--- /dev/null
+%% Do not edit this file; it is automatically
+%% generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.13.34"
+
+\header {
+ lsrtags="vocal-music, staff-notation"
+ texidoc="
+ This shows one approach to simplify adding many orchestral cues to
+the piano reduction in a vocal score. The music function
+@code{\cueWhile} takes four arguments: the music from which the cue
+is to be taken, as defined by @code{\addQuote}, the name to be
+inserted before the cue notes, then either @code{#UP} or @code{#DOWN}
+to specify either @code{\voiceOne} with the name above the staff or
+@code{\voiceTwo} with the name below the staff, and finally the piano
+music in parallel with which the cue notes are to appear. The name
+of the cued instrument is positioned to the left of the cued notes.
+Many passages can be cued, but they cannot overlap each other in time.
+"
+ doctitle = "Adding orchestral cues to a vocal score"
+} % begin verbatim
+
+cueWhile =
+ #(define-music-function
+ (parser location instrument name dir music)
+ (string? string? ly:dir? ly:music?)
+ #{
+ \cueDuring $instrument #$dir {
+ \once \override CueVoice.InstrumentSwitch #'self-alignment-X = #RIGHT
+ \once \override CueVoice.InstrumentSwitch #'direction = $dir
+ \set CueVoice.instrumentCueName = $name
+ { $music }
+ }
+ #}
+ )
+
+flute = \relative c'' {
+ \transposition c'
+ s4 s4 e g
+}
+\addQuote "flute" { \flute }
+
+clarinet = \relative c' {
+ \transposition bes
+ fis4 d d c
+}
+\addQuote "clarinet" { \clarinet }
+
+singer = \relative c'' { c4. g8 g4 bes4 }
+words = \lyricmode { here's the lyr -- ics }
+
+pianoRH = \relative c'' {
+ \transposition c'
+ \cueWhile "clarinet" "Clar." #DOWN { c4. g8 }
+ \cueWhile "flute" "Flute" #UP { g4 bes4 }
+}
+pianoLH = \relative c { c4 <c' e> e, <g c> }
+
+\score {
+ <<
+ \new Staff {
+ \new Voice = "singer" {
+ \singer
+ }
+ }
+ \new Lyrics {
+ \lyricsto "singer"
+ \words
+ }
+ \new PianoStaff <<
+ \new Staff {
+ \new Voice {
+ \pianoRH
+ }
+ }
+ \new Staff {
+ \clef "bass"
+ \pianoLH
+ }
+ >>
+ >>
+}
\ No newline at end of file
--- /dev/null
+\version "2.13.34"
+
+\header {
+ lsrtags="vocal-music, staff-notation"
+ texidoc="
+ This shows one approach to simplify adding many orchestral cues to
+the piano reduction in a vocal score. The music function
+@code{\cueWhile} takes four arguments: the music from which the cue
+is to be taken, as defined by @code{\addQuote}, the name to be
+inserted before the cue notes, then either @code{#UP} or @code{#DOWN}
+to specify either @code{\voiceOne} with the name above the staff or
+@code{\voiceTwo} with the name below the staff, and finally the piano
+music in parallel with which the cue notes are to appear. The name
+of the cued instrument is positioned to the left of the cued notes.
+Many passages can be cued, but they cannot overlap each other in time.
+"
+ doctitle = "Adding orchestral cues to a vocal score"
+}
+
+cueWhile =
+ #(define-music-function
+ (parser location instrument name dir music)
+ (string? string? ly:dir? ly:music?)
+ #{
+ \cueDuring $instrument #$dir {
+ \once \override CueVoice.InstrumentSwitch #'self-alignment-X = #RIGHT
+ \once \override CueVoice.InstrumentSwitch #'direction = $dir
+ \set CueVoice.instrumentCueName = $name
+ { $music }
+ }
+ #}
+ )
+
+flute = \relative c'' {
+ \transposition c'
+ s4 s4 e g
+}
+\addQuote "flute" { \flute }
+
+clarinet = \relative c' {
+ \transposition bes
+ fis4 d d c
+}
+\addQuote "clarinet" { \clarinet }
+
+singer = \relative c'' { c4. g8 g4 bes4 }
+words = \lyricmode { here's the lyr -- ics }
+
+pianoRH = \relative c'' {
+ \transposition c'
+ \cueWhile "clarinet" "Clar." #DOWN { c4. g8 }
+ \cueWhile "flute" "Flute" #UP { g4 bes4 }
+}
+pianoLH = \relative c { c4 <c' e> e, <g c> }
+
+\score {
+ <<
+ \new Staff {
+ \new Voice = "singer" {
+ \singer
+ }
+ }
+ \new Lyrics {
+ \lyricsto "singer"
+ \words
+ }
+ \new PianoStaff <<
+ \new Staff {
+ \new Voice {
+ \pianoRH
+ }
+ }
+ \new Staff {
+ \clef "bass"
+ \pianoLH
+ }
+ >>
+ >>
+}
\ No newline at end of file