+2004-10-03 Han-Wen Nienhuys <hanwen@xs4all.nl>
+
+ * scm/part-combiner.scm (determine-split-list): remove playing1
+ and playing2.
+
2004-10-02 Graham Percival <gperlist@shaw.ca>
* Documentation/index.html.in: remove link to templates.
@}
@end example
-@noindent
-in this case, @code{\transposition} does not have to be used, since
-@code{c'} is the default.
-
-@code{\transposition} should be used when the music is entered from a
-(transposed) orchestral part. For example, in classical horn parts,
-the tuning of the instrument is often changed during a piece. When copying
-the notes from the part, use @code{\transposition}, e.g.
+The command @code{\transposition} should be used when the music is
+entered from a (transposed) orchestral part. For example, in
+classical horn parts, the tuning of the instrument is often changed
+during a piece. When copying the notes from the part, use
+@code{\transposition}, e.g.
@example
\transposition d'
Feathered beams are not supported natively, but they can be faked by
forcing two beams to overlap. Here is an example,
-@lilypond[raggedright,relative=2,fragment,verbatim]
+@c don't change relative setting witout changing positions!
+@lilypond[raggedright,relative=1,fragment,verbatim]
\new Staff <<
\new Voice
{
ly:pitch<?)))
(cond ((> (length notes1) 1) (put 'apart))
((> (length notes2) 1) (put 'apart))
- ;;
- ((and (= (length notes2) 1)
- (= (length notes1) 0))
- (put 'playing2))
- ((and (= (length notes1) 1)
- (= (length notes2) 0))
- (put 'playing1))
- ;;
((and (= (length durs1) 1)
(= (length durs2) 1)
(not (equal? (car durs1) (car durs2))))