+++ /dev/null
-\version "2.11.45"
-\header {
- lsrtags = "expressive-marks,tweaks-and-overrides"
- texidoc = "
-Using Scheme code to override the stencil for @code{MetronomeMark}
-objects, this example allows the creation of metronome marks which include
-text directions. The function @code{\movement} is called with three
-arguments: the text label, note duration, and beats per minute.
-"
- doctitle = "Adding text indications to metronome marks"
-}
-
-#(define-markup-command (mvt layout props arg) (markup?)
- (interpret-markup layout props
- (markup #:huge #:bold arg)))
-
-#(define (string->duration duration-string)
- "Parse the `duration-string', e.g. ''4..'' or ''breve.'', and return a duration object."
- (let* ((length (string-length duration-string))
- (dot-index (or (string-index duration-string #\.) length))
- (len (substring duration-string 0 dot-index))
- (dots (- length dot-index)))
- (ly:make-duration (cond ((string=? len "breve") -1)
- ((string=? len "longa") -2)
- ((string=? len "maxima") -3)
- (else (log2 (string->number len))))
- dots 1 1)))
-
-movement = #(define-music-function (parser location text duration count music)
- (string? string? integer? ly:music?)
- (define (format-movement-markup dur count context)
- (markup #:mvt text #:hspace 1
- #:concat ("(" #:general-align Y DOWN #:smaller #:note duration 1)
- "="
- #:concat ((number->string count) ")")))
- #{
- \set Score.metronomeMarkFormatter = #$format-movement-markup
- \set Score.tempoWholesPerMinute = #$(ly:moment-mul (ly:make-moment count 1)
- (ly:duration-length
- (string->duration duration)))
- \set Score.tempoUnitDuration = #$(string->duration duration)
- \set Score.tempoUnitCount = $count
- $music
- \set Score.metronomeMarkFormatter = #format-metronome-markup
- #})
-
-\layout { ragged-right = ##f }
-
-\relative c' {
- \time 3/4
- \movement "Allegro" "2." #92
- c2 e4
- g2.
- \movement "Moderato" "4" #104
- f4 e d
- \tempo 4 = 92
- c2.
-}
texidoc = "
In order to make parts of a crescendo hairpin invisible, the following
method is used: A white rectangle is drawn on top of the respective
-part of the crescendo hairpin, making it invisible. The rectangle is
+part of the crescendo hairpin, making it invisible. The rectangle is
defined as postscript code within a text markup.
To fine-tune the position and size of the markup, the number
preceding @code{setgray} in the postscript definition can be set to a
-value <1 making it grey. The two numbers before @code{scale} in the
-postscript code are responsible for the width and height of the
+value less than one, making it grey. The two numbers before @code{scale}
+in the postscript code are responsible for the width and height of the
rectangle, the two numbers before @code{translate} change the x- and
-y-origin of the rectangle.
+y-origin of the rectangle.
Make sure to put the hairpin in a lower layer than the text markup to
-actually draw the rectangle above the hairpin.
+draw the rectangle over the hairpin.
"
doctitle = "Broken crescendo hairpin"
}
-\score {
- \relative c' {
- << {
- \dynamicUp
- \override DynamicLineSpanner #'staff-padding = #4
- r2 r16 c'8.\pp r4
- } \\ {
- \override DynamicLineSpanner #'layer = #0
- des,2\mf\< ~
- \override TextScript #'layer = #2
- des16_\markup {
- \postscript #"1.9 -8 translate 5 4 scale 1 setgray 0 0 moveto 0 1
+\relative c' {
+ << {
+ \dynamicUp
+ \override DynamicLineSpanner #'staff-padding = #4
+ r2 r16 c'8.\pp r4
+ } \\ {
+ \override DynamicLineSpanner #'layer = #0
+ des,2\mf\< ~
+ \override TextScript #'layer = #2
+ des16_\markup {
+ \postscript #"1.9 -8 translate 5 4 scale 1 setgray 0 0 moveto 0 1
lineto 1 1 lineto 1 0 lineto 0 0 lineto fill"
- }
- r8. des4 ~ des16->\sff
- } >>
- }
- \layout { ragged-right = ##t }
+ }
+ r8. des4 ~ des16->\sff
+ } >>
}
The result will be files named
@file{@var{base}-from-@var{start}-to-@var{end}[-@var{count}].eps}.
-@itemize @bullet
-@item If system starts and ends are included, they include extents of the System grob, e.g., instrument names.
-@item Grace notes at the end point of the region are not included.
-@item Regions can span multiple systems. In this case, multiple EPS files are generated.
+@itemize
+@item
+If system starts and ends are included, they include extents of the
+System grob, e.g., instrument names.
+
+@item
+Grace notes at the end point of the region are not included.
+
+@item
+Regions can span multiple systems. In this case, multiple EPS files
+are generated.
+
@end itemize
"
doctitle = "Clip systems"
\score {
\lyrics {
\markup { from-2.0.1-to-4.0.1-clip.eps }
- \markup { \epsfile #X #30.0 #(format #f "~a-1-from-2.0.1-to-4.0.1-clip.eps" (ly:parser-output-name parser)) }
+ \markup {
+ \epsfile #X #30.0 #(format #f "~a-1-from-2.0.1-to-4.0.1-clip.eps"
+ (ly:parser-output-name parser)) }
}
}
}
% Thanks to Risto Vääräniemi for this snippet
-\paper { ragged-right = ##t }
-
{
\key a \major
\set Score.markFormatter = #format-mark-box-letters
\mark \markup { \box \bold "Intro" }
d'1
\mark \default
- d'
+ d'1
}
--- /dev/null
+\version "2.11.38"
+\header {
+ lsrtags = "staff-notation,tweaks-and-overrides"
+ texidoc = "If there is only one staff in one of the staff types
+@code{ChoirStaff}, @code{InnerChoirStaff}, @code{InnerStaffGroup}
+or @code{StaffGroup}, the bracket and the starting bar line will not
+be displayed as standard behavior. This can be changed by overriding
+the relevant properties, as demonstrated in this example.
+
+Note that in contexts such as @code{PianoStaff} and @code{GrandStaff}
+where the systems begin with a brace instead of a bracket, another
+property has to be set, as shown on the second system in the example.
+"
+ doctitle = "Display bracket with only one staff in a system"
+}
+
+\markup \column {
+ \score {
+ \new StaffGroup <<
+ % Must be lower than the actual number of staff lines
+ \override StaffGroup.SystemStartBracket #'collapse-height = #1
+ \override Score.SystemStartBar #'collapse-height = #1
+ \new Staff {
+ c'1
+ }
+ >>
+ \layout {}
+ }
+ \score {
+ \new PianoStaff <<
+ \override PianoStaff.SystemStartBrace #'collapse-height = #1
+ \override Score.SystemStartBar #'collapse-height = #1
+ \new Staff {
+ c'1
+ }
+ >>
+ \layout {}
+ }
+}
\version "2.11.23"
-\layout { ragged-right= ##t }
\header {
lsrtags = "tweaks-and-overrides"
texidoc = "
The @code{print-function} can be overridden to draw a box around an
-arbitrary grob.
+arbitrary grob.
"
doctitle = "Drawing boxes around grobs"
}
\relative c'' {
- \override TextScript #'stencil =
- #(make-stencil-boxer 0.1 0.3 ly:text-interface::print)
+ \override TextScript #'stencil =
+ #(make-stencil-boxer 0.1 0.3 ly:text-interface::print)
c'4^"foo"
- \override Stem #'stencil =
- #(make-stencil-boxer 0.05 0.25 ly:stem::print)
+ \override Stem #'stencil =
+ #(make-stencil-boxer 0.05 0.25 ly:stem::print)
\override Score.RehearsalMark #'stencil =
- #(make-stencil-boxer 0.15 0.3 ly:text-interface::print)
+ #(make-stencil-boxer 0.15 0.3 ly:text-interface::print)
b8
\revert Stem #'stencil
\version "2.11.23"
-\layout { ragged-right= ##t }
\header {
lsrtags = "tweaks-and-overrides"
texidoc = "
doctitle = "Drawing circles around various objects"
}
-\relative c'{
-c1
-\set Score.markFormatter
- = #(lambda (mark context)
+\relative c' {
+ c1
+ \set Score.markFormatter =
+ #(lambda (mark context)
(make-circle-markup (format-mark-numbers mark context)))
-\mark \default
-c2 d^\markup{\circle \finger "2"}
-\override Score.BarNumber #'break-visibility = #all-visible
-\override Score.BarNumber #'stencil
- = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
+ \mark \default
+ c2 d^\markup { \circle \finger 2 }
+ \override Score.BarNumber #'break-visibility = #all-visible
+ \override Score.BarNumber #'stencil =
+ #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
}
%make the staff lines invisible on staves
\override Staff.BarLine #'transparent = ##t
- \skip 1*8 % the actual music
+ % the actual music
+ \skip 1*8
% let finis bar go through all staves
\override Staff.BarLine #'transparent = ##f
\clef "neomensural-c1"
\key f \major
\time 2/2
- c''1.
+ c''1.
}
>>
\new Lyrics \lyricsto discantusIncipit { IV- }
c'4 e'4.( d'8 c' b |
a4) b a2 |
b4.( c'8 d'4) c'4 |
- \once \override NoteHead #'transparent = ##t c'1 |
+ \once \override NoteHead #'transparent = ##t
+ c'1 |
b\breve |
}
}
\clef "neomensural-c3"
\key f \major
\time 2/2
- r1 f'1.
+ r1 f'1.
}
>>
\new Lyrics \lyricsto altusIncipit { IV- }
altusNotes = {
\transpose c' c'' {
\clef "treble"
- r2 g2. e4 fis g | % two bars
+ % two measures
+ r2 g2. e4 fis g |
a2 g4 e |
fis g4.( fis16 e fis4) |
g1 |
- \once \override NoteHead #'transparent = ##t g1 |
+ \once \override NoteHead #'transparent = ##t
+ g1 |
g\breve |
}
}
altusLyrics = \lyricmode {
- Ju -- bi -- la -- te | % two bars
+ % two measures
+ Ju -- bi -- la -- te |
De -- o, om -- |
nis ter -- ra, |
"..." |
R1 |
R1 |
R1 |
- r2 d'2. d'4 b e' | % two bars
- \once \override NoteHead #'transparent = ##t e'1 |
+ % two measures
+ r2 d'2. d'4 b e' |
+ \once \override NoteHead #'transparent = ##t
+ e'1 |
d'\breve |
}
}
tenorLyrics = \lyricmode {
- Ju -- bi -- la -- te | % two bars
+ % two measures
+ Ju -- bi -- la -- te |
"..." |
-us.
}
R1 |
R1 |
g2. e4 |
- \once \override NoteHead #'transparent = ##t e1 |
+ \once \override NoteHead #'transparent = ##t
+ e1 |
g\breve |
}
}
bassusLyrics = \lyricmode {
Ju -- bi- |
"..." |
- -us.
+ -us.
}
\score {
<<
\new StaffGroup = choirStaff <<
\new Voice = "discantusNotes" <<
- \global
+ \global
\set Staff.instrumentName = "Discantus"
\incipit \discantusIncipit
\discantusNotes
>>
\new Lyrics = "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
\new Voice = "altusNotes" <<
- \global
+ \global
\set Staff.instrumentName = "Altus"
\incipit \altusIncipit
\altusNotes
>>
\new Lyrics = "altusLyrics" \lyricsto altusNotes { \altusLyrics }
\new Voice = "tenorNotes" <<
- \global
+ \global
\set Staff.instrumentName = "Tenor"
\incipit \tenorIncipit
\tenorNotes
\bassusNotes
>>
>>
- \new Lyrics = "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
+ \new Lyrics = "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
%% Keep the bass lyrics outside of the staff group to avoid bar lines
%% between the lyrics.
>>
\layout {
\context {
\Score
- %% no bars in staves
+ %% no bar lines in staves
\override BarLine #'transparent = ##t
}
- %% the next three instructions keep the lyrics between the barlines
+ %% the next three instructions keep the lyrics between the bar lines
\context {
- \Lyrics
+ \Lyrics
\consists "Bar_engraver"
\override BarLine #'transparent = ##t
}
- \context { \StaffGroup \consists "Separating_line_group_engraver" }
+ \context {
+ \StaffGroup
+ \consists "Separating_line_group_engraver"
+ }
\context {
\Voice
%% no slurs
\override Slur #'transparent = ##t
%% Comment in the below "\remove" command to allow line
- %% breaking also at those barlines where a note overlaps
- %% into the next bar. The command is commented out in this
+ %% breaking also at those bar lines where a note overlaps
+ %% into the next measure. The command is commented out in this
%% short example score, but especially for large scores, you
%% will typically yield better line breaking and thus improve
%% overall spacing if you comment in the following command.
+++ /dev/null
-\version "2.11.35"
-
-\header {
- lsrtags = "fretted-strings"
- texidoc = "
-You can format a tablature with letters instead of numbers - so that
-0->a, 1->b, 2->c, etc.
-
-BROKEN IN 2.11, COMMENTED OUT."
- doctitle = "Letter tablature formatting"
-}
-{ c'4 }
\version "2.10.0"
-\layout { ragged-right= ##t }
\header {
lsrtags = "expressive-marks"
- texidoc = "Arrows can be applied to text-spanners and line-spanners (such as the Glissando)"
+ texidoc = "Arrows can be applied to text-spanners and line-spanners
+(such as the Glissando)"
doctitle = "Line arrows"
}
\override Glissando #'arrow-length = #0.5
\override Glissando #'arrow-width = #0.25
- a8\startTextSpan gis8 a4 b4\glissando
- b,4 | g' c\stopTextSpan c
+ a8\startTextSpan gis a4 b\glissando b,
+ g'4 c\stopTextSpan c2
}
\header {
lsrtags = "pitches"
texidoc = "Makam is a type of melody from Turkey using 1/9th-tone
- microtonal alterations. Consult the initialization file
- @code{makam-init.ly} (in @code{/usr/share/lilypond/current/ly})
- for details of pitch names and alterations.
- "
+microtonal alterations. Consult the initialization file
+@code{makam-init.ly} (in @code{/usr/share/lilypond/current/ly})
+for details of pitch names and alterations.
+"
doctitle = "Makam"
}
\include "makam-init.ly"
\relative c' {
- \set Staff.keySignature = #`((3 . ,BAKIYE) (6 . ,(- KOMA)))
- c cc db fk
- gbm gfc gfb efk
- fk db cc c
+ \set Staff.keySignature = #`((3 . ,BAKIYE) (6 . ,(- KOMA)))
+ c4 cc db fk
+ gbm4 gfc gfb efk
+ fk4 db cc c
}
\version "2.11.23"
-\layout { ragged-right = ##t }
\header {
lsrtags = "rhythms,tweaks-and-overrides"
texidoc = "
other behavior is retained. The object still takes up space, it takes
part in collisions, and slurs, ties and beams can be attached to it.
-
-The snippet demonstrates how to connect different voices using ties.
+This snippet demonstrates how to connect different voices using ties.
Normally, ties only connect two notes in the same voice. By
introducing a tie in a different voice, and blanking the first up-stem
in that voice, the tie appears to cross voices. To prevent the blanked stem's
b8 ~ b\noBeam
\once \override Stem #'transparent = ##t
\once \override Stem #'length = #8
- g ~ g\noBeam
+ g8 ~ g\noBeam
} \\ {
- b g g e
+ b8 g g e
} >>
}
#(set-default-paper-size "a6")
#(define-markup-list-command (paragraph layout props args) (markup-list?)
- (interpret-markup-list layout props
+ (interpret-markup-list layout props
(make-justified-lines-markup-list (cons (make-hspace-markup 2) args))))
-%% Candide, Voltaire
+% Candide, Voltaire
\markuplines \override-lines #'(baseline-skip . 2.5) {
\paragraph {
Il y avait en Westphalie, dans le château de M. le baron de
doctitle = "Outputting the version number"
}
-\score { \context Lyrics {
- \override Score.RehearsalMark #'self-alignment-X = #LEFT
- \mark #(ly:export (string-append "Processed with LilyPond version " (lilypond-version)))
+\score {
+ \context Lyrics {
+ \override Score.RehearsalMark #'self-alignment-X = #LEFT
+ \mark #(ly:export (string-append "Processed with LilyPond version "
+ (lilypond-version)))
s2
}
}
\version "2.11.26"
-\layout { ragged-right= ##t }
\header {
lsrtags = "spacing"
texidoc = "Page labels may be placed inside music or at top-level,
-and refered to in markups."
+and referred to in markups."
doctitle = "Page label"
}
(markup #:fill-line (text #:page-ref label "8" "?"))))
\book {
- \markup \huge \fill-line { \null "Title Page" \null }
+ \markup \huge \fill-line { \null Title Page \null }
\pageBreak
\label #'toc
\markup \column {
- \large \fill-line { \null "Table of contents" \null }
+ \large \fill-line { \null Table of contents \null }
\toc-line #'toc "Table of contents"
\toc-line #'firstScore "First Score"
\toc-line #'markA "Mark A"
\label #'firstScore
\score {
- { c'2 c'
- \mark \markup { A (page \concat { \page-ref #'markA "0" "?" ) }} \label #'markA
- c' c'
+ {
+ c'2 c'
+ \mark \markup { A (page \concat { \page-ref #'markA "0" "?" ) } } \label #'markA
+ c'2 c'
\pageBreak
\mark "B" \label #'markB
- d' d'
- d' d'
- \once \override Score . RehearsalMark #'break-visibility = #begin-of-line-invisible
+ d'2 d'
+ d'2 d'
+ \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\mark "C" \label #'markC
}
\header { piece = "First score" }
\key c \major
\time 4/4
- a b c d
+ a4 b c d
}
lower = \relative c {
}
dynamics = {
- s2\fff\> s4
- s\!\pp
+ s2\fff\> s4 s\!\pp
}
pedal = {
- s2\sustainDown s2\sustainUp
+ s2\sustainDown s\sustainUp
}
\score {
\context {
\type "Engraver_group"
\name Dynamics
- \alias Voice % So that \cresc works, for example.
+ % So that \cresc works, for example.
+ \alias Voice
\consists "Output_property_engraver"
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
}
\score {
\new PianoStaff <<
- \new Staff = "upper" << \upper \dynamics >>
- \new Staff = "lower" << \lower \dynamics >>
- \new Dynamics = "pedal" \pedal
+ \new Staff = "upper" << \upper \dynamics \pedal >>
+ \new Staff = "lower" << \lower \dynamics \pedal >>
>>
- \midi {
- \context {
- \type "Performer_group"
- \name Dynamics
- \consists "Piano_pedal_performer"
- }
- \context {
- \PianoStaff
- \accepts Dynamics
- }
- }
+ \midi {}
}
\version "2.11.42"
-\layout { ragged-right = ##t }
\header {
lsrtags = "rhythms,tweaks-and-overrides"
texidoc = "
\header {
lsrtags = "pitches,staff-notation"
texidoc = "Quotations take into account the transposition of both
-source and target. In this example, all instruments play sounding
-middle C; the target is an instrument in F. The target part may be
-transposed using @code{\\transpose}. In this case, all the pitches (including the
-quoted ones) are transposed."
+source and target. In this example, all instruments play sounding
+middle C; the target is an instrument in F. The target part may be
+transposed using @code{\\transpose}. In this case, all the pitches
+(including the quoted ones) are transposed.
+"
doctitle = "Quoting another voice with transposition"
}
}
{
- \set Staff.instrumentName = \markup \center-align { "Horn" "in F" }
+ \set Staff.instrumentName = \markup \center-align { Horn \line { in F } }
\quoteTest
\transpose c' d' << \quoteTest s4_"up a tone" >>
}
\version "2.11.10"
-\layout { ragged-right= ##t }
\header {
lsrtags = "staff-notation"
texidoc = "With @code{\\quote}, fragments of previously entered
-music may be quoted. @code{quotedEventTypes} will determines what
-things are quoted. In this example, a 16th rest is not quoted, since
+music may be quoted. @code{quotedEventTypes} will determines which
+items are quoted. In this example, a 16th rest is not quoted, since
@code{rest-event} is not in @code{quotedEventTypes}."
doctitle = "Quoting another voice"
}
quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
-\addQuote quoteMe \quoteMe
-original = \relative c'' { c8 d s2 es8 gis8 }
+\addQuote quoteMe \quoteMe
+original = \relative c'' {
+ c8 d s2
+ \once \override NoteColumn #'ignore-collision = ##t
+ es8 gis8
+}
<<
- \new Staff {
- \set Staff.instrumentName = "quoteMe"
- \quoteMe
- }
- \new Staff {
- \set Staff.instrumentName = "orig"
- \original
- }
- \new Staff \relative c'' <<
- \set Staff.instrumentName = "orig+quote"
- \set Staff.quotedEventTypes = #'(note-event articulation-event)
- \original
- \new Voice {
- s4
+ \new Staff {
+ \set Staff.instrumentName = "quoteMe"
+ \quoteMe
+ }
+ \new Staff {
+ \set Staff.instrumentName = "orig"
+ \original
+ }
+ \new Staff \relative c'' <<
+ \set Staff.instrumentName = "orig+quote"
+ \set Staff.quotedEventTypes = #'(note-event articulation-event)
+ \original
+ \new Voice {
+ s4
\set fontSize = #-4
\override Stem #'length-fraction = #(magstep -4)
\quoteDuring #"quoteMe" { \skip 2. }
- }
- >>
+ }
+ >>
>>
lsrtags = "expressive-marks"
texidoc = "If the note which ends a hairpin falls on a downbeat,
the hairpin stops at the bar line immediately preceding. This behavior
-can be controlled by overriding the @code{'to-barline} property.
+can be controlled by overriding the @code{to-barline} property.
"
doctitle = "Setting hairpin behavior at bar lines"
}
\version "2.11.26"
-\layout { ragged-right= ##t }
\header {
lsrtags = "paper-and-layout"
texidoc = "A table of contents is included using
-@code{\\markuplines \\table-of-contents}. The TOC items are added with
+@code{\\markuplines \\table-of-contents}. The TOC items are added with
the @code{\\tocItem} command."
doctitle = "Table of contents"
}
\book {
\markuplines \table-of-contents
\pageBreak
-
- \tocItem \markup "The first score"
+ \tocItem \markup { The first score }
\score {
- {
+ {
c'1 \pageBreak
- \mark "A" \tocItem \markup "Mark A"
- d'
+ \mark "A" \tocItem \markup { Mark A }
+ d'1
}
}
\pageBreak
- \tocItem \markup "The second score"
+ \tocItem \markup { The second score }
\score {
- { e' }
+ { e'1 }
\header { piece = "Second score" }
}
}
\version "2.11.33"
\header {
lsrtags = "pitches"
- texidoc = "This example uses some Scheme code to enforce enharmonic modifications for
-notes in order to have the minimum number of accidentals. In this
-case, the following rules apply:
+ texidoc = "This example uses some Scheme code to enforce enharmonic
+modifications for notes in order to have the minimum number of
+accidentals. In this case, the following rules apply:
@itemize
@item
#(define (naturalize-pitch p)
(let* ((o (ly:pitch-octave p))
- (a (* 4 (ly:pitch-alteration p)))
+ (a (* 4 (ly:pitch-alteration p)))
; alteration, a, in quarter tone steps, for historical reasons
(n (ly:pitch-notename p)))
(cond
(cond
((> a 2) (set! a (- a 4)) (set! n (+ n 1)))
((< a -2) (set! a (+ a 4)) (set! n (- n 1))))
- (if (< n 0) (begin (set! o (- o 1)) (set! n (+ n 7))))
- (if (> n 6) (begin (set! o (+ o 1)) (set! n (- n 7))))
+ (if (< n 0) (begin (set! o (- o 1)) (set! n (+ n 7))))
+ (if (> n 6) (begin (set! o (+ o 1)) (set! n (- n 7))))
(ly:make-pitch o n (/ a 4))))
#(define (naturalize music)
\transpose c deses \music
\naturalizeMusic \transpose c deses \music
}
- \layout { ragged-right = ##t }
+ \layout {}
}
\header {
lsrtags = "tweaks-and-overrides"
texidoc = "
-With the @code{\tweak} command, you can tune every grob directly. Here
+With the @code{\\tweak} command, every grob can be tuned directly. Here
are some examples of available tweaks.
"
doctitle = "Using the @code{\tweak} command to tweak individual grobs"
}
-{
+\relative c' {
+ \time 2/4
\set fingeringOrientations = #'(right)
<
- \tweak #'font-size #3 c
+ \tweak #'font-size #3 c
\tweak #'color #red d-\tweak #'font-size #8 -4
- \tweak #'style #'cross g
- \tweak #'duration-log #1 a
- >4
+ \tweak #'style #'cross g
+ \tweak #'duration-log #2 a
+ >2
}
Red Hat Fedora
taipeifonts fonts-xorg-truetype ttfonts-ja fonts-arabic \
- ttfonts-zh_CN fonts-ja fonts-hebrew
+ ttfonts-zh_CN fonts-ja fonts-hebrew
Debian GNU/Linux
apt-get install emacs-intl-fonts xfonts-intl-.* \
- ttf-kochi-gothic ttf-kochi-mincho \
- xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
+ ttf-kochi-gothic ttf-kochi-mincho \
+ xfonts-bolkhov-75dpi xfonts-cronyx-100dpi xfonts-cronyx-75dpi
%}
\header {
lsrtags = "text"
texidoc = "Various scripts may be used for texts (like titles and
-lyrics) introduced by entering them in UTF-8 encoding, and using a
-Pango based backend. Depending on the fonts installed, this fragment
-will render Bulgarian (Cyrillic), Hebrew, Japanese and Portuguese.
+lyrics) by entering them in UTF-8 encoding, and using a Pango based
+backend. Depending on the fonts installed, this fragment will
+render Bulgarian (Cyrillic), Hebrew, Japanese and Portuguese.
"
doctitle = "UTF-8"
}
Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
}
-hebrew = \lyricmode {
+hebrew = \lyricmode {
זה כיף סתם לשמוע איך תנצח קרפד עץ טוב בגן.
}
-japanese = \lyricmode {
+japanese = \lyricmode {
いろはにほへど ちりぬるを
わがよたれぞ つねならむ
うゐのおくや まけふこえて
- あさきゆめみじ ゑひもせず
+ あさきゆめみじ ゑひもせず
}
% "a legal song to you"
-portuguese = \lyricmode {
+portuguese = \lyricmode {
à vo -- cê uma can -- ção legal
}
-\paper {
- ragged-right = ##t
-}
-
-\relative {
- c2 d e f g f e
+\relative {
+ c2 d
+ e2 f
+ g2 f
+ e1
}
\addlyrics { \bulgarian }
\addlyrics { \hebrew }
\layout { ragged-right= ##t }
\header {
lsrtags = "repeats,staff-notation"
- texidoc = "By adding @code{Volta_engraver}, repeat brackets
-can be put over staves other than the topmost one in a score."
+ texidoc = "By adding the @code{Volta_engraver} to the relevant
+staff, volte can be put over staves other than the topmost
+one in a score."
doctitle = "Volta multi-staff"
}
% LSR: this is a test which should get automatically
% LSR: removed from input/lsr/ -gp
-vmus = \relative c'' {
- \repeat volta 2 c1 \alternative { d e }
+voltaMusic = \relative c'' {
+ \repeat volta 2
+ c1
+ \alternative {
+ d e
+ }
}
<<
\new StaffGroup <<
- \context Staff \vmus
- \new Staff \vmus
+ \context Staff \voltaMusic
+ \new Staff \voltaMusic
>>
\new StaffGroup <<
- \new Staff \with { \consists Volta_engraver }
- \vmus
- \new Staff \vmus
+ \new Staff \with { \consists "Volta_engraver" }
+ \voltaMusic
+ \new Staff \voltaMusic
>>
>>
projects / lilypond.git / commitdiff