+ (dot-position . 0.5)
+ (fret-count . 3))) {
+ \fret-diagram-terse #"x;x;o;2-1;3-2;2-3;"
+ }
+ }
+
+ %% simple D chord, large top fret thickness
+ d'2^\markup {
\override #'(fret-diagram-details . (
(finger-code . below-string)
(dot-radius . 0.35)
(dot-position . 0.5)
+ (top-fret-thickness . 7)
(fret-count . 3))) {
\fret-diagram-terse #"x;x;o;2-1;3-2;2-3;"
}
preventing-extra-naturals-from-being-automatically-added.ly
preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly
quoting-another-voice-with-transposition.ly
+separating-key-cancellations-from-key-signature-changes.ly
transposing-pitches-with-minimum-accidentals-smart-transpose.ly
tweaking-clef-properties.ly
"
doctitlees = "Posicionamiento de digitaciones de mano derecha"
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+
+ texidocfr = "
+Vous disposez d'une propriété spécifique qui permet de contrôler plus
+finement le positionnement des doigtés main droite, comme l'indique
+l'exemple suivant.
+
+"
+ doctitlefr = "Positionnement des doigtés main droite"
+
+
texidoc = "
It is possible to exercise greater control over the placement of
right-hand fingerings by setting a specific property, as demonstrated
"
doctitlees = "Polifonía en tablaturas"
+%% Translation of GIT committish: 3f880f886831b8c72c9e944b3872458c30c6c839
+
+ texidocfr = "
+Une section polyphonique s'obtient dans un @code{TabStaff} de la
+même manière que dans une portée normale.
+
+"
+ doctitlefr = "Polyphonie en mode tablature"
+
texidoc = "
Polyphony is created the same way in a @code{TabStaff} as in a regular
staff.
\header {
lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
+ texidoces = "
+
+Los elementos de marcado de texto deben tener la propiedad
+@code{outside-staff-priority} establecida al valor falso para que se
+impriman por dentro de las ligaduras de expresión.
+
+"
+ doctitlees = "Situar los elementos de marcado de texto por dentro de las ligaduras"
+
texidoc = "
Text markups need to have the @code{outside-staff-priority} property
set to false in order to be printed inside slurs.
--- /dev/null
+%% Do not edit this file; it is auto-generated from input/new
+%% This file is in the public domain.
+\version "2.12.1"
+
+\header {
+ lsrtags = "rhythms"
+
+ texidoc = "
+By default, the first bar number in a score is suppressed if it is
+less than or equal to `1'. By setting @code{barNumberVisibility}
+to @code{all-bar-numbers-visible}, any bar number can be printed
+for the first measure and all subsequent measures. Note that an
+empty bar line must be inserted before the first note for this to
+work.
+
+"
+ doctitle = "Printing the bar number for the first measure"
+} % begin verbatim
+
+
+\relative c' {
+ \set Score.barNumberVisibility = #all-bar-numbers-visible
+ \bar ""
+ c1 d e f \break
+ g1 e d c
+}
positioning-multi--measure-rests.ly
printing-metronome-and-rehearsal-marks-below-the-staff.ly
printing-music-with-different-time-signatures.ly
+printing-the-bar-number-for-the-first-measure.ly
rest-styles.ly
reverting-default-beam-endings.ly
rhythmic-slashes.ly
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.12.0"
+
+\header {
+ lsrtags = "pitches, tweaks-and-overrides"
+
+ texidoc = "
+By default, the accidentals used for key cancellations are placed
+adjacent to those for key signature changes. This behavior can be
+changed by overriding the @code{'break-align-orders} property of the
+@code{BreakAlignment} grob.
+
+
+The value of @code{'break-align-orders} is a vector of length 3, with
+quoted lists of breakable items as elements. This example only
+modifies the second list, moving @code{key-cancellation} before
+@code{staff-bar}; by modifying the second list, break alignment
+behavior only changes in the middle of a system, not at the beginning
+or the end.
+
+"
+ doctitle = "Separating key cancellations from key signature changes"
+} % begin verbatim
+
+\new Staff {
+ \override Score.BreakAlignment #'break-align-orders =
+ #'#((left-edge ambitus breathing-sign clef staff-bar key-cancellation key-signature time-signature custos)
+ (left-edge ambitus breathing-sign clef key-cancellation staff-bar key-signature staff time-signature custos)
+ (left-edge ambitus breathing-sign clef key-cancellation key-signature staff-bar time-signature custos))
+
+ \key des \major
+ c'1
+ \bar "||"
+ \key bes \major
+ c'1
+}
"
doctitlees = "Comportamiento de las plicas y las barras de corchea en tablaturas"
+
+%% Translation of GIT committish: cd4950757ab1ab6c89805b0b7c978bfca034f940
+
+ texidocfr = "
+La direction des hampes se gère dans les tablatures tout comme en
+notation traditionnelle. Les ligatures peuvent être mises à l'horizontale
+comme le montre cet exemple.
+
+"
+ doctitlefr = "Hampes et ligatures en mode tablature"
+
texidoc = "
The direction of stems is controlled the same way in tablature as in
traditional notation. Beams can be made horizontal, as shown in this
adjusting-lyrics-vertical-spacing.ly
aligning-and-centering-instrument-names.ly
aligning-marks-with-various-notation-objects.ly
+aligning-objects-created-with-the--mark-command.ly
blanking-staff-lines-using-the--whiteout-command.ly
center-text-below-hairpin-dynamics.ly
changing-the-default-text-font-family.ly
removing-the-first-empty-line.ly
rest-styles.ly
rhythmic-slashes.ly
+separating-key-cancellations-from-key-signature-changes.ly
suppressing-warnings-for-clashing-note-columns.ly
time-signature-in-parentheses.ly
transcription-of-ancient-music-with-incipit.ly
projects / lilypond.git / commitdiff