\header {
lsrtags = "repeats"
texidoc = "
-The @code{Volta_engraver} by default resides in the Score context, and
-brackets for the repeat are thus normally only printed over the topmost
-staff. This can be adjusted by adding @code{Volta_engraver} to the
-Staff context where you want the brackets to appear; see also the
-\"Volta multi staff\" snippet.
+The @code{Volta_engraver} by default resides in the @code{Score}
+context, and brackets for the repeat are thus normally only printed
+over the topmost staff. This can be adjusted by adding the
+@code{Volta_engraver} to the @code{Staff} context where you want the
+brackets to appear; see also the \"Volta multi staff\" snippet.
" }
% begin verbatim
<<
}
<<
\new Voice \relative c'' {
- \voiceOne
- c4 a d e f1
- }
+ \voiceOne
+ c4 a d e f1
+ }
\new Voice \relative c' {
- \voiceTwo
- es4 f g as b1
- }
+ \voiceTwo
+ es4 f g as b1
+ }
>>
ancient-fonts.ly
ancient-time-signatures.ly
custodes.ly
+mensurstriche-layout-bar-lines-between-the-staves.ly
ancient-notation-template----modern-transcription-of-gregorian-music.ly
rest-styles.ly
" }
% begin verbatim
{
- \context Voice {
- c''2.
- % use some scheme code to construct the symbol
- \override BreathingSign #'text = #(markup #:line
- (#:musicglyph "scripts.caesura.curved"
- #:translate (cons -1.75 1.6)
- #:musicglyph "scripts.ufermata"
- ))
- \breathe c''4
- % set the breathe mark back to normal
- \revert BreathingSign #'text
- c''2. \breathe c''4
- \bar "|."
+ c''2.
+ % construct the symbol
+ \override BreathingSign #'text = \markup {
+ \line {
+ \musicglyph #"scripts.caesura.curved" \translate #'(-1.75 . 1.6) \musicglyph #"scripts.ufermata"
+ }
}
+ \breathe c''4
+ % set the breathe mark back to normal
+ \revert BreathingSign #'text
+ c''2. \breathe c''4
+ \bar "|."
}
-
\header {
lsrtags = "expressive-marks, text"
texidoc = "
-This example provides a function to typeset hairpin (de)crescendo with
-some additional text below it, such as \"molto\" or \"poco\".
-
-The example also illustrates how to use modify the way an object
-normally is printed, using some Scheme code.
+This example provides a function to typeset a hairpin (de)crescendo
+with some additional text below it, such as \"molto\" or \"poco\".The
+example also illustrates how to modify the way an object is normally
+printed, using some Scheme code.
" }
% begin verbatim
hairpinWithCenteredText = #(define-music-function
#})
-hairpinMolto = \hairpinWithCenteredText \markup {\italic "molto"}
-hairpinMore = \hairpinWithCenteredText \markup {\bigger "moltissimo"}
+hairpinMolto = \hairpinWithCenteredText \markup { \italic "molto" }
+hairpinMore = \hairpinWithCenteredText \markup { \bigger "moltissimo" }
\new Staff {
\hairpinMolto c'2\< c'2\f
\header {
lsrtags = "expressive-marks"
texidoc = "
-To make the \\flageolet circle smaller you can use the following scheme
-code (found in the Lilypond-user-archive)
+To make the @code{\\flageolet} circle smaller you can use the following
+Scheme code.
" }
% begin verbatim
-F = #(let ((m (make-music 'ArticulationEvent
+smallFlageolet = #(let ((m (make-music 'ArticulationEvent
'articulation-type "flageolet")))
(set! (ly:music-property m 'tweaks)
(acons 'font-size -3
(ly:music-property m 'tweaks)))
m)
-\relative c'' { d4^\flageolet_\markup {"orginal \flageolet "} d4_\flageolet
- c4^\F_\markup {smaller } c4_\F
+\relative c'' { d4^\flageolet_\markup { default size } d4_\flageolet
+ c4^\smallFlageolet_\markup { smaller } c4_\smallFlageolet
}
\version "2.11.38"
\header {
- lsrtags = "expressive-marks"
+ lsrtags = "expressive-marks, editorial-and-educational-use"
texidoc = "
The appearance of slurs may be changed from solid to dotted or dashed.
" }
% begin verbatim
-\relative c'{
+\relative c' {
c( d e c) |
\slurDotted
c( d e c) |
lsrtags = "expressive-marks, text"
texidoc = "
Some dynamics may involve text indications (such as \"più forte\",
-\"piano subito\", etc.). They can be produced using a \\markup bloc.
+\"piano subito\", etc.). They can be produced using a @code{\\markup}
+block.
" }
% begin verbatim
-\layout{ragged-right = ##t}
+\layout { ragged-right = ##t }
-piuf = \markup { \italic "molto" \dynamic "f" }
+piuf = \markup { \italic "più" \dynamic "f" }
-\relative c''{
+\relative c'' {
+ c2
c-\piuf
- c
- c2\< c2\!
-
- c2\< c2\!
}
\header {
lsrtags = "expressive-marks"
texidoc = "
-Use a glissando without final note. Contemporary glissando !
+Use a glissando without final note. Contemporary glissando!
" }
% begin verbatim
\relative c'' {
- \override Glissando #'style = #'zigzag
- \time 3/4
- c4 c
- \cadenzaOn c\glissando \hideNotes c,, \unHideNotes \cadenzaOff
- \bar "|"
- }
+ \time 3/4
+ \override Glissando #'style = #'zigzag
+ c4 c
+ \cadenzaOn c\glissando \hideNotes c,, \unHideNotes \cadenzaOff
+ \bar "|"
+}
\addlyrics { Use cadenzaOn glissando hideNotes }
-\addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4 }
-\layout{raggedright = ##t}
-\header { tagline="" }
+\addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4 }
chant-or-psalms-notation.ly
adding-and-extra-staff-at-a-line-break.ly
adding-an-extra-staff.ly
-vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
+mensurstriche-layout-bar-lines-between-the-staves.ly
changing-time-signatures-inside-a-polymetric-section-using--compressmusic.ly
engravers-one-by-one.ly
adding-a-figured-bass-above-or-below-the-notes.ly
+vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
nesting-staves.ly
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
texidoc = "
-The <code>\\startTextSpan</code> and <code>\\stopTextSpan</code>
-commands give you the ability to create text spanners as easily as
-pedals indications or octavations. Override some properties of the
-<code>TextSpanner</code> object to modify its output.
+The @code{\\startTextSpan} and @code{\\stopTextSpan} commands give you
+the ability to create text spanners as easily as pedal indications or
+octavations. Override some properties of the @code{TextSpanner} object
+to modify its output.
" }
% begin verbatim
-\relative c''{
- \override TextSpanner #'edge-text = #'("bla" . "blu")
- a \startTextSpan
- b c
- a \stopTextSpan
-
- \override TextSpanner #'dash-period = #2
- \override TextSpanner #'dash-fraction = #0.0
- a \startTextSpan
- b c
- a \stopTextSpan
-
- \revert TextSpanner #'style
- \override TextSpanner #'style = #'dashed-line \override TextSpanner #'bound-details #'left #'text = \markup { \draw-line #'(0 . 1) }
+\relative c'' {
+ \override TextSpanner #'edge-text = #'("bla" . "blu")
+ a \startTextSpan
+ b c
+ a \stopTextSpan
+
+ \override TextSpanner #'dash-period = #2
+ \override TextSpanner #'dash-fraction = #0.0
+ a \startTextSpan
+ b c
+ a \stopTextSpan
+
+ \revert TextSpanner #'style
+ \override TextSpanner #'style = #'dashed-line \override TextSpanner #'bound-details #'left #'text = \markup { \draw-line #'(0 . 1) }
\override TextSpanner #'bound-details #'right #'text = \markup { \draw-line #'(0 . -2) }
- a \startTextSpan
- b c
- a \stopTextSpan
-
-
- \set Staff.middleCPosition = #-13
-
- \override TextSpanner #'dash-period = #10
- \override TextSpanner #'dash-fraction = #.5
- \override TextSpanner #'thickness = #10
- a \startTextSpan
- b c
- a \stopTextSpan
- \set Staff.middleCPosition = #-6
+ a \startTextSpan
+ b c
+ a \stopTextSpan
+
+ \set Staff.middleCPosition = #-13
+ \override TextSpanner #'dash-period = #10
+ \override TextSpanner #'dash-fraction = #0.5
+ \override TextSpanner #'thickness = #10
+ a \startTextSpan
+ b c
+ a \stopTextSpan
+ \set Staff.middleCPosition = #-6
}
-
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+ lsrtags = "staff-notation, tweaks-and-overrides"
+ texidoc = "
+If there is only one staff in one of the staff types ChoirStaff,
+InnerChoirStaff, InnerStaffGroup and StaffGroup, the bracket won't be
+displayed as standard behaviour. This can be changed with:
+
+
+@code{\\override [staffcontext].SystemStartBracket #'collapse-height =
+#1}
+
+
+This applies to all staff contexts with
+@code{systemStartDelimiter}-property set to @code{'SystemStartBracket}.
+
+
+For staff contexts with @code{'SystemStartBrace}, such as
+@code{PianoStaff}, this tweaking can be used as well.
+" }
+% begin verbatim
+\score {
+ \new StaffGroup <<
+ % Must be one lower than your actual amount off staff lines
+ \override StaffGroup.SystemStartBracket #'collapse-height = #4
+ \new Staff {
+ c'4 d' e' f'
+ }
+ >>
+ }
+ {
+ \new PianoStaff <<
+ \override PianoStaff.SystemStartBrace #'collapse-height = #4
+ \new Staff {
+ c'4 d' e' f'
+ }
+ >>
+ }
+ \layout {
+ ragged-right = ##t
+ indent = 0\cm
+ }
creating-blank-staves.ly
+making-some-staff-lines-thicker-than-the-others.ly
+changing-the-appearance-of-a-slur-from-solid-to-dotted-or-dashed.ly
default-direction-of-stems-on-the-center-line-of-the-staff.ly
changing-a-single-notes-size-in-a-chord.ly
grid-lines-emphasizing-rhythms-and-notes-synchronization.ly
\header {
lsrtags = "staff-notation"
texidoc = "
-The \\markup command is quite versatile. In this snippet, it contains a
-\\score bloc instead of texts or marks.
+The @code{\\markup} command is quite versatile. In this snippet, it
+contains a @code{\\score} block instead of texts or marks.
" }
% begin verbatim
tuning = \markup {
- \score {
- \new Staff \with {
- \remove Time_signature_engraver
- } {
- \clef bass <c, g, d g>1
- }
- \layout { ragged-right = ##t }
+ \score {
+ \new Staff \with { \remove Time_signature_engraver }
+ {
+ \clef bass <c, g, d g>1
}
+ \layout { ragged-right = ##t }
+ }
}
-
\header {
- title = "Solo Cello Suites"
- subtitle = "Suite IV"
- subsubtitle = \markup { "Originalstimmung:" \tuning }
+ title = "Solo Cello Suites"
+ subtitle = "Suite IV"
+ subsubtitle = \markup { "Originalstimmung:" \general-align #Y #CENTER \tuning }
}
\relative {
- \time 4/8
- \times 2/3 { c'8 d e } \times 2/3 {c d e}
- \times 2/3 { c8 d e } \times 2/3 {c d e}
- g8 a8 g8 a
- g8 a8 g8 a
+ \time 4/8
+ \times 2/3 { c'8 d e } \times 2/3 { c d e }
+ \times 2/3 { c8 d e } \times 2/3 { c d e }
+ g8 a8 g8 a
+ g8 a8 g8 a
}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+ lsrtags = "staff-notation, editorial-and-educational-use"
+ texidoc = "
+For pedagogical purposes, you may want to make one staff line thicker
+(e.g. the middle line, to emphasize the line of the G clef). This can
+be achieved by adding extra lines very close to the line you want to
+make thicker, using the #'line-positions property in the StaffSymbol
+context.
+" }
+% begin verbatim
+\score {
+ \new Staff{
+ \override Staff.StaffSymbol #'line-positions =#'(-4 -2 -0.2 0 0.2 2 4 )
+ d'4 e' f' g'
+ }
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
+
+\header {
+ lsrtags = "staff-notation, ancient-notation, contexts-and-engravers, tweaks-and-overrides"
+ texidoc = "
+The mensurstriche-layout where the bar lines do not show on the staves
+but between staves can be achieved with a @code{StaffGroup} instead of
+a @code{ChoirStaff}. The bar line on staves is blanked out with an
+@code{\\override} command.
+" }
+% begin verbatim
+global = {\override Staff.BarLine #'transparent = ##t
+ s1 s
+ %the final bar line is not interupted
+ \once \override Staff.BarLine #'transparent = ##f
+ \bar "|."}
+\new StaffGroup
+\relative c'' <<
+ \new Staff {<< \global { c1 c } >>}
+ \new Staff {<< \global { c c } >>}
+>>
" }
% begin verbatim
\new RhythmicStaff {
-
- % Set tuplets to be extendable ..
-
- \set tupletFullLength = ##t
-
- % .. to cover all items up to the next note
-
- \set tupletFullLengthNote = ##t
- \time 2/4
- \times 2/3 { c4 c c }
-
- % .. or to cover just whitespace
-
- \set tupletFullLengthNote = ##f
- \time 4/4
- \times 4/5 { c4 c1 }
- \time 3/4
- c4
+ % Set tuplets to be extendable...
+ \set tupletFullLength = ##t
+ % ...to cover all items up to the next note
+ \set tupletFullLengthNote = ##t
+ \time 2/4
+ \times 2/3 { c4 c c }
+ % ...or to cover just whitespace
+ \set tupletFullLengthNote = ##f
+ \time 4/4
+ \times 4/5 { c4 c1 }
+ \time 3/4
+ c4
}
tuplets have to be beamed manually.
" }
% begin verbatim
-\relative c'' {
- a8
- \repeat unfold 8 {\times 2/3 { c[ b a]}}
- % Insert a manual line break within a tuplet
- \times 2/3 { c[ b \bar "" \break a]}
- \repeat unfold 2 {\times 2/3 { c[ b a]}}
- c8
-}
\layout {
- \context {
- \Voice
- % Permit line breaks within tuplets
- \remove "Forbid_line_break_engraver"
- % Allow beams to be broken at line breaks
- \override Beam #'breakable = ##t
- }
+ \context {
+ \Voice
+ % Permit line breaks within tuplets
+ \remove "Forbid_line_break_engraver"
+ % Allow beams to be broken at line breaks
+ \override Beam #'breakable = ##t
+ }
+}
+\relative c'' {
+ a8
+ \repeat unfold 8 { \times 2/3 { c[ b a] } }
+ % Insert a manual line break within a tuplet
+ \times 2/3 { c[ b \bar "" \break a] }
+ \repeat unfold 2 { \times 2/3 { c[ b a] } }
+ c8
}
lsrtags = "rhythms, percussion"
texidoc = "
In the following snippet, two parts have a completely different time
-signature, and yet keep synchronized. This can be achieved with the
-@code{\\compressMusic} command, as demonstrated here. The barlines
-can't be printed at the @code{Score} level anymore, so you have to
-remove the @code{Barline_engraver} and put it in the @code{Staff}
-context.
+signature, yet remain synchronized. The barlines can't be printed at
+the @code{Score} level anymore, so you have to remove the
+@code{Barline_engraver} and put it in the @code{Staff} context.
" }
% begin verbatim
% Thanks to Adam James Wilson for this snippet
\paper {
- indent = #0
- ragged-right = ##t
+ indent = #0
+ ragged-right = ##t
}
-global = { \time 3/4 { s2. * 3 } \bar "" \break { s2. * 3 }}
+global = { \time 3/4 { s2.*3 } \bar "" \break { s2.*3 } }
\layout {
- \context { \Score
- \remove "Timing_translator"
- \remove "Time_signature_engraver"
- \remove "Default_bar_line_engraver"
- \override SpacingSpanner #'uniform-stretching = ##t
- \override SpacingSpanner #'strict-note-spacing = ##t
- proportionalNotationDuration = #(ly:make-moment 1 64)
- }
- \context { \Staff
- \consists "Timing_translator"
- \consists "Default_bar_line_engraver"
- \consists "Time_signature_engraver"
- }
- \context { \Voice
- \remove Forbid_line_break_engraver
- tupletFullLength = ##t
- }
+ \context {
+ \Score
+ \remove "Timing_translator"
+ \remove "Time_signature_engraver"
+ \remove "Default_bar_line_engraver"
+ \override SpacingSpanner #'uniform-stretching = ##t
+ \override SpacingSpanner #'strict-note-spacing = ##t
+ proportionalNotationDuration = #(ly:make-moment 1 64)
+ }
+ \context {
+ \Staff
+ \consists "Timing_translator"
+ \consists "Default_bar_line_engraver"
+ \consists "Time_signature_engraver"
+ }
+ \context {
+ \Voice
+ \remove "Forbid_line_break_engraver"
+ tupletFullLength = ##t
+ }
}
-
-Bassklarinette = \new Staff <<
- \global
- {
- \bar "|"
- \clef treble
- \time 3/8
- d''4.
-
- \bar "|"
- \time 3/4
- r8 des''2( c''8)
-
- \bar "|"
- \time 7/8
- r4. ees''2 ~
-
- \bar "|"
- \time 2/4
- \tupletUp
- \times 2/3 {ees''4 r4 d''4 ~}
-
- \bar "|"
- \time 3/8
- \tupletUp
- \times 3/4 {d''4 r4}
-
- \bar "|"
- \time 2/4
- e''2
-
- \bar "|"
- \time 3/8
- es''4.
-\bar "|"
-\time 3/4
-r8 d''2 r8
-\bar "|"
- }
- >>
-Perkussion = \new StaffGroup <<
- \new Staff <<
- \global
- {
- \bar "|"
- \clef percussion
- \time 3/4
- r4 c'2 ~
-
- \bar "|"
- c'2.
-
- \bar "|"
- R2.
-
- \bar "|"
- r2 g'4 ~
-
- \bar "|"
- g'2. ~
-
- \bar "|"
- g'2.
- }
- >>
- \new Staff <<
- \global
- {
- \bar "|"
- \clef percussion
- \time 3/4
- R2.
-
- \bar "|"
- g'2. ~
-
- \bar "|"
- g'2.
-
- \bar "|"
- r4 g'2 ~
-
- \bar "|"
- g'2 r4
-
- \bar "|"
- g'2.
- }
- >>
- >>
-
-\score { << \Bassklarinette \Perkussion >>
-
+Bassklarinette = \new Staff <<
+ \global {
+ \bar "|"
+ \clef treble
+ \time 3/8
+ d''4.
+
+ \bar "|"
+ \time 3/4
+ r8 des''2( c''8)
+
+ \bar "|"
+ \time 7/8
+ r4. ees''2 ~
+
+ \bar "|"
+ \time 2/4
+ \tupletUp
+ \times 2/3 { ees''4 r4 d''4 ~ }
+
+ \bar "|"
+ \time 3/8
+ \tupletUp
+ \times 3/4 { d''4 r4 }
+
+ \bar "|"
+ \time 2/4
+ e''2
+
+ \bar "|"
+ \time 3/8
+ es''4.
+
+ \bar "|"
+ \time 3/4
+ r8 d''2 r8
+ \bar "|"
+ }
+>>
+
+Perkussion = \new StaffGroup <<
+ \new Staff <<
+ \global {
+ \bar "|"
+ \clef percussion
+ \time 3/4
+ r4 c'2 ~
+
+ \bar "|"
+ c'2.
+
+ \bar "|"
+ R2.
+
+ \bar "|"
+ r2 g'4 ~
+
+ \bar "|"
+ g'2. ~
+
+ \bar "|"
+ g'2.
+ }
+ >>
+ \new Staff <<
+ \global {
+ \bar "|"
+ \clef percussion
+ \time 3/4
+ R2.
+
+ \bar "|"
+ g'2. ~
+
+ \bar "|"
+ g'2.
+
+ \bar "|"
+ r4 g'2 ~
+
+ \bar "|"
+ g'2 r4
+
+ \bar "|"
+ g'2.
+ }
+ >>
+>>
+
+\score {
+ << \Bassklarinette \Perkussion >>
}
-
texidoc = "
Although you can't use @code{s} in @code{\\lyricmode} (it's taken to be
a literal \"s\", not a space) you can use either @code{\"\"} or
-@code{_} .So for example:
+@code{_}So for example:
" }
% begin verbatim
-<<
+<<
\relative c'' { a4 b c d }
- \new Lyrics \lyricmode { a4 _2 gap4 }
+ \new Lyrics \lyricmode { a4 "" _ gap }
>>
-
-
creating-blank-staves.ly
time-signature-in-parentheses.ly
+mensurstriche-layout-bar-lines-between-the-staves.ly
adding-and-extra-staff-at-a-line-break.ly
changing-the-number-of-lines-in-a-staff.ly
incipit.ly
+display-bracket-with-only-one-staff-in-a-system.ly
inserting-score-fragments-above-the-staff,-as-markups.ly
adding-an-extra-staff.ly
changing-the-staff-size.ly
clefs-commonly-tweaked-properties.ly
quoting-another-voice.ly
volta-multi-staff.ly
-non-traditional-key-signatures.ly
nesting-staves.ly
+non-traditional-key-signatures.ly
+making-some-staff-lines-thicker-than-the-others.ly
% Test it:
-\relative c'{
- c2^\markup{ \NWS-box ABCD }
- c^\markup{\NWS-box \note #"4" #1.0 }
+\relative c' {
+ c2^\markup { \NWS-box ABCD }
+ c^\markup { \NWS-box \note #"4" #1.0 }
}
-altering-the-number-of-stems-in-a-beam.ly
+display-bracket-with-only-one-staff-in-a-system.ly
time-signature-in-parentheses.ly
-vertically-centered-dynamics-and-textscripts.ly
-proportional-strict-notespacing.ly
changing-the-default-text-font-family.ly
-transcription-of-ancient-music-with-incipit.ly
-alignment-vertical-spacing.ly
+drawing-boxes-around-grobs.ly
manually-controlling-beam-positions.ly
custodes.ly
-drawing-boxes-around-grobs.ly
move-specific-text.ly
-drawing-circles-around-various-objects.ly
-making-an-object-invisible-with-the-transparent-property.ly
rest-styles.ly
-creating-text-spanners.ly
using-the--tweak-command-to-tweak-individual-grobs.ly
controlling-tuplet-bracket-visibility.ly
positioning-multi--measure-rests.ly
-caesura-railtracks-with-fermata.ly
-changing-form-of-multi--measure-rests.ly
-rhythmic-slashes.ly
changing-the-staff-size.ly
-changing-a-single-notes-size-in-a-chord.ly
clefs-commonly-tweaked-properties.ly
vertically-aligning-ossias-and-lyrics.ly
changing-properties-for-individual-grobs.ly
+altering-the-number-of-stems-in-a-beam.ly
+mensurstriche-layout-bar-lines-between-the-staves.ly
+vertically-centered-dynamics-and-textscripts.ly
+proportional-strict-notespacing.ly
+making-an-object-invisible-with-the-transparent-property.ly
+transcription-of-ancient-music-with-incipit.ly
+alignment-vertical-spacing.ly
+drawing-circles-around-various-objects.ly
+creating-text-spanners.ly
+caesura-railtracks-with-fermata.ly
+changing-form-of-multi--measure-rests.ly
+rhythmic-slashes.ly
+changing-a-single-notes-size-in-a-chord.ly
nesting-staves.ly
projects / lilypond.git / commitdiff